Relevant bibliographies by topics / Video installation

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Video installation'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Video installation"

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Oppenheimer, Robin. "Video Installation." Afterimage 34, no. 5 (2007): 14–18. http://dx.doi.org/10.1525/aft.2007.34.5.14.

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Barbosa de Argôlo, Inês Regina, Bruno Mendes da Silva, and Gabriela Borges. "The Video Installation Rejeitorio." International Journal of Art, Culture, Design, and Technology 11, no. 3 (2022): 1–14. http://dx.doi.org/10.4018/ijacdt.316135.

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Rejeitorio is an interactive video installation mediated by digital technology that points to the urgency of preserving the São Francisco River, especially after the dam collapse in the city of Brumadinho (Brazil), which resulted in the contamination of one of its tributaries with toxic tailings. The video installation features 2D animations that alternate according to the presence or absence of the public within the demarcated space. This paper addresses its exhibition, reception by the public, and related works in aesthetic, media, or operational terms. This is an expanded version of a paper
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Ekinci, Berivan. "Gender, action and expression in Pipilotti rist’s ever is over all video art." Global Journal of Arts Education 11, no. 2 (2021): 131–40. http://dx.doi.org/10.18844/gjae.v11i2.6123.

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In this study, two channelled and coloured video installation called Ever is Over All dated 1997 by Pipilotti Rist’s being one of the artists who shaped video installations is analysed. In this installation produced by Pipilotti Rist as a woman artist, a woman in an entranced mood is shown smashing the glasses of some of the cars parked on the roadside. There is the vast space of the flower field on the one side and then there is a cheerful woman as the main character crashing the glasses of the parked cars on the roadside with a long stemmed flower just like from the field. The female body is
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Cacchione, Orianna. "Related rhythms: Situating Zhang Peili and contemporary Chinese video art in the globalizing art world." Journal of Contemporary Chinese Art 5, no. 1 (2018): 21–39. http://dx.doi.org/10.1386/jcca.5.1.21_1.

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Despite being considered the first video artist to work in China, the majority of Zhang Peili’s earliest video works were originally exhibited abroad. In many of these exhibitions, his videos were displayed in different installation formats and configurations. One of the most evident of these changes occurred at the travelling exhibition China Avant-Garde. In Berlin, the opening venue of the exhibition, two videos were displayed in ways that differed from their original presentations; Document on Hygiene No. 3 (1991) and Assignment No. 1 (1992) were presented as singlechannel videos on single
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Denis, Maxence. "Kwa Bawon: A Video Installation." Small Axe: A Caribbean Journal of Criticism 18 (September 2005): 171–75. http://dx.doi.org/10.2979/sax.2005.-.18.171.

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Atila Dzhagarova, Lili. "Video Installation in Public Space." Open Journal for Studies in Arts 1, no. 1 (2018): 29–42. http://dx.doi.org/10.32591/coas.ojsa.0101.03029d.

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Denis, M. "Kwa Bawon: A Video Installation." Small Axe: A Caribbean Journal of Criticism 9, no. 2 (2005): 171–75. http://dx.doi.org/10.1215/-9-2-171.

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OnacloV. "Hijacking Documentary into Video Installation Art." Hyperrhiz: New Media Cultures, no. 3 (August 2007): 1. http://dx.doi.org/10.20415/hyp/003.e01.

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Villar, Alex. "Temporary Occupations, video and installation, 2001." Rethinking Marxism 15, no. 3 (2003): 418–19. http://dx.doi.org/10.1080/0893569032000131965.

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Bouman, Margot. "Sobre o tempo sampleado e o espaço intermedial: pós-produção, vídeo-instalação e The Clock de Christian Marclay." Revista Laika 3, no. 6 (2014): 121–47. http://dx.doi.org/10.11606/issn.2316-4077.v3i6p121-147.

