Relevant bibliographies by topics / Vienna (Austria) in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Vienna (Austria) in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Vienna (Austria) in art"

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Gumulya, Devanny. "PERANCANGAN FURNITURE DESIGN DARI INSPIRASI GAYA DESAIN SEZESSIONSTIL DENGAN METODE “PRODUCT GIST”." Jurnal Patra 3, no. 2 (2021): 95–105. http://dx.doi.org/10.35886/patra.v3i2.231.

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Art Nouveau merupakan salah satu gerakan seni yang sangat berpengaruh pada masanya. Hal ini terbukti dari adanya berbagai macam versi Art Nouveau di berbagai negara dan salah satunya di Austria. Di Austria, Art Nouveau dikenal dengan istilah “Sezessionstil” dimana gaya tersebut dikembangkan oleh suatu perkumpulan para seniman di Vienna yaitu “Vienna Secession”. Gaya tersebut cenderung menggunakan rectilinear dan curvilinear sehingga karya bergaya Sezessionstil ini terkesan modern dan minimalis. Hal ini dapat dilihat dari karya-karya seorang anggota dari Vienna Secession yaitu Josef Hoffmann. Product gist adalah metode untuk menganalisa ringkasan tampilan suatu objek 3d. Dengan metode ini karya – karya Hoffmann dianalisa dan ditemukan beberapa elemen desain yang menjadi ciri khas karya Hoffmann. Elemen – elemen inti dari karya Hoffman yang penting untuk dipertahankan adalah elemen kotak, garis vertikal, garis lengkung, detail bentuk bola dengan tone warna gelap. Elemen ini dikembangkan dalam proses desain menghasilkan suatu desain produk rancangan. Hasil akhir yang didapatkan berupa kursi yang terinspirasi dari karya sejarah seorang tokoh pada era Art Nouveau yaitu Josef Hoffmann.
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Cerha, Gertraud. "New Music in Austria Since 1945." Tempo, no. 161-162 (September 1987): 36–51. http://dx.doi.org/10.1017/s0040298200023330.

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Vienna, they say, is synonymous with music. Worldwide public opinion, responding to the New Year's Day Concert and the Vienna Boys’ Choir, confirms it.Confronted by the multifarious political and economic scandals of recent times, the Austrian Minister for Education and the Arts has declared that our art and culture is the only ‘export’ to have survived intact. But as far as 20th-century music is concerned, its ‘export’ has received little official encouragement. Apart from a 1972 ballet production by Aurel Miloss with music by Schoenberg, and a performance of Gottfried von Einem's Kabale und Liebe at the 1977 Maggio Musicale Fiorentino, our National Opera has presented no contemporary work outside Austria since 1945, nor any work by the Second Viennese School. Nor does any contemporary Austrian music appear on the touring schedules of the Vienna Philharmonic, as it used to (on a modest scale) in the 1950's; and works of the Schoenberg school are only played when conductors like Abbado, Zubin Mehta, or Christoph von Dohnanyi insist.
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Feiersinger, Elise. "The Archive Iris Meder in Vienna, Austria." Südosteuropa 68, no. 1 (2020): 101–11. http://dx.doi.org/10.1515/soeu-2020-0005.

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AbstractIris Meder (1965–2018) was a Vienna-based art historian. A large portion of her work and library is dedicated to the Danube region. On 15 November 2019, the Österreichische Gesellschaft für Architektur (Austrian Society for Architecture, ÖGFA) inaugurated the Archive Iris Meder. The author examines how Iris Meder, who grew up on the western border of Baden-Württemberg, Germany, became an expert in her field. Historical chronicles and the experience of the present are in accord: seldom can a private library’s books be preserved as a coherent and recognizable collection. The author gives a glimpse into the inner workings of an impressively versatile, highly knowledgeable independent scholar, and the journey undertaken by the ÖGFA to make her archive available to the public.
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Kostenko, Yurii. "Ukrainians in Austria." Diplomatic Ukraine, no. XIX (2018): 767–91. http://dx.doi.org/10.37837/2707-7683-2018-48.

