Relevant bibliographies by topics / Views on lament

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  2. Dissertations / Theses
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Academic literature on the topic 'Views on lament'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Views on lament"

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Milin, Melita. "Sounds of lament, melancholy and wilderness: The Zenithist revolt and music." Muzikologija, no. 5 (2005): 131–44. http://dx.doi.org/10.2298/muz0505131m.

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The aim of writing this article is to analyze how the articles published by Zenith magazine (1921-1926) reflected the role of modern music within the framework of Zenithism - a movement relating to Dadaism and Futurism. The founder of the movement Ljubomir Micic and the Croatian composer Josip Slavenski both settled in Serbia and shared similar views concerning the Zenithist role of art. They sought to create a novel artistic expression free from Western influence, rooted in primitive and intrinsic creative forces of Eastern, and more specifically, Balkan peoples. Nevertheless, the intellectual sophistication and radicalism of their ideas differed somewhat whereas Micic was inclined towards experiment and provocation (i.e. his announcement of a Balkan "Barbarogenius"), Slavenski's aim was to revise and transform the archaisms preserved in old layers of folk music (primarily that of the Balkans), thus yielding an original modernist language. When in 1924 Micic moved from Zagreb to Belgrade, Slavenski was already there, only to leave for Paris in winter of the same year and remain there until the following summer. This may explain Slavenski's single contribution to Zenith, a piece composed before he met Micic. Zenith's articles on music included a positive account of Prokofiev, whose works were seen as representative of the movement's intentions. The article was an abridged translation of Igor Glebov's (pseudonym of Boris Asafiev) text printed in V'esc (in German). Micic himself was the author of another contribution - a concert review, which served as an opportunity to express his views on contemporary music, one being an appraisal of Stravinsky whose music was felt to correspond to Zenithist aesthetics. He was labeled a musical 'Cubist', who composed music of 'paradox and simultaneity'. In the same article Antun Dobronic (a nationalist Croatian composer) was criticised on the basis that his music was not 'Balkanized' enough. Micic, who obviously had little or no musical education, was unable to find any musical critics who would adhere to his views. Several other articles in Zenith, such as concert reviews and literary texts with reference to both old and new composers, shed more light on the spirit of the movement and contribute to our understanding of it.
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Giordano-Zecharya, Manuela. "Ritual Appropriateness in Seven Against Thebes. Civic Religion in a Time of War." Mnemosyne 59, no. 1 (2006): 53–74. http://dx.doi.org/10.1163/156852506775455315.

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AbstractThis paper explores the themes and tensions of the first part of the Seven Against Thebes, against the background of Athenian civic religion. The confrontation between Eteocles and the Chorus can be seen as an opposition between two gender-related religious attitudes. Eteocles describes his religious behaviour as ritually appropriate whereas he rebukes that of the women as inappropriate and disruptive. Thus, sacrifice and euchê-prayer stand against supplication and lamenting prayer (litê). In partial opposition to other interpretations, this paper views Eteocles as more concerned about the religious behaviour of the Chorus—what they do and how they pray—than with their religious views; in other words he castigates them for their heteropraxy, not their heterodoxy. In the background it is possible to make out the needs of a society of soldier-citizens to contain the ritual and emotional expression of fear and lament in order to avoid demoralizing the troops.
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Haitzinger, Nicole. "Afro-Futurism or Lament? Staging Africa(s) in Dance Today and in the 1920s." Dance Research Journal 49, no. 1 (April 2017): 24–36. http://dx.doi.org/10.1017/s014976771700002x.

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This article analyzes two contemporary pieces, Faustin Linyekula'sLa Création du Monde 1923–2012and Vera Mantero'sA mysterious thing said e. e. Cummings, which respond to dance productions presented in Europe in the early decades of the twentieth century by criticizing their “negrophilic” attitude. The article juxtaposes the analysis of these two contemporary pieces with rereadings of the historical choreographies/events of the 1920s to which they refer, namely, Les Ballets Suédois'sLa Création du Monde(1923) and Josephine Baker's performances. Theoretically revisiting historical works that developed within such a “negrophilic” framework alongside contemporary pieces relating to them can be taken as attacking this very framework, trying to “undo” the Eurocentrism inherent in its cannibalistic processes. Such a perspective may allow for the acknowledgement of plural, multiple views of Africanistic presences in an otherwise “negrophilic” context.
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Angelo, AH. "Essays on the Constitution." Victoria University of Wellington Law Review 26, no. 3 (September 2, 1996): 595. http://dx.doi.org/10.26686/vuwlr.v26i3.6161.