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Like other postproduction work by contemporary artists and purveyors of popular culture, the videos of artist, musician and composer Christian Marclay use accumulations of cultural data extracted from thousands of films (and television shows) as raw material for the diegesis. What sets Marclay’s installation The Clock (2010) apart from other installations and films in this category is the interrelationship established between its postproduction aesthetic and its specific display conditions. By matching on-screen time with actual time in a carefully designed exhibition context, The Clock simult
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Dissertations / Theses on the topic "Video installation"

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Toth, Ibojka Maria. "Borderland American - Hungarian video installation /." [Kent, Ohio] : Kent State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1165764619.

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Thesis (M.F.A)--Kent State University, 2006.<br>Title from PDF t.p. (viewed March 27, 2008). Advisor: Martin Ball. Keywords: American - Hungarian Video Installation, 1956 Hungarian Revolution, Budapest, Hungary, Documentary - Style Production Process, Fragmented Memories of Time and Place, American - Hungarian Struggles with Personal and Cultural Identities, Discourse about Mul.
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Vatsella, Christina. "La question de l'espace dans l'installation vidéo." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040269.

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Ayant comme point de départ les premières expérimentations de Nam June Paik avec les téléviseurs au début des années 1960, cette étude suit l’évolution historique de l’installation vidéo en parcourant cinq décennies de création. La problématique de l’espace, fil conducteur de cette recherche, nous amène d’abord à la constitution d’une typologie. Fruit de l’étude de l’évolution des formes principales de l’installation vidéo, cette classification a pour objet l’œuvre sous sa forme aboutie, c’est-à-dire installée. Néanmoins, cet état n’est que le résultat final d’un long processus. Divisée en qua
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Dauget, Stéphanie. "Au seuil du visible : pour un dispositif critique de l'installation vidéo." Thesis, Bordeaux 3, 2012. http://www.theses.fr/2012BOR30060.

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L’enjeu du comment montrer et du comment voir n’a jamais été plus fascinant ni plus insolvable qu’à l’ère du totalitarisme visuel. L’image vidéo, issue de cette veine vorace et versatile, est devenue un vecteur privilégié pour réfléchir au sort du visible dans les arts actuels. La réhabilitation de cette image passe par la blessure de sa surface lissante qui en restaure la profondeur. Dans l’art vidéo, ce rôle peut être accordé au dispositif technique assurant la transmission des images. Nous verrons comment cet agencement matériel peut devenir un nouveau cadre pour l’image vidéo : un disposit
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Berigny, Wall Caitilin de. "Documentary transforms into video installation via the processes of intertextuality and detournement /." Canberra : University of Canberra, 2006. http://erl.canberra.edu.au/public/adt-AUC20070723.103335/index.html.

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Thesis (PhD) -- University of Canberra, 2007.<br>Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of Canberra, May 2007. Includes filmography (leaves 124-126) and bibliography (leaves 130-136). Also available online.
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Maziere, Jean-Michel. "Testing the curatorial in artists' film and video installation." Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/9zx1z/testing-the-curatorial-in-artists-film-and-video-installation.

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This PhD by published work critically examines ten years of curatorial practice in the field of artists' film and video by the author. The aim of the thesis and publications is to question and challenge the contemporary integration of artists’film and video installation into the language of the visual arts, the context of the white cube and the privileged definitions of curatorial practice. This PhD also places these questions in a historical context, taking into account the early and often overlooked developments of artists’ film and video exhibition. This research was carried our through ind
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Le, Prado Cécile. "Ecriture sonore : entre déterminisme, émergence et interactivité." Thesis, Paris, CNAM, 2013. http://www.theses.fr/2013CNAM0913/document.

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L’auteur de cette thèse a réalisé, en tant que compositeur, un ensemble d’installations sonores. Ce travail part d’une composition déterministe et linéaire et mène progressivement à une œuvre ouverte. Durant les dernières années, ce travail a été influencé par les méthodes d’écritures utilisées dans la conception de jeux vidéo, aboutissant à des œuvres sonores spatiales et interactives. Dans le processus de conception de ces dernières, le compositeur va être amené à penser la conception sonore dans un espace virtuel ou réel en fonction des déplacements d’un auditeur. Une façon de mener cette d
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Shaffer, Michael J. "Dan Graham's Video-Installations of the 1970s." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/56.