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Many Austrian citizens of Ukrainian origin actively helped diplomats of the young Ukraine to take the first steps in the development of bilateral relations with the Republic of Austria. The social and cultural life of Austrians of Ukrainian origin in the late 20 and early 21 centuries was concentrated around the Greek Catholic Church of St. Barbara in Vienna. With the restoration of Ukraine’s independence, their leading associations, in particular the Austrian Union of Ukrainian Philatelists, were reformatted, and the Ukrainian-Austrian Association was created, which implemented many interesting projects. A significant contribution to the dissemination of positive information about Ukraine in the world was made by the magazines of these associations: “Visti SUFA”, “Austrian-Ukrainian review”, “KyiViden”. In the Austrian capital during these years fruitfully worked outstanding cultural figures: composer and choirmaster A. Hnatyshyn, master of artistic embroidery K. Kolotylo, artists Kh. Kurytsia-Tsimmerman, L. Mudretskyi. During nearly one and a half century, starting from 1772, a great part of the western Ukraine – firstly Galicia and then Bukovyna – formed part of the Austrian Monarchy. Interests of Ukrainians of these Crown Lands were represented in the Austrian Parliament – the Reichsrat − by the so-called “ruthen” parliamentarians, among which was Mykola Vasylko, the first Ambassador of Ukraine to Vienna in the early 20 century. Many talented Ukrainian youth studied at Austrian universities. Prominent figures of national culture visited Vienna for a long time, including Lesia Ukrainka, Mykhailo Drahomanov and Ivan Franko. There were also many student- and labour societies. The independence of the Ukrainian state opened new horizons for cooperation between philatelists of the two countries, in particular, the exchange of philatelic material – new stamps, envelopes, etc. Keywords: Diaspora, Austria, philately, culture, art.
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Albert, Samuel D. "Austria and Hungary at the 1904 St. Louis World’s Fair: A Hint of the End." Journal of Austrian-American History 7, no. 2 (2023): 109–37. http://dx.doi.org/10.5325/jaustamerhist.7.2.0109.

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Abstract This article examines the Austrian participation at the 1904 St. Louis World’s Fair, focusing particularly on the display of art. Spread across two venues, the Austrian Pavilion and the Palace of Fine Arts, the display, with contributions from the Mánes Association of Fine Artists, Society of Polish Artists “Sztuka,” the Hagenbund, and the Vienna Künstlergenossenschaft illustrates the changes taking place in Cisleithanian art at the time, with the emergence and increased recognition of nationally organized art societies, whose very existence questioned the long-standing supremacy of Vienna art institutions. A further contrast is made with the Hungarian art exhibition at the same fair. Unlike the Austrian exhibit, housed in its own free-standing exhibition space, the much more modest Hungarian exhibit was divided in two. Fine arts were displayed in the Palace of Fine Arts, while decorative arts and crafts were displayed in a pavilion built inside of the exhibition hall. The author ends by contrasting the 1904 exhibition spaces with those of the 1900 Paris exhibition.
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Glebova, Natalya, and Michael Klamer. "Red Vienna. 1919–1934." проект байкал 18, no. 68 (2021): 26–35. http://dx.doi.org/10.51461/projectbaikal.68.1797.

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The political events and global socio-economic reforms carried out by social democrats in the early 20th century, expansion of the capital of Austria and the inflow of the working class caused the building of a “garden city” with rich infrastructure, parks and available and comfortable dwelling. The skills of advanced Austrian architects, ideological meaning together with economic forces, spatial concept and socialist slogans gave birth to a new architectural identity.
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Brodbeck, David. "Heimat Is Where the Heart Is; or, What Kind of Hungarian was Goldmark?" Austrian History Yearbook 48 (April 2017): 235–54. http://dx.doi.org/10.1017/s0067237816000679.

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On 2 January 1915, during the first winter of the First World War, the celebrated composer Carl Goldmark died in Vienna at the ripe old age of eighty-four. The Viennese press gave the story of his passing the kind of coverage that one would expect for a figure who was described as the “rector of Austrian music,” even its “epicenter.” The notice in the Neue Freie Presse was particularly striking in its imagery: “We, musical Vienna and the entire musical world, stand shaken around the funeral bier of the great composer and Austrian Carl Goldmark.” As the report goes on, the writer makes a clear reference to the growing war effort: “Many of our best and brightest must now die on the battlefield for the fatherland. Goldmark lived for his fatherland, and by creating art touched by the breadth of eternity, he honored the fatherland in his own way and greatly increased the cultural heritage of humanity.” Meanwhile, in the other great capital of the Dual Monarchy, the composer's death was covered very differently. To read the obituaries that appeared in Budapest is to be told that Hungary, not Austria, was Goldmark's fatherland. Here, in effect, both halves of the monarchy were fighting over the same man's legacy—the one, primarily on the basis of his Hungarian birth and childhood; the other, on the basis of his long residency in Austria and the central role he played in the musical culture of late Habsburg Vienna.
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Koliastruk, Olha. "Re-Ukrainization of Avant-Garde Art as a Process of Identification of Ukrainian Cultural Heritage." Scientific Papers of the Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University. Series: History, no. 40 (June 2022): 51–58. http://dx.doi.org/10.31652/2411-2143-2022-40-51-58.