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This article is a book review of Philip A Joseph Essays on the Constitution (Brooker's, Wellington, 1995) pp xxx 411, price $110 (+GST) (hardcover), $57.78 (+GST) (softcover). The book contains 15 essays which cover a unique record of New Zealand's constitutional and political life. Angelo argues that most of the essays are provocative, present new views, and suggest areas for reform. Angelo does lament the lack of pre-Treaty New Zealand constitutional law, and also notes that some of the essays are purely descriptive in nature. Nonetheless, Angelo concludes that the book is compendious and essential reading for those with a special interest in New Zealand political life – constitutional lawyers, political scientists, politicians and public servants alike.
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Blint, Rich, and Nazar Büyüm. "“I’m Trying to be as Honest as I Can:” An Interview with James Baldwin (1969)." James Baldwin Review 1, no. 1 (September 29, 2015): 112–29. http://dx.doi.org/10.7227/jbr.1.6.

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This is the first English language publication of an interview with James Baldwin (1924–87) conducted by Nazar Büyüm in 1969, Istanbul, Turkey. Deemed too long for conventional publication at the time, the interview re-emerged last year and reveals Baldwin’s attitudes about his literary antecedents and influences such as Richard Wright, Langston Hughes, and Countee Cullen; his views concerning the “roles” and “duties” of a writer; his assessment of his critics; his analysis of the power and message of the Nation of Islam; his lament about the corpses that are much of the history and fact of American life; an honest examination of the relationship of poor whites to American blacks; an interrogation of the “sickness” that characterizes Americans’ commitment to the fiction and mythology of “race,” as well as the perils and seductive nature of American power.
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Middlemas, Jill. "Did Second Isaiah write Lamentations iii?" Vetus Testamentum 56, no. 4 (2006): 505–25. http://dx.doi.org/10.1163/156853306778941700.

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AbstractIn recent years, textual analyses of Lamentations have increasingly noted correspondences with Isaiah xl-lv. The alignment of the two has resulted in various proposals about influence with the recent work of Patricia Willey noticeable in its claim that the Lamentations iii geber provided the paradigm for the Suffering Servant figure of the third and fourth songs (Isa. lii, liii-liv). This article considers this discussion anew with the intent to ascertain the provenance of the Lamentations geber and his relationship to Second Isaiah. After a close analysis of some of the more persuasive correspondences between the two figures, it becomes clear that the geber fits uncomfortably in the book of Lamentations. Furthermore, his persona functions as a corrective to the responses to disaster found so prominently outside of chapter iii. The parenetic section which follows the geber's lament in vv. 22-39 defines the sufferer and uses his experience to teach sanctioned views of the deity and the human person. Bearing in mind the way the geber acts to admonish and teach in Lamentations leads to the view that the suffering figure has more commonality with images and thought stemming from the Golah community. The paper explores the implications for understanding a Golah view placed at the heart of Lamentations for interpreting the material.
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Dinkler, Michal Beth. "New Testament Rhetorical Narratology: An Invitation toward Integration." Biblical Interpretation 24, no. 2 (April 18, 2016): 203–28. http://dx.doi.org/10.1163/15685152-00242p04.

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We are witnessing these days a remarkable rapprochement between the study of rhetoric and the study of narrative. Indeed, these two approaches to New Testament texts are apparently so different that in 2008, Vernon Robbins could lament the “widespread consensus” among scholars that it is “not possible to formulate a systematic rhetorical approach to narrative portions of the Gospels and Acts.” And yet, this bifurcation has been shortsighted. It is not only possible but also necessary and beneficial to bring the resources and insights of narratology into conversation with the resources and insights of rhetorical criticism. This article participates in the move to build bridges across the theoretical crevasses that have divided “New Testament rhetoric” and “New Testament narrative.” First, I take a panoramic view, broadly outlining several reasons that the dividing lines continue to hold currency in New Testament scholarship, and why these views are misguided. I then propose that we reimagine the boundaries of the “New Testament and rhetoric” to include narrative as a mode of persuasion in and of itself, using resources from the literary subfield of rhetorical narratology. Finally, I offer a brief analysis of the uses of speech and silence in Acts 15:1–35 in order to demonstrate how the tools of rhetorical narratology can help us to think in fresh ways about the rhetorical force of New Testament narratives.
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Phelan, Mark. "“Irish Nights”: Paratheatrical Performances of Melodrama on and off the Belfast Stage." Theatre Survey 59, no. 2 (April 25, 2018): 143–68. http://dx.doi.org/10.1017/s0040557418000042.

