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Journal articles on the topic 'Video portraits'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Kim, Hyeongwoo, Pablo Garrido, Ayush Tewari, et al. "Deep video portraits." ACM Transactions on Graphics 37, no. 4 (2018): 1–14. http://dx.doi.org/10.1145/3197517.3201283.

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Megginson, Nancy L. "Portraits of Possibility (Video)." Adapted Physical Activity Quarterly 14, no. 3 (1997): 258–59. http://dx.doi.org/10.1123/apaq.14.3.258.

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3

Wen, Xin, Miao Wang, Christian Richardt, Ze-Yin Chen, and Shi-Min Hu. "Photorealistic Audio-driven Video Portraits." IEEE Transactions on Visualization and Computer Graphics 26, no. 12 (2020): 3457–66. http://dx.doi.org/10.1109/tvcg.2020.3023573.

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Jackson, Allyn. "Science Lives: Video Portraits of Great Mathematicians." Notices of the American Mathematical Society 59, no. 10 (2012): 1. http://dx.doi.org/10.1090/noti914.

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Hassan, Umer, Zubair Usman, and Muhammad Sabieh Anwar. "Video-based spatial portraits of a nonlinear vibrating string." American Journal of Physics 80, no. 10 (2012): 862–69. http://dx.doi.org/10.1119/1.4740251.

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6

Mukhammadjonova, Guzalkhan. "PSYCHOLOGICAL ANALYSIS FROM PORTRAIT." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 05 (2021): 79–84. http://dx.doi.org/10.37547/philological-crjps-02-05-18.

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The article examines the issue of the portrait of a creative person and its role in psycho-psychological analysis on the basis of the interpretation in literature of the great thinker, sheikh, a great representative of mystical literature, the poet Ahmad Yassaviy. Methods of creating portraits and experiments in this area are interpreted on the form of comparative-analytical method. The combination of images of the hero and his biography highlights the creative human psyche. The monologues, in particular, highlight the artistic-aesthetic and artistic-conceptual role of monologue-memory and mon

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Drew, Jesse, and Glenda Drew. "Algorithmic cinema and collective memory." Novos Olhares 9, no. 1 (2020): 13–20. http://dx.doi.org/10.11606/issn.2238-7714.no.2020.171984.

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The Pixeldust project is a contributory, interactive video/audio/text engine that can be output to many different forms of exhibition. It is conceived of as a form of algorithmic filmmaking, that blends the aesthetics and visual power of cinema with the flexibility and mutability of computer programming. Written in the Processing language, the Pixeldust engine accepts photographic portraits, disassembles them into component pixels and particles that lie like dust in the bottom of the projected screen, then dramatically sweeps them up and crystallizes them into a complete portrait accompanied b

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Becker, Karin, and Geska Helena Brečević. "More Than a Portrait: Framing the Photograph as Sculpture and Video Animation." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 48–55. http://dx.doi.org/10.47659/m5.048.art.

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This essay traces the resurrection of the fotoescultura, a three-dimensional photographic portrait popular in rural Mexico in the early 20th century, as interpreted in recent works by Performing Pictures, a contemporary Swedish artist duo. The early fotoesculturas were an augmented form of portraiture, commissioned by family members who supplied photographs that artisans in Mexico City converted into framed sculptural portraits for display on family altars. We compare these »traditional« photographic objects with “new” digital forms of video animation on screen and in the public space that cha

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Lessard, Jonathan, and Carl Therrien. "Indies de province." Le jeu vidéo au Québec 14, no. 23 (2021): 15–35. http://dx.doi.org/10.7202/1078726ar.

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This paper looks at the emergence of video game creation in Québec prior to the industrial boom and the popularization of independent games. Built from personal archives and oral history, the paper highlights two unknown personalities from the history of video games in Québec: Christian Boutin and I-Grec. These portraits contribute to diversify the “indie” narrative and reconsider it as part of a longer history.

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Brečević, Geska Helena, and Robert Brečević. "Verfünfungseffekt: Delving into the Enchanted World of Fivefold-portraits and Self-partitioning." Magic, Vol. 5, no. 1 (2020): 66–71. http://dx.doi.org/10.47659/m8.066.ess.