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The aim of the article is to study the development of the Polish national movement in Galicia during World War I.Research methods: analysis, synthesis, generalization, problem-chronological, historical-systemic.Scientific novelty: for the first time in the national historiography the genesis of the Galicia Polish national idea ​ in 1914-1918 and the activity of local Polish politicians for its realization were comprehensively researched. Conclusions: Due to the liberal political regime of Austria-Hungary, the Polish national movement of Galicia achieved significant results in the end of nineteenth - beginning of twentieth century. Therefore, the Polish political elite saw at the beginning of World War I a chance to liberate Polish lands from the Russian Empire and restore its national state. According to most members of the Polish national movement, the achievement of this aim should have been based on support and close union with the Habsburg monarchy. As a result, all Polish parties in Galicia and their representatives of the Vienna Parliament solemnly sided with Austria and the Fourth Union in the world conflict. During the first stage of World War, the Polish society of the region supported Austria-Hungary enthusiastically and helped to form national subdivision within the Austrian army - the Polish Legions. The situation sustained a radical change after the signed an agreement of the Fourth Union with the Ukrainian National's Republic. A covert addition to this document provided for the division of Galicia on national feature. This undermined the trust of Polish politicum and society to Vienna. However, American president Wilson in his "14 theses" guaranteed the restoration of the Polish state with access to the sea in January 1918. Besides, with the entry of the United States into the war on the side of the Entente, the Fourth Union practically lost its chances of military victory. Therefore, in the end of 1918, the Galicia’s Polish political elite realized the necessity of unification to rebuild the Polish state within the borders of 1772 without the Fourth Union’s support.
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Lappin-Eppel, Eleonore. ""I Am a Conscious Jew and an Austrian": Austrian Jewish Women Survivors in Post-Shoah Austria." Nashim: A Journal of Jewish Women's Studies & Gender Issues 42, no. 1 (2023): 74–108. http://dx.doi.org/10.2979/nashim.42.1.04.

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Abstract: This paper presents the life stories of six Jewish women who were born in Vienna, survived the Nazi persecution there or in camps, and stayed in Austria after the war. The subjects were chosen in an effort to reflect a diversity of fates, reactions and coping strategies and to offer a representative overview. I will discuss why these women did not leave Austria after the Nazi takeover, how they managed to survive the years of persecution, why they subsequently decided to remain in Austria, and how their sufferings influenced the course of their lives after liberation. As Marion Kaplan has shown for Germany, I argue that gender, class, age and family ties were important reasons for their choices to stay, both before and after the war.
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Lappin-Eppel, Eleonore. ""I Am a Conscious Jew and an Austrian": Austrian Jewish Women Survivors in Post-Shoah Austria." Nashim: A Journal of Jewish Women's Studies & Gender Issues 42, no. 1 (2023): 74–108. http://dx.doi.org/10.2979/nsh.2023.a907305.

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Abstract: This paper presents the life stories of six Jewish women who were born in Vienna, survived the Nazi persecution there or in camps, and stayed in Austria after the war. The subjects were chosen in an effort to reflect a diversity of fates, reactions and coping strategies and to offer a representative overview. I will discuss why these women did not leave Austria after the Nazi takeover, how they managed to survive the years of persecution, why they subsequently decided to remain in Austria, and how their sufferings influenced the course of their lives after liberation. As Marion Kaplan has shown for Germany, I argue that gender, class, age and family ties were important reasons for their choices to stay, both before and after the war.
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Dissertations / Theses on the topic "Vienna (Austria) in art"

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Adamowicz, Emily. "Viennese Expressionism : from sickness to spirituality in the new aesthetic theory 1909-1913." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99567.

