Academic literature on the topic 'Video portraits'

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Journal articles on the topic "Video portraits"

1

Kim, Hyeongwoo, Pablo Garrido, Ayush Tewari, et al. "Deep video portraits." ACM Transactions on Graphics 37, no. 4 (2018): 1–14. http://dx.doi.org/10.1145/3197517.3201283.

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2

Megginson, Nancy L. "Portraits of Possibility (Video)." Adapted Physical Activity Quarterly 14, no. 3 (1997): 258–59. http://dx.doi.org/10.1123/apaq.14.3.258.

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3

Wen, Xin, Miao Wang, Christian Richardt, Ze-Yin Chen, and Shi-Min Hu. "Photorealistic Audio-driven Video Portraits." IEEE Transactions on Visualization and Computer Graphics 26, no. 12 (2020): 3457–66. http://dx.doi.org/10.1109/tvcg.2020.3023573.

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Jackson, Allyn. "Science Lives: Video Portraits of Great Mathematicians." Notices of the American Mathematical Society 59, no. 10 (2012): 1. http://dx.doi.org/10.1090/noti914.

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Hassan, Umer, Zubair Usman, and Muhammad Sabieh Anwar. "Video-based spatial portraits of a nonlinear vibrating string." American Journal of Physics 80, no. 10 (2012): 862–69. http://dx.doi.org/10.1119/1.4740251.

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Mukhammadjonova, Guzalkhan. "PSYCHOLOGICAL ANALYSIS FROM PORTRAIT." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 05 (2021): 79–84. http://dx.doi.org/10.37547/philological-crjps-02-05-18.

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The article examines the issue of the portrait of a creative person and its role in psycho-psychological analysis on the basis of the interpretation in literature of the great thinker, sheikh, a great representative of mystical literature, the poet Ahmad Yassaviy. Methods of creating portraits and experiments in this area are interpreted on the form of comparative-analytical method. The combination of images of the hero and his biography highlights the creative human psyche. The monologues, in particular, highlight the artistic-aesthetic and artistic-conceptual role of monologue-memory and mon
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Drew, Jesse, and Glenda Drew. "Algorithmic cinema and collective memory." Novos Olhares 9, no. 1 (2020): 13–20. http://dx.doi.org/10.11606/issn.2238-7714.no.2020.171984.

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The Pixeldust project is a contributory, interactive video/audio/text engine that can be output to many different forms of exhibition. It is conceived of as a form of algorithmic filmmaking, that blends the aesthetics and visual power of cinema with the flexibility and mutability of computer programming. Written in the Processing language, the Pixeldust engine accepts photographic portraits, disassembles them into component pixels and particles that lie like dust in the bottom of the projected screen, then dramatically sweeps them up and crystallizes them into a complete portrait accompanied b
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Becker, Karin, and Geska Helena Brečević. "More Than a Portrait: Framing the Photograph as Sculpture and Video Animation." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 48–55. http://dx.doi.org/10.47659/m5.048.art.

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This essay traces the resurrection of the fotoescultura, a three-dimensional photographic portrait popular in rural Mexico in the early 20th century, as interpreted in recent works by Performing Pictures, a contemporary Swedish artist duo. The early fotoesculturas were an augmented form of portraiture, commissioned by family members who supplied photographs that artisans in Mexico City converted into framed sculptural portraits for display on family altars. We compare these »traditional« photographic objects with “new” digital forms of video animation on screen and in the public space that cha
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Lessard, Jonathan, and Carl Therrien. "Indies de province." Le jeu vidéo au Québec 14, no. 23 (2021): 15–35. http://dx.doi.org/10.7202/1078726ar.

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This paper looks at the emergence of video game creation in Québec prior to the industrial boom and the popularization of independent games. Built from personal archives and oral history, the paper highlights two unknown personalities from the history of video games in Québec: Christian Boutin and I-Grec. These portraits contribute to diversify the “indie” narrative and reconsider it as part of a longer history.
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Brečević, Geska Helena, and Robert Brečević. "Verfünfungseffekt: Delving into the Enchanted World of Fivefold-portraits and Self-partitioning." Magic, Vol. 5, no. 1 (2020): 66–71. http://dx.doi.org/10.47659/m8.066.ess.

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Discovered during a media-archeological investigation into optical illusions, trick photography, and discarded memorabilia, the photo-multigraph technique opened the door to an enchanted world of cloned appearances orbiting in a self-reflective solar system. Shapeshifting into our preferred artistic medium, this turn-of-the-century photographic technique becomes the video-multigraph. It is bizarrely noteworthy that self-isolation would become not only the subject of the piece, but also – due to the unforeseen spread of a recently mutated virus – the prevailing circumstances under which the wor
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