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Discovered during a media-archeological investigation into optical illusions, trick photography, and discarded memorabilia, the photo-multigraph technique opened the door to an enchanted world of cloned appearances orbiting in a self-reflective solar system. Shapeshifting into our preferred artistic medium, this turn-of-the-century photographic technique becomes the video-multigraph. It is bizarrely noteworthy that self-isolation would become not only the subject of the piece, but also – due to the unforeseen spread of a recently mutated virus – the prevailing circumstances under which the wor

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Pevec, Iza, and Robbie Cooper. "Staring at the Screen: Interview with Photographer Robbie Cooper." Grimace, Vol. 2, no. 1 (2017): 14–19. http://dx.doi.org/10.47659/m2.014.int.

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From the beginnings of the photography, portrait photography has had a special aura – reading one’s own facial expressions and those of others is after all a very human trait. In his project Immersion, British artist Robbie Cooper presents a specific type of portraits – portraits of people as media consumers. We are all aware of the frightening statistics of the average number of hours spent behind the screen, yet Cooper’s intention was not to moralise. A diverse spectrum of people’s expressions captured during watching various media content tells only one part of our human story. In the Immer

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Bastiaan, Ross J., Gerald D. Dalitz, and Colin Woodward. "Video Superimposition of Skulls and Photographic Portraits—A New Aid to Identification." Journal of Forensic Sciences 31, no. 4 (1986): 11915J. http://dx.doi.org/10.1520/jfs11915j.

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Walker, Janet. "‘Testimony in the umbra of trauma: film and video portraits of survival’." Studies in Documentary Film 1, no. 2 (2007): 91–104. http://dx.doi.org/10.1386/sdf.1.2.91_1.

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Cox, Elizabeth, and Leslie M. Lothstein. "Video Self-Portraits: A Novel Approach To Group Psychotherapy with Young Adults." International Journal of Group Psychotherapy 39, no. 2 (1989): 237–53. http://dx.doi.org/10.1080/00207284.1989.11491162.

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Salmia, Tiina. "Marcello the Dog and More-Than-Human Family in Elina Brotherus's Self-Portraits from the Series Carpe Fucking Diem." TRACE ∴ Journal for Human-Animal Studies 7 (April 7, 2021): 46–68. http://dx.doi.org/10.23984/fjhas.99338.

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This article examines the possibilities of visual culture to open new perspectives on interspecies relations by analyzing self-portraits from visual artist Elina Brotherus’s photography series Carpe Fucking Diem (2011–2015). Brotherus has suggested that this series talks “about a failure to have a family with kids and give normality the finger”. The self-portraits can be seen to address this “failure” to have a normative nuclear family, while simultaneously questioning the desirability of the norm itself through Brotherus’s relationship with her pet dog, dachshund Marcello. The article explore

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Segal, Nancy L. "The 14th Congress of the International Society for Twin Studies: Selected Highlights/Research Summaries: Twin Study of Telomere Erosion; Genetics of Monozygotic Twinning; Developmental Dysplasia; Fertility of Mothers of Twins / General Interest: Video Portraits; Separated at Birth; Childhood Actors; Adult Twin Film Villains." Twin Research and Human Genetics 15, no. 5 (2012): 685–90. http://dx.doi.org/10.1017/thg.2012.48.

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Selected highlights from the 14th International Congress on Twin Studies, set in Florence, Italy in April 2012, are presented. This meeting, which traditionally occurred every three years, is now being held every two years. Reviews of research on the topics of stress and aging (telomere erosion), the genetics of MZ twinning, developmental dysplasia, and fertility of mothers of twins follow. The final section includes several public interest items, namely an exhibit of twins' video portraits, unusual physical look-alikes, and young and adult twin television and film actors.

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Constantino, Valerie. "Instinct Extinct: The Great Pacific Flyway." Leonardo 52, no. 1 (2019): 5–11. http://dx.doi.org/10.1162/leon_a_01599.