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Viennese Expressionism 1909-1913 encompasses parallel evolutions in the disciplines of visual arts and music. Ideas from fin-de-siecle Vienna's intellectual milieu inspired the awakening of the Modern artist, from Ur-schrei to the formation of a new aesthetic theory. In this thesis, I examine the origin of iconic Expressionist aesthetic values and their technical expression in works by Arnold Schoenberg, Egon Schiele, Oskar Kokoschka, and Wassily Kandinsky. Topics covered are divided into two broad thematic categories whose central tenets originate in preoccupations with, on the one hand, an emerging understanding of the unconscious and psychic pathology; and on the other hand, the metaphysical components to art and the human experience: sickness and spirituality. While it is not possible to compare directly art and musical works, common ideas and principles provide conceptual intersections that unify the disciplines in the realization of a collective artistic vision.<br>Le mouvement expressionniste viennois (1909-1913) recouvre des courantsparallèles dans les disciplines picturales et musicales. Les idées provenant des milieuxintellectuels du fin-de-siècle viennois ont inspiré le réveil de l'artiste moderne, depuis leUr-schrei jusqu'à la formulation d'une nouvelle théorie esthétique. Ce mémoire examinel'origine des valeurs esthétiques chères au mouvement expressionniste, ainsi que lestechniques utilisées pour exprimer ces valeurs dans les oeuvres d'Arnold Schoenberg,d'Egon Schiele, d'Oskar Kokoschka, et de Wassily Kandinsky. Les thèmes abordés sontdivisés en deux grandes catégories dont les fondements centraux émanent depréoccupations reliées, d'une part, à une compréhension croissante de l'inconscient et dela psychopathologie, et, d'autre part, aux aspects métaphysiques de l'art et de l'existencehumaine: la maladie et la spiritualité. Bien qu'il ne soit pas possible de comparerdirectement des oeuvres picturales et musicales, l'existence de principes et de thèmescommuns entraîne une confluence conceptuelle qui unifie ces disciplines dans laréalisation d'une vision artistique collective.
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Silverthorne, Diane. "New spaces of art, design and performance : Alfred Roller and the Vienna Secession 1897-1905." Thesis, Royal College of Art, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602330.

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Kinnett, Forest Randolph. ""Now His Time Really Seems to Have Come": Ideas about Mahler's Music in Late Imperial and First Republic Vienna." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/ark:/67531/metadc12141.

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Klaghofer-Treitler, Wolfgang. "Kritische Differenz biographisch-theologische Studien zur Wiener Theologischen Schule des 19. Jahrhunderts /." Innsbruck : Tyrolia, 2000. http://catalog.hathitrust.org/api/volumes/oclc/49867270.html.

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Steele, Helen. "The experiences of women in Vienna, 1944-1948." Thesis, Swansea University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678564.

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Faiz, Suzan. "Sydney/Vienna." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/18064.

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Sydney/Vienna is a historical analysis of the cultural connections and movements of artists, artworks and arts professionals between Australia and Austria through the cities of Sydney and Vienna. Though often uncharted, European artists have for a long time been influential in shaping Australia’s artistic identity, and the Austrians present a significant chapter in the history of Australian art. The subject developed whilst I was on a student exchange at the Akademie der bildenden Künste in Vienna, a valuable experience that made me question the history I was stepping into. The research into this rich legacy has also informed my own position as an emerging artist from a culturally diverse Sydney art world. The chronological tracing of the history exposes a rich variation of contexts underpinning artistic communications between the two countries. To conclude, the paper includes a section about my own studio work, and the influences present on my practice as a result of the exchange. For examination I presented The Vienna Diaries, a series of paintings based on small collages, made daily over a thirty-five day period while living in Vienna. The exhibition took place from September 21st – 23rd, 2017 at Sydney College of the Arts, Rozelle.
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Clayden, Mark John. "Music, timbre, colour in fin-de-Siècle Vienna : Zemlinsky, Schreker, Schoenberg." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:73c4d92f-5754-43d0-b07d-31975ad0539c.

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Timbre and orchestration are neglected parameters in analytical writing, partly because analysis traditionally privileges pitch organisation as the primary structural parameter in music, but also because timbre appears more resistant than pitch to theoretical abstraction and systematisation. Yet, in the music of early twentieth-century Viennese composers such as Schreker, Zemlinsky and Schoenberg, timbre often assumes a pre-eminent place in musical design and formal architecture. In such works, timbre often moves from what Robert Hopkins (1990) describes as a 'secondary parameter' to the forefront of a listener's consciousness. Conventional analytical approaches - including Schenkerian, Neo-Riemannian or pitch-class set theories - arguably have little to offer at such moments. This thesis begins by examining the 'crisis of response' to timbre in fin-de-siècle Austro-Germanic circles and, in particular, to the increasingly complex timbral constructions of many Viennese composers, such as Franz Schreker and Arnold Schoenberg. The crisis of response appeared to stem from an inherited nineteenth-century view of orchestration as ornamental in function, as well as the lack of an appropriate analytical framework and meta-language with which to critique the growing importance of timbre as a musical parameter. This thesis contributes to the discussion as to the how the area of timbral analysis might develop: firstly, by treating timbre as an 'emergent' property rather than an absolute analytical category (i.e., that timbre often results from a complex interaction of multiple musical parameters); secondly, by considering the effect of timbre's spatial properties within the auditory scene on subject-position through examination of contemporary and more recent theories on the convergence of the visual and auditory arts; and thirdly, through timbre's ability to function as an agent of immanent musical critique through disjunctive juxtapositions, or by historically-contextualized responses to codified orchestral tropes as found in Alexander Zemlinsky's 'Der Zwerg'. Timbre certainly was not always the secondary parameter some fin-de-siècle critics suggested it was, or wanted it to be. The joint purpose of this thesis is to offer historically-engaged analytical readings of neglected works from twentieth-century Vienna (alongside a few better-known works whose timbral construction had been left unanalyzed), and to reflect on the benefits of applying recent research to contemporary theories of timbre. These two aims are set in productive counterpoint rather than a straightforward synthesis, with the adoption of recent cognitive research and theories of subject-position feeding into analyses of historical work in order to try to mediate the gap between theory, text, and musical practice.
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Taylor, Greg. "Die konservativen Revolutionare : die Musik der Zweiten Wiener Schule als logische Entwicklung des Vorangegangenen und des Gleichzeitigen /." Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09art241.pdf.

