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Dissertations / Theses on the topic 'Video journalism'
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Gunnarsson, Peter. "Formatets betydelse : hur arbetsprocesser och produktionsvillkor formar journalistiken i webb-tv." Thesis, Södertörns högskola, Institutionen för kommunikation, medier och it, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-17459.
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New technology has created new opportunities for journalists working with web TV. Changes in the work processes have led to new professional roles. According to the theory of media logic such events become news that suits media organizations and working conditions. How does the media logic affect the editorial workflow and how does it affect professional roles? In light of my own experience in various roles in television journalism, I examine how the web TV format shapes the work of journalists. Based on previous research in this area, this thesis also examines the professional role video reporters play and what this new role means in relation to other professional roles in journalism. Previous research shows that the video reporter role offers both opportunities and threats to journalism. (Brännström 2008, Wallace 2009, Nygren & Zuiderveld, 2011, and others). This study, based on participant observation at a web TV editorial desk, shows that the media logic of the format of web TV affects the work process in several ways. First, in terms of how news is produced in the field, and how news is created and re-created from existing material at the production desk. Inasmuch that consumers are increasingly becoming potential producers with cellphone cameras, there is a potential video journalist in every cellphone owner. The pace of work drives journalists to publish at a faster pace, which in turn means less time for reflection. Often the job of the video reporter is to select an in-point and out-point in an interview quickly and publish! This survey also highlights the video reporter’s role in relation to other journalists that work at a web editorial desk. The result shows that there is a difference between video reporters and writing reporters and also that there are differences within the group of video reporters. The study also provides an insight into the journalistic challenges at hand with new differentiations and combinations of roles in journalism within the field of web TV.In light of the observations derived from the material, one can say that the work of the video reporter at a web TV editorial desk is very much molded into a shape, the shape of practice governing the work, or in other words, the media logic controls what kind of video journalism reporters exercise in the production of online web TV.
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Soler, Alejandro. "Can We Save Video Game Journalism? : Can grass roots media contribute with a more critical perspective to contemporary video game coverage?" Thesis, Uppsala universitet, Institutionen för informatik och media, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-225392.
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Video game journalism has been accused for lack in journalistic legitimacy for decades. The historical relation between video game journalists and video game publishers has always been problematic from an objective point of view, as publishers have the power to govern and dictate journalistic coverage by withdrawing financial funding and review material. This has consequently lead to lack in journalistic legitimacy when it comes to video game coverage. However, as the grass roots media movement gained popularity and attention in the mid 2000s, a new more direct and personal way of coverage became evident. Nowadays, grass roots media producers operate within the same field of practice as traditional journalists and the difference between entertainment and journalism has become harder than ever to distinguish. The aim of this master thesis is to discover if grass roots media is more critical than traditional video game journalism regarding industry coverage. The study combines Communication Power theory, Web 2.0 and Convergence Culture, as well as Alternative Media and Participatory Journalistic theory, to create an interdisciplinary theoretical framework. The theoretical framework also guides our choice in methodology as a grounded theory study, where the aim of analysis is to present or discover a new theory or present propositions grounded in our analysis. To reach this methodological goal, 10 different grass roots media producers were interviewed at 6 different occasions. The interviewees were asked about their opinions regarding grass roots media production, their own contribution, as well how they identified journalistic coverage. It was discovered that the grass roots media producers were not more critical than traditional video game journalists. This was because grass roots media producers operate under the rules of entertainment production. It was discovered that if grass roots media producers break out of the normative rules of entertainment production, they would either loose their autonomous freedom or funding, resulting in a catch-22 situation. Furthermore, it was found that grass roots media producers did not identify themselves as journalists; rather they identified themselves as game critics or reviewers. Thus, a video game journalist is categorised as an individual that report writes or edits video game news as an occupation, with formal journalistic training. However, since neither grass roots media producers nor industry veterans in general have journalistic training, it is still unclear who is a video game journalist. Lastly, we found that grass roots media producers have little possibility to influence traditional video game journalism. The only way to increase the status of journalistic legitimacy is by encouraging journalism itself, to engage in critical media coverage. As there is a public demand for industry coverage, and journalistic legitimacy is grounded on the normative democratic self-descriptions of the profession, video game journalism needs to move beyond entertainment and engage in democratically, constructive and critical coverage.
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Holmes, Christine Margaret. "Exploration of Information Processing Outcomes in 360-Degree Video." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1544104147312149.
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Semenchuk, Anastasia Kostiantynisvna, and Анастасія Костянтинівна Семенчук. "Impact of social media on journalism." Thesis, National aviation university, 2021. https://er.nau.edu.ua/handle/NAU/50071.
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1. Alejandro J. Journalism in the age of social media [Електронний ресурс]. – 2010. Режим доступу: https://pdfs.semanticscholar.org/dd2d/ bfaf6d3144674951949252cea25b89c89fa8.pdf 2. Bossio D., Bebawi S. Mapping the emergence of social media in everyday journalistic practices [Електронний ресурс]. – 2013. Режим доступу: https://www. researchgate.net/publication/307550650_Mapping_the_emergence_of_social_ media_in_everyday_journalistic_practices 3. Harper R. A. The Social Media Revolution: Exploring the Impact on Journalism and News Media Organizations [Електронний ресурс]. – 2010. Режим доступу: http://www.inquiriesjournal.com/articles/202/the-social-media-revolutionexploring-the-impact-on-journalism-and-news-media-organizations 4. Kumari N., Pradhan P. A study on Journalistic use of Social Media [Електронний ресурс]. – 2018. Режим доступу: https://amity.edu/UserFiles/asco/ journal/ISSUE68_6.%20Pitabas%20%20-%20AJMCS%20Vol%208%20No%201. pdf 5. Michel O. How social media has changed journalism [Електронний ресурс]. – 2017. Режим доступу: https://cutt.ly/xhybiaf 6. Safori A. Social Media’s Impact on a Journalist’s role [Електронний ресурс]. – 2018. Режим доступу: https://cutt.ly/uzJDGjoIn recent years, the news industry has undergone radical and irreversible changes. The reason for these metamorphoses was the expansion of social media, which forever changed the journalistic norms of the XXI century. The level of interest in social platforms and their efficiency has increased, mainly due to the Internet, which helps people around the world to stay connected.
В останні роки індустрія новин зазнала радикальних і незворотних змін. Причиною цих метаморфоз стало розширення соціальних мереж, яке назавжди змінило журналістські норми XXI століття. Рівень інтересу до соціальних платформ та їх ефективності зріс, головним чином завдяки Інтернету, який допомагає людям у всьому світі залишатися на зв'язку.
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Johansson, Emil, and Johan Kindmark. "Att spela ett yrke : En kvantitativ studie om svenska speljournalister och deras professionalisering." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10584.
