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Journal articles on the topic 'Vietnam Veterans Memorial'

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Published: 4 June 2021

Last updated: 30 January 2023

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1

Hawk, David L. "Vietnam Veterans Memorial." JAMA: The Journal of the American Medical Association 261, no. 12 (1989): 1731. http://dx.doi.org/10.1001/jama.1989.03420120063022.

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2

Southgate, M. Therese. "Vietnam Veterans Memorial-Reply." JAMA: The Journal of the American Medical Association 261, no. 12 (1989): 1731. http://dx.doi.org/10.1001/jama.1989.03420120063023.

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3

Curtis, Paulette. "Filling in the Blanks: Deriving Meaning from Objects in the Vietnam Veterans' Memorial Collection." Practicing Anthropology 33, no. 2 (2011): 11–15. http://dx.doi.org/10.17730/praa.33.2.m1v71114k2w84477.

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The Vietnam Veterans Memorial Collection is one of the most fascinating American museum collections being compiled today. It consists of over 100,000 photos, letters, diaries, personal mementoes, military paraphernalia and other objects visitors have left at the Vietnam Veterans Memorial in Washington D.C. since the Memorial was dedicated in 1982. The National Park Service of the National Capitol Region, which is the body that manages and cares for the Vietnam Veterans Memorial, officially created and began managing the objects associated with the Memorial in 1984.

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4

Dawson, John W. "The kentucky Vietnam veterans memorial." Mathematical Intelligencer 23, no. 2 (2001): 56–58. http://dx.doi.org/10.1007/bf03026629.

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5

Kurzynski, Krysta. "Vietnam Veterans Memorial Wall of Faces." Journal of Veterans Studies 1, no. 1 (2016): 224. http://dx.doi.org/10.21061/jvs.44.

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6

Martini, Ed. "The Virtual Wall: Vietnam Veterans Memorial." Journal of American History 87, no. 3 (2000): 987. http://dx.doi.org/10.2307/2675290.

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7

Ehrhart, W. D. "Midnight at the Vietnam Veterans Memorial." Journal of American Culture 16, no. 3 (1993): 109. http://dx.doi.org/10.1111/j.1542-734x.1993.109_a.x.

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8

Giannotti, Keri A. "The New Jersey Vietnam Veterans’ Memorial and Vietnam Era Museum." New Jersey Studies: An Interdisciplinary Journal 8, no. 1 (2022): 319–26. http://dx.doi.org/10.14713/njs.v8i1.270.

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This article explores the New Jersey Vietnam Veterans’ Memorial and Vietnam Era Museum in Holmdel, New Jersey, with a focus on field trips and classroom and continuing education resources available for educators in the state and beyond.

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9

Theriault, Kim S. "Go Away Little Girl: Gender, Race, and Controversy in the Vietnam Veterans Memorial." Prospects 29 (October 2005): 595–617. http://dx.doi.org/10.1017/s0361233300001873.

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It's remarkably simple, really.Constructed in 1982, the Vietnam Veterans Memorial, generally referred to as the “Wall,” consists of two black granite wings, each almost 250 feet long, which meet at an obtuse angle that is submerged into the landscape of the National Mall, a green space between the Lincoln and Washington Memorials and some distance behind White House, in Washington, D.C. The form of the Wall, designed by Maya Ying Lin, is minimalist in nature, not only because it includes the right angles, hard edges, shiny surface, and repeated increments of Minimalism, but because even though

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10

Foss, Sonja K. "Ambiguity as persuasion: The Vietnam Veterans memorial." Communication Quarterly 34, no. 3 (1986): 326–40. http://dx.doi.org/10.1080/01463378609369643.

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11

Scott, Grant F. "Meditations in Black: The Vietnam Veterans Memorial." Journal of American Culture 13, no. 3 (1990): 37–40. http://dx.doi.org/10.1111/j.1542-734x.1990.1303_37.x.

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12

Sylvester, Christine. "Curating and re-curating the American war in Vietnam." Security Dialogue 49, no. 3 (2017): 151–64. http://dx.doi.org/10.1177/0967010617733851.