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Ziska, Joseph R. "Issues for the further development of small evangelical churches in Vienna, Austria." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Woo, Edward Mendelssohn, and 胡凱偉. "Breaking the city barrier: revitalisation of the Gürtel area around Alser Street subway station in Vienna =DieMauer der Stadt zu brechen : Wiederbelebung des Raum der Gürtel beider Station Alserstrasse, Wien." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31987370.

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Books on the topic "Vienna (Austria) in art"

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Rolf, Toman, Zugmann Gerald, and Bednorz Achim 1947-, eds. Vienna: Art and architecture. Könemann, 1999.

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Museum of Modern Art (New York, N.Y.), ed. Vienna 1900: Art, architecture & design. Museum of Modern Art, 1986.

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Robert, Waissenberger, and Bisanz Hans 1929-, eds. Vienna in the Biedermeier era, 1815-1848. Rizzoli, 1986.

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(Project), Imago Mundi, ed. Vienna for art's sake!: Archive Austria / contemporary art. Fabrica, 2014.

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Brigitte, Felderer, ed. Secession: The Vienna Secession, from temple of art to exhibition hall. Verlag Gerd Hatje, 1997.

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Wolfgang, Drechsler, Fuchs Rainer, and Müller Ulrike, eds. Museum of Modern Art, Ludwig Foundation Vienna. Prestel, 2002.

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Hedwig, Saxenhuber, Museum auf Abruf, and Vienna (Austria) Kulturabteilung, eds. Kunst + Politik: Aus der Sammlung der Stadt Wien = Art + politics : from the collection of the City of Vienna. Springer, 2008.

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Ezio, Godoli, ed. Vienna 1900: Architecture and design. Rizzoli, 1986.

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Kräftner, Johann, and L. I︠U︡ Savinskai︠a︡. Bidermeĭer: Iz kollekt︠s︡iĭ kni︠a︡zi︠a︡ Likhtenshteĭnskogo, Avstriĭskoe iskusstvo pervoĭ poloviny XIX veka. GMII im. A.S. Pushkina, 2009.

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Praze, Národní gelerie v., and Historisches Museum der Stadt Wien., eds. Vídeňská gotika. Kultur, 1992.

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Book chapters on the topic "Vienna (Austria) in art"

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Spencer, Sarah, Ilker Ataç, Zach Bastick, et al. "Vienna." In IMISCOE Research Series. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-55851-1_6.

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AbstractThis chapter provides background information on the City of Vienna, the capital city of Austria and both a municipal and regional authority, before exploring what is known of its residents with a precarious status. It explains Vienna City Council’s relevant duties and powers, relative to those of the Federal government, and the complexity created by the overlapping legal and policy remits of these different authorities. The chapter sets out our research findings in relation to the city, providing detail on the ways in which migrants with a precarious status are granted access, or excluded, from services; the range of barriers that they face; the Council’s relationship with NGOs in relation to service provision and its internal governance arrangements; as well as the capacity issues the Council itself faces in relation to this group of residents.
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Morowitz, Laura. "Austrian Identity, the Anschluss and the Creation of Ostmark." In Art, Exhibition and Erasure in Nazi Vienna. Routledge, 2023. http://dx.doi.org/10.4324/9781003353782-2.

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Egger, Roman, and Veronika Surkic. "Unveiling Destination Perceptions: A Machine Learning Study on Instagram Influencers’ Cognitive Images." In Information and Communication Technologies in Tourism 2024. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-58839-6_41.

