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Books on the topic 'Video editors'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 May 2022

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1

Final Cut Pro for Avid editors. 4th ed. Peachpit, 2011.

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2

Final Cut Pro for Avid editors: A guide for editors making the switch. Peachpit, 2003.

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3

Photoshop CS for nonlinear editors. 2nd ed. CMP Books, 2004.

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4

Final Cut Pro for Avid editors. 3rd ed. Peachpit, 2008.

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5

Final cut pro for Avid editors. Peachpit, 2004.

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6

Final Cut Pro X beyond the basics: Advanced techniques for editors. Focal Press, Taylor & Francis Group, 2015.

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7

Soundtrack: [create original scores for video, DVD and the Web]. Peachpit Press, 2004.

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8

Using Soundtrack: Produce original music for video, DVD, and multimedia. CMP Books, 2004.

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9

First cut: Conversations with film editors. University of California Press, 1992.

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10

Soundtrack Pro 2. Peachpit Press, 2008.

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11

Sitter, Martin. Soundtrack Pro 2. Peachpit Press, 2008.

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12

Jordan, Larry. Adobe production premium for Final cut studio editors. Focal Press, 2010.

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13

Adobe CS production premium for Final cut studio editors. Focal Press, 2010.

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14

Shepherd, Ashley. Pro Tools for video, film, and multimedia. 2nd ed. Course Technology, 2008.

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15

Shepherd, Ashley. Pro Tools for video, film and multimedia. Muska & Lipman, 2003.

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16

Iacobus, ed. Instant ACID. CMP Books, 2005.

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17

Schneider, Arthur. Jump cut!: Memoirs of a pioneer television editor. McFarland, 1997.

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18

Ozer, Jan. Adobe digital video how-tos: 100 essential techniques with Adobe production studio. Peachpit, 2007.

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19

K, Jain Vijay, McWaters Marcus M, Kunt M. 1945-, and University of South Florida. Center for Digital and Computational Video., eds. Second International Workshop on Digital and Computational Video: Proceedings : February 8-9, 2001, Tampa, Florida, USA ; sponsored by Center for Digital and Computational Video, University of South Florida ; editors, V.K. Jain, M.M. McWaters, and M. Kunt. IEEE Computer Society, 2001.

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20

Lippert, Rick Allen. Soundtrack Pro 3: Essential training. Lynda.com, 2009.

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21

Editing Hollywood's editors: Cleaning flicks for families : hearing before the Subcommittee on Commerce, Trade, and Consumer Protection of the Committee on Energy and Commerce, House of Representatives, One Hundred Ninth Congress, second session, September 26, 2006. U.S. G.P.O., 2006.

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22

Pro Tools 10 for game audio. Course Technology/Cengage Learning, 2012.

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23

David, Liban, ed. The video editor's guide to Soundtrack Pro: Workflows, tools, and techniques. Elsevier, 2010.

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24

Gandelman, Henrique. A pirataria de filmes cinematográficos em videocassetes. União Brasileira de Vídeo, 1985.

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25

Sound editing in Final Cut Studio. Peachpit Press, 2010.

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26

Trunt︠s︡evskiĭ, I︠U︡ V. Videopiratstvo: Ugolovnai︠a︡ otvetstvennostʹ, raskrytie i rassledovanie prestupleniĭ : posobie. Uchebno-konsulʹtat︠s︡ionnyĭ t︠s︡entr "I︠U︡rInfoR", 2000.

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27

Baer, Ellen Davidson. Editor's notes for "Nursing in America: a history of social reform: A video documentary. National League for Nursing, 1990.

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28

Baer, Ellen Davidson. Editor's notes for "Nursing in America: a history of social reform: A video documentary. National League for Nursing, 1990.

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29

Die Vergütung für die Überspielung zum privaten Gebrauch gemäss [Paragraphen] 54 Absatz 1 UrhG und ihre Verteilung unter die Berechtigten im Filmbereich. P. Lang, 1993.