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The American war in Vietnam killed 58,000 US military personnel and millions of people on the ground, creating a troubling war legacy that has been ‘resolved’ in the USA through state strategies to efface military mortalities. Drawing on Charlotte Heath-Kelly’s work addressing mortality denied or ignored in the field of international relations and that of Andrew Bacevich and Christian Appy on American militarism, I explore the Vietnam Veterans Memorial in Washington, DC, as a site of war re-curations that refuse the effacement of mortality and disrupt the militarist myths that sustain it – nam

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13

Johnson, Susan Gail. "There and Back." New Jersey Studies: An Interdisciplinary Journal 8, no. 2 (2022): 222–26. http://dx.doi.org/10.14713/njs.v8i2.300.

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14

Young, James E. "The memorial’s arc: Between Berlin’s Denkmal and New York City’s 9/11 Memorial." Memory Studies 9, no. 3 (2016): 325–31. http://dx.doi.org/10.1177/1750698016645266.

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Without direct reference to the Holocaust or its contemporary “counter-monuments,” Michael Arad’s design for the National 9/11 Memorial at Ground Zero is nonetheless inflected by an entire post-war generation’s formal preoccupation with loss, absence, and regeneration. This is also a preoccupation they share with post-Holocaust poets, philosophers, artists, and composers: how to articulate a void without filling it in? How to formalize irreparable loss without seeming to repair it? In this article, I imagine an arc of memorial forms over the last 70 years or so and how, in fact, post-World War

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15

Ochsner, Jeffrey Karl. "A Space of Loss: The Vietnam Veterans Memorial." Journal of Architectural Education (1984-) 50, no. 3 (1997): 156. http://dx.doi.org/10.2307/1425468.

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16

Carlson, A. Cheree, and John E. Hocking. "Strategies of redemption at the Vietnam veterans’ memorial." Western Journal of Speech Communication 52, no. 3 (1988): 203–15. http://dx.doi.org/10.1080/10570318809389636.

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17

Ehrenhaus, Peter. "The Vietnam Veterans Memorial: An Invitation to Argument." Argumentation and Advocacy 25, no. 2 (1988): 54–64. http://dx.doi.org/10.1080/00028533.1988.11951384.

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18

Ochsner, Jeffrey Karl. "A Space of Loss: The Vietnam Veterans Memorial." Journal of Architectural Education 50, no. 3 (1997): 156–71. http://dx.doi.org/10.1080/10464883.1997.10734719.

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19

Wagner-Pacifici, Robin, and Barry Schwartz. "The Vietnam Veterans Memorial: Commemorating a Difficult Past." American Journal of Sociology 97, no. 2 (1991): 376–420. http://dx.doi.org/10.1086/229783.

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20

Hobbs, Rebekah. "A Place to Mourn." Digital Literature Review 1 (January 6, 2014): 60–67. http://dx.doi.org/10.33043/dlr.1.0.60-67.

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All memorials offer solace to those who visit, but the Vietnam Veterans Memorial is particularly suited to this cause because of certain aspects of its design. As this article demonstrates, qualities such as its black reflective surface, its gradual increase in height, and the ordering of the names work to create an emotional connection to the names on the wall, bringing them to life and creating a place for grief, and ultimately healing, to occur.

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21

Hunter, Michael. "Defining a War: INDOCHINA, THE VIETNAM WAR, AND THE MAYAGUEZ INCIDENT." Marine Corps History 6, no. 2 (2021): 72–90. http://dx.doi.org/10.35318/mch.2020060204.

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Only two weeks after the fall of Saigon in May 1975, Khmer Rouge forces seized the American merchant ship SS Mayaguez (1944) off the Cambodian coast, setting up a Marine rescue and recovery battle on the island of Koh Tang. This battle on 12–15 May 1975 was the final U.S. military episode amid the wider Second Indochina War. The term Vietnam War has impeded a proper understanding of the wider war in the American consciousness, leading many to disassociate the Mayaguez incident from the Vietnam War, though they belong within the same historical frame. This article seeks to provide a heretofore

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22

Beaumont, Thomas E. "The Phenomenology of Redemptive Violence." Alternatives: Global, Local, Political 45, no. 4 (2020): 184–99. http://dx.doi.org/10.1177/0304375421999175.

