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Journal articles on the topic 'Vigny, Alfred'

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1

Sabourin, Lise. "Alfred de Vigny, Stello." Studi Francesi, no. 193 (LXV | I) (June 1, 2021): 225. http://dx.doi.org/10.4000/studifrancesi.43994.

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2

Sabourin, Lise. "Alfred de Vigny, Correspondance." Studi Francesi, no. 171 (LVII | III) (December 1, 2013): 620–21. http://dx.doi.org/10.4000/studifrancesi.2809.

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3

Pinon, Esther. "Alfred de Vigny, Théâtre complet." Studi Francesi, no. 190 (LXIV | I) (April 1, 2020): 191. http://dx.doi.org/10.4000/studifrancesi.22851.

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4

Tanaka, Ryuji. "Alfred de Vigny au Japon." Revue d'histoire littéraire de la France o 98, no. 3 (1998): 495–500. http://dx.doi.org/10.3917/rhlf.g1998.98n3.0495.

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5

Chanteur, Janine. "Alfred de Vigny, lecteur de Spinoza." Cahiers de Fontenay 36, no. 1 (1985): 233–50. http://dx.doi.org/10.3406/cafon.1985.1339.

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6

Richard, Lise. "Alfred de Vigny et l'Académie Française." Cahiers de l'Association internationale des études francaises 45, no. 1 (1993): 295–311. http://dx.doi.org/10.3406/caief.1993.1822.

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7

Ambrière, Madeleine. "Alfred de Vigny connu, méconnu, inconnu." Revue d'histoire littéraire de la France o 98, no. 3 (1998): 357–66. http://dx.doi.org/10.3917/rhlf.g1998.98n3.0357.

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8

Fernández Díaz, María del Carmen. "Eloa o la tentación de Vigny por el mal." Estudios Humanísticos. Filología, no. 26 (October 15, 2015): 259. http://dx.doi.org/10.18002/ehf.v0i26.2672.

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Alfred de Vigny fue ante todo poeta. Así lo atestigua su dilatada producción lírica que, durante casi cincuenta años, se extiende desde sus primeros ensayos de 1815 hasta 1863, fecha en la que compone El espíritu puro
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9

Daniels, Barry V. "Alfred de Vigny, poète et metteur en scène." Cahiers de l'Association internationale des études francaises 45, no. 1 (1993): 229–40. http://dx.doi.org/10.3406/caief.1993.1819.

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10

Hughes, Gordon. "Coming into Sight: Seeing Robert Delaunay's Structure of Vision." October 102 (October 2002): 87–100. http://dx.doi.org/10.1162/016228702320826461.

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Take my hand, traveler, and let us go up the tower. Look below, and look around. Look right to the end of the horizon, look From north to south. Everywhere your eye happens to fall It attaches itself with fire, like the eye of a snake. —Alfred de Vigny, “Paris” (1831)
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11

McLeman-Carnie, Janette, and Andre Jarry. "Alfred de Vigny: etapes et sens du geste litteraire." Modern Language Review 94, no. 4 (1999): 1108. http://dx.doi.org/10.2307/3737274.

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12

HEMMINGS, F. W. J. "Review. Alfred de Vigny et la Comedie-francaise. Bassan, Fernande." French Studies 40, no. 4 (1986): 474. http://dx.doi.org/10.1093/fs/40.4.474-a.

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13

Mankovskaya, N. B. "The Stoicism of the Lone Wolf. The Romantic Aesthetic of Alfred de Vigny and Its Literary Outlines. Part Two." Art & Culture Studies, no. 3 (August 2022): 10–37. http://dx.doi.org/10.51678/2226-0072-2022-3-10-37.

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The article reveals the specificity of Alfred de Vigny’s aesthetic views and literary work which illustrates his original position in the context of the aesthetics of French romanticism. Alfred de Vigny shared its basic principles related to the conviction in the inherent value of art, the priority of artistic perfection, idealization and symbolization, and an increased interest in the national origins of artistic creativity and the character of a romantic hero — sensitive, passionate, melancholic, and at the same time egocentric. However, he gave them the romantic-heroic connotation of the ph
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14

Mankovskaya, N. B. "The Stoicism of the Lone Wolf. The Romantic Aesthetics of Alfred de Vigny and Its Literary Outlines. Part One." Art & Culture Studies, no. 1 (February 2022): 10–51. http://dx.doi.org/10.51678/2226-0072-2022-1-10-51.

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The article reveals the specific nature of Alfred de Vigny’s aesthetic views and literary work which illustrates his original position in the context of the aesthetics of French romanticism. Alfred de Vigny shared its basic principles related to the conviction in the inherent value of art, the priority of artistic perfection, idealization and symbolization, and an increased interest in the national origins of artistic creativity and the character of a romantic hero — sensitive, passionate, melancholic, and at the same time egocentric. However, he gave them the romantic-heroic connotation of th
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15

Saint-Gérand, Jacques-Philippe. "Alfred de Vigny: dessein du langage et amour de la langue." Revue d'histoire littéraire de la France o 98, no. 3 (1998): 451–72. http://dx.doi.org/10.3917/rhlf.g1998.98n3.0451.

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16

Méric, Jean-Pierre. "Chateaubriand, Vigny et le trappiste de Saint-Aubin de Médoc." Revue française d'histoire du livre 142 (October 13, 2021): 151–75. http://dx.doi.org/10.47421/rfhl142_151-175.