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Until relatively recently, melodrama has been an unfairly maligned genre of theatre history; its pejorative associations based on the prejudiced assumptions that its aesthetics of excess (in terms of its extravagant emotion, sensationalism and popularity amongst predominantly working class audiences) meant, therefore, that it was for simpletons. What Walter Benjamin excoriated as the “ancient lament that the masses seek distraction whereas art demands concentration from the spectator” fuelled bourgeois disdain for this theatrical form and the derision of the Theatrical Inquisitor’s dismissal of melodrama as “aris[ing] from an inertness in the minds of the spectators, and a wish to be amused without the slightest exertion on their own parts, or any exercise whatever of their intellectual powers” remained the dominant critical response throughout the nineteenth century. Indeed, such views continued well into the twentieth century and certainly characterized the modernist reactions of the founding figures of the Irish national theatre in this period. Frank Fay, cofounder of the National Dramatic Society, denounced both the aesthetics of Dublin's Queen's Theatre as the “home of the shoddiest kind of melodrama,” and the intelligence of its audiences who, “wouldn't, at present, understand anything else.”
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Granerød, Gard. "Temple Destruction, Mourning and Curse in Elephantine, with a View to Lamentations." Zeitschrift für die alttestamentliche Wissenschaft 132, no. 1 (March 3, 2020): 84–107. http://dx.doi.org/10.1515/zaw-2020-0004.

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AbstractThe article discusses the lament over the Temple of YHW in Elephantine from three angles: from the perspective of the internal rhetoric or composition of the letter, from the perspective of the world of the Judaeans who wrote the petition, and from the perspective of the world of the intended recipient of the letter. In addition, the article explores how the mention of collective mourning and curse in the petition letter from Elephantine may provide a text of comparison – and context – for the laments over the destruction of the city of Zion and her temple found in the Book of Lamentations.
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Puplampu, Bill Buenar. "Building the research culture in an African business school." European Business Review 27, no. 3 (May 11, 2015): 253–80. http://dx.doi.org/10.1108/ebr-03-2014-0024.

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Purpose – This paper aims to report the efforts to reverse a dire research output trend at a Ghanaian Business School, following a similar effort at a business school in New Zealand in the 1990s. African universities are often challenged by resource constraints, ageing faculty and low compensation regimes. The consequences of these challenges are particularly felt in the area of the research output of faculty members in the business and management area. The problem of low research output has been written about by management scholars who lament the weak showing of African management faculty in reputable journals and top-notch conference presentations. Design/methodology/approach – This is a qualitative and phenomenological study of an applied intervention. Using a combination of open-ended questionnaires as well as open forums attended by faculty members of the business school, views, perceptions and opinions on factors mitigating research and issues on research culture were collected and analysed. Descriptive analyses were used to collate the dominant views and frequency of mention of such views. Findings – Using the descriptive accounts of faculty of the Business School, the research finds that a research-oriented culture expressed through factors such as leadership, institutional support, articulation or otherwise of relevant values have significant impacts on research output. Research limitations/implications – Based on the impacts reported here, this paper advances an intervention model to assist efforts towards improving the research culture and scholarly outputs in business schools in Africa. The paper also proposes a conceptual and research framework for examining and influencing the organisational and research culture of universities in Africa. Originality/value – This paper is perhaps the only attempt to examine research culture in an African business school. It suggests that the research culture in a business school or faculty can be developed, reinvented or influenced and that research in African universities will not “just happen”, it has to be carefully planned for, nurtured and built into the fabric of university culture. This has significant implications for the growing effort to bring African scholarship in the management areas up to the point where it can more directly impact management thinking.
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Dissertations / Theses on the topic "Views on lament"

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au, david cohen@vose wa edu, and David John Cohen. "An Examination of the Psychodynamic Effects on Individuals Using Psalms of Lament Intentionally, in the Form of Ritual Prayer, as a Way of Engaging With Experiences of Personal Distress." Murdoch University, 2008. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20081118.153252.