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This work aims to improve our knowledge about Swedish video game journalists, a new occupation in a quickly expanding business. Through a survey sent out to over 50 Swedish video game journalists, the result indicate some unexpected facts. Men largely dominate the profession; just 10 % of the work forces are females. This relation was notable in our survey, as well as in earlier studies. Video game journalists between 26 and 35 years old seems to be the largest age group, which we think is a bit surprising considering how new this form of journalism is, and the fact the internet provides opportunities for every enthusiastic video game writer. The professionalism of video game journalists has been debated over a long time, with many people arguing that this type of work has little to do with traditional journalism. In our survey, a large part of the respondents made clear that they consider themselves to be writers rather than journalists. The majority of the Swedish video game journalists don't have a journalistic education, whether it's from high school or university. Most of them don't value education as much as writing skill, talent, passion and knowledge about video games. The minority arguing about the importance of education motivates their standpoint with arguments of classical journalistic ethics and values. One respondent told us that the whole industry would benefit from more highly educated journalists, another one pointed out that a lot of ground has been covered in the last 5-6 years, although there ́s still a great distance compared to traditional journalism.
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Cameron, David John. "Giving games a day job developing a digital game-based resource for journalism training /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20041220.144608/index.html.
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Berry, Trine Bjørkmann. "The film of tomorrow : a cultural history of videoblogging." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/53713/.
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Videoblogging is a form of cultural production that emerged in the early 2000s as a result of the increasing availability of cheap digital recording equipment, new videoediting software, video website hosting and innovative distribution networks across the internet. This thesis explores the close entanglement of culture and technology in this early and under-examined area of media production – most notably in the self-definition and development of a specific community around video practices and technologies between 2004-2009. These videobloggers' digital works are presented as an original case study of material digital culture on the internet, which also produced a distinctive aesthetic style. The thesis traces the discourses and technological infrastructures that were developed both within and around the community of videobloggers and that created the important pre-conditions for the video artefacts they produced. Through an ethnographically-informed cultural history of the practices and technologies of videoblogging, this thesis engages with the way in which new forms of cultural and technical hybrids have emerged in an increasingly digital age. The ethnographic research is informed by histories of film and video, which contribute to the theoretical understanding and contextualisation of videoblogging – as an early digital community – which has been somewhat neglected in favour of research on mainstream online video websites, such as YouTube. The thesis also contributes to scholarly understanding of contemporary digital video practices, and explores how the history of earlier amateur and semi-professional film and video has been influential on the practices, technologies and aesthetic styles of the videobloggers. It is also shown how their aesthetic has been drawn on and amplified in network culture, mainstream media, and contemporary media and cultural production. Through a critical mapping of the socio-technical structures of videoblogging, the thesis argues that the trajectories of future media and cultural production draws heavily from the practices and aesthetics of these early hybrid networked cultural-technical communities.
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Diakopoulos, Nicholas A. "Collaborative annotation, analysis, and presentation interfaces for digital video." Diss., Atlanta, Ga. : Georgia Institute of Technology, 2009. http://hdl.handle.net/1853/29680.
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Thesis (Ph.D)--Computing, Georgia Institute of Technology, 2010.Committee Chair: Essa, Irfan; Committee Member: Abowd, Gregory; Committee Member: Bolter, Jay; Committee Member: Lampe, Cliff; Committee Member: Stasko, John. Part of the SMARTech Electronic Thesis and Dissertation Collection.
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Humienny, Raymond Tyler. "Content Analysis of Video Game Loot Boxes in the Media." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1546434312362585.
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Higgins-Dobney, Carey Lynne. "News Work: the Impact of Corporate Newsroom Culture on News Workers & Community Reporting." PDXScholar, 2018. https://pdxscholar.library.pdx.edu/open_access_etds/4410.
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By virtue of their broadcast licenses, local television stations in the United States are bound to serve in the public interest of their community audiences. As federal regulations of those stations loosen and fewer owners increase their holdings across the country, however, local community needs are subjugated by corporate fiduciary responsibilities. Business practices reveal rampant consolidation of ownership, newsroom job description convergence, skilled human labor replaced by computer automation, and economically-driven downsizings, all in the name of profit. Even so, the people laboring under these conditions are expected to keep their communities informed with democracy- and citizenship-enhancing information.
This study uses a critical political economy framework to focus on the labor aspects of working in commercially-run local television newsrooms in the United States. Surveys and interviews with news workers from the 25 largest local television markets highlight the daily challenges of navigating the dichotomy of labor in the space between corporate profiteering and public enlightenment. In addition to their more well-known and well-studied on-air reporter and anchor peers, "behind the scenes" workers and those with newly converged job descriptions also share their news work stories, thus filling a gap in the literature. Corporate capital incentives affect all who gather and disseminate the news.
While all of these workers generally strive for high journalistic quality, the pressures of increased workloads and constant deadlines imposed by shrinking news staffs and growing digital media expectations mean journalists have to make craft work compromises in the race to report news faster and first. Owners push experienced news veterans with deep community connections out in favor of younger, cheaper, more tech-savvy workers. Financially beneficial content trumps deep policy investigations. These outcomes not only worry those in the journalistic trenches of local television news, but also potentially deprive the public of the information they seek from these outlets. As local television newsrooms remain the most popular sources of information for Americans, particularly in times of crisis, such outcomes are not in the community's best interest.
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Steiner, Emil. "BINGE-WATCHING KILLED THE IDIOT BOX: THE CHANGING IDENTITIES OF VIEWERS AND TELEVISION IN THE EXPERIENTIAL, STREAMING VIDEO AGE." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/521643.
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Media & CommunicationPh.D.
In this dissertation I explore what binge-watching is, how it is practiced, and its relationship with contemporary identities of television and viewers. Building on the theoretical frameworks of ambivalent cultural studies, post-structural feminism, and collective memory, I examine binge-watching and binge-viewers through their mediated articulations and ritualized actions. In Chapter 2, I chronicle the history of the terms’ usages in journalism from 1948-2016 and use that data to construct a functional definition of binge-watching. In Chapter 3, I analyze advertised constructions of binge-viewers in the commercial rhetoric of media companies from 2013-2015. In Chapter 4, I explore the rituals of contemporary television viewers through semi-structured interviews to understand how and why people binge-watch. In Chapter 5, I synthesize my findings on the articulations and actions of binge-watching and provided a reflexive narrative of my subject position as a binge-viewer studying binge-watching. I conclude that binge-watching is a techno-cultural phenomenon, which, through its action and articulation, is reshaping the identities of and relationships between television and viewers.
Temple University--Theses
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Elliott, Lindsey. "What makes a non-professional video go viral: a case study of “I’m farming and I grow it”." Thesis, Kansas State University, 2013. http://hdl.handle.net/2097/15780.
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Master of ScienceDepartment of Journalism and Mass Communications
Louise Benjamin
In 2013, creating a 57-second video can lead to more than $150,000 in profit for the creator and the creator can be anyone. This money-making opportunity comes from a recent popular trend known as a “viral video,” defined as a phenomenon of a video becoming highly popular through rapid, user-led distribution via the internet. However, research has not determined a clear model for creating a non-professional viral video. Interviews and YouTube analytics revealed how the video “I’m Farming and I Grow It,” a non-professional video created by three Kansas boys, was spread. Using the theories Uses and Gratifications and Two-Step Flow, this case study then analyzed the comments posted on the viral video and a content analysis of the comments identified the key factors mentioned by users, which contributed to the videos’ millions of views. The results conclude the key components for making a non-professional video go viral are “opinion leaders” spreading the message and video content that elicits positive feelings such as joy, humor, or praise. This study also provides a model to help a non-professional video go viral based on previous research and this case study.