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30

Mark, Riley, ed. The craft of the cut: The Final Cut Pro X editor's handbook. John Wiley & Sons Ltd, 2012.

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31

Editoria decima arte?: Contaminazioni multimediali e spericolatezze videoludiche. Guaraldi, 2009.

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32

Parilli, Ricardo Antequera. La piratería cinematográfica en Venezuela. Diario de Tribunales, 1986.

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33

Great Britain. Department of Trade and Industry. The recording and rental of audio and video copyright material: A consultative document. H.M.S.O., 1985.

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34

Davies, Gillian. Music and video private copying: An international survey of the problem and the law. Sweet & Maxwell, 1993.

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35

Maus, Joachim. Die digitale Kopie von Audio- und Videoprodukten: Die Nutzung von Film und Musik im privaten Bereich und deren Behandlung im deutschen und im internationalen Urheberrecht. Nomos, 1991.

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36

Der strafrechtliche Schutz des ausübenden Künstlers, des Tonträger- und Filmherstellers und des Sendeunternehmens: Dargestellt auf dem Hintergrund der sogenannten Tonträger- und Videopiraterie. P. Lang, 1987.

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37

Rob, Rafael. Piracy on the silver screen. National Bureau of Economic Research, 2006.

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38

United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Technology and the Law. Motion Picture Anti-Piracy Act of 1991: Joint hearing before the Subcommittee Technology and the Law and the Subcommittee on Patents, Copyrights, and Trademarks of the Committee on the Judiciary, United States Senate, One Hundred Second Congress, first session, on S. 1096 ... July 24, 1991. U.S. G.P.O., 1992.

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39

European Court of Human Rights. Affaire Chappell: Arrêt du 30 mars 1989 : Affaire Brogan : arrêt du 30 mai 1989 (article 50) = Chappell case : judgment of 30 March 1989 : Brogan case : judgment of 30 May 1989 (article 50). Greffe de la Cour, Conseil de l'Europe, 1989.

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40

Krömer, Jan. No copy: Die Welt der digitalen Raubkopie. Tropen, 2006.

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41

IT kangguk Han'guk ŭi yŏnghwa hŭnghaeng chŏllyak. Han'guk Haksul Chŏngbo, 2010.

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42

Larichev, V. D. Zashchita avtorskogo i smezhnykh prav v audiovizualʹnoĭ sfere: Ugolovno-pravovoĭ i kriminologicheskiĭ aspekty. Izd-vo "Delo", 2004.

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43

Cunningham, Megan. The art of the documentary: Ten conversations with leading directors, cinematographers, editors, and producers. New Riders, 2005.

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44

The art of the documentary: Ten conversations with leading directors, cinematographers, editors, and producers. New Riders, 2005.

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45

Family Entertainment and Copyright Act of 2005: Report together with minority views (to accompany S. 167) (including cost estimate of the Congressional Budget Office). U.S. G.P.O., 2005.

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46

World copyright law: Protection of authors' works, performances, phonograms, films, video, broadcasts, and published editions in national, international, and regional law. Sweet & Maxwell, 1998.

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47

World copyright law: Protection of authors' works, performances, phonograms, films, video, broadcasts, and published editions in national, international, and regional law. 2nd ed. Sweet & Maxwell, 2003.

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48

World copyright law: Protection of authors' works, performances, phonograms, films, video, broadcasts, and published editions in national, international, and regional law. 3rd ed. Sweet & Maxwell, 2008.

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49

Sterling, J. A. L. World copyright law: Protection of authors' works, performances, phonograms, films, video, broadcasts, and published editions in national, international, and regional law. 2nd ed. Sweet & Maxwell, 2003.

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50

Jones, Stuart Blake. Video Color Correction for Non-Linear Editors. Routledge, 2013. http://dx.doi.org/10.4324/9780080520551.

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