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This dissertation examines the video-installations created by American artist Dan Graham in the 1970s. It investigates the artist's relationship to Minimalism by analyzing themes Graham highlights in his own writings and in interviews. In particular, I explore how the artist's understanding of Herbert Marcuse, Walter Benjamin, and R.D. Laing informed his post-Minimalist work and how concepts gleaned from these sources are manifest in his video-installations. Also undertaken are discussions of the artist's interest in aestheticized play, the just-past present, the debate between Behaviourism
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King, Donald V. "(Frame) /-bridge-\ !bang! ((spill)) *sparkle* (mapping Mogadore) /." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1216759724.

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Thesis (M.F.A.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed Oct. 19, 2009). Advisor: Paul O'Keeffe. Keywords: Sculpture, Installation Art, Video Art. Includes bibliographical references (p. 25).
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Aroztegui, Massera Carmen. "The calabozo: virtual reconstruction of a prison cell based on personal accounts." Texas A&M University, 2005. http://hdl.handle.net/1969.1/3736.

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The objective of my research is to create a visualization of a place based on personal experiences. My research addresses this issue through a case study: the visualization of a women’s political prison located in Punta de Rieles, Uruguay, during the Uruguayan dictatorship (1973-85). In June of 2002, I went to Uruguay and interviewed nine female former political prisoners. I asked them to tell me stories about what happened to them during their time in prison. My research aims at relating their experience of prison through a visualization of their stories. The challenge addressed by my resear
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Beyrouthy, Damien. "Corps peuplés d'images, corps peuplant l'image : interrogation par l'art vidéo d'un entremêlement à l'ère dite postmoderne." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20001.

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Cette thèse explore comment l’art actuel, plus spécifiquement vidéo, permet d’interroger le rapport entre corps et images. Un lien étroit les unit aujourd’hui ; l’art vidéo, fruit de ce temps postmoderne, paraît assez adapté à son exploration. Tout d’abord, les modalités d’influence de l’image sont déclinées. Quatre sources appuient l’élaboration d’hypothèses : les théories psychanalytiques et phénoménologiques, des faits de société, des productions artistiques (provenant aussi bien d’artistes confirmés que de notre propre pratique) et les théories de l’image (histoire de l’art et esthétique).
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Books on the topic "Video installation"

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Lucier, Mary. Wilderness: A video installation. New England Foundation for the Arts, 1986.

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Myers, Rita. Phantom cities: A video installation. University Gallery, 1990.

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Mary, Lucier, and Toledo Museum of Art, eds. Noah's raven: A video installation. Toledo Museum of Art, 1993.

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Gallery, Tate, ed. Performance art and video installation. Tate Gallery, 1985.

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Goodwin, Dryden. Closer: Three screen video installation. Tate, 2002.

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Jahn, Hartmut. Babylon circus ; Video film installation. Verlag für moderne Kunst, 2005.

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Brech, Christoph. Passagen: Video, Fotografie, Installation : Christoph Brech. Wienand, 2009.

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Brech, Christoph. Passagen: Video, Fotografie, Installation : Christoph Brech. Wienand, 2009.

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Hegarty, Frances. Voice over: Installation with video & sound. [Metropolitan Galleries?], 1995.

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Michael, Buhrs, Firmenich Andrea 1959-, Janssen Johannes, Sinclair-Haus, and Museum Villa Stuck, eds. Passagen: Video, Fotografie, Installation : Christoph Brech. Wienand, 2009.

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Book chapters on the topic "Video installation"

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Simine, Silke Arnold-de. "Testimonial Video Installation." In Mediating Memory in the Museum. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137352644_12.

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Charleson, Diane. "Video Installation and the Agency of the Viewer." In Filmmaking as Research. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24635-8_5.

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Krewani, Angela. "The Selfie as Feedback: Video, Narcissism, and the Closed-Circuit Video Installation." In Exploring the Selfie. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-57949-8_5.

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Lysova, Tatiana. "Video Surveillance and Public Space: Surveillance Society Vs. Security State." In Frontiers in Sociology and Social Research. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11756-5_14.