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The Psalter has formed the basis of Judeo-Christian worship since ancient times. It has served, and continues to serve, individuals and communities of faith as a foundation for communal and personal devotion. As a devotional tool it is unique in that it provides prayers which address God directly concerning the whole gamut of life experience. While the Psalms can be examined and analysed as a literary text, they must be used and experienced by people to more fully discover and recognize their power in providing a pathway for expressing life experience. The lament psalms are of particular interest in this regard. There appears to be a reluctance, in some quarters, to employ them as an expression of prayer. As a result, the lament psalms as a way of engaging with experiences of personal distress, and voicing the reflections and responses such experiences produce, have often been ignored. This study suggests that psalms of lament provide a framework for expressing personal distress in the context of prayer. The framework, identified as a matrix of lament, consists of various modes of articulation characterized as expressing, asserting, investing and imagining constellations. The study examines what happens when individuals, who have first been made aware of the matrix of lament and its constellations, use lament psalms for prayer. Praying of lament psalms in this study is embedded in a prescribed process through which participants engage with their experiences of personal distress. As a result of such a process any significant psychodynamic changes which may take place can be observed, examined and explored, thereby, highlighting the efficacy of using lament psalms as a form of prayer. The study achieves this by examining the reflections and responses of selected individuals to see whether the process does in fact facilitate changes in the individual’s levels of distress, sense of personal control over distress and the nature of relationship between the individual and God. The reflections and responses also provide some indication of how the process might ‘birth’ a fresh perspective on personal distress for those who choose to incorporate these psalms into their journey of faith.
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Pritchard, Maureen elizabeth christine. "LEGENDS BORNE BY LIFE: MYTH, GRIEVING AND THE CIRCULATION OF KNOWLEDGE WITHIN KYRGYZ CONTEXTS." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243965149.

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Hattier, Thomas. "Investigation of laminopathy-like alterations of the nuclear envelope caused by accumulation of Esc 1p." Connect to text online, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=case1138383986.

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Ingbrant, Renata. "From Her Point of View : Woman's Anti-World in the Poetry of Anna Świrszczyńska." Doctoral thesis, Stockholms universitet, Slaviska institutionen, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6966.

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This book is a monograph about Anna Świrszczyńska’s poetry. It may be described as one woman’s attempt to read another woman’s literary work by taking into account established canons as well as the tools of feminist literary analysis. Part One begins with a discussion of Świrszczyńska’s biography (Chapter One). It then moves on to an overview of critical (mainly male) reactions to Świrszczyńska’s work (Chapter Two), with special regard to Czesław Miłosz’s contribution to its interpretation and popularization (Chapter Three). In Part Two there are three principal discussions: 1) of Anna Świrszczyńska’s early work Wiersze i proza [Poems and Prose] (1936), in which the poet develops her specific female view of European art and culture as disintegrated into incongruent fragments. Her premonition of the apocalypse, which is soon to be fulfilled in the events of World War II, finds its expression in the poet’s desperate attempts to unite the fragments of a shattered culture into individualized versions of myths (Chapter Four); 2) of the collection Budowałam barykadę [Building the Barricade] (1974), in which what is most crucial to the poet (biographically and poetically) is expressed – the encounter with human suffering in an inhuman world. Following this, her poetic view of the mortal body exposed to suffering under an empty sky becomes a well established motif in her work (Chapter Five); 3) of the collection Jestem baba (1972), in which Świrszczyńska introduces into poetry, by making the non-poetical “baba” her lyric heroine, the “outlawed feminine” and, as a result, revolutionizes the language of poetry and poetic representation, which leads in turn to liberating herself from the hegemony of the totalizing male gaze. In this way her anti-world is created (Chapter Six). The “world” is understood here as a male term – one might say that Świrszczyńska creates a “woman’s anti-world” as a place where the woman herself has to regain the right to name things according to her own terms.
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Hudia, Jeremy. "BEYOND TRUTH AND FALSITY: AN ANALYSIS OF PART ONE OF NIETZSCHE’S BEYOND GOOD AND EVIL." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1248188489.

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Pillitteri, Paul J. "Regeneration of Rat Skeletal Muscle Following a Muscle Biopsy." Ohio University / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1118087917.

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Gupta, Harshita. "PISP: A Novel Component of the Apical Barrier Formed Between Hair Cells and Supporting Cells in the Inner Ear Sensory Epithelia." Case Western Reserve University School of Graduate Studies / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=case1329232107.

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Hattier, Thomas. "Investigation of Laminopathy-Like Alterations of the Nuclear Envelope caused by Accumulation of Esc1p." Case Western Reserve University School of Graduate Studies / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=case1138383986.

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Hsieh, Ching-Hsuan Lily. "Chinese poetry of Li Po set by four twentieth century British composer: Bantock, Warlock, Bliss, and Lambert." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1086095656.

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Davis, James C. "In Pursuit of "Our Heroine's Biographer:" A Study of Narrative Method in Henry James' The Portrait of a Lady & The Ambassadors." Oberlin College Honors Theses / OhioLINK, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1397229520.