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Almén, Peter, Iman Hazheer, and Sandra Schöld. "”Känsliga tittare varnas” : En uppsats om medier, makt och moralpanik." Thesis, University of Kalmar, School of Communication and Design, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-2775.
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Sweden. 1980. The term ‘video violence’ becomes public through the debates show Studio S. The show urges and obligates politicians to stop, regulate and ban video films with violent content from the market. 29 years later, the debates show Debatt raises concerns regarding a similar topic, ‘video game violence’. Both shows were produced and aired by the Public Service channels of Sveriges Television in Sweden.
The purpose of this thesis was to study and examine if the media encourages and nourishes moral panics to the general public through debates shows. How does the host/journalist interact to steer the debate to the media agenda and how has the power structure changed in the debate genre over the years? Do the media nurture the root of moral panics?
We based the study on a qualitative content analysis. We analyzed one episode from each of the two debate shows Studio S and Debatt. The method of analysis we used was discourse analysis with emphasis on relations and power structures. We also analyzed the episodes by using Goode and Ben-Yehudas five criteria’s for creating moral panic.
The study shows that both debates shows fail to mention the problem in a larger societal context. They tend to only portray a scapegoat. Furthermore, they often show one-sided and violent sequences from the cultural phenomena. They use discourses to maintain the firm power in the debates to fulfill their pre-constructed bias agenda. We’ve also observed that it has become much more difficult for a moral panic to gain momentum compared with 1980, because of the medias decentralization.
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Harlan, Eric. "The Effects of Television Newscaster Style on Short-Term Viewer Retention." TopSCHOLAR®, 1990. https://digitalcommons.wku.edu/theses/2440.
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Samples of several populations, made up of both traditional and non-traditional students attending the University of Tennessee at Martin were shown different "newscasts," each newscast depicting a different style of news presentation. One style was the "Formal" newscast, and the other was the "Informal" style.
The Formal style is characterized by direct eye-camera contact by the newscaster, a direct style of presentation, and no interaction between newscasters. The Informal style is characterized by interaction between newscasters, a more Informal presentation of the facts, and a relaxed atmosphere as the newscast progresses. The study attempted to find whether either style increased short-term retention of the news facts via a questionnaire administered following a video tape of a newscast.
One group was shown an Informal newscast, while another separate group was shown a Formal newscast made up of the same stories. The questionnaire was administered following the completion of the tape. An analysis of the results shows there is no significant difference in retention of facts between the styles of newscasts. The only difference was an observed increase in interest with the Informal newscast, but this observance was not quantitatively analyzed and awaits further study.
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Fisher, Howard D. "Don't Let the Girls Play: Gender Representation in Videogame Journalism and the Influence of Hegemonic Masculinity, Media Filters, and Message Mediation." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1332372302.
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Shiflet, Matthew. "Viral Marketing: Concept Explication and Case Studies in the Video Game and Esports Industries." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1555957153106043.
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Kundus, Ian Michael. "Misadventures in Surreality." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1397818714.
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Cassany, Viladomat Roger. "Especificitats de la narrativa audiovisual informativa a internet: anàlisi dels vídeos produïts per cibermitjans catalans." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/385358.
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Aquesta tesi doctoral neix de la inquietud d’estudiar l’ús que fan del vídeo els cibermitjans catalans i les diferències que la producció audiovisual a internet presenta respecte del periodisme audiovisual de les cadenes de televisió tradicionals. Analitzem com són els vídeos que publiquen els cibermitjans catalans i n’estudiem les especificitats. També avaluem els canvis que aquesta producció audiovisual ha viscut amb el pas del temps, entre 2012 i 2014. Tot plegat, en un context líquid i canviant propiciat pels incontestables avenços tecnològics, la consolidació d’internet com a palataforma periodística de primer nivell i els canvis de paradigma comunicacionals, de consum i de producció de missatges periodístics.The concern of studying the use online Catalan newspapers do of video is the original seed of this research. And thus, also the differences between internet journalistic audiovisual production and broadcasting traditional television news channels. We analize the taxonomy and the specificities of the videos published by online Catalan newspapers. We also study how this audiovisual production has changed with the passage of time, between 2012 and 2014. All this in a context caused by liquid and undeniable technological progress, the consolidation of the internet as a journalistic platform and shifts on communicational, consumption and journalistic messages production.
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Khurshudyan, Eliza. "Social Movements and Social Media : the case of the Armenian 'velvet' revolution." Thesis, Stockholms universitet, JMK, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-169816.
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Depending on the political environment, economic, cultural and social factors, the digital era provides new opportunities and constraints for mobilization of social movements.The current research was focused on exploring how protest leaders and activists used and perceived social media as a tool for communication and organization during the movement “take a step, #RejectSerzh”; a series of peaceful, anti-governmental protests which led to a shift of governmental power in Armenia. Prior work dedicated to unpacking the relationship between social movements and social media have focused on a few empirical cases. Hence, a case study of a yet underexplored social movement can add to this strand of literature. The methodological approach displayed in this study follows a mixed-method model. Interviews with activists of the movement “take a step, #RejectSerzh” and content analysis of official social media accounts of leaders of the movement “take a step, #RejectSerzh” were expected to provide a diverse perspective on social media tactics during the movement. The results implied that social media were perceived as one of the main contributors to the fulfilment of objectives of the movement “take a step, #RejectSerzh” in multiple ways: social media allowed for fast communication, decentralized organization, testimony of the non-violent nature of the movement, as well as validation of the movement through transparency of action (most importantly, in real-time). There was a strong indication that live video broadcasting function on Facebook was generally perceived as a tool with more capacities for contentious politics. Meanwhile, the results suggest that the movement “take a step, #RejectSerzh” could be perceived as a continuity of previous social movements, the negative experience gained from which curbed the overall tactics of the movement, rather than a result of immediate grievances. Nonetheless, the role of human emotions, such as fear, hope and will, was at the centre of interpretations of how the activists experienced the movement.
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Abidi, Soufien. "Les nοuveaux médias d'infοrmatiοn sur les RSΝ. Le cas des pure-players en Τunisie : Le cas des pure-players en Τunisie." Electronic Thesis or Diss., Normandie, 2024. http://www.theses.fr/2024NORMLH06.