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When we occupy the spaces of war memorials, we respond with certain bodily comportments that relay the “truth” of those killed by war violence. Through a phenomenological examination of embodied responses to two war memorials, the Vietnam Veterans Memorial Wall and the Tomb of the Unknown Soldier at Arlington National Cemetery, I argue that social institutions employ bodies as a means of legitimizing a violence that is seen as redemptive. More specifically, I demonstrate how the redemptive quality of certain types of violence is an assumption replicated in social practices where individuals ha

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23

Watkins, Nicholas, Frances Cole, and Sue Weidemann. "The War Memorial as Healing Environment: The Psychological Effect of the Vietnam Veterans Memorial on Vietnam War Combat Veterans’ Posttraumatic Stress Disorder Symptoms." Environment and Behavior 42, no. 3 (2010): 351–75. http://dx.doi.org/10.1177/0013916510361873.

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24

Hagopian, Patrick. "America's Offspring: Infanticide and the Iconography of Race and Gender in Commemorative Statuary of the Vietnam War." Prospects 26 (October 2001): 537–74. http://dx.doi.org/10.1017/s0361233300001034.

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In March 1981, a Michigan woman wrote to the organizer of the Vietnam Veterans Memorial Fund's design competition describing her concept for the memorial: she proposed a life-sized sculpture of an American soldier and a Vietnamese child, with “one hand reaching out, tentatively, no touching, toward the soldier's drooping fingers. In this little child's sweet, innocent face I see all we tried to do in Vietnam, stark contrast to what really happened, what we expended through those long hard years, these two human beings a bridge between our hopes and dreams, and cold reality. This tender little

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25

Blair, Carole, Marsha S. Jeppeson, and Enrico Pucci. "Public memorializing in postmodernity: The Vietnam veterans memorial as prototype." Quarterly Journal of Speech 77, no. 3 (1991): 263–88. http://dx.doi.org/10.1080/00335639109383960.

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26

Carney, Lora Senechal. "Not Telling Us What to Think: The Vietnam Veterans Memorial." Metaphor and Symbolic Activity 8, no. 3 (1993): 211–19. http://dx.doi.org/10.1207/s15327868ms0803_6.

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27

Goldman, Theresa L., Wei-Li Jasmine Chen, and David L. Larsen. "Clicking the Icon: Exploring the Meanings Visitors Attach to Three National Capital Memorials." Journal of Interpretation Research 6, no. 1 (2001): 3–30. http://dx.doi.org/10.1177/109258720100600102.

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This study explored the meanings visitors attach to three National Park Service sites in Washington, D.C.: the Lincoln Memorial, the Vietnam Veterans Memorial, and the Korean War Veterans Memorial. Researchers used focus-group interviews (21 interviews, 182 participants) to identify the meanings visitors attach to park resources, their interests relative to interpretive programming, and the extent to which connections between the meanings of the resource and the interests of the visitor occur as a result of exposure to interpretive programs. An analysis of focus-group interview data revealed f

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28

Wimmer, Adi. "‘Objectifying’ the War. The Vietnam Veterans Memorial as a Secular Message Board." ELOPE: English Language Overseas Perspectives and Enquiries 3, no. 1-2 (2006): 221–30. http://dx.doi.org/10.4312/elope.3.1-2.221-230.

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The Vietnam Veterans Memorial in Washington D.C. has become one of the most important cultural signifiers of the nation. Only what it signifies is far from clear. ‘A place of healing’ is a frequently applied epithet; in conjunction with partial memory loss; but ‘healing’ does not work without prior analysis of the wound. In postmodern fashion; anyone can read into it what they want. Evidence for its enduring popularity are the roughly 90 000 objects that have since its inception in 1982 been deposited at ‘the Wall’. These depositions represent an uncensored and hard to control alternative disc

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29

Sturken, Marita. "The Wall, the Screen, and the Image: The Vietnam Veterans Memorial." Representations 35, no. 1 (1991): 118–42. http://dx.doi.org/10.1525/rep.1991.35.1.99p00683.

