Relevant bibliographies by topics / Vijayanagar

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Vijayanagar'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Vijayanagar"

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Ramaswamy, Vijaya. "Artisans in Vijayanagar Society." Indian Economic & Social History Review 22, no. 4 (December 1985): 417–44. http://dx.doi.org/10.1177/001946468502200403.

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Wagoner, Phillip B. "“Sultan among Hindu Kings”: Dress, Titles, and the Islamicization of Hindu Culture at Vijayanagara." Journal of Asian Studies 55, no. 4 (November 1996): 851–80. http://dx.doi.org/10.2307/2646526.

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When Robert Sewell inaugurated the modern study of the South Indian state of Vijayanagara with his classic A Forgotten Empire (1900), he characterized the state as “a Hindu bulwark against Muhammadan conquests” (Sewell [1900] 1962, 1), thereby formulating one of the enduring axioms of Vijayanagara historiography. From their capital on the banks of the Tungabhadra river, the kings of Vijayanagara ruled over a territory of more than 140,000 square miles, and their state survived three changes of dynasty to endure for a period of nearly three hundred years, from the mid-fourteenth through the mid-seventeenth centuries (Stein 1989, 1–2). According to Sewell, this achievement was to be understood as “the natural result of the persistent efforts made by the Muhammadans to conquer all India” ([1900] 1962, 1). Hindu kingdoms had exercised hegemony over South India for most of the previous millennium, but were divided among themselves when the Muslim forces of Muhammad bin Tughluq swept over the South in the early decades of the fourteenth century: “When these dreaded invaders reached the Krishna River the Hindus to their south, stricken with terror, combined, and gathered in haste to the new standard [of Vijayanagara] which alone seemed to offer some hope of protection. The decayed old states crumbled away into nothingness, and the fighting kings of Vijayanagar became the saviours of the south for two and a half centuries” (Sewell [1900] 1962, 1).
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M, Kayalvizhy. "Invasion of Kumara Kampana against Tamil Nadu." International Research Journal of Tamil 2, no. 1 (January 30, 2020): 57–73. http://dx.doi.org/10.34256/irjt2014.

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In the 13th and 14th century Tamil Nadu was attacked and ransomed by Muslim invadours of Delhi. The Delhi Sultanate successfully established a rule at Maurai city and this province was named as Mabar country. Hindu religion and and culture were suffered a lot in the hands of them. To save the religion and culture an invasion was took by Kumara Kampana prince of Vijayanagar Empaire. He made a war against Tamil Nadu and defeated the Sambuvaraya kings at first and then marched towards Madurai. Finally the Mabar Muslim rulers were defeated and the Muslim rule came to an end. Then Tamil Nadu cames under Vijayanagar rule. Kumara Kampana gave a good administration to Tamil Nadu with the help of his efficient associates. This invasion has considered as land mark in the history of Tamil Nadu.
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Joythi, R. "Trade and Trade - Guilds During - the Vijayanagar Empire." International Journal of Social and Economic Research 6, no. 2 (2016): 102. http://dx.doi.org/10.5958/2249-6270.2016.00020.9.

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Filliozat, Vasundhara. "Une inscription remarquable en kannaḍa médiéval à Hampi-Vijayanagar." Comptes-rendus des séances de l année - Académie des inscriptions et belles-lettres 153, no. 4 (2009): 1345–64. http://dx.doi.org/10.3406/crai.2009.92708.

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Spencer, George W., and Noboru Karashima. "Towards a New Formation: South Indian Society under Vijayanagar Rule." American Historical Review 99, no. 3 (June 1994): 956. http://dx.doi.org/10.2307/2167897.

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Cooper, Ilay. "Vijayanagar or Victoria? The Ceiling of the Virupaksha Temple at Hampi." South Asian Studies 13, no. 1 (January 1997): 67–69. http://dx.doi.org/10.1080/02666030.1997.9628526.

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Karashima, Noburu. "The Family of Mallappa Nayaka: Transferability of vijayanagar Nayakas in Tamil Nadu." Medieval History Journal 4, no. 1 (April 2001): 35–42. http://dx.doi.org/10.1177/097194580100400103.

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Ghorai, D. N., F. Bräuer, H. Freydorfer, and D. Siuka. "COREX$^{\textregistered}$ plant operation at Jindal Vijayanagar Steel, India: a success story." Revue de Métallurgie 98, no. 3 (March 2001): 239–50. http://dx.doi.org/10.1051/metal:2001179.

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G, Shashidhar, Lokesh S, and Aravind Karinagannanavar. "A CLINICAL SPECTRUM OF SCORPION STING AT VIJAYANAGAR INSTITUTE OF MEDICAL SCIENCES, BELLARY." Journal of Evolution of Medical and Dental Sciences 3, no. 57 (October 29, 2014): 12961–70. http://dx.doi.org/10.14260/jemds/2014/3720.