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AbstractSince the end of the last century, the number of video surveillance cameras installed in public spaces has increasingly grown worldwide. Although the installation of video surveillance should allegedly deter crime and improve the fear of crime and the perception of insecurity, the technology collects a vast number of traces of all the members of a population, regardless of their criminal intentions. In the academic literature, two main theoretical approaches have been formed to comprehend the role of video surveillance in public spaces: surveillance society and security state. Interest
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Liu, Qianyu. "Research on the Application of New Media Video Installation Art in Display Design." In Proceedings of the 2023 9th International Conference on Humanities and Social Science Research (ICHSSR 2023). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-092-3_163.

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Kavanaugh, Wade, and Stephen B. Nguyen. "473 Inches at 60 Frames Per Second." In Making the Geologic Now. punctum books, 2012. https://doi.org/10.21983/p3.0014.1.32.

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473 Inches at 60 Frames per Secondwas a site-specific sculptural installation with reference to the Wisconsin Glacial Episode, a glacial period that left Minnesota and parts of Wisconsin covered with numerous lakes and rivers. At the Soap Factory in Minneapolis, MN, Wade Kava-naugh and Stephen B. Nguyen created a two-part artwork that consisted of a glacial ice sheet made of textured white kraft paper and a time lapse video. The two works were physically and temporally downscaled to human scale. The sculpture was created in a way that the final stop-motion documentation read as if the glacier
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Meng, Yuan. "Research and Exploration on the Application of Dynamic Art Video Installation Based on New Media Context." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2024. http://dx.doi.org/10.2991/978-2-38476-259-0_62.

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Craven, Michael P., Lucy Simons, Alinda Gillott, Steve North, Holger Schnädelbach, and Zoe Young. "Evaluating a Public Display Installation with Game and Video to Raise Awareness of Attention Deficit Hyperactivity Disorder." In Human-Computer Interaction: Interaction Technologies. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20916-6_54.

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Cornelisse, Richard. "Non-linear Video Documentary Installation Frameworks, and Poetic Linkage in Silk Road Stories: Life and Displacement on the Automated Highway." In Lecture Notes in Computer Science. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06047-2_13.

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Taraba, Sylvia. "»Mystik des Lichts« und »Landschaft mit Fußwanderung. Hommage an Caspar David Friedrich« (Video-Installationen)." In Film, Fernsehen, Video und die Künste. J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03527-1_19.

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Conference papers on the topic "Video installation"

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Alepko, Andrey, Tagir Abdullin, Evgenii A. Semenishchev, Olga Tokareva, and Petr Karlov. "Development of a system for positioning semiconductor chips using video data during installation." In Optoelectronic Imaging and Multimedia Technology XI, edited by Zhenrong Zheng and Jinli Suo. SPIE, 2024. http://dx.doi.org/10.1117/12.3039002.

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Edgemon, Glenn L., Graham E. C. Bell, and Gary Baker. "Corrosion of Fire Protection System Lines at the Nevada Test Site's Device Assembly Facility." In CORROSION 2010. NACE International, 2010. https://doi.org/10.5006/c2010-10217.

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Abstract The Device Assembly Facility (DAF) is a collection of 30 individual steel-reinforced buildings connected by a rectangular racetrack corridor built in the Nevada desert in the mid-1980s. The DAF fire suppression system includes 29 carbon steel lead-in lines that run underground from the header loop line to a variety of risers inside the DAF. The lead-in lines are fabricated from 4-in. or 6-in. diameter carbon steel pipes lined and coated with coal tar enamel (CTE). Particles and flakes of the CTE lining have been appearing in water used to flush the fire suppression piping since the in
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Smolin, Lydia, and Katrin Wolf. "Who’s Watching? A feminist urban video installation." In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.27.

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Zheng, Ying, and Peng Zhang. "Interactive Video Installation Art Under New Media Art." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.018.

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Tardieu, D., X. Siebert, S. Dupont, B. Mazzarino, and B. Blumenthal. "An interactive installation for browsing a dance video database." In 2010 IEEE International Conference on Multimedia and Expo (ICME). IEEE, 2010. http://dx.doi.org/10.1109/icme.2010.5583260.