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Books on the topic "Views on lament"

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Parsons, Michael. Luther and Calvin on grief and lament: Life-experience and biblical text. Lewiston, NY: Edwin Mellen Press, 2013.

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Poljska i Poljaci u životu Josipa Jurja Strossmayera. Slavonski Brod: Hrvatski institut za povijest, Podružnica za povijest Slavonije, Srijema i Baranje, 2008.

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Mirchandani, Sharon. Modern Dance and the MGM Recordings. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037313.003.0002.

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This chapter focuses on Marga Richter's success with her modern dance scores and MGM music recordings during the period 1951–1960. After graduating from Julliard Graduate School, Richter moved to an apartment on 308 West 107th Street. In New York City, she was able to attend fine traditional and new music concerts, visit museums, and partake in the cultural life of the city. However, earning a living was a significant concern. Fortunately, Richter's music had drawn the attention of choreographer James Waring. This chapter first considers Richter's studies in New York and her marriage to Alan Skelly before turning to her early modern dance, piano, and orchestral works as well as compositions for children. It also examines Richter's beliefs and views on women's roles, along with her teaching pieces. Finally, it looks at Richter's concert music compositions commissioned by Edward Cole for recording by MGM, including Sonata for Piano (1954), Lament for string orchestra (1956), and Aria and Toccata for viola and string orchestra (1957).
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Chapman, Jens R., and Richard J. Bransford. Emergency management of the traumatized cervical spine. Oxford University Press, 2011. http://dx.doi.org/10.1093/med/9780199550647.003.012038.

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♦ Unconscious patients should have CT scan of neck♦ Emergency MRI if possible in spinal cord injury♦ Avoid flexion/extension views if possible♦ In spinal shock avoid over transfusion and consider epinephrine; high dose steroids probably not indicated♦ Reduce dislocation acutely (MRI before in intact patients if possible)♦ Do not put distraction injury into traction♦ Urgent surgery for traumatic disc hernaition, expanding epidural haematoma, depressed lamina fracture or complex facet fractures with dislocation.
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OSCE Insights 2020. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748922339.

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The contributions to the 2020 edition of OSCE Insights examine the various crises the OSCE faced during that year. Themes include the efforts of the Minsk Group to manage the conflict over Nagorno-Karabakh and the implications of anti-coronavirus measures for the OSCE Code of Conduct on Politico-Military Aspects of Security. Furthermore, authors analyse OSCE conflict cycle tools, the OSCE’s role in the fight against antisemitism, the increasingly limited space for supporting democratic police governance in Central Asia, trust-building in the field of arms control, societal views on the conflict in Eastern Ukraine, relations between the OSCE and the Council of Europe, and Kazakhstan’s aspirations for hosting a connectivity center. With contributions byAndrew Baker, Cornelius Friesendorf, Frank Evers, André Härtel, Marietta Koenig, Sebastian Mayer, Michael Raith, Filip Ejdus, Alexandre Lambert, Thomas Schmidt, Marina Dolcetta Lorenzini, Anna Hess Sargsyan, Philip Remler, Richard Giragosian, Sergey Rastoltsev and Benjamin Schaller.
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OSCE Insights 2020. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748911630.

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The contributions to the 2020 edition of OSCE Insights examine the various crises the OSCE faced during that year. Themes include the efforts of the Minsk Group to manage the conflict over Nagorno-Karabakh and the implications of anti-coronavirus measures for the OSCE Code of Conduct on Politico-Military Aspects of Security. Furthermore, authors analyse OSCE conflict cycle tools, the OSCE’s role in the fight against antisemitism, the increasingly limited space for supporting democratic police governance in Central Asia, trust-building in the field of arms control, societal views on the conflict in Eastern Ukraine, relations between the OSCE and the Council of Europe, and Kazakhstan’s aspirations for hosting a connectivity center. With contributions by: Andrew Baker, Cornelius Friesendorf, Frank Evers, André Härtel, Marietta König, Sebastian Mayer, Michael Raith, Filip Ejdus, Alexandre Lambert, Thomas Schmidt, Marina Dolcetta Lorenzini, Anna Hess Sargsyan, Philip Remler, Richard Giragosian, Sergey Rastoltsev and Benjamin Schaller.
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Safran, Meredith, ed. Screening the Golden Ages of the Classical Tradition. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474440844.001.0001.