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Dissertations / Theses on the topic "Vijayanagar"

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Keshava, Naik H. P. "Some aspects of feudal elements in the Vijayanagara polity, 1336-1565 A.D." Mysore : Prasaranga, University of Mysore, 1998. http://catalog.hathitrust.org/api/volumes/oclc/46792755.html.

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Le, Sauce-Carnis Marion. "Du héros épique à l'icône divine. L'image de Rama dans les décors sculptés de l'empire de Vijayanagar." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA073.

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Cette thèse étudie l’émergence du culte de Rāma à travers l’évolution de son iconographie dans les décors sculptés des temples de l’époque de Vijayanagar. À partir du XIIe siècle, Rāma qui, jusqu’ici, était un avatar de Viṣṇu, se détache de sa tutelle pour acquérir une autonomie de culte, avec ses propres dévots. Nous nous sommes demandé dans quelle mesure le changement de statut de Rāma était perceptible dans les reliefs qui le prennent pour sujet et comment l’étude de ces reliefs pouvait nous éclairer sur ce changement. Notre étude se fonde sur un corpus d’environ 2700 reliefs, relevés dans 47 temples sur tout le territoire de l’empire (Karnataka, Andhra Pradesh, Tamil Nadu). Trois catégories de reliefs se dégagent : les cycles narratifs, les séquences narratives et les reliefs iconiques. En comparant les modes de représentation au sein d’une même catégorie, puis entre catégories, nous avons observé l’importance prise par les images iconiques. Nous avons constaté le faible rôle du régionalisme, mais plutôt une homogénéité à travers l’empire, confirmée par le rapprochement que nous avons fait des reliefs avec six versions du Rāmāyaṇa, et qui démontre que les différentes régions ont toutes eu, de préférence, recours à la même version. Cette analyse s’inscrit dans un examen plus vaste de la place de Rāma dans la culture indienne et aboutit à des conclusions sur la relation entre arts visuels et littérature, les liens entre Rāma et la royauté de Vijayanagar et montre les différents moyens de signifier la divinité désormais accomplie de Rāma
This thesis studies the emergence of the cult of Rāma through the development of his iconography in the sculpted decoration of temples from the Vijayanagara era. From the 12th century, Rāma, who until then had been an avatar of Viṣṇu, broke away and acquired a separate cult, with his own worshippers. We wondered to what extent the change in Rāma’s status could be observed in the reliefs in which he features and how studying these reliefs could shed light on this change. Our study is based on a corpus of around 2700 reliefs from 47 temples throughout the territory of the Empire (Karnataka, Andhra Pradesh, Tamil Nadu). Three categories of relief can be identified: narrative cycles, narrative sequences and iconic reliefs. When we compared the means of representation within each category, then between categories, we noted the increasingly important role of iconic images. We observed little difference between regions, but rather homogeneity throughout the Empire, confirmed by our comparison between the reliefs and six versions of the Rāmāyaṇa, which showed that the various regions all favoured the same version. This analysis forms part of a broader study of the role of Rāma in Indian culture and leads to conclusions on the relationship between visual arts and literature, the links between Rāma and the Vijayanagara royalty, and the different ways of representing the divine status that Rāma had, by then, acquired
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Davison-Jenkins, Dominic J. "The irrigation and water supply systems of the city of Vijayanagara." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/272465.

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Dinnell, Darry. "Samrajyalaksmipithika: an imperial tantric manual from Vijayanagara." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=97129.

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This thesis examines the Samrajyalaksmipithika, a tantric manual for kingship created during the rule of the Vijayanagara Empire of early sixteenth-century South India. After establishing the plural, inclusive nature of religion at Vijayanagara in this period, this study identifies two crucial ways in which the text's titular goddess Samrajyalaksmi rewards kings who correctly propitiate her: firstly, by helping them to actualize god-like status on earth, and secondly, by allowing them to absolve themselves of sin (papa) without curbing their ability to perform the violence necessitated by their caste affiliation. In this way, Samrajyalaksmipithika articulates a solution to the classical Indian quandary of kingly dependence upon (and inferiority to) Brahmins, in the process offering kings unprecedented ritual power which translates directly into political power and, ultimately, universal overlordship (samrajya). The text provides another example of how tantric practices can be and were central to Indian society, aiding in statecraft and kingship.
Cette thèse s'intéresse au Samrajyalaksmipithika, manuel tantrique destiné à la royauté sous l'Empire Vijayanagara du début du XVIe siècle en Inde du Sud. Après avoir défini la nature plurielle et inclusive de la religion sous les Vijayanagara, cette étude identifie deux types d'intervention utilisées par la déesse Samrajyalaksmi pour récompenser les rois qui apaisent sa colère: d'abord en les aidant à atteindre un statut divin, ensuite en leur permettant de s'absoudre de leurs fautes (papa) sans limiter leur capacité à poser les gestes violents inhérents à leurs fonctions. Le Samrajyalaksmipithika propose une solution au dilemme de la dépendance du roi et de son infériorité aux Brahmans. Il offre un pouvoir rituel innovateur se traduisant par une puissance politique menant potentiellement au pouvoir impérial (samrajya). Voilà un nouvel exemple des modalités à partir desquelles le pouvoir tantrique fut, et demeure central dans la société indienne, contribuant aux affaires étatiques et royales.
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Rajarajan, R. K. K. "Art of the Vijayanagara-Nāyakas : architecture and iconography /." Delhi : Sharada Publishing House, 2006. http://catalogue.bnf.fr/ark:/12148/cb41321778n.