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30

Piehler, G. Kurt, and Kristin Ann Hass. "Carried to the Wall: American Memory and the Vietnam Veterans Memorial." Journal of American History 87, no. 2 (2000): 754. http://dx.doi.org/10.2307/2568914.

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31

Sturken, Marita. "The Wall, the Screen, and the Image: The Vietnam Veterans Memorial." Representations 35 (1991): 118–42. http://dx.doi.org/10.2307/2928719.

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32

Pahl, Jon. "A National Shrine to Scapegoating?: The Vietnam Veterans Memorial Washington, D.C." Contagion: Journal of Violence, Mimesis, and Culture 2, no. 1 (1995): 165–88. http://dx.doi.org/10.1353/ctn.1995.0008.

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33

Haines, Harry W. "“What kind of war?”: An analysis of the Vietnam veterans memorial." Critical Studies in Mass Communication 3, no. 1 (1986): 1–20. http://dx.doi.org/10.1080/15295038609366626.

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34

Sully, Nicole. "Memorials incognito: the candle, the drain and the cabbage patch for Diana, Princess of Wales." Architectural Research Quarterly 14, no. 2 (2010): 115–28. http://dx.doi.org/10.1017/s1359135510000734.

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In the second half of the twentieth century, the growing recognition of the plurality of history and the constructive nature of monuments, in conjunction with a more general realisation of the intellectual problems of war, resulted in a widespread interrogation – both intellectually and aesthetically – of concepts of memorialisation and commemoration. This interrogation is credited as the catalyst for a series of new approaches to monument-making, famously exemplified by Maya Lin's Vietnam Veterans Memorial in Washington (1982) in addition to a series of holocaust-related memorials, such as th

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35

Hagopian, Patrick. "Personal Legacy: The Healing of a Nation; Gathered at the Wall: America and the Vietnam Veterans Memorial; Touching Memories: A Photographic Essay on the Vietnam Veterans Memorial." Journal of American History 82, no. 1 (1995): 158. http://dx.doi.org/10.2307/2081924.

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36

Feldman, Karen S. "The shape of mourning: Reading, aesthetic cognition, and the Vietnam Veterans Memorial." Word & Image 19, no. 4 (2003): 296–304. http://dx.doi.org/10.1080/02666286.2003.10406241.

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37

Parsons, John P., Frank J. Faltus, Alan D. Sirota, Mitchell L. Schare, and Maxim Daamen. "A Survey of the Effect of the Vietnam Memorial Dedication on Psychiatric Symptoms in Vietnam Veterans." Military Medicine 153, no. 11 (1988): 578–82. http://dx.doi.org/10.1093/milmed/153.11.578.

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38

Benham Rennick, Joanne. "Coping with Trauma through Social Remembrance." Axis Mundi 2, no. 1 (2017): 1–24. http://dx.doi.org/10.29173/axismundi66.

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   In this article, I examine “spiritual remembrance” as it is enacted by three members of the Canadian Vietnam Veterans Memorial Association (CVVMA) in Windsor, Ontario as a means of coming to terms with traumatic experiences from the Vietnam War. Spiritual remembrance is a term I use to describe a fusion of one’s religious heritage and one’s private understanding and expression of spirituality as it occurs in the context of memorialisation. It can occur when a group with a shared memory of trauma or horror memorialises their experiences according to what they hold as the de

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39

WATSON, CHARLES G., JAMES TUORILA, ELLEN DETRA, LEE P. GEARHART, and RICHARD M. WIELKIEWICZ. "Effects of a Vietnam War Memorial Pilgrimage on Veterans with Posttraumatic Stress Disorder." Journal of Nervous and Mental Disease 183, no. 5 (1995): 315–19. http://dx.doi.org/10.1097/00005053-199505000-00007.