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À peine connue de quelques Bordelais férus d’histoire régionale, la très éphémère existence du petit monastère cistercien de Saint-Aubin-de-Médoc (1821-1830), près de Bordeaux, convoque néanmoins les noms de deux grands écrivains français. En 1803, l’inspiration de Chateaubriand dans le Génie du Christianisme, croise l’obscure destinée de son premier et unique père-abbé, dom Jean-Baptiste de Martres. Ce prêtre français émigré, devenu trappiste en Espagne en 1798, rencontre à Paris Alfred de Vigny presque vingt ans plus tard, en 1822. Le religieux y quête pour assurer l’avenir de sa fondation b
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17

Olry, Régis, and Duane E. Haines. "Is Poetry a Disease of the Brain, as Alfred de Vigny Said?" Journal of the History of the Neurosciences 21, no. 2 (2012): 228–31. http://dx.doi.org/10.1080/0964704x.2012.662095.

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18

Osmanova, Kira P. "“ROMANTIC” ABSURD: “THE INVASION” BY ARTHUR ADAMOV AND “CHATTERTON” BY ALFRED DE VIGNY." Proceedings of Southern Federal University. Philology 25, no. 4 (2021): 137–50. http://dx.doi.org/10.18522/1995-0640-2021-4-137-150.

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The article contains an intertextual analysis of the play “The Invasion” (1949) by Arthur Adamov, one of the classical examples of the drama of the absurd. In his dramaturgical experience of 1949, Arthur Adamov demonstrates the acceptance of the XIX century French literature romantic tradition and significant refraction of this tradition in the coordinate system of the poetics of the absurd. Being open about his main source — the play “Chatterton” (1834) by Alfred de Vigny — Adamov intentionally strengthens and sharpens the theme of the tragic forlornness of a great artist who lost faith in hi
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19

R. Malița, Ramona, and Claudia S. Tămășdan. "PENTRU O DEFINIȚIE A LUI DUMNEZEU ÎN POEZIA LUI ADAM PUSLOJIĆ." ИСХОДИШТА 9, no. 1 (2023): 115–25. http://dx.doi.org/10.46630/ish.9.2023.9.

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Studiul de față propune o oprire analitică și tematică în poezia religioasă a lui Adam Puslojić. Scriitorul sârb contemporan nu construiește definiții tranșante, ci subiective, rod al experiențelor euforice sau disforice trăite pe pământ, ca muritor. Căutarea sa existențială pentru a umple golul trăirii terestre ține de dorința de a intra în patria celestă. Acest drum al examinării de sine nu este sigur, eul liric se împiedică mereu, dar, ori de câte ori cade, se ridică din nou și continuă, cu promisiunea de a nu se rătăci. Poezia religioasă romantică franceză, publicată în a doua jumătate a s
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20

Sabourin, Lise. "Alfred de Vigny, Correspondance, t. III, 1835-1839; t. IV, 1839-1843 et t. VI 1846-1848." Studi Francesi, no. 179 (LX | II) (September 1, 2016): 341–42. http://dx.doi.org/10.4000/studifrancesi.4396.

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21

FALCONER, G. "Review. Review. Servitude et grandeur militaires. Edition presentee, etablie et annotee par Patrick Berthier. Vigny, Alfred de." French Studies 47, no. 4 (1993): 471. http://dx.doi.org/10.1093/fs/47.4.471.

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22

Wallot, Hubert. "“Lord, you made me powerful and lonely; Let me fall asleep with the sleep of the earth.” Moses (Alfred de Vigny)." Journal of Small Business & Entrepreneurship 3, no. 2 (1985): 55–63. http://dx.doi.org/10.1080/08276331.1985.10600231.

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23

Rey, Pierre-Louis. "Alfred de Vigny romancier , sous la direction d’Isabelle Hautbout et Marie-Françoise Melmoux-Montaubin, Centre d’Études du Roman et du Romanesque de l’Univer sité de Picardie-Jules Verne, « Romanesques – Hors-série », Encrage Université, 2010, 226 p." Romantisme 153, no. 3 (2011): XIII. http://dx.doi.org/10.3917/rom.153.0169m.

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24

Fernández Segado, Francisco. "Fuerzas Armadas-Sociedad: del mutuo aislamiento a la progresiva integración." Revista Española de Investigaciones Sociológicas, no. 36 (March 13, 2024): 35–76. http://dx.doi.org/10.5477/cis/reis.36.35.

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En España, como en otras naciones, según expresaba Alfredo de Vigny, el ejército conforma una nación en la propia nación. Un grupo aislado, compacto, cerrado y autosuficiente establecido de forma diferenciada con la sociedad civil. El servicio en las Fuerzas Armadas requiere disciplina, forjar cohesión y espíritu de cuerpo. Muchos optan por una carrera vitalicia en el servicio militar, comenzando con una educación castrense en la Academia Militar, que imparte su ideología corporativa de espíritu anti-individualista y ética militar. Quedan expuestos algunos cambios recientes que están orientand
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25

Cervero Sánchez, Noelia. "Vigne Nuove. Construcción a gran escala y hábitat social en la periferia de Roma." EN BLANCO. Revista de Arquitectura 13, no. 30 (2021): 76. http://dx.doi.org/10.4995/eb.2021.13726.

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<p>El proyecto del Piano di Zona Vigne Nuove (Lucio Passarelli, Alfredo Lambertucci y Claudio Saratti, 1971-1979), un conjunto de 524 viviendas con servicios comunes situado al norte del continuo urbano de Roma, sintetiza algunos de los aspectos funcionales y constructivos más destacados en la experimentación que desde mediados del siglo XX se lleva a cabo en Europa en materia de vivienda colectiva. La tectónica del hormigón actúa como nexo de un doble sistema, horizontal que canaliza los elementos públicos de dotación y servicio, y vertical que contiene células de alojamiento destinadas
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26

Dupuy, Pierre. "Alfred de Vigny, une poésie-stigmate ?" Nouveaux cahiers de Marge, no. 4 (December 1, 2021). http://dx.doi.org/10.35562/marge.375.

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