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This article, or artist’s inquiry, was written in concert with the exhibition Instinct Extinct: The Great Pacific Flyway. Beginning with introductions to bird migration, the concept of global flyways and the history of conservation, the text considers the poetics of art-making relative to academic research. Areas of artistic exploration include a map depicting California’s changing waterscape, video portraits of people of the flyway and assemblages of invented and found avian artifacts. The article concludes with a review of current environmental conditions affecting migratory birds and some r

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Roberts, June Gersten. "The Flourishing Folds." Dance, Movement & Spiritualities 6, no. 1-2 (2020): 155–70. http://dx.doi.org/10.1386/dmas_00008_1.

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The Flourishing Folds is a solo video-art project, which re-negotiates the author’s relationship with ageing through creating intimate skin-portraits in near-touch close-up. The article reflects on these processes of re-possessing and re-purposing images of ageing skin and shares affirming experiences of embodied, sensory-perceptual video making. Tibetan Buddhist meditation practices inform the project and the article shares reflective writing on deep body meditations that dwell in locations where creasing skin offers pockets for holding spiritual humility and where folds form valleys that map

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Kusrini, Kusrini. "Potret Diri Digital dalam Seni dan Budaya Visual." Journal of Urban Society's Arts 2, no. 2 (2015): 111–22. http://dx.doi.org/10.24821/jousa.v2i2.1448.

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Selfie merupakan bentuk tidak resmi (slang) dari potret diri digital (digital self-portraits). Keberadaannya semakin berkembang. National #Selfie Gallery di London pada 2013 menunjukkan bahwa jenis foto ini memiliki kelayakan untuk masuk galeri dan disebut sebagai karya seni. Sejumlah 19 seniman berfoto selfie dan hasilnya dipamerkan dalam bentuk video berdurasi singkat, masing-masing sekitar 30 detik. Untuk sampai di ruang pamer galeri, foto-foto selfie tersebut melalui tahap kurasi oleh kurator. Terdapat seleksi teknik dengan perangkat yang ada di dunia seni. Pada tahap selanjutnya, foto-fot

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Turpie, Edward Jonathan. "Drawing Ed Ruscha." Drawing: Research, Theory, Practice 5, no. 2 (2020): 291–303. http://dx.doi.org/10.1386/drtp_00038_1.

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This project aims to discuss drawing as a method of bridging the void between digital imaging technologies and physical drawing in the fine art domain. It does so by investigating the role of drawing and printing in contemporary portraiture. Drawn and printed silkscreen portraits are made from a synthesis of graphite marks, digital pixels and water-based ink deposited on paper surfaces. The practice-led research described here explores the materiality of the emergent image when drawing is impressed on an electronic media trace. This investigation is timely in the context of the unprecedented i

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Brower, Matthew. "Photography, Curation, Affect." Journal of Visual Culture 17, no. 2 (2018): 177–97. http://dx.doi.org/10.1177/1470412918782354.

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This article explores the implications of photographic affect for curatorial practice by examining the exhibition Through The Body: Lens-Based Work by Contemporary Chinese Women Artists (Art Museum at University of Toronto, 2014). The author focuses on the curatorial task of situating the work of three of the artists, Chen Zhe, Fan Xi and Chun Hua Catherine Dong that employs affect in related but potentially incompatible ways. Chen’s visceral series The Bearable documents her practices of cutting as an attempt to overcome shame and begin healing. Fan’s portraits of topless Chinese lesbians use

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22

Andreeva, Ekaterina Yu. "Sovietness in the Art of Vladislav Mamyshev-Monroe." Vestnik of Saint Petersburg University. Arts 11, no. 1 (2021): 69–82. http://dx.doi.org/10.21638/spbu15.2021.105.