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Notre recherche s’inscrit dans le contexte dynamique des médias numériques, où l’évolution constante de la production de l’information est une réalité incontournable. Dans ce paysage en mutation, les pure players d’information émergent comme de nouveaux acteurs médiatiques, proposant des contenus caractérisés par des formats et des styles narratifs hybrides qui repoussent les frontières traditionnelles de la production de l’information. Notre thèse se concentre spécifiquement sur l’un de ces acteurs, Faza.tn, un pure player tunisien 100% vidéo et 100% réseaux sociaux que nous choisissons comme cas d’étude pertinent dans ce phénomène médiatique particulier. Afin d’explorer en profondeur les spécificités distinctives de ces contenus tant sur le fond que la forme, nous avons mis en place une méthodologie de recherche combinant trois approches complémentaires. Premièrement, l’analyse quantitative nous permet d’obtenir une compréhension globale de la stratégie éditoriale pour les thèmes des sujets choisis, et les stratégies narratives marqués par une récurrence, ainsi que de la détermination des caractéristiques de forme. Deuxièmement, l’analyse de contenu nous plonge dans le décryptage des orientations éditoriales. Enfin, les entretiens semi-directifs nous permettent d’explorer les politiques éditoriales et les motivations au sein de Faza.tn. Notre objectif principal est d’évaluer dans quelle mesure ces contenus s’adaptent au journalisme mobileOur research is situated in the dynamic context of digital media, where the constant evolution of information production is an undeniable reality. In this changing landscape, pure players in information emerge as new media players, offering content characterized by hybrid formats and narrative styles that push the traditional boundaries of information production. Our thesis specifically focuses on one of these players, Faza.tn, a Tunisian pure player that is 100% video and 100% social media, which we select as a relevant case study in this particular media phenomenon. In order to delve into the distinctive characteristics of these contents in both substance and form, we’ve employed a research methodology that integrates three complementary approaches. Firstly, quantitative analysis allows us to gain a thorough understanding of the editorial strategy regarding selected topics, narrative patterns marked by repetition, and the identification of form attributes. Secondly, content analysis delves into unraveling editorial orientations. Lastly, semi-structured interviews afford us the opportunity to investigate editorial policies and motivations within Faza.tn. Our primary goal is to evaluate how well these contents align with mobile journalism
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Blakeman, Mary. "The Rhetoric of Rescue." TopSCHOLAR®, 1990. https://digitalcommons.wku.edu/theses/2142.
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This thesis examines the television reporters' verbal depictions of two rescue events, the rescue of Jessica McClure in 1987 and the rescue of three whales at Pt. Barrow, Alaska in 1988, in order to discover what rhetorical techniques were used to appeal to the public interest. Analog criticism, metaphorical analysis and pentadic analysis were used to discover the dominant language reporters chose. Three main conclusions were drawn from this analysis: (1) use of the dramatistic pentad showed how reporters focused public attention away from the purpose,(2) verbal and visual depictions cannot be separated when studying television news stories and (3) two different styles of depiction were used to portray two very similar events.
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Tribukait, Maren [Verfasser]. "Gefährliche Sensationen : Die Visualisierung von Verbrechen in deutschen und amerikanischen Pressefotografien 1920–1970 / Maren Tribukait." Göttingen : Vandenhoeck & Ruprecht, 2016. http://www.v-r.de/.
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Wimmer, Alexander. "An exploration of a beginning undergraduate music student conducting with expressivity." Diss., Kansas State University, 2017. http://hdl.handle.net/2097/36194.
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Doctor of PhilosophyCurriculum and Instruction Programs
Frederick Burrack
One of the most important roles of a conductor is to prepare an ensemble to perform, not only accurately but expressively, utilizing physical gestures and facial expressions. For many music students, the development of physical gestures that elicit expressive performance are typically introduced in a beginning undergraduate conducting course. This is important in establishing a framework for understanding the technical aspects of conducting, considering that many beginning student conductors lack a basic comprehension of conducting fundamentals. However, the interpretative and expressive principles of conducting are equally important as basic technique and are often more difficult to teach to undergraduate students. There is an overwhelming amount of gestural skill that should be experienced and explored by a beginning undergraduate conductor. Despite a students’ best efforts in the classroom and in the practice room, expressive conducting skills that represent internal musical intentions remain a primary challenge with novice conducting students. The purpose of this study was to explore the experiences of a beginning undergraduate conductor as they learned to conduct and develop their considerations and skills of conducting to elicit expression. Through case study, exploring the experiences of an undergraduate music student enrolled in a beginning conducting course from a Midwestern university exposed valuable information that could become helpful when designing instruction. The findings addressed the research questions of the study and revealed additional aspects of the learning experience from the perspective of the participant. Through reflection, navigation of self, guided video elicitation, discussion of expressive conducting, and acknowledgement of prior musical expectations and intent, the participant discovered the differences between their perceived expressive gestures and the realization of an audible response from an ensemble.
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Schulte, Judith [Verfasser]. "Der Vietnamkrieg im Fotoessay : Larry Burrows zwischen Propaganda und kritischer Kriegsfotografie / Judith Schulte." Heidelberg : arthistoricum.net, 2019. http://d-nb.info/1203320094/34.
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Müller, Angela [Verfasser]. "Indien im Sucher : Fotografien und Bilder von Südasien in der deutschsprachigen Öffentlichkeit, 1920–1980 / Angela Müller." Göttingen : Böhlau Verlag Köln, 2019. http://www.v-r.de/.
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Gonçalves, Carlos Alberto Orellana. "VÍDEO E IMAGINÁRIO APROPRIADOS PELO DISCURSO DE TELEJORNAIS." Universidade Federal de Santa Maria, 2013. http://repositorio.ufsm.br/handle/1/6337.
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Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorLa recherche Vidéo et imaginaire aproprié pour le discours de la televisión, la proposition est de comprendre la relation entre le médium vidéo avec des formations imaginaires et comment le discours médiatique s'approprie ces éléments. Nous comprenons que les concepts de l'imaginaire et la constitution de l'objet sont le fondement de la compréhension et l'interprétation du monde. Ainsi, nous voulons comprendre comment l'effet vidéo dans la voie de la production culturelle, les médias et l'art contemporain. Nous sommes favorables à un multimhétodologie du perspective de la constitution des mondes imaginaires et mythiques de Gilbert Durand. Donner la priorité de cette approche méthodologique, d'aller en profondeur dans la formation imaginaire dans le même temps que vous reconnaissez les structures qui ont un impact sur le paysage des phénomènes culturels contemporains. Nous concentrons nos arguments sur le privilège de la vidéo comme un indice pour être suprême, privilégié et symptomatique de l'esprit du temps. Et les images vidéo qui représentent un processus de rupture, l'effacement des émotions, des sentiments et des émotions, pour être secourus par des moyens de communication de masse, la négociation d'une action compensatoire en matière de médias numériques, notadament pour web.