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Screening the Golden Ages of the Classical Tradition explores how films and television programs have engaged with one of the most powerful myths in the Western classical tradition: that humans once lived under ideal conditions, as defined by proximity to the divine. We feel nostalgia for this imagined origin, regret at being born too late to enjoy it, and worry over why we lost it. We seek to recover that “golden age” by religious piety—or, by technological innovation, try to create our own utopia. The breach between this imagined world and lived reality renders these mythical constructs as powerful political tools. For the “golden age” concept influences how participants in the Western classical tradition view our own times by comparison, as an “iron age” whose degradation we lament and wish to escape. This “golden age” complex has manifested in the world-building activities of ancient Greek and Roman texts, from Hesiod to Suetonius, and in modernity’s hagiographic memory of certain historical societies: Periclean Athens, Thermopylae-era Sparta, and Augustan Rome. These fourteen collected essays discuss how golden age themes animate screen texts ranging from prestige projects like Gladiator and HBO’s Rome, to cult classics like Xanadu and Hercules: The Legendary Journeys, to films made by auteurs including Jules Dassin’s Phaedra and the Coen Brothers’ O Brother, Where Art Thou? Essays also examine the classical “golden age” tradition in fantasy (Game of Thrones), science fiction (Serenity), horror (The Walking Dead), war/combat (the 300 franchise, Centurion, The Eagle), and the American Western.
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Nielsen, Stevan Lars, Russell J. Bailey, Dianne Nielsen, and Tyler R. Pedersen. Dose Response and the Shape of Change. Edited by Sara Maltzman. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199739134.013.40.

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Decades of research have demonstrated that psychotherapy is generally effective: symptoms change for the better and most clients feel and perform better after talk therapy (Lambert, 2013). In this chapter, we examine the relationship between number of therapy sessions and symptom change. We will focus on the primary claims of the two competing views of this relationship. The dose–effect (DE) model proposes that sessions are like doses; more session-doses cause more improvement. The good-enough-improvement (GEI) model proposes that clients persist in therapy until they improve enough to meet their goals; symptom change controls session attendance. We compare these competing models by examining patterns in the treatment we have provided at our counseling center. Our primary goal was to answer what we consider the most important question about session totals and symptom change: Do session totals cause symptom change, as proposed by the DE model, or is the reverse true: does symptom change control session totals, as proposed by the GEI model? At our counseling center both models fit the data. Greater session totals are associated with more improvement for some clients and other clients leave treatment when they improve enough to meet their treatment goals.
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Britton, Celia, trans. Introduction to a Poetics of Diversity. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620979.001.0001.

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This book reproduces the texts of four lectures, followed by discussions, and two interviews with Lise Gauvin published in Introduction à une poétique du divers (1996); and also four further interviews from L’Imaginaire des langues (Lise Gauvin, 2010). It covers a wide range of topics but key recurring themes are creolization, language and langage, culture and identity, ‘monolingualism’, the ‘Chaos-world’ and the role of the writer. Migration and the various different kinds of migrants are also discussed, as is the difference between ‘atavistic’ and ‘composite’ communities, the art of translation, identity as a ‘rhizome’ rather than a single root, the Chaos-World and chaos theory, ‘trace thought’ as opposed to ‘systematic thought’, the relation between ‘place’ and the Whole-World, exoticism, utopias, a new definition of beauty as the realized quantity of differences, the status of literary genres and the possibility that literature as a whole will disappear. Four of the interviews (Chapters 6, 7, 8 and 9) relate to particular works that Glissant has published: Tout-monde, Le monde incrée, La Cohée du Lamentin, Une nouvelle région du monde. Many of these themes have been explored in his previous works, but here, because in all the chapters we see Glissant interacting with the questions and views of other people, they are presented in a particularly accessible form.
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Book chapters on the topic "Views on lament"

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MacGregor, J. "On Hooleh—Cutting a Cape—Canoe Chase—Hooleh Lake—Jacob’s Bridge—Who Crossed It—Templar’s Keep—Grand View—Jew’s Lament—Ten Miles of Torrent—Hard Times—A Set of Ruffians —The Worst—At Last—All Right!—Note on the Rivers." In A Canoe Cruise in Palestine, Egypt and the Waters of Damascus, 269–84. 1.MacGregor, J. - Journeys - Middle East 2.Rob Roy (Canoe) 3.Canoes and canoeing- Middle East - History- 19th century 4.Jordan River - Description and travel 5.Middle East - Description and travel: Routledge, 2019. http://dx.doi.org/10.4324/9781315828664-18.