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The article is devoted to the recycling of Soviet images in the works of Vladislav Mamyshev-Monroe from 1987–2006. In his multidisciplinary work, Vladislav Mamyshev (1969–2013),an artist, writer, actor, professor of the original genre department of the New Academy of Fine Arts, repeatedly reproduced images from Soviet cinema and pop culture. In the make-up of Marilyn Monroe, he performed Soviet songs at concerts and in video clips. He portrayed Alla Pugacheva, Lenin and Krupskaya, an episode of Stierlitz meeting with his wife from the movie Seventeen Moments of Spring in performances and photo

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Tobach, Ethel, Alexander J. Skolnick, Isobel Klein, and Gary Greenberg. "Viewing of Self and Nonself Images in a Group of Captive Orangutans (Pongo Pygmaeus Abellii)." Perceptual and Motor Skills 84, no. 2 (1997): 355–70. http://dx.doi.org/10.2466/pms.1997.84.2.355.

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Reports on self-recognition in great apes have been mostly derived from experimental studies of mirror behavior (mark test) requiring anesthetization of the animals. We investigated a relatively noninvasive technique to study this behavior. In two experiments with a group of captive orangutans (1 adult male, 3 adult females, 1 juvenile male, and 1 juvenile female), we presented combinations of blank posters, life-size portraits of each individual in the group, a mirror, and videos. Durations of viewing and patterns of viewing were recorded. The prominent features of the viewing were the differ

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Kalisz, Katarzyna. "Spuścizna audiowizualna Jerzego Ficowskiego w zasobie Narodowego Archiwum Cyfrowego." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 16 (December 12, 2017): 263–69. http://dx.doi.org/10.24917/20811853.16.20.

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Audio-visual legacy of Jerzy Ficowski found in the National Digital Archives The National Digital Archives stores the audio-visual contents of Jerzy Ficowski’s legacy – photos, audio recordings, and films. The most numerous type of data found there are photographs. Many of the photos are representative of Ficowski’s research interests. There are Gypsy photos (especially those taken by him while traveling in Gypsy caravans), Judaica, photos regarding Witold Wojtkiewicz and Bruno Schultz (particularly those taken by Jerzy Ficowski during his stay at Drohobych), photos taken by Ficowski as illust

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Rowland, David R. "The surprising influence of longitudinal motion in vibrating strings: Comment on “Video-based spatial portraits of a nonlinear vibrating string” [Am. J. Phys. 80(10), 862–869 (2012)]." American Journal of Physics 83, no. 12 (2015): 1058–60. http://dx.doi.org/10.1119/1.4934962.

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Ryan, Kathleen M. "Vertical video: rupturing the aesthetic paradigm." Visual Communication 17, no. 2 (2017): 245–61. http://dx.doi.org/10.1177/1470357217736660.

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Popular culture has critiqued ‘vertical video syndrome’, or video shot on smartphones in the portrait rather than landscape orientation, as something aesthetically unpleasing which should be avoided. But the design of smartphones seems to encourage shooting vertical video. This article examines the aesthetic desirability of vertical videos through applied media aesthetics. It traces the history of horizontal film and television orientations, as well as the image-centric orientation model found in still photography. It argues that vertical video, rather than a syndrome to be avoided, instead ta

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Zulkiewicz, Brittany A., Vanessa Boudewyns, Catherine Gupta, Ari Kirschenbaum, and Megan A. Lewis. "Using 360-Degree Video as a Research Stimulus in Digital Health Studies: Lessons Learned." JMIR Serious Games 8, no. 1 (2020): e15422. http://dx.doi.org/10.2196/15422.

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Due to the accessibility of omnidirectional cameras to record 360-degree videos and the technology to view the videos via mobile phones and other devices, 360-degree videos are being used more frequently to place people in different contexts and convey health-related information. Increasingly, 360-degree videos are being employed in health marketing because they have the potential to enhance health-related attitudes and behaviors. As a case study on how this technology may be used for health-related information and its effect on health care providers, we created a 360-degree video that portray

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Jiang Li, Keman Yu, Tielin He, Yunfeng Lin, Shipeng Li, and Ya-Qin Zhang. "Scalable portrait video for mobile video communication." IEEE Transactions on Circuits and Systems for Video Technology 13, no. 5 (2003): 376–84. http://dx.doi.org/10.1109/tcsvt.2003.811611.