A pesquisa Vídeo e imaginário apropriados pelo discurso de telejornais tem a proposta de entender a relação do medium vídeo com as formações imaginárias e a apropriação deles realizada pelo discurso jornalístico. Assumimos que as noções de imaginário e da constituição do sujeito são as bases da compreensão e da interpretação do mundo. Dessa maneira, desejamos entender de que modo o vídeo produz efeitos no trajeto da produção cultural, midiática e artística da contemporaneidade. Privilegiamos uma multimetodologia ao abarcar aspectos da constituição do imaginário e dos universos míticos abordados na obra de Gilbert Durand. Priorizamos esse aporte metodológico por ir às profundezas da formação imaginária e, ao mesmo tempo, reconhecer as estruturas que repercutem sobre a paisagem dos fenômenos culturais contemporâneos. Centramos nossos argumentos no privilégio do vídeo se constituir como metáfora suprema, favorecida e sintomática do Zeitgeist. Assim, as imagens do vídeo representam um processo de ruptura, apagamento dos afetos, sentimento e emoções, que serão resgatados pelos meios de comunicação de massa, numa ação compensatória de negociação em relação aos novos processos digitais disponibilizados especialmente via web.
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Eckert, Kristin D. "Use of the Internet for International News: A Comparative Content Analysis of the Television Evening Newscasts and Web Videos of the U.S. Stations PBS and NBC and the German Stations ARD and RTL." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1251323201.
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Thesis (M.S.)--Ohio University, August, 2009.Title from PDF t.p. Release of full electronic text on OhioLINK has been delayed until September 1, 2011. Includes bibliographical references (p. 89-102)
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Lobensteiner, Nadja [Verfasser], and Sebastian [Akademischer Betreuer] Thies. "Patrimonialización e indigeneidad : políticas de identidad y políticas culturales en el conflicto chileno-mapuche / Nadja Lobensteiner ; Betreuer: Sebastian Thies." Tübingen : Universitätsbibliothek Tübingen, 2019. http://d-nb.info/1180768248/34.
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Senger, Saesha. "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century." UKnowledge, 2019. https://uknowledge.uky.edu/music_etds/150.
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This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the associated music – was an important, if overlooked or even trivialized, arena in which these shifting gender dynamics played out. This dissertation explores the significance of the Adult Contemporary format at the end of the twentieth century through analysis of chart performance, artist image, musical works, marketing, and contextual factors. By documenting these relevant social, political, economic, and musical factors, the notable role of a format and of artists neglected by scholars becomes clear.
I explore these issues in the form of lengthy case studies. Examinations of how Adult Contemporary artists such as Michael Bolton, Wilson Phillips, Matchbox Twenty, David Gray, and Mariah Carey were produced and marketed, and how their music was disseminated, illustrate record and radio industry strategies for negotiating the musical, political, and social climate of this period. Significantly, musical and lyrical analyses of songs successful on AC stations, and many of their accompanying promotional videos highlight messages about musical genre, gender, race, and age. This dissertation ultimately demonstrates that Adult Contemporary-oriented music figured significantly in the culture wars, second and third wave feminism, expressions of masculinity, Generation-X struggles, postmodern identity, and market segmentation.
This study also illustrates how the record and radio industries have managed audience composition and behavior to effectively and more predictably produce and market music in the United States. This dissertation argues that, amid broader social determinations for taste, the record industry, radio programmers, and Billboard chart compilers and writers have helped to make and reinforce certain assumptions about who listens to which music and why they do so. In addition, critics have weighed in on what different musical genres and artists have offered and for whom, often assigning higher value to music associated with certain genres, socio-political associations, and listeners while claiming over-commercialization, irrelevance, aesthetic insignificance, and bad taste for much other music.
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Du, Ta-Cheng, and 杜大澂. "Citizen Journalist? Citizen Paparazzi? An Analysis on Video Sharing Website and Citizen Journalism --The Example of Live Video on YouTube." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/06385953867417690770.
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碩士輔仁大學
大眾傳播學研究所
100
As citizen journalism platform of PeoPo seems losing popularity, the development of citizen journalism in Taiwan should find itself another way. With the growth of mobile devices, the video sharing websites, like YouTube, increases the variety of live videos. Under such circumstances, are people becoming more like reporters or paparazzis? The study inquires into the relationship between video sharing website and citizen journalism, especially taking live video on YouTube as example. By conducting in-depth interview with 4 live-video uploaders, 2 PeoPo citizen journalists and 2 citizen journalism scholars, supplemented by secondary analysis, we discover the norm to prevent paparazzi disaster and some evidences about citizen journalism. This research proves video sharing website can take citizen journalism to the next level, based on the following four reasons: first, YouTube is a mainstream website with the power of influence. Second, the motivation of live video uploader includes "seeking justice” as well as "self-help ". Third, there is an emergence of internet norms of defending injustice. Finally, video sharing website is a broad definition of citizen journalism. The study shows that web 2.0 really inspires people to have the right to report news. As upcoming the era of web 3.0, the study considers that presentation of citizen journalism is not only just in-depth reporting, but also a photo, a piece of video or a simple narrative all can regard as news.
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Teixeira, Leonardo Manuel Gomes. "Video marketplace as a new approach to Crowd Journalism using a blockchain-based infrastructure." Master's thesis, 2020. https://hdl.handle.net/10216/128533.
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Atualmente, as plataformas de social media (Facebook, Instagram, Youtube, etc.) dominam o mundo da conectividade social e continuarão a fazê-lo nas próximas gerações. Na sua grande maioria, as redes sociais são plataformas centralizadas regidas e controladas por uma única organização proprietária, o que vem colocar questões críticas de confiança e controle sobre o conteúdo criado e divulgado.
Presencia-se também uma grande evolução dos smartphones e dispositivos móveis no que toca à qualidade de criação e visualização de conteúdo multimédia (áudio, vídeo, etc.). Isto faz com que cada vez mais conteúdo de qualidade seja criado a cada instante por pessoas comuns, aumentando a aceitação do crowd journalism por parte da comunidade jornalística internacional.
O propósito desta dissertação é a concepção e o desenvolvimento de um Marketplace de conteúdo multimédia tendo como suporte uma rede social descentralizada. Esta plataforma Web permite armazenar vídeos que são transmitidos em direto, visualizá-los, avaliá-los e realizar as transações entre os detentores dos mesmos e possíveis compradores. Todas as operações do sistema são registadas de forma descentralizada e utilizando tecnologia blockchain através de smart contracts, tendo sempre em conta a usabilidade dos componentes desenvolvidos, a experiência de utilização do sistema e os desafios inerentes dado o enquadramento no contexto da rede social descentralizada.
O impacto esperado é que esta plataforma, ou a abordagem conceptual tomada, permita oferecer uma solução para os problemas atuais de confiança e de propriedade de conteúdo provenientes das redes sociais centralizadas clássicas, podendo eventualmente revolucionar a forma como se partilha conteúdo socialmente e se explora comercialmente o mesmo.From the start of the 21st century, the social media networks have reached a ruling level of usage and significance on social connectivity and will certainly continue to be the main form of social interaction in the next generations. Most of these social networks are centralized platforms ruled by a single organization owner, raising critical trust and ownership concerns over the content created and shared. Furthermore, there has been a significant growth of the technologies evolving smartphones and its components and functionality, giving to ordinary people the power of creating good-quality content using only their smartphones. This phenomenon contributed to the rise of crowd-streaming and crowd-journalism and its acceptance by the journalistic community all around the world. This work intends to conceive and develop a marketplace of multimedia content based on a decentralized social media network. The web platform is responsible for saving the live-made videos, allowing its visualization, rating and transactions between its owners and potential buyers. All the system mechanism uses smart contracts in a blockchain environment. This work also focuses on understanding how is the usability affected by the decentralized approach and what are the methods, precautions and strategies needed to improve the system's user experience. Regarding this work, the expected impact lies in recognizing the potential benefits of the decentralized approach over the centralized world of social networking as well as effectively propose and implement user interface and experience strategies to support this revolution.
