Log in

Relevant bibliographies by topics / Video art. Electronic music / Books

To see the other types of publications on this topic, follow the link: Video art. Electronic music.

Books on the topic 'Video art. Electronic music'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Video art. Electronic music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Electronica, Ars. Ars Electronica: Festival für Kunst, Technologie und Gesellschaft, Linz, 20. bis 27. Juni 1986. [Linz]: Die Gesellschaft, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Jean-Pierre, Criqui, Musée de la musique (Paris, France), and Australian Centre for the Moving Image., eds. Replay: Marclay. Zurich: JRP/Ringier, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Peter, Hall. Pause: 59 minutes of motion graphics : broadcast design, music video, animation, and experimental graphics from around the world. New York, NY: Universe, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Mind the Gap!: Medienkonstellationen zwischen zeitgenössischer Musik und Klangkunst. Saarbrücken: Pfau, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Cooke, Grayson. Live A/V in Australia. Broadway: UTS ePRESS, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Long Beach Museum of Art. Art of music video. Long Beach, Calif: Long Beach Museum of Art, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Torben, Christensen, and Statens Museum for Kunst, det kongelige Danske Kunstakademi., eds. Art & video in Europe: Electronic undercurrents. [København]: Statens Museum for Kunst, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Hollywood musicals, the film reader. London: Routledge, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Paik, Nam June. Nam June Paik video sculptures: Electronic undercurrents. [Denmark]: Statens museum for kunst, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Rundgren, Todd. Music for the eye. Berkeley, Calif: Celestial Arts, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Paik, Nam June. Nam June Paik: Video time, video space. Edited by Stooss Toni and Kellein Thomas. New York: H.N. Abrams, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Paik, Nam June. Nam June Paik: Video time, video space. Ostfildern-Ruit bei Stuttgart: Edition Cantz, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

1944-, Hall Doug, ed. Illuminating video: An essential guide to video art. New York, N.Y: Aperture in association with the Bay Area Video Coalition, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Judith, Funke, Riekeles Stefan 1976-, and Broeckmann Andreas, eds. ISEA 2010 Ruhr: Proceedings of the 16th International Symposium on Electronic Art. Berlin: Revolver, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Graham, Rodney. Rodney Graham, cinema music video: Kunsthalle Wien. [Vienna]: Kunsthalle Wien, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Margot, Lovejoy, ed. Digital currents: Art in the electronic age. 3rd ed. New York: Routledge, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Handmade electronic music: The art of hardware hacking. 2nd ed. New York: Routledge, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Handmade Electronic Music: The Art of Hardware Hacking. New York: Routledge, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Sounding the gallery: Video and the rise of art-music. Oxford: Oxford University Press, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Paik, Nam June. Nam June Paik: Fluxus, Video. Bremen: Kunsthalle Bremen, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Electròniques, Mostra d'Arts. Mostra d'Arts Electróniques 2000 = Artes electrónicas = Electronic arts: Centre d'Art SantaMònica : Barcelona, del 13 de setembre al 15 de novembre del 2000. [Catalunya]: Generalitat de Catalunya, Departament de Cultura, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Museum of Modern Art (New York, N.Y.), ed. Video spaces: Eight installations. New York: Museum of Modern Art, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

International Symposium on Electronic Art (16th : 2010 : Ruhr, Germany), ed. ISEA2010 RUHR: Ausstellung = Exhibition : Electronic atmospheres, 20 August-5 September 2010, Dortmund, Duisburg, Essen. Heidelberg: Kehrer, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

missing], [name. The magnetic era: Video art in the Netherlands 1970-1985. Rotterdam: NAi Publishers, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Musée des arts décoratifs (France), ed. French Touch: Graphisme, vidéo, électro. Paris: Arts décoratifs, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

NRW-Forum Kultur und Wirtschaft Düsseldorf, ed. Video: 25 Jahre Videoästhetik : eine Ausstellung des NRW-Forum Kultur und Wirtschaft, Düsseldorf. Ostfildern: Hatje Cantz Verlag, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Landy, Leigh. Understanding the art of sound organization. Cambridge, Mass: MIT Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Mostra, d'Arts Electròniques (2000 Barcelona Spain). Mostra d'Arts Electròniques 2000 =: Artes electrónicas = Electronic arts : Centre d'Art SantaMònica : Barcelona, del 13 de setembre al 15 de novembre del 2000. Barcelona: Generalitat de Catalunya, Departament de Cultura, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Paik, Nam June. Nam June Paik: Lo sciamano del video : [mostra. Milan: Mazzotta, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Westminster. New City Council. Public Libraries. Resources list: Film, video, reprographic, office, music, art and transportfacilities in Westminster. (London): The Libraries, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Perincioli, Cristina. Computer und Kreativität: Ein Kompendium für Computer-Grafik, -Animation, -Musik und Video. Köln: DuMont Buchverlag, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Rise of the videogame zinesters: How freaks, normals, amateurs, artists, dreamers, drop-outs, queers, housewives, and people like you are taking back an art form. New York: Seven Stories Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Entāpuraizesu, SEGA. SEGA TV gēmu genga gyararī =: Video game illustrations. Tōkyō: Gurafikkusha, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