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Haapoja, Terike. "In and Out of Time." APRIA Journal 3, no. 2 (2021): 72–74. http://dx.doi.org/10.37198/apria.03.02.a9.

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The video diptych In and Out of Time portrays a calf that has just passed away. The image on the left shows a recording of the calf as seen with an ordinary video camera. The image on the right shows the same calf, as seen through an infrared camera. The videos are in synchrony: as the body of the calf cools down, its image slowly vanishes from the infrared image. The original recording time of seven hours and 3o minutes is visible as a time code in lower right corner of the video.

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Liang, Dongxue, Kyoungju Park, and Przemyslaw Krompiec. "Facial Feature Model for a Portrait Video Stylization." Symmetry 10, no. 10 (2018): 442. http://dx.doi.org/10.3390/sym10100442.

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With the advent of the deep learning method, portrait video stylization has become more popular. In this paper, we present a robust method for automatically stylizing portrait videos that contain small human faces. By extending the Mask Regions with Convolutional Neural Network features (R-CNN) with a CNN branch which detects the contour landmarks of the face, we divided the input frame into three regions: the region of facial features, the region of the inner face surrounded by 36 face contour landmarks, and the region of the outer face. Besides keeping the facial features region as it is, we

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Fiss, Juliet, Aseem Agarwala, and Brian Curless. "Candid portrait selection from video." ACM Transactions on Graphics 30, no. 6 (2011): 1–8. http://dx.doi.org/10.1145/2070781.2024162.

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Wang, Yifan, Wenbo Zhang, Lijun Wang, Fenghua Yang, and Huchuan Lu. "Temporal consistent portrait video segmentation." Pattern Recognition 120 (December 2021): 108143. http://dx.doi.org/10.1016/j.patcog.2021.108143.

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Pandya, Jessica Zacher, Nat Hansuvadha, and Kathleah Allene Consul Pagdilao. "Digital literacies through an intersectional lens: the case of Javier." English Teaching: Practice & Critique 17, no. 4 (2018): 387–99. http://dx.doi.org/10.1108/etpc-11-2017-0158.

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Purpose The purpose of this paper is to examine, through an intersectional lens, how digital video composing can be an act of redistributive social justice for students with learning disabilities. Design/methodology/approach The authors draw on two years’ worth of observation, interview, survey and digital video data to present a case study of Javier (all names are pseudonyms), a Latinx English Learner with several learning disabilities. The authors worked with him, making digital videos in a general education classroom as part of a larger design-based study. The authors describe how he made m

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Bochkareva, Olga V. "Musical discourse in the conditions of modern media space." Yaroslavl Pedagogical Bulletin 1, no. 118 (2021): 170–77. http://dx.doi.org/10.20323/1813-145x-2021-1-118-170-177.

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Musical culture plays an important role in the formation and development of the individual and is conceived as a space of dialogue, a space of spirituality. The media image of real reality formed in the media arises on the basis of the collectively developed semantic field of the presented information, which fixes the values of the perceiving audience in the process of their actualization. The mechanism of valuable media space functioning is available to relevant persons with their understanding of the cultural, political, social situation that recognizes the majority of the audience, individu

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Podvolotskiy, I. N. "Preliminary Study of Video Images of Humans in Portrait Examination." Actual Problems of Russian Law, no. 9 (October 5, 2019): 115–22. http://dx.doi.org/10.17803/1994-1471.2019.106.9.115-122.

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The paper discusses the promising trends of a preliminary study of a person’s appearance captured using video recording devices. A characteristic of the preliminary study of the portrait data storage device seized during the inspection of the accident location is a sequential study of their external characteristics and internal content in order to further solve diagnostic problems aimed at establishing the characteristics of the surveying, image quality, and lack of signs of changing the initial content of the video or photo image. To date, the possibility of diagnosing human characteristics b

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Handley, Agata. "Representing Absence: Contemporary Ekphrasis in “Apesh-t”." Text Matters, no. 10 (November 24, 2020): 118–43. http://dx.doi.org/10.18778/2083-2931.10.07.