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Teixeira, Leonardo Manuel Gomes. "Video marketplace as a new approach to Crowd Journalism using a blockchain-based infrastructure." Dissertação, 2020. https://hdl.handle.net/10216/128533.
Full textAbstract:
Atualmente, as plataformas de social media (Facebook, Instagram, Youtube, etc.) dominam o mundo da conectividade social e continuarão a fazê-lo nas próximas gerações. Na sua grande maioria, as redes sociais são plataformas centralizadas regidas e controladas por uma única organização proprietária, o que vem colocar questões críticas de confiança e controle sobre o conteúdo criado e divulgado.
Presencia-se também uma grande evolução dos smartphones e dispositivos móveis no que toca à qualidade de criação e visualização de conteúdo multimédia (áudio, vídeo, etc.). Isto faz com que cada vez mais conteúdo de qualidade seja criado a cada instante por pessoas comuns, aumentando a aceitação do crowd journalism por parte da comunidade jornalística internacional.
O propósito desta dissertação é a concepção e o desenvolvimento de um Marketplace de conteúdo multimédia tendo como suporte uma rede social descentralizada. Esta plataforma Web permite armazenar vídeos que são transmitidos em direto, visualizá-los, avaliá-los e realizar as transações entre os detentores dos mesmos e possíveis compradores. Todas as operações do sistema são registadas de forma descentralizada e utilizando tecnologia blockchain através de smart contracts, tendo sempre em conta a usabilidade dos componentes desenvolvidos, a experiência de utilização do sistema e os desafios inerentes dado o enquadramento no contexto da rede social descentralizada.
O impacto esperado é que esta plataforma, ou a abordagem conceptual tomada, permita oferecer uma solução para os problemas atuais de confiança e de propriedade de conteúdo provenientes das redes sociais centralizadas clássicas, podendo eventualmente revolucionar a forma como se partilha conteúdo socialmente e se explora comercialmente o mesmo.From the start of the 21st century, the social media networks have reached a ruling level of usage and significance on social connectivity and will certainly continue to be the main form of social interaction in the next generations. Most of these social networks are centralized platforms ruled by a single organization owner, raising critical trust and ownership concerns over the content created and shared. Furthermore, there has been a significant growth of the technologies evolving smartphones and its components and functionality, giving to ordinary people the power of creating good-quality content using only their smartphones. This phenomenon contributed to the rise of crowd-streaming and crowd-journalism and its acceptance by the journalistic community all around the world. This work intends to conceive and develop a marketplace of multimedia content based on a decentralized social media network. The web platform is responsible for saving the live-made videos, allowing its visualization, rating and transactions between its owners and potential buyers. All the system mechanism uses smart contracts in a blockchain environment. This work also focuses on understanding how is the usability affected by the decentralized approach and what are the methods, precautions and strategies needed to improve the system's user experience. Regarding this work, the expected impact lies in recognizing the potential benefits of the decentralized approach over the centralized world of social networking as well as effectively propose and implement user interface and experience strategies to support this revolution.
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Barratt, Neil. "Chocolate milk is good for you? : video news releases, PR, and knowledge production in Canadian television journalism." Thesis, 2007. http://spectrum.library.concordia.ca/975426/1/MR34580.pdf.
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Journalism is surely one of society's great institutions. It has long been an important site of knowledge production, allowing audiences to make sense of their world. Today's journalism is a highly complex, expensive, and time-sensitive challenge to produce. This research investigates how these factors in the production process of Canadian television journalism affect the product. Public relations has been using journalism as a means of publicity for nearly a century. With increasing pressure on news departments to make profits, PR sources gain an advantage in getting their material on the evening news. Video News Releases are the pinnacle of PR sourcing: fully produced, promotional news stories designed to blend in perfectly with other news content. This thesis reviews existing literature examining news sourcing practices as well as the organizational and economic constraints that govern journalism's production processes. The research looks at Canadian television news through these lenses, as well as through the words of working Canadian journalists. The interaction of PR and news is examined to understand how news stories get developed, where the content and resources presented in those stories come from, and who is benefiting from changing practices in the newsroom
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Tsai, Chun-Yu. "Multimodal News Summarization, Tracking and Annotation Incorporating Tensor Analysis of Memes." Thesis, 2017. https://doi.org/10.7916/D8FF44N7.
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We demonstrate four novel multimodal methods for efficient video summarization and comprehensive cross-cultural news video understanding.
First, For video quick browsing, we demonstrate a multimedia event recounting system. Based on nine people-oriented design principles, it summarizes YouTube-like videos into short visual segments (812sec) and textual words (less than 10 terms). In the 2013 Trecvid Multimedia Event Recounting competition, this system placed first in recognition time efficiency, while remaining above average in description accuracy.
Secondly, we demonstrate the summarization of large amounts of online international news videos. In order to understand an international event such as Ebola virus, AirAsia Flight 8501 and Zika virus comprehensively, we present a novel and efficient constrained tensor factorization algorithm that first represents a video archive of multimedia news stories concerning a news event as a sparse tensor of order 4. The dimensions correspond to extracted visual memes, verbal tags, time periods, and cultures. The iterative algorithm approximately but accurately extracts coherent quad-clusters, each of which represents a significant summary of an important independent aspect of the news event. We give examples of quad-clusters extracted from tensors with at least 108 entries derived from international news coverage. We show the method is fast, can be tuned to give preferences to any subset of its four dimensions, and exceeds three existing methods in performance.
Thirdly, noting that the co-occurrence of visual memes and tags in our summarization result is sparse, we show how to model cross-cultural visual meme influence based on normalized PageRank, which more accurately captures the rates at which visual memes are reposted in a specified time period in a specified culture.
Lastly, we establish the correspondences of videos and text descriptions in different cultures by reliable visual cues, detect culture-specific tags for visual memes and then annotate videos in a cultural settings. Starting with any video with less text or no text in one culture (say, US), we select candidate annotations in the text of another culture (say, China) to annotate US video. Through analyzing the similarity of images annotated by those candidates, we can derive a set of proper tags from the viewpoints of another culture (China). We illustrate cultural-based annotation examples by segments of international news. We evaluate the generated tags by cross-cultural tag frequency, tag precision, and user studies.
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Halper, Donna Lee. "Neil Postman's Missing Critique: A Media Ecology Analysis of Early Radio 1920-1935." 2011. https://scholarworks.umass.edu/dissertations/AAI3465005.