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Mohamed, Elias. "Comparing meanings of centrality and axiality at three spatial scales : Ostia and Vijayanagara." Kansas State University, 1992. http://hdl.handle.net/2097/36060.

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Rubies, I. Mirabet Joan Pau. "Vijayanagara in foreign eyes : a study of travel literature and ethnology in the Renaissance (1420-1600)." Thesis, University of Cambridge, 1992. https://www.repository.cam.ac.uk/handle/1810/236170.

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This dissertation attempts to understand the formationand transmission of images of non-European societies duringthe Renaissance from a case-study. An introductory chapterexplains travel literature as a genre, and establishes itsgeneral importance for the early development of the humansciences in the European cultural tradition, in particularthe empirical assumption that dominates the production ofpractically-oriented narratives based on the creative useof everyday language. The argument then goes on to focuson various descriptions of the South Indian kingdom ofVijayanagara written in the fifteenth and sixteenthcenturies by foreign observers. This body of literature isstudied thoroughly and in chronological order, withreference to the education and interests of the travellersand to the quality-of. their Indian experiences. Thus. theargument compares medieval with sixteenth-century travelnarratives, and texts produced within a Muslim and a LatinChristian traditions. Finally, it attempts to evaluate theuse travellers made of their rhetorical possibilities froma modern understanding of the complexity of the indigenouscultural tradition and political system. Continuousreference to the travel literature of the late Middle Agesand the Renaissance connects this original case-study withthe contemporary process of formation of ethnologicallanguages in Europe. The conclusion argues for theunderstanding of travel literature as a possible form ofcultural translation. It also defines the fundamentalassumptions of Renaissance ethnology as the understandingof human diversity in natural and historical terms, albeitin the limited form of descriptions of social behaviourwhich avoided the open discussion of religious beliefs.
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Morelle, Nicolas. "L'évolution de l'architecture militaire du Deccan (Inde) dans les forts de Firozabad, Torgal, Naldurg et Bellary." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0575/document.

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Une étude architecturale à travers quatre monographies des forts du Deccan (Inde), Naldurg, Torgal, Firozabad et Bellary dans le contexte des échanges interculturels (Orient-Occident) au sein de la culture technique de la guerre (fortification, artillerie, rôle des défenses, gestion de l’eau) dans la société médiévale et moderne indienne.Finalement, cette thèse cherche à définir les spécificités de l’architecture militaire du Deccan du 14ème au 18ème siècle, comme l’aboutissement technique de la défense médiévale et moderne en Inde
Architectural studies of four forts of Deccan (India): Naldurg, Torgal, Firozabad and Bellary in the context of intercultural exchange (between East-West) in the technical culture of war (fortification, artillery, defenses role, water management) in the medieval and modern Indian society.Finally, this study seek to define specificities of the military architecture of Deccan from the fourteenth to the eighteenth century, as the technical outcome of medieval and modern defense in India
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Davrinche, Anne. "Le paysage religieux de Senji. Étude architecturale et iconographique des édifices religieux de la ville de Senji (Tamil Nadu, Inde du Sud) et de sa région." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA074/document.

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Le site archéologique de Senji se situe dans l’Etat du Tamil Nadu en Inde du Sud. Il est connu pour son ensemble fortifié qui se déploie sur trois impressionnantes collines de granit, qui a contribué à forger une partie de l’histoire de cette région du XVe siècle au XIXe siècle. Célébré pour son système défensif, l’architecture religieuse de Senji n’a jusqu’à présent jamais été étudiée dans son intégralité. Cette thèse se propose de faire une étude détaillée des temples et des lieux de cultes hindous de Senji et de sa région proche. Elle traite des édifices de pierres dédiés aux grandes divinités du panthéon hindous et analyse les relations idéologiques qu’elles entretiennent avec les divinités locales et de village, dont le culte ne s’exprime pas toujours par des structures pérennes. Les monuments sont replacés dans leur contexte historique, datant majoritairement du XVIe siècle pendant la période de domination Vijayanagara- Nāyaka. L’histoire de la dynastie Nāyaka de Senji est examinée afin de comprendre les motivations des commanditaires. A travers une étude architecturale détaillée et une analyse des thèmes iconographiques présents sur le site, on tente de déterminer les principes qui régissent la construction de ces temples à l’époque, ainsi que leur utilisation politique dans un contexte militaire et troