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Relevant bibliographies by topics / Vienna. Belvedere

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Academic literature on the topic 'Vienna. Belvedere'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Vienna. Belvedere"

1

Kim, Ji Young. "Territorial Recovery of Hungary through the 2nd Vienna Award: 1940. 8. 30." East European and Balkan Institute 46, no. 4 (2022): 91–115. http://dx.doi.org/10.19170/eebs.2022.46.4.91.

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In the Second World War, Hungary was an ally of Germany, joining the Axis powers in August 1940 under the Second Vienna Award. Joachim von Ribbentrop, Germany’s Foreign Minister, and Italian Foreign Minister Galeazzo Ciano met with Hungarian and Romanian representatives in the Belvedere Palace in Vienna. There they began negotiations on Hungary recovering the territory of Transylvania that it had ceded to Romania as a consequence of World War One. The confrontation between Hungary and Romania meant that Hungary’s demands were not accepted. As a result of Ribbentrop and Ciano’s mediation, the t

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2

Trnková, Petra. "Josef Schulz, architektura a fotografie." Acta Musei Nationalis Pragae – Historia 78, no. 3-4 (2025): 51–67. https://doi.org/10.37520/amnph.2024.016.

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The study traces architect Josef Schulz’s early theoretical and practical interest in photography against the background of the dynamically developing field of architectural photography in the first half of the 1860s. The first part presents Schulz’s earliest known photographic works from the time of his studies at the Prague Polytechnic, when he became familiar with the demanding wet collodion process and tested his photographic skills in his immediate surroundings. The next two parts shed light on the broader integration of photography into architectural work in the Austrian Empire in the 18

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3

Belova, Darya Nikolaevna. "Female artists in the context of Viennese Art Nouveau." Культура и искусство, no. 8 (August 2021): 54–70. http://dx.doi.org/10.7256/2454-0625.2021.8.36071.

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This article analyzes the activity of female artists and the problems of their relationships in the society during the period of Viennese Art Nouveau of the late XIX &ndash; early XX centuries. The subject of this research is the works of female artists of the Vienna Secession and the materials of the Belvedere art exhibitions. It is noted that the problem of gender relationship during the period of Viennese Art Nouveau was given considerable attention; the cultural and artistic creativity were viewed from the perspective of the impact of this problem upon the mentality and minds of the so

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4

Long, Christopher. "The Challenge of Modernism: Vienna and Zagreb around 1900Edited by Stella Rollig, Irena Kraševac, and Petra VugrinecVienna: Belvedere, 2017.240 pp.; 194 color and 76 b/w ills.Paper €34.00ISBN 9783903114456." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 26, no. 2 (2019): 303–5. http://dx.doi.org/10.1086/708792.

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Ziemba, Antoni. "Mistrzowie dawni. Szkic do dziejów dziewiętnastowiecznego pojęcia." Porta Aurea, no. 19 (December 22, 2020): 35–56. http://dx.doi.org/10.26881/porta.2020.19.01.

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In the first half of the 19th century in literature on art the term ‘Old Masters’ was disseminated (Alte Meister, maître ancienns, etc.), this in relation to the concept of New Masters. However, contrary to the widespread view, it did not result from the name institutionalization of public museums (in Munich the name Alte Pinakothek was given in 1853, while in Dresden the Gemäldegalerie Alte Meister was given its name only after 1956). Both names, however, feature in collection catalogues, books, articles, press reports, as well as tourist guides. The term ‘Old Masters’ with reference to the a

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6

Huemer, Christian, and Tom Stammers. "Perspectives on the Study of the Art Market." Journal of the History of Collections, July 3, 2025. https://doi.org/10.1093/jhc/fhaf024.

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Abstract As interest in art-market studies continues to grow, the editorial team of the Journal of the History of Collections decided to interview Christian Huemer, director of the Belvedere Research Center in Vienna, and editor of the Brill series Studies in the History of Collecting & Art Markets; and Tom Stammers, who is leading the new MA in Art and Business at the Courtauld Institute of Art in London, to find out more about the subject and how it does and does not overlap with the study of collecting.

