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Books on the topic 'Videor'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Goethe-Institut. Video Katalog: Videos for loan. London: Goethe-Institut, 1990.

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2

Hodge, Winston William. Interactive television: A comprehensive guide for multimedia technologists. New York: McGraw-Hill, 1995.

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3

Rosenbloom, Ian. The essential video guide: How to make better videos. London: Educational Television Company, 1995.

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4

Interactive video and instruction. Washington, D.C: National Education Association, 1989.

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5

Adventures in video: A guide to the best instructional videos. Denver, Colo: Arden Press, 1995.

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6

Perlmutter, Martin. Producer's guide tointeractive videodiscs. White Plains, NY: Knowledge Industry Publications, 1991.

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7

Interactive video management and production. Englewood Cliffs, N.J: Educational Technology Publications, 1991.

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8

Essential guide to interactive videodisc hardware and applications. Westport, CT: Meckler Pub. Corp., 1987.

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9

Producer's guide to interactive videodiscs. White Plains, NY: Knowledge Industry Publications, 1991.

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10

NRW-Forum Kultur und Wirtschaft Düsseldorf, ed. Video: 25 Jahre Videoästhetik : eine Ausstellung des NRW-Forum Kultur und Wirtschaft, Düsseldorf. Ostfildern: Hatje Cantz Verlag, 2003.

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11

Digital video in the PC environment. 2nd ed. New York: Intertext Publications, 1991.

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12

Luther, Arch C. Digital video in the PC environment. New York, N.Y: Intertext Publications, 1989.

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13

Hedgecoe on video: A complete creative & technical guide to making videos. London: Hamlyn, 1990.

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14

Shachtman, Tom. Video power: A complete guide to writing, planning, and shooting videos. New York: H. Holt, 1988.

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15

Hedgecoe on video: A complete creative & technical guide to making videos. London: Pyramid Books, 1989.

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16

Odenbach, Marcel. Marcel Odenbach: Video-Arbeiten, Installationen,Zeichnungen, 1988-1993 = videos, installations, drawings. Stuttgart: Edition Cantz, 1993.

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17

Schneider, Arthur. Electronic post-production and videotape editing. Boston: Focal Press, 1989.

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18

Schneider, Arthur. Electronic post-production and videotape editing. Boston: Focal, 1989.

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19

Rhodes, Nancy C. Language by video: An overview of foreign language instructional videos for children. Washington, DC: Center for Applied Linguistics/Delta Systems, 2004.

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20

Vaccarino, Elisa. La musa dello schermo freddo: Videodanza, computer e robot. Genova: Costa & Nolan, 1996.

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21

Atkinson, Doug. Videos for kids: The essential, indispensable parent's guide to children's movies on video. Rocklin, CA: Prima Pub., 1995.

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22

Wiehager, Renate. Marcel Odenbach: Video-Arbeiten, Installationen, Zeichnungen, 1988-1993 = videos, installations, drawings, 1988-1993. Stuttgart: Edition Cantz, 1993.

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23

European Commission. Directorate General X for Information, Communication, Culture, Audiovisual. Video-Katalog =: Video catalogue = Catalogue video. Luxemburg: Amt für amtliche Veröffentlichungen der Europäischen Gemainschaften, 1997.

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24

Azarmsa, Reza. Multimedia: Interactive video production. Belmont, Calif: Integrated Media Group, 1996.

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25

Long Beach Museum of Art. Art of music video. Long Beach, Calif: Long Beach Museum of Art, 1989.

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26

The disconnection: How to interface computers and video. White Plains, NY: Knowledge Industry Publications, 1988.

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27

Pädagogische Theorien der Interaktion im Zeitalter neuer Technologien: Versuch einer didaktischen Bewertung von interaktiven Computerlehr-/lernprogrammen. Frankfurt am Main: Lang, 1993.

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28

Planet, Lonely. Lonely Planet Argentina video (Videos). Lonely Planet, 1999.

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29

Planet, Lonely. Lonely Planet Pakistan video (Videos). Lonely Planet Publications, 1999.

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30

Planet, Lonely. Lonely Planet Peru video (Videos). Lonely Planet Publications, 1999.