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AbstractThis study examines the cognitive image of Austria as a travel destination through Instagram content posted by travel influencers. The study also investigates how the account type, influencer type, and posting frequency affect user engagement. Machine learning techniques and statistical analysis are used to analyze the data. The study found that influencers contribute to Austria's destination image mainly through content about the Alps, Vienna, and cycling. The study provides insights into successful destination promotion on Instagram through influencer marketing. Micro-influencers who post regularly with relevant content are ideal for DMOs. Meso-influencers and verified accounts receive more likes for less popular themes, while micro-influencers are sufficient for more popular themes. It is also disadvantageous for meso-influencers to be perceived as commercial accounts and not to post as often as emerging influencers.
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Frey, Harald, Barbara Laa, and Ulrich Leth. "Pop-Up Bike Lanes and Temporary Shared Spaces in Vienna During the COVID-19 Pandemic." In The Urban Book Series. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-45308-3_7.

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AbstractSimilar to many cities, Vienna (Austria) implemented measures to provide more space for pedestrians and cyclists during the first wave of the COVID-19 pandemic. In this chapter, the implementation process of the temporary shared spaces and “pop-up” bike lanes is described, and the evaluation results regarding their usage as well as the political decisions of their early removal are presented. With video recordings and manual counting, we found that pop-up bike lanes were well adopted by cyclists, but temporary shared spaces have largely failed to attract pedestrians. The possible reasons are discussed as well as the criteria for better implementation of temporary walking and cycling infrastructure in the future. Drawing on the multiple streams theory, we link the decision of suspending all temporary infrastructures to the political situation at the time with pop-up bike lanes as a highly controversial issue before the local elections in October 2020 and a change of government afterward. We conclude that this presents a lost opportunity to permanently redistribute road space for active mobility, but future initiatives could learn from the Vienna case by thinking more strategically about political aspects.
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Dimopoulos, Johannes C. Athanasios, Christian Kirisits, and Richard Pötter. "Austria: Medical University of Vienna, Vienna." In Gynecologic Radiation Therapy. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-540-68958-4_14.

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Kirisits, Christian, Maximilian P. Schmid, Nicole Nesvacil, and Richard Pötter. "Medical University of Vienna, Vienna, Austria." In Emerging Technologies in Brachytherapy. CRC Press, 2017. http://dx.doi.org/10.1201/9781315120966-19.

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Reiner, Franziska, Jakob Gallistl, Roderick B. Salisbury, Katharina Rebay-Salisbury, and Ingrid Schlögel. "Archaeology at the Danube using non-invasive ground and aerial prospection methods to document prehistoric settlement traces at the Bisamberg near Vienna, Austria." In Advances in On- and Offshore Archaeological Prospection. Universitätsverlag Kiel | Kiel University Publishing, 2023. http://dx.doi.org/10.38072/978-3-928794-83-1/p45.

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To link prehistoric settlement activities with a modern mapping of existing monuments on the site, non-invasive aerial and terrestrial prospection methods are used. The LiDAR data catches the course of the presumed prehistoric rampart. The geomagnetic measurements display, among other things, the course of a 250 m long prehistoric ditch. Furthermore, ERT measurements reveal the rampart’s inner construction.
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Lehrer, Keith. "Consensus in Art and Science." In Vienna Circle Institute Yearbook. Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-6905-5_10.

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Williamson, Samuel R. "Vienna and the July Crisis." In Austria-Hungary and the Origins of the First World War. Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21163-0_11.

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"AN ART HISTORY OF AUSTRIA-HUNGARY?" In The Vienna School of Art History. Penn State University Press, 2015. http://dx.doi.org/10.5325/j.ctt32b9tg.9.

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Conference papers on the topic "Vienna (Austria) in art"

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Segers, D., N. Caeyers, and V. De Pourcq. "POS0148-PARE LIVING WITH RA IS AN ART – AWARENESS CAMPAIGN WITH ART EXHIBITIONS." In EULAR 2024 European Congress of Rheumatology, 12-15 June. Vienna, Austria. BMJ Publishing Group Ltd and European League Against Rheumatism, 2024. http://dx.doi.org/10.1136/annrheumdis-2024-eular.3023.

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Loy, N., V. Blazek, E. Jukic, et al. "POS0494 FEAR OF MOVEMENT AFFECTS RANGE OF MOTION DURING REPEATED BASMI EXERCISES ASSESSED BY STATE-OF-THE-ART MOTION CAPTURE TECHNIQUES." In EULAR 2024 European Congress of Rheumatology, 12-15 June. Vienna, Austria. BMJ Publishing Group Ltd and European League Against Rheumatism, 2024. http://dx.doi.org/10.1136/annrheumdis-2024-eular.5298.

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Melone, Marina, Francesca Di Cristo, Filomena Anna Digilio, et al. "I12 Are mitochondria a possible therapeutic target in huntington’s disease?" In EHDN 2018 Plenary Meeting, Vienna, Austria, Programme and Abstracts. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/jnnp-2018-ehdn.248.