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Radio's first fifteen years were filled with experiment and innovation, as well as conflicting visions of what broadcasting's role in society ought to be. But while there was an ongoing debate about radio's mission (should it be mainly educational or mainly entertaining?), radio's impact on daily life was undeniable. To cite a few examples, radio was the first mass medium to provide access to current events as they were happening. It allowed people of all races and social classes to hear great orators, news-makers, and entertainers. Radio not only brought hit songs and famous singers directly into the listener's home; it also created a new form of intimacy based on imagination—although the listeners generally had never met the men and women they heard on the air, they felt close to these people and imagined what they must really be like. Radio was a medium that enhanced the importance of the human voice-- politicians, preachers, and performers were now judged by their ability to communicate with the "invisible audience." My dissertation employs a media ecology perspective to examine how the arrival and growth of radio altered a media environment that, until 1920, was dominated by the printed word. Neil Postman, a seminal figure in Media Ecology, wrote that this field of inquiry "looks into the matter of how media of communication affect human perception, understanding, feeling, and value." Radio certainly exemplified that description: it not only affected popular culture and public opinion; it affected the other media with which it competed. My research utilizes one of those competing media—print journalism. Using content and discourse analysis of articles in thirty-three newspapers and sixteen magazines of the 1920s and early 1930s, I examine how print and radio interacted and affected each other. My dissertation also analyzes the differing perceptions about radio as expressed in print by fans, reporters, and such interest groups as clergy or educators. And finally, my research explores some of the critiques of the programs, and compares the reactions of the critics at the mainstream press with those who worked for the ethnic press.
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Radovic, Ivanka. "Radio-Television of Serbia (1989-2009): The Changing Role of State TV in a Post-communist Country." 2010. http://trace.tennessee.edu/utk_gradthes/743.
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This study examined the differences in reporting in Radio-Television of Serbia's (RTS) main newscast, Dnevnik 2, between the period of Slobodan Milosevic’s rule (1989-2000) and the period after the establishment of democracy in Serbia (2001-2009). The data were gathered by the content analysis of 63 RTS newscasts in the period 1989-2009. The research included quantitative analysis as well as additional observations of RTS newscasts noted at the time of coding. The major findings suggest that in the democratic period (2001-2009) RTS newscasts become shorter, more consistent in duration, less dedicated to coverage of state and ruling party officials’ activities, and more inclined to reporting about social issues and other political events. The number of voices in RTS newscasts became significantly higher. The overall reporting became more balanced and more diverse. At the same time RTS kept the old priority in news reporting which put Official Stories in leading positions and remained occasionally inclined to increase the number of Official Stories in times of important political events. Based on these results this study derived the following hypotheses for state/public service television stations in countries in transition: 1) consistency of duration of newscasts increases as the regime in the country becomes less controlling 2) the dominance of Official Stories decreases as the regime in the country becomes less controlling 3) the number of sound bites in newscasts increases as the regime becomes less controlling (the number of voices in newscasts increases as the democracy progresses), and 4) the coverage of Official Stories increases in times of important domestic political events, possibly those that have endangered national security, even if the regime becomes less controlling.
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Bejlková, Kamila. "Postavení zpravodajského webového portálu Seznam Zprávy v české mediální krajině po prvním roce fungování." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-398176.
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This diploma thesis focuses on the news server Seznam Zprávy. Its goal is to find out, how the server established in the period of the first two years since its creation in October 2016. The goal of the work is to describe the specifics of online media and the Internet, which users are able to access not only from technologies such as computer or mobile devices, but also within smart TVs in the form of HbbTV. The main aim of the analytical part is to find out how this news server established itself within the Czech media landscape. The main factor the interest of the audience and the frequency of citations of the diary in other Czech media. News server Seznam Zprávy is compared with other, currently most popular, Czech news online journals: iDNES, Novinky, Denik, Aktualne, Lidovky and iRozhlas. This thesis offers statistics of data about traffic and the numbers of real users available from the NetMonitor.cz. Based on them, it is determined what success the server Seznam Zprávy for the first two years of the audience recorded. In the role of other indicators are the number of citations in other media. Overview of this data has been provided by the online media archive of Newton Media. The last indicator is the interest in social profiles of the medium on Facebook, Instagram and Twitter.
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Janásová, Vendula. "iReportéři České televize - natáčej videa a staň se hvězdou." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-448240.
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The dissertation analyzes the iReporter project, which allows viewers to become involved in Czech Television broadcasting. The dissertation is divided into theoretical and practical parts. The theoretical part deals with participatory (citizen) journalism, both abroad and in the Czech Republic. I attempt to outline the history and present of public involvement in the production of news, with a focus on TV- related participatory journalism and Czech Television in particular. The dissertation describes the way in which viewers became increasingly involved in TV broadcasting over time, be it in movies, TV series, entertainment programs or news reporting. I also explain how television began to utilize new media, mobile journalism and social networks, all of which brought it much closer to its viewers. The theoretical study is followed by a practical part focused on the iReporter project. For example, it provides information about the people in charge of the project, the number of participating contributors, the process a video takes to get on the screen, the regions with the most active iReporters and the programs/shows which use their videos the most. This is followed by a mapping of the iReporters' weekly activities to show, for example, the proportion of the most active contributors, the most popular topics...
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Chen, Chang-Wei, and 陳昌維. "Exploring the Relationship between Work Stress and Organizational Commitment of Video Journalists." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/61160242504499474667.
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碩士淡江大學
企業管理學系碩士在職專班
98
Abstract: Stress is always seen as a negative influence; intensive stress can lead to abnormality in psychological and physiological function, but appropriate stress could stimulate individual potential. Working stress of video journalists comes from many sources: Equipment progress, physical strength, extended working times, family factors, lack of improvement and accomplishment, risk of lay off, and even atmospheres of an organization. This research focuses on the relations between “ working stress of video journalists” and their “commitment to organizational commitment.” It also studies how the individual differences of the sources influence this relationship. This research is based on 242 effective response samples from 317 questionnaires filled by video journalists. Based on these responses, several quantitative analytical methods are used including descriptive statistics, t-test, one way ANOVA, correlation analysis and multiple regression analysis. Major findings are listed as follows: 1.The individual factors（such as age, gender, and educational level）play a significant influence on the strength of working stress. 2.The individual factors（such as age, gender, and educational level）play a significant influence on the commitment of organization. 3.The strength of working stress significantly influences the commitment to an organization.
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Sampaio, Caio Ferraz. "What video games can teach to journalists about storytelling in the Post-Digital." Master's thesis, 2020. https://hdl.handle.net/10216/129924.
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Sampaio, Caio Ferraz. "What video games can teach to journalists about storytelling in the Post-Digital." Dissertação, 2020. https://hdl.handle.net/10216/129924.
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"Watching the Watchmen: How Videos of Police-Citizen Encounters Influence Individuals’ Perceptions of the Police." Doctoral diss., 2017. http://hdl.handle.net/2286/R.I.44233.