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Dissertations / Theses on the topic "Vienna. Belvedere"

1

Seeger, Ulrike. "Stadtpalais und Belvedere des Prinzen Eugen : Entstehung, Gestalt, Funktion und Bedeutung /." Wien : Böhlau, 2004. http://catalogue.bnf.fr/ark:/12148/cb391633624.

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Books on the topic "Vienna. Belvedere"

1

1721-1780, Bellotto Bernardo, ed. Bellotto: Vienna dal Belvedere. Electa, 1996.

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Traeger, Verena. Masterpieces of the Österreichische Galerie Belvedere, Vienna. Edizioni Gabriele Mazzotta, 2003.

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3

Agnes, Husslein-Arco, and Schoeller Katharina, eds. Das Belvedere: Genese eines Museums. Belvedere, 2011.

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Mraz, Gottfried. Belvedere: Schloss und Park des Prinzen Eugen. Herder, 1988.

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5

Museum, Ponce Art, ed. Decay and revolution: Art in Vienna, 1890-1910 : masterpieces of Austrian painting and sculpture from the Belvedere, Vienna. Museo de Ponce, 2014.

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Muzicant, Georg, and Horsfield Andrew. Treasures of the Jewish ghetto of Venice restored by Venetian Heritage with the support of Maison Vhernier. Edited by All Languages GmbH and Schloss Belvedere (Vienna Austria). Belvedere, 2014.

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7

Agnes, Husslein-Arco, Krapf Michael, and Österreichische Galerie Belvedere, eds. Franz Anton Maulbertsch: A man of genius. Belvedere, 2009.

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8

21er Haus (Österreichische Galerie Belvedere), ed. 21er Raum im 21er Haus Wien: November 2012 - April 2016 : Anna-Sophie Berger, Andy Boot, Vittorio Brodmann, Andy Coolquitt, Simon Dybbroe Møller, Iman Issa, Barbara Kapusta, Susanne Kriemann, Adriana Lara, Till Megerle, Adrien Missika, Noële Ody, Sarah Ortmeyer, Mathias Pöschl, Rosa Rendl, Lili Reynaud-Dewar, Anja Ronacher, Constanze Schweiger, Zin Taylor, Philipp Timischl, Rita Vitorelli, Salvatore Viviano = 21er Raum at 21er Haus Vienna. Belvedere, 2016.

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Austria), Schloss Belvedere (Vienna, ed. Prince Eugene: General-philosopher and art lover. Belvedere, 2010.

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10

Osterreichische Galerie, Belvedere, Vienna (Prestel Museum Guides). Prestel, 1997.

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Book chapters on the topic "Vienna. Belvedere"

1

Smola, Franz. "21 The “Vienna 1900” Brand." In The Belvedere: 300 Years a Venue for Art. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111186511-045.

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2

Armond, Kate. "Baroque Vienna: Nightwood’s Lost Enlightened Modernity." In Modernism and the Theatre of the Baroque. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474419628.003.0004.

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Sacheverell Sitwell’s 1928 German Baroque Art identifies Vienna as the quintessential baroque city, with Germany as a whole perfecting the baroque style and providing Bach, Handel and Mozart with a beautiful and inspirational cultural setting. Sitwell writes at a time when original baroque and rococo documents had come to light in both the British Museum and Vienna’s Hofburg Library, and, like many of his German counterparts, he responded with a reappraisal of the period. My analysis investigates these sources and Sacheverell’s subsequent use of ‘baroque’ as a historical term applied to archit

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Fischer, Nora. "8 The Exchange of Pictures between Florence and Vienna." In The Belvedere: 300 Years a Venue for Art. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111186511-019.

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Plakolm-Forsthuber, Sabine. "17 The Reich Chamber of Fine Arts, Vienna Office." In The Belvedere: 300 Years a Venue for Art. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111186511-037.

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Weidinger, Leonhard. "19 Art Market and Auctions in Vienna 1938–45." In The Belvedere: 300 Years a Venue for Art. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111186511-041.

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Plakolm-Forsthuber, Sabine. "National Socialist Art Policy in the Gau City of Vienna." In The Belvedere: 300 Years a Venue for Art. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111186511-042.

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Henrichs, Cäcilia. "14 From the Austrian State Gallery Society to the Friends of Austrian Museums in Vienna, 1911/12–1938." In The Belvedere: 300 Years a Venue for Art. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111186511-031.

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