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Vos, Maxime, Meike Herben-Dekker, Joke Spikman, Berry Kremer, and Rients Huitema. "F36 Are social cognitive deficits a predictor for the onset of huntington’s disease?" In EHDN 2018 Plenary Meeting, Vienna, Austria, Programme and Abstracts. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/jnnp-2018-ehdn.140.

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Baake, Verena, Erik van Duijn, and Raymund AC Roos. "F41 Huntington’s disease gene expansion carriers are aware of their degree of apathy." In EHDN 2018 Plenary Meeting, Vienna, Austria, Programme and Abstracts. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/jnnp-2018-ehdn.145.

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Singer, Elisabeth, Ilnaz Sepahi, Annika Sachs dos Santos, et al. "C05 BRCA mutations are associated with higher CAG numbers found in various polyglutamine disorders." In EHDN 2018 Plenary Meeting, Vienna, Austria, Programme and Abstracts. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/jnnp-2018-ehdn.76.

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Ciosi, Marc, Alastair Maxwell, Sarah Cumming, et al. "C01 Glutamine codon usage and somatic mosaicism of the HTT cag repeat are modifiers of huntington disease severity." In EHDN 2018 Plenary Meeting, Vienna, Austria, Programme and Abstracts. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/jnnp-2018-ehdn.72.

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Gardiner, Sarah L., Chiara Milanese, Merel W. Boogaard, et al. "A33 Differences in bioenergetic status in patient-derived fibroblast cells are associated with age of onset in huntington disease." In EHDN 2018 Plenary Meeting, Vienna, Austria, Programme and Abstracts. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/jnnp-2018-ehdn.31.

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Sönmez, Aynur, Kerstin Kojer, Rasem Mustafa, et al. "A09 Stage- and cell-specific changes of nucleolar activity and integrity are associated with the progression of huntington’s disease." In EHDN 2018 Plenary Meeting, Vienna, Austria, Programme and Abstracts. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/jnnp-2018-ehdn.9.

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Pilipetchi, Serghei. "Maria Cebotari in the Vienna classical operetta." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.10.

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The article contains unique materials, which were analyzed by the author, concerning M. Cebotari’s participation in the performances of the classical Viennese operetta on the stages of Germany and Austria. Dates, places and participants are additionally indicated. Announcements and criticism of the performances in the periodicals of the 30–40s arouse great interest. The German-language newspapers of that time present the main and the most accurate sources on the topic, which significantly complement the information in the monographs about the singer of A. Mingotti, A. Dănilă and R. Killius.
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Reports on the topic "Vienna (Austria) in art"

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Hill, Christian, and Kalle Heinola. 21st Meeting of the IFRC Subcommittee on Atomic and Molecular Data for Fusion. IAEA Nuclear Data Section, 2018. http://dx.doi.org/10.61092/iaea.h1rf-8b4j.

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The 21st meeting of the Subcommittee on Atomic and Molecular Data of the International Fusion Research Council (IFRC) was held on 3-4 May 2018 at IAEA Headquarters in Vienna, Austria. Activities of the Atomic and Molecular Data Unit for the period 2016–2018 were reviewed and recommendations were made for continuing activities in 2018–2020 and for possible new projects in the 2020–2021 budget cycle. The proceedings, conclusions and recommendations of the Sub-committee meeting are briefly described in this report.
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Otuka, Naohiko, and Michael Fleming. Summary Report of the Technical Meeting on International Network of Nuclear Reaction Data Centres. IAEA Nuclear Data Section, 2019. http://dx.doi.org/10.61092/iaea.wbnj-jv9n.

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This report summarizes the IAEA Technical Meeting on the International Network of Nuclear Reaction Data Centres held at the IAEA Headquarters in Vienna, Austria from 9 to 12 April 2019. The meeting was attended by 16 participants representing 12 cooperative Centres from eight Member States (China, Hungary, India, Japan, Korea, Russia, Ukraine and USA) and two International Organisations (NEA, IAEA) as well as a participant from Kazakhstan. A summary of the meeting is given in this report along with the conclusions and actions.
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Otuka, Naohiko, and Sandor Takacs. Summary Report of the Technical Meeting on International Network of Nuclear Reaction Data Centres. IAEA Nuclear Data Section, 2022. http://dx.doi.org/10.61092/iaea.z8qw-23dd.

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This report summarizes the IAEA Technical Meeting on the International Network of Nuclear Reaction Data Centres held at the IAEA Headquarters in Vienna, Austria from 14 to 17 June 2022. The meeting was attended by 24 participants representing 13 cooperative Centres from eight Member States (China, Hungary, India, Japan, Korea, Russia, Ukraine and USA) and two International Organisations (NEA, IAEA) as well as a participant from Kazakhstan. A summary of the meeting is given in this report along with the conclusions and actions.
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Otuka, Naohiko, and Boris Pritychenko. Summary Report of the Workshop on Compilation of Experimental Nuclear Reaction Data. IAEA Nuclear Data Section, 2023. http://dx.doi.org/10.61092/iaea.y5pd-w24h.