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40

Griswold, Charles L., and Stephen S. Griswold. "The Vietnam Veterans Memorial and the Washington Mall: Philosophical Thoughts on Political Iconography." Critical Inquiry 12, no. 4 (1986): 688–719. http://dx.doi.org/10.1086/448361.

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41

Curtis, Paulette G. "STEWARDING A LIVING COLLECTION: The National Park Service and the Vietnam Veterans Memorial Collection." Museum Anthropology 33, no. 1 (2010): 49–61. http://dx.doi.org/10.1111/j.1548-1379.2010.01075.x.

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42

Marling, Karal Ann, and Robert Silberman. "The Statue near the Wall: The Vietnam Veterans Memorial and the Art of Remembering." Smithsonian Studies in American Art 1, no. 1 (1987): 5–29. http://dx.doi.org/10.1086/smitstudamerart.1.1.3108969.

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43

Borowsky Junge, Maxine. "Mourning, memory and life itself: the AIDS quilt and the Vietnam Veterans’ Memorial Wall." Arts in Psychotherapy 26, no. 3 (1999): 195–203. http://dx.doi.org/10.1016/s0197-4556(99)00007-6.

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44

Marling, Karal Ann, and Robert Silberman. "The Statue near the Wall: The Vietnam Veterans Memorial and the Art of Remembering." American Art 1, no. 1 (1987): 4. http://dx.doi.org/10.1086/424043.

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45

Favorite, Jennifer K. "“We Don't Want Another Vietnam”: The Wall, the Mall, History, and Memory in the Vietnam Veterans Memorial Education Center." Public Art Dialogue 6, no. 2 (2016): 185–205. http://dx.doi.org/10.1080/21502552.2016.1205862.

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46

Kaczmarczyk, Katarzyna. "Emplacing Narrative. Affect and Performativity in Architectural Narratives." Tekstualia 4, no. 43 (2015): 113–32. http://dx.doi.org/10.5604/01.3001.0013.4249.

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The article focuses on the relations between narrative and landscape architecture and identifi es the characteristics of architecture and landscape architecture which make them distinct narrative media. The article offers analyses of the narrative aspects of two monuments (one built and one at the stage of the design): the Vietnam Veterans Memorial in Washington DC and a project entitled „A Forest”, which won the competition for a monument design to commemorate Poles who rescued Jews during the German occupation. Both monuments present challenges to narrative theory through such characteristic

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47

Kaczmarczyk, Katarzyna. "Emplacing Narrative: Affect and Performativity in Architectural Narratives." Tekstualia 1, no. 3 (2017): 81–96. http://dx.doi.org/10.5604/01.3001.0013.5931.

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The article focuses on the relations between narrative and landscape architecture and identiﬁ es the characteristics of architecture and landscape architecture which make them distinct narrative media. The article offers analyses of the narrative aspects of two monuments (one built and one at the stage of the design): the Vietnam Veterans Memorial in Washington DC and a project entitled „A Forest”, which won the competition for a monument design to commemorate Poles who rescued Jews during the German occupation. Both monuments present challenges to narrative theory through such characteristics

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48

Piehler, G. Kurt. "The Vietnam Veterans Memorial at Angel Fire: War, Remembrance, and an American Tragedy by Steven Trout." Home Front Studies 1, no. 1 (2021): 113–16. http://dx.doi.org/10.1353/hfs.2021.0009.

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49

Friedman, D. S. "Public Things in the Modern City: Belated Notes on "Tilted Arc" and the Vietnam Veterans Memorial." Journal of Architectural Education (1984-) 49, no. 2 (1995): 62. http://dx.doi.org/10.2307/1425398.

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50

Friedman, D. S. "Public Things in the Modern City: Belated Notes on Tilted Arc and the Vietnam Veterans Memorial." Journal of Architectural Education 49, no. 2 (1995): 62–78. http://dx.doi.org/10.1080/10464883.1995.10734669.

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