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Davis, Ellen F. "Jeremiah and Lamentations." In Opening Israel's Scriptures, 280–81. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190260545.003.0028.

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Jeremiah and the Jeremiah-like voice in Lamentations provide immediate, insider views of Jerusalem’s decline and fall. Jeremiah’s laments give prophetic authority to anguished outcry as a mode of prayer. The highly structured poems of Lamentations belong to the ancient Near Eastern genre of lament for a city—a transcultural tradition that continues in Mahmoud Darwish’s twentieth-century poem “Silence for Gaza.” The acrostic poems of Lamentations, which constitute the most prolonged, intense expression of grief and shock in the Bible, force readers to reckon with the question of theodicy, God’s justice. Several literary features of this Hebrew poetry may also contribute to the work of reclaiming hope.
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Baden-Daintree, Anne. "Lament and Vengeance in the Alliterative Morte Arthure." In Revenge and Gender in Classical, Medieval and Renaissance Literature, 251–63. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474414098.003.0014.

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This chapter explores the complex relationship between lamentation, masculinity, and heroic action in the Alliterative Morte Arthure. It demonstrates how the fourteenth-century poem’s earlier episodes distinguish between the contained grief that prompts heroic action and the debilitating grief which shocks and overwhelms: the fighting men’s laments for their fallen comrades are qualitatively different from the grief displayed by the widow after the Duchess, her foster-daughter, is raped and killed. However, this gendered model of male, moderate grief, and female, overwhelming grief, breaks down when Gawain, Arthur’s beloved nephew, is killed in battle. Arthur himself becomes the grief-stricken lamenter, displaying feminised behaviour that his knights view as both ineffectual and unseemly. The chapter argues that Arthur’s lament is not only a catalyst for revenge, but also marks a move away from indiscriminate conquest towards heroic action focused on justice and the restoration of order.
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Lawrence, Jason. "‘There are as many Tassos as there are Hamlets’: representations of Tasso’s life in England." In Tasso's Art and Afterlives. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9780719090882.003.0006.

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During the late eighteenth and nineteenth centuries, attention in England focused increasingly on the troubled life of the poet, who came to be regarded as ‘a prototype of the Romantic poet, loving passionately but hopelessly and above his station, ...chained in a lunatic’s cell’. In the fifth chapter the second principal strand of this study traces and analyses the development of such views about Tasso himself, from the earliest English biographical account by Henry Layng in 1748 to the last at the start of the twentieth century. It also examines the many imaginative engagements with aspects of the poet’s legendary biography, such as his apparent madness and prolonged imprisonment in Ferrara as a result of his supposed love for Leonora d’Este, the Duke’s sister, which were to become a prominent feature of English and European responses to him in the nineteenth century. It focuses particularly on Lord Byron’s impassioned ventriloquisation of the Italian poet’s voice in The Lament of Tasso (1817).
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Rea, Michael C. "Protest, Worship, and the Deformation of Prayer." In Essays in Analytic Theology, 193–210. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198866817.003.0010.

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The idea that lament and protest might have a valuable place in Christian liturgy and practice has become a topic of increasing philosophical-theological interest. In The Hiddenness of God, Rea defended the view that God authorizes and validates lament and protest from human beings—including impious protest, which emerges from outright anger, sorrow, or other negative emotions in response to apparent divine injustice. But this view apparently stands in tension with widespread assumptions about worship and prayer. In particular, it is hard to see how God can authorize and validate impious protest if it is always true that everyone ought to worship God; and it is also tempting to think that impious protest is an instance of what Lauren Winner calls the ‘characteristic deformation of prayer’, which, in turn, suggests that it is defective prayer that should neither be authorized nor validated by God. This chapter addresses these apparent tensions.
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Schulthies, Becky L. "Introduction Moroccan Channels, Channeling Moroccanness." In Channeling Moroccanness, 1–36. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289714.003.0001.

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This chapter introduces the ways Moroccans engaged media despite a widespread feeling of communicative failure. It also outlines how they viewed language and media as sharing some of the same channeling qualities at the same time that they tried to distinguish their views from others. Ethnographic vignettes lay out the key laments generating relationality in Fez: media failure, language mediation, and Moroccanness. This chapter also explains the key semiotic theories on multimodality and phatic connectivity developed throughout the book.
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Ogilvie, Sheilagh. "The Debate about Guilds." In The European Guilds, 1–35. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691137544.003.0001.