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31

Planet, Lonely. Lonely Planet Ethiopia video (Videos). Lonely Planet Publications, 1999.

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32

Breakthrough Video: Spanish (Breakthrough Videos). Palgrave Macmillan, 1990.

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33

Young, Cynthia Y. Trigonometry, Digital Videos (Digital Video Tutor). Wiley, 2007.

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34

Planet, Lonely. Lonely Planet The Philippines video (Videos). Lonely Planet Publications, 1999.

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35

Planet, Lonely. Lonely Planet Hungary & Romania video (Videos). Lonely Planet Publications, 1999.

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36

Korsgaard, Mathias Bonde. Music Video Transformed. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.015.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter asks what music video has become today and how its audiovisual aesthetics have changed online. It suggests that music videos generally through process of remediation content more actively than any other media form, performing the dual function of “visualizing music” (by recasting a song visually) and “musicalizing vision” (by structuring images according to musical logic). The discussion identifies and provides an overview of several new music video types that have come into existence online, placing them in five categories. In particular, the chapter focuses on interactive music videos and music video apps through close analyses of both Arcade Fire’s interactive video “We Used to Wait” and Björk’s interactive “app album”Biophilia. Both of these actively challenge what we have come to expect of music videos while still performing some familiar functions, prompting us to consider whether they are even music videos.

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37

Benjamin, Floella. Hullaballoo Videos: Making and Sharing (Hullaballoo Video). Dorling Kindersley Publishers Ltd, 1995.

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38

Benjamin, Floella. Hullaballoo Videos: Shapes and Opposites (Hullaballoo Video). Dorling Kindersley Publishers Ltd, 1995.

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39

Barry Lopez VHS Video (Lannan Literary Videos). Lannan Foundation, 1992.

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40

Peter Reading (VHS Video) (Lannan Literary Videos). Lannan Foundation, 1992.

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41

Multimedia, Creative. Blockbuster Video Guide to Movies and Videos. Creative MultiMedia Corp, 1995.

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42

Teague, Liam. Tambuco Concert: Full Concert Video (Pas Videos). Alfred Publishing Company, 1995.

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43

Benjamin, Floella. Hullaballoo Videos: Time and Growing (Hullaballoo Video). Dorling Kindersley Publishers Ltd, 1995.

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44

Planet, Lonely. Lonely Planet South Africa & Lesotho video (Videos). Lonely Planet Publications, 1999.

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45

Vernallis, Carol. Music Video’s Second Aesthetic? Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0016.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. MTV’s launch happened thirty years ago. Since then music video has undergone shifts in technologies and platforms, financial booms and busts, and changing levels of audience engagement. While music videos hit a low point at the start of the millennium, they have reemerged as a key driver of popular culture. This resurgence resembles MTV’s first moment: it’s again worth asking what music video can do and where it fits. A variety of styles, genres, and tropes marks both the eighties and today. The traditional definition of music video - a record-company product that puts images to a pop record in order to sell the song — has become too narrow. Instead we might describe music videos as containing heightened sound/image relations we recognize as such. Today's videos can reflect great technical proficiency. But in the eighties an attempt at an audiovisual connection often left a trace of the performers’ and director’s efforts. This gave videos a special charm. Today’s videos, however, may also reflect a full flowering of the genre. Many directors have labored in the industry and weathered its transitions: their experiences inform today’s music videos. This chapter looks at what this thirty-year history might add up to.

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46

Musée d'art moderne et contemporain de Strasbourg., ed. Videos topiques: Tours et retours de l'art video. Strasbourg: Musee d'art moderne et contemporain de Strasbourg, 2000.

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47

Willoughby, Nick. Making YouTube Videos: Star in Your Own Video! Wiley & Sons Canada, Limited, John, 2019.

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48

CHURCHILL. Mkt Video Set 9 Videos C 1-20. McGraw-Hill Education, 1995.

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49

Willoughby, Nick. Making YouTube Videos: Star in Your Own Video! Wiley & Sons, Incorporated, John, 2015.

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50

Morris, Tee, Nick Willoughby, and Will Eagle. Making YouTube Videos: Star in Your Own Video! Wiley & Sons, Incorporated, John, 2019.

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