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This report summarizes the IAEA Workshop on Compilation of Experimental Nuclear Reaction Data held at the IAEA Headquarters in Vienna, Austria from 13 to 16 December 2022. The meeting was attended by 23 participants representing 12 cooperative Centres from seven Member States (China, Hungary, Japan, Korea, Russia, Ukraine and USA) and two International Organisations (NEA, IAEA) as well as a participant from Mongolia and Spain. A summary of the workshop is given in this report along with the conclusions and actions.
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Otuka, Naohiko, and David Brown. Summary Report of the Technical Meeting on International Network of Nuclear Reaction Data Centres. IAEA Nuclear Data Section, 2023. http://dx.doi.org/10.61092/iaea.cz5x-44vw.

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This report summarizes the IAEA Technical Meeting on the International Network of Nuclear Reaction Data Centres held at the IAEA Headquarters in Vienna, Austria from 9 to 12 May 2023. The meeting was attended by 24 participants representing 12 cooperative Centres from seven Member States (China, Hungary, Japan, Korea, Russia, Ukraine and USA) and two International Organisations (NEA, IAEA) as well as a participant from Kazakhstan. A summary of the meeting is given in this report along with the conclusions and actions.
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WAGREICH, Michael, and Monika HÖLZEL. Subsidence analysis and stratigraphic simulation in the southern Vienna Basin (Austria). Cogeo@oeaw-giscience, 2011. http://dx.doi.org/10.5242/iamg.2011.0091.

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Michael, Miess, Stefan Schmelzer, Günther Lichtblau, et al. DEFINE Synthesis Report: DEFINE - Development of an Evaluation Framework for the Introduction of Electromobility. IHS - Institute for Advanced Studies, 2015. http://dx.doi.org/10.22163/fteval.2015.500.

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The project DEFINE – Development of an Evaluation Framework for the Introduction of Electromobility – was conducted by the Institute for Advanced Studies (IHS), Vienna, in cooperation with the Environment Agency Austria (EAA), the Vienna University of Technology (TUW), Austria; the German Institute for Economic Research (DIW Berlin), the Institute for Applied Ecology (Oeko-Institut), Germany; and with the Center for Social and Economic Research (CASE), Poland.
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Holzer, Peter, Philipp Stern, and Patryk Czarnecki. EBC ANNEX 80 Resilient Cooling of Buildings Midterm Report. Institute of Building Research & Innovation, 2024. http://dx.doi.org/10.52776/mlgu9719.

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The world is facing a rapid increase of air conditioning of buildings. It is the motivation of Annex 80 to develop, assess and communicate solutions of resilient cooling and overheating protection. Resilient Cooling is used to denote low energy and low carbon cooling solutions that strengthen the ability of individuals and our community to withstand, and prevent, thermal and other impacts of changes in global and local climates. This midterm report sums up the developments of the Annex 80 since its first Expert Meeting in October 2019 in Vienna, Austria until July 2021. During this period several conference calls as well as the second, third and fourth Expert Meeting have been held by the Operating Agent (OA) and its team. The formation of a common understanding of concepts and definitions of resilience had been the focus of the group during the first period of the annex. Members with different scientific background discussed various approaches and developed an understanding of resilience in relation to cooling of buildings. The group identified two major threats for the cooling of buildings: extreme heat events and power outages. Others such as extreme rain events, flooding, landslides, or storms influence the built environment too but are not as strongly connected to cooling of buildings. Therefore, the group of scientists decided not to address these disruptions. Different task groups were set up to define thermal boundary conditions, generate future weather files and compile key performance indicators for the assessment of cooling technologies through dynamic simulations. The groups summarized their results and published short technical reports. The weather data task group planned to publish their methodology and results as scientific paper.
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Smith, D. H. (Analytical chemistry for IAEA safeguards, Seibersdorf and Vienna, Austria, May 29--June 14, 1989): Foreign trip report. Office of Scientific and Technical Information (OSTI), 1989. http://dx.doi.org/10.2172/6110917.

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Cooley, J. N., D. W. Jr Swindle, and E. Von Halle. Training course on nuclear material safeguards for enrichment plants, Vienna, Austria, November 14--18, 1988: Report of foreign travel. Office of Scientific and Technical Information (OSTI), 1989. http://dx.doi.org/10.2172/6241614.

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