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This introductory chapter provides a brief history of guilds and an overview of the debate surrounding them. The effects of guilds on economy and society have always attracted controversy. Contemporaries held strong views about them, with guild members and their political allies extolling their virtues, while customers, employees, and competitors lamented their misdeeds. Modern scholars are also deeply divided on guilds. Some claim that guilds were so widespread and long-lived that they must have generated economic benefits. Other scholars take a darker view. Guilds, they hold, were in a position to extract benefits for their own members by acting as cartels, exploiting consumers; rationing access to human capital investment; stifling innovation; bribing governments for favours; harming outsiders such as women, Jews, and the poor; and redistributing resources to their members at the expense of the wider economy.
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Reyes, Xavier Aldana. "Contemporary Zombies." In Twenty-First-Century Gothic, 89–101. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474440929.003.0007.

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Although traditionally only on the fringes of the Gothic, zombies have dominated the cultural landscape of the twenty-first century thanks to their metaphorical richness. This chapter identifies two main types of zombie narratives that have predominated in film and literature since 2002: viral zombie narratives and sympathetic zombie ones. Analysing the former in texts like World War Z (2006), The Girl with All the Gifts (2014), Z Nation (2014–18), Fear the Walking Dead (2015–) and Feed (2010) allows me to show how the aggressive virulence of new zombies is connected to an inherently pessimistic view of present power structures. I then consider the conscious and humanised zombies in texts like Wasting Away (2007), Breathers: A Zombie’s Lament (2009), Warm Bodies (2013), In the Flesh (2013–14) and Generation Dead (2008) in order to explore how this monster stands in for the social repression of the gendered, sexual or disabled Other.
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Murch, Mervyn. "Hearing the voice of the child: messages from research that expose gaps between theory, principle and reality." In Supporting Children When Parents Separate, 45–62. Policy Press, 2018. http://dx.doi.org/10.1332/policypress/9781447345947.003.0004.

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This chapter draws attention to the developing field of policy and practice-related research which seeks to take account of the views and experiences of children, with a focus on parental breakdown and separation. The overall research into a wide range of children's life experiences is developing fast, representing something of a cultural shift since the 1970s. Even before then, certain pioneering researchers, such as Royston Lambert and Spencer Millham, in their research in the 1960s for the Public Schools Commission, sought to sample the views of children. This led on to a number of other studies concerned with listening to children in educational and other professional services contexts. The chapter considers research conducted in the 1990s and early 2000s, before the full impact of modern information technology had been felt and prior to the availability of smart phones for children.
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Cressy, David. "The Restoration Prison Archipelago." In England's Islands in a Sea of Troubles, 269–91. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198856603.003.0015.

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This chapter examines the offshore confinement of radical republicans and others who threatened the restored monarchy of Charles II. It shows how Cromwellian officers, reprieved regicides, and other so-called fanatics were imprisoned in military facilities on Jersey, Guernsey, the Isles of Scilly, the Isle of Wight, Holy Island, and the small island of St Nicholas in Plymouth Sound. This chapter views the archipelago of confinement through the dealings of prisoners and their families, keepers, and authorities, paying particular attention to the experience of Major General John Lambert, who endured twenty-four years of post-Restoration island captivity. The writ of habeas corpus had limited application on remote island before the 1680s.
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Conference papers on the topic "Views on lament"

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Zhang, Yan, Shisheng Zhou, Bing Feng, and Congjun Cao. "Color matching model in view of Lambert-Beer law in gravure." In 2014 IEEE 9th Conference on Industrial Electronics and Applications (ICIEA). IEEE, 2014. http://dx.doi.org/10.1109/iciea.2014.6931482.

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Zhou, Zengxiang, Jianping Wang, Hongzhuan Hu, Zhigang Liu, Kang Zhao, and Chao Zhai. "The improvement of LAMOST fiber view camera metrology system fiber position recognition algorithm." In Ground-based and Airborne Instrumentation for Astronomy VII, edited by Hideki Takami, Christopher J. Evans, and Luc Simard. SPIE, 2018. http://dx.doi.org/10.1117/12.2309750.

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Pisanova, E. S., N. S. Tonchev, Hr T. Kisov, Angelos Angelopoulos, and Takis Fildisis. "Some Applications of the Lambert W-function to Critical Phenomena: a View on the Critical Behavior in the Upper Critical Dimension." In ORGANIZED BY THE HELLENIC PHYSICAL SOCIETY WITH THE COOPERATION OF THE PHYSICS DEPARTMENTS OF GREEK UNIVERSITIES: 7th International Conference of the Balkan Physical Union. AIP, 2010. http://dx.doi.org/10.1063/1.3322442.

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