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abstract: Recently, there has been an upsurge in highly publicized negative police-citizen encounters, contributing to the current crisis in police legitimacy. These encounters, mostly filmed and disseminated by citizens, provide a new type of vicarious experience through which the viewer can assess police-citizen interactions, potentially shaping their perceptions of the police. These recordings have sparked national conversations and protests regarding police behavior and treatment of minority citizens. An area that has received less attention, however, is what effect viewing video recordings of less contentious police-citizen interactions has on public perceptions of police. To that end, this study seeks to address the knowledge gap through experimental methodology. Using actual footage of a variety of police-citizen encounters, this study examines the impact of viewing videos of police encounters on individuals' perceptions of police legitimacy, procedural justice, estimates of police misconduct, and their willingness to cooperate with police. Also examined are the impact these videos have on support for officer body-worn cameras and willingness to film the police. The findings indicate the impact of viewing police-citizen encounters on individual perceptions and attitudes are primarily linked to the content – whether positive, negative or neutral – of the video. Specifically, positive videos depicting procedurally just encounters increased perceptions of procedural justice, decreased estimations of police misconduct and increased support for officer body-worn cameras. Viewing negative videos, however, decreased perceptions of police legitimacy, distributive fairness, and procedural justice while increasing estimations of police misconduct and willingness to film the police in the future. The effects of the video encounters on perceptions of police were not lasting and were not stable when respondents were surveyed again two weeks later. Lasting effects were found for individuals’ self-reported willingness to film the police in the future. Given these findings, the process-based model of policing should consider also incorporating digital vicarious experiences when examining factors impacting perceptions of police.Dissertation/Thesis
Doctoral Dissertation Criminology and Criminal Justice 2017
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Cascão, Tomás António Mendonça Machado Cardoso. "Apito invisível: O tratamento jornalístico dado ao vídeoárbitro pelos jornais desportivos em Portugal." Master's thesis, 2019. http://hdl.handle.net/10071/19380.
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O jornalismo desportivo em Portugal é, nos dias de hoje, indissociável do fenómeno futebolístico. Juntamente com as primeiras crónicas de jogo, surgiram também as primeiras análises aos desempenhos das equipas de arbitragem. Ao longo das últimas três décadas, a classe de árbitros em Portugal tem estado constantemente envolta em polémica, sendo frequentes as críticas à sua qualidade e idoneidade. A implementação do vídeoárbitro foi a solução encontrada para fazer face à descredibilização deste setor. A presente dissertação visa compreender de que forma o VAR foi (re)tratado pela imprensa escrita desportiva em Portugal, durante a época 2017/18. Para tal, e com o objetivo de compreender o tratamento jornalístico dado a esta ferramenta, procedeu-se a uma análise de conteúdo aos três principais jornais desportivos portugueses: Record, A Bola e O Jogo. Esta investigação concluiu que, apesar do VAR ter aumentado o índice de acerto dos árbitros no campeonato português, o número de peças negativas supera o número de peças positivas.Nowadays, sports journalism in Portugal is inseparable from the phenomenon of football. Along with the first game columns, the first referee performance analysis also emerged. Over the past three decades, the Portuguese referee class has been constantly shrouded in controversy, with frequent criticism of its quality and aptness. The implementation of the Video Assistant Referee was the solution found to address the discrediting of this division. This dissertation aims to understand how VAR was portrayed by sports journalism in Portugal, during the 2017/2018 season. To this end, and in order to understand the journalistic approach given to this tool, a content analysis of the three main Portuguese sports newspapers – Record, A Bola and O Jogo – was carried out. This investigation concluded that despite VAR having increased the referee’s success ratio in the portuguese championship, the number of negative articles outweighs the positive ones.
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Lima, Patricia Rosenthal Pereira. "Jornalismo e realidade virtual: análise da série The Daily 360 do The New York Times." Master's thesis, 2018. http://hdl.handle.net/10362/37602.
Full textAbstract:
A Realidade Virtual não é novidade. Porém, o que chamamos neste trabalho de seu renascimento - ocasionado pelas últimas evoluções tecnológicas e pelo barateamento de equipamentos - permitiu sua integração e consequente inovação em diversos campos. Um deles foi o jornalismo. A adoção da Realidade Virtual como uma ferramenta de narrativa jornalística permite que o usuário experimente as situações ou os eventos de uma reportagem como protagonista e amplia as formas de participação e interação desta experiência imersiva. Em busca de desvendar os possíveis caminhos para o uso da Realidade Virtual no jornalismo, este trabalho faz uma análise do conteúdo diário publicado durante os primeiros quatro meses do The Daily 360, projeto do veículo de referência The New York Times. Os resultados mostram que o projeto buscou popularizar os vídeos em 360 graus (ou esféricos) - sem priorizar os níveis de imersão ou mesmo a qualidade - e optou por publicar um conteúdo diverso, buscando em geral o lado mais curioso, independentemente do tema. Os vídeos foram, na maior parte das vezes, enxutos e objetivos (a média de tempo foi de 1 minuto e 25 segundos) - e 60% dos vídeos estavam integrados em artigos multimídia do Times. Ou seja, foi possível compreender a estratégia escolhida pela publicação para dar seus primeiros passos com conteúdo imersivo, assim como refletir sobre as possibilidades que a Realidade Virtual pode oferecer ao jornalismo.Virtual Reality isn’t new. However, in the wake of technological advancements and cheaper equipment, it has undergone a number of reenarnations over the years, which have allowed for it to be used innovatively in a number of different fields. One of these is journalism. The use of virtual reality as a tool of expression in the journalistic narrative allows readers to experience situations and events like never before, and expands the possible forms of participation and interaction through an immersive experience. In order to unravel the many possibilities of Virtual Reality in journalism, this paper analyzes the daily content published in the first four months of The Daily 360, a project by The New York Times. The project sought to popularize the use of 360 degree (or spherical) videos, without prioritizing levels of immersion, or even quality. They chose to publish a wide variety of content, seeking more unusual topics, regardless of the theme. The videos were mostly short and to the point (the average length was 1 minute and 25 seconds) – and 60% of the videos were integrated into the Times’ multimedia articles. This meant it was possible to understand the reasoning behind the choice of subject chosen by the publication in its first steps towards immersive content, as well as reflect on the possibilities that Virtual Reality can offer to journalism
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Vilímová, Tereza. "Občanský fotožurnalismus a videožurnalismus na českých zpravodajských webech." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-267690.
Full textAbstract:
The master's thesis deals with the citizen photojournalism and the citizen videojournalism in the Czech media landscape. It focuses on the frequency of the amateur photographs and videos published on the selected news web sites and also on the gatekeeping process. This master's thesis also reflects the editor's opinions on the citizen photojournalism and the citizen videojournalism. The citizen journalism is usually viewed from the perspective of the citizen journalists, but this master's thesis brings the view from the second side, from the media professionals. The thesis uses the combination of the quantitative and qualitative methods. Firstly, there was conducted the quantitative content analysis. Secondly, there were interviewed the media professionals. The conclusions of the master's thesis indicate that the citizen photojournalism and the citizen videojournalism is rarely used on the Czech web sites. The media professionals evaluate this phenomenon positively, find its contributions to the news flow but only under the certain conditions. On the other hand, they do not find the citizen photojournalism and videojournalism absolutely necessary element for the news service.