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Amano, Toshiyuki. "Adaptive Appearance Manipulation for the Installation Art." In JSAP-OSA Joint Symposia. Optica Publishing Group, 2017. http://dx.doi.org/10.1364/jsap.2017.6a_a409_5.

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The optical feedback system that consists of a video projector and a camera enables appearance manipulation, which manipulates apparent color, and brightness, etc., with adaptive radiometric compensation and it affects our material perception. Its application field includes the visual inspection, assistance for visual impairment, optical illusion, and installation art.
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Cucicov, Dorin. "Mytherrella: an interactive installation hallucinating mythological auroral formations." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-7-short-cucicov-mytherrella.

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SHORT PAPER. Up until very recently, mythological tales predominated in the explanation of the polar auroras. Today, we understand that the polar lights are a phenomenon brought on by the solar winds' interaction with the magnetosphere of the Earth leading to precipitation of energetic particles on the topside ionised atmosphere. However, for a long time, this phenomenon inspired vibrant trans-border stories with a profound impact on local communities. In our interactive installation, Mytherrella, we aimed to create a dynamic environment in which scientific data and mythological storytelling u
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Lotis, Theodoros. "Tribalism and local structures in a music and video installation." In the 7th Audio Mostly Conference. ACM Press, 2012. http://dx.doi.org/10.1145/2371456.2371481.

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Rogachev, I. K., and M. S. Shushnov. "Analogue and digital video surveillance systems." In Modern Problems of Telecommunications - 2024. Siberian State University of Telecommunications and Information Systems, 2024. http://dx.doi.org/10.55648/spt-2024-1-194.

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This paper discusses the types of video surveillance systems, features of operation and installation, and their differences. The principles for choosing the type of video surveillance cameras are also analyzed, depending on the conditions in which the system is designed.
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Chorianopoulos, K., and T. Rieniets. "City of collision: an interactive video installation to inform and engage." In 3rd IET International Conference on Intelligent Environments (IE 07). IEE, 2007. http://dx.doi.org/10.1049/cp:20070415.

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Reports on the topic "Video installation"

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Strehlow, J. P. Structural analysis of color video camera installation on tank 241AW101 (2 Volumes). Office of Scientific and Technical Information (OSTI), 1994. http://dx.doi.org/10.2172/10180912.

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Arhin, Stephen, Babin Manandhar, Kevin Obike, and Melissa Anderson. Impact of Dedicated Bus Lanes on Intersection Operations and Travel Time Model Development. Mineta Transportation Institute, 2022. http://dx.doi.org/10.31979/mti.2022.2040.

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Over the years, public transit agencies have been trying to improve their operations by continuously evaluating best practices to better serve patrons. Washington Metropolitan Area Transit Authority (WMATA) oversees the transit bus operations in the Washington Metropolitan Area (District of Columbia, some parts of Maryland and Virginia). One practice attempted by WMATA to improve bus travel time and transit reliability has been the implementation of designated bus lanes (DBLs). The District Department of Transportation (DDOT) implemented a bus priority program on selected corridors in the Dist
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Marlatt, Richard M., Thomas A. Hale, R. G. Sullivan, and J. C. Douglas. Video Simulation for Training Land Design and Management. TRADOC Installations, Fiscal Years 1992-1993. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada299801.

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Shetty, Vyshnavi, Mycola Sauciur, and Anurag Pande. Investigating the Conversion of a Signalized Intersection to a Turbo Roundabout. Mineta Transportation Institute, 2025. https://doi.org/10.31979/mti.2025.2233.

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Turbo roundabouts are multilane roundabouts with helical pavement markings and raised structures. While they have seen widespread use in Europe, California is only the second state in the U.S. (after Florida) to have installed a turbo roundabout. Turbo roundabouts separate the ingress and circulating roadways. The concept was proposed and implemented in the Netherlands to mitigate congestion by improving traffic flow efficiency and addressing safety concerns on conventional multilane roundabouts. This research evaluates the first-ever turbo roundabout in California and compares its safety and
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