L' art des sons fixés, ou, La musique concrètement. Fontaine: Editions Metamkine/Nota Bene/Sono concept, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

SIGGRAPH (Conference) (27th 2000 New Orleans, La.). Electronic art and animation catalog: SIGGRAPH 2000, 23-28 July, 2000, New Orleans, La. New York: ACM SIGGRAPH, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Hahn, Alexander. Alexander Hahn: Werke 1976-2006 = Works 1976-2006 : Kunstmuseum Solothurn [20. Januar - 9. April 2007], Museum der Moderne Salzburg [12. Mai - 8. Juli 2007]. Heidelberg: Kehrer, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Nam June Paik. Exposition of Music. Electronic Television. Revisited. Verlag der Buchhandlung Walther Konig, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Szendy, Peter, Rosalind Krauss, Philippe-Alain Michaud, Michael Snow, Emma Lavigne, and Christian Marclay. Christian Marclay: Replay. JRP Ringier, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

1967-, Weir Kathryn Elizabeth, Chambers Nicholas, and Queensland Art Gallery, eds. Video hits: Art & music video. South Brisbane: Queensland Art Gallery, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

American landscape video: The electronic grove. Pittsburgh, Pa: Carnegie Museum of Art, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Statens museum for kunst (Denmark), ed. Electronic undercurrents. [Copenhagen]: Statens Museum for Kunst, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Alexandre, Pollazzon, (Trans)position, and Candid Arts Trust, eds. Video stage 1.0: The Music session : art video show. London: (Trans)position, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Weinel, Jonathan. Abstractions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0009.

Full text

Abstract:

The concluding chapter of Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media consolidates the main arguments of the book. The journey taken is recapitulated, from shamanic rituals to psychedelic rock shows and raves; and from outdoor electroacoustic concerts to synaesthetic films and hallucinatory video games. Across these examples, similar underlying principles can be identified, revealing a continuity from ancient shamanism to modern ‘technoshamanism’. Yet while some imperatives have remained consistent, the technologies have evolved, yielding ever-more accurate and sophisticated representations of altered states in electronic music and audio-visual media. This finds us on the brink of ‘Altered States of Consciousness Simulations’, which replicate the sensory experience of altered states using immersive technologies such as fulldomes and virtual reality headsets. Looking forwards, the possible uses and ethical implications of these simulations are explored, at the frontiers of electronic music and art.

APA, Harvard, Vancouver, ISO, and other styles

44

Art of music video: Ten years after. Long Beach, CA: Long Beach Museum of Art, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Garrett, Phelan, Wood Katherine 1965-, Lucas Annabel, and Firstsite (Organization), eds. Racer untitled. Colchester, England: Firstsite, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

McKee, Francis, and Annabel Lucas. Racer Untitled. firstsite, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Lurk, Tabea. Tony Conrad: Video - und Darueber Hinaus. Lang AG International Academic Publishers, Peter, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Lurk, Tabea. Tony Conrad: Video - und Darueber Hinaus. Lang AG International Academic Publishers, Peter, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Lurk, Tabea. Tony Conrad: Video - und Darueber Hinaus. Lang AG International Academic Publishers, Peter, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Weinel, Jonathan. Inner Sound. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.001.0001.

Full text

Abstract:

Inner Sound explores how altered states of consciousness have shaped the design of electronic music and audio-visual media. The book begins by discussing consciousness, and how this may change during states such as dreaming, psychedelic experience, meditation, and trance. Next, a variety of shamanic traditions are reviewed, in order to explore how indigenous societies have reflected visionary experiences through visual art and music. This provides the necessary background from which to consider how analogue and digital audio technologies enable specific capabilities for representing or inducing altered states of consciousness in psychedelic rock, electronic dance music, and electroacoustic music. Developing the discussion to consider sound in the context of audio-visual media, the role of altered states of consciousness in films, visual music, VJ performances, interactive video games, and virtual reality applications is also discussed. Through the analysis of these examples, the author uncovers common mechanisms, and ultimately proposes a conceptual model for ‘Altered States of Consciousness Simulations’. This theoretical model describes how sound can be used to simulate various subjective states of consciousness from a first-person perspective, in an interactive context. Throughout the book, the ethical issues regarding altered states of consciousness in electronic music and audio-visual media are also explored, ultimately allowing the reader to consider not only the design of Altered States of Consciousness Simulations, but also the implications of their use for digital society. In this way, Inner Sound explores the limits of technology for representing and manipulating consciousness, at the frontiers of electronic music and art.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!