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Traditionally, ekphrasis has been defined as the description and analysis of works of art in poetry, and so it has been understood as the verbalization of visual images (Sager Eidt). The article examines the concept in the light of contemporary definitions that include non-verbal media as targets (Cariboni Killander, Lutas and Strukelj; Sager Eidt; Bruhn; Pethö) in order to analyze its applicability to music videos. It concentrates in particular on “Apesh-t,” a video for a track by Beyoncé and Jay-Z from the album Everything Is Love (2018). The video is filmed in different interiors of t

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Kim, Yong-Woon, Yung-Cheol Byun, and Addapalli V. N. Krishna. "Portrait Segmentation Using Ensemble of Heterogeneous Deep-Learning Models." Entropy 23, no. 2 (2021): 197. http://dx.doi.org/10.3390/e23020197.

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Image segmentation plays a central role in a broad range of applications, such as medical image analysis, autonomous vehicles, video surveillance and augmented reality. Portrait segmentation, which is a subset of semantic image segmentation, is widely used as a preprocessing step in multiple applications such as security systems, entertainment applications, video conferences, etc. A substantial amount of deep learning-based portrait segmentation approaches have been developed, since the performance and accuracy of semantic image segmentation have improved significantly due to the recent introd

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Chen, Yao, Ao Chen, Zhiwei Jiang, and Jianfu Zhong. "Surveillance Video Portrait Recognition Preprocessing Technology for Police Actual Combat." Open Journal of Applied Sciences 09, no. 05 (2019): 394–402. http://dx.doi.org/10.4236/ojapps.2019.95033.

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Mee, Erin B. "Hearing the Music of the Hemispheres." TDR/The Drama Review 57, no. 3 (2013): 148–50. http://dx.doi.org/10.1162/dram_a_00284.

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Music of the Hemispheres is a concert, a film, a portrait, an improv, and a performed (neural) performance analysis that offers new ways of thinking about perception, spectatorship, and the brain. TDR's first born-digital multimodal article incorporates film, video, and audio clips that are integrated in, and central to, the argument.

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Armand, Claudine. "Visual, Aural, and Temporal Traces in Lorna Simpson’s Phototexts and Installations." Kronoscope 14, no. 2 (2014): 163–79. http://dx.doi.org/10.1163/15685241-12341303.

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Drawing on visual and linguistic theories, this article examines the interplay of time and trace in contemporary artist Lorna Simpson’s handling of the portrait genre in her phototexts and video installations. I examine first the concept of trace in relation to the photographic medium and to the artist’s conceptual approach and study the way text and image interact in a contrapuntal and often dissonant way. Then I focus on two video installations to highlight the fragmentary, repetitive, and elliptical quality of Simpson’s multimedia practices and to put forward the fluctuating status of the c

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Grier, David Alan. "Video review: N is a Number. A portrait of Paul Erdős." Endeavour 24, no. 4 (2000): 177. http://dx.doi.org/10.1016/s0160-9327(00)01320-x.

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Yu, K., Jiang Li, Cuizhu Shi, and Shipeng Li. "A novel model-based rate-control method for portrait video coding." IEEE Transactions on Circuits and Systems for Video Technology 15, no. 12 (2005): 1545–56. http://dx.doi.org/10.1109/tcsvt.2005.857310.

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Peixoto, Clarice E. "The photo in the Ffilm: public and private collections in video-portrait." Vibrant: Virtual Brazilian Anthropology 9, no. 2 (2012): 344–60. http://dx.doi.org/10.1590/s1809-43412012000200013.

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This article discusses the inclusion of photographs in ethnographic films, particularly in the genre video portrait. In the reconstitution of an individual's history, photographic images play an important role in the evocation of past facts that often remain only as fragments of memory. When examining personal collections and public archives, we prospect for photographic and iconographic images that allow usto construct possible relationships between collective and individual memories.

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Su, Xin, Lijun Xiao, Wenjia Li, Xuchong Liu, Kuan-Ching Li, and Wei Liang. "DroidPortrait: Android Malware Portrait Construction Based on Multidimensional Behavior Analysis." Applied Sciences 10, no. 11 (2020): 3978. http://dx.doi.org/10.3390/app10113978.

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Recently, security incidents such as sensitive data leakage and video/audio hardware control caused by Android malware have raised severe security issues that threaten Android users, so thus behavior analysis and detection research researches of malicious Android applications have become a hot topic. However, the behavioral portrait of Android malware that can depict the behavior of Android malware is not approached in previous literature. To fill this gap, we propose DroidPortrait, an Android malware multi-dimensional behavioral portrait construction approach. We take the behavior of Android

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Pérez-Latorre, Óliver, and Mercè Oliva. "Video Games, Dystopia, and Neoliberalism: The Case of BioShock Infinite." Games and Culture 14, no. 7-8 (2017): 781–800. http://dx.doi.org/10.1177/1555412017727226.

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An ideological analysis of video games should include both the narrative and ludic dimensions, since there can be frictions between these two dimensions and they can even contradict one another. This article’s main aim is to analyze BioShock Infinite, an illustrative case study of these conflicts. On the one hand, it is a video game that portrays a dystopian narrative, aligning itself with this genre’s critical progressive tradition; on the other hand, its gameplay has an accentuated neoliberal bent. The analysis of BioShock Infinite also helps us to critically discuss certain trends in game d

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Blohm, Werner. "Video dynamic range compression of portrait images by simulated diffuse scene illumination." Optical Engineering 35, no. 1 (1996): 255. http://dx.doi.org/10.1117/1.600893.

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Tsoi, Yu A., V. E. Lyubimov, L. D. Saginov, V. V. Kirsanov, M. E. Golovkin, and N. P. Mishurov. "Development of a Mobile Integrated System for Thermal Imaging Videodigital Diagnostics of Cow Diseases." Machinery and Equipment for Rural Area, no. 6 (June 25, 2021): 23–28. http://dx.doi.org/10.33267/2072-9642-2021-6-23-28.

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The principles of creating a mobile integrated system for thermal imaging video-digital diagnostics of cow diseases, a block diagram of a mobile integrated system and a sequence of operations are described. The parameters of thermal imaging equipment for detecting temperature anomalies have been determined. Methods of segmentation of thermal images, histogram analysis and new methods of phase portrait analysis are selected. The features of the formation and processing of thermal images for monitoring inflammatory processes in animals have been determined.

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Martin, Jean-René. "A portrait of locomotor behaviour in Drosophila determined by a video-tracking paradigm." Behavioural Processes 67, no. 2 (2004): 207–19. http://dx.doi.org/10.1016/j.beproc.2004.04.003.

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Woodward, Kathleen. "The Feeling of Freedom, Planetary Affect, and Feminist Emotion." Feminist Media Histories 7, no. 2 (2021): 65–91. http://dx.doi.org/10.1525/fmh.2021.7.2.65.

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Video artist Cecelia Condit’s recent work offers a rich visual and sonic poetics of feeling, engaging multiple varieties of sensation, affect, and emotion. Drawing on Erin Manning’s theory of preacceleration, this essay provides a close reading of Condit’s beguiling Within a Stone’s Throw (2012) as an environmental piece and in the context of her other work and her life. It argues that Condit’s solitary video work in Ireland’s rocky region resulted in a feeling of freedom that not only enabled her to create Within a Stone’s Throw—part environmental artwork, part performance piece, part imperso

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Hrabec, Ondřej, and Vladimír Chrz. "Flow Genres." International Journal of Gaming and Computer-Mediated Simulations 7, no. 1 (2015): 1–19. http://dx.doi.org/10.4018/ijgcms.2015010101.

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The goal of this theoretical study is to conceptually revise the flow theory formulated originally by Mihaly Csikszentmihalyi. Concept of flow is one of the most frequently used terms that describe an optimal experience while performing activity and this does not apply only for video game industry. In this article we discuss the varieties of flow experience with respect to video games. Further, the authors emphasize relativity of the original concept of flow, understood as a universal experience of independent nature in terms of activity or personality of the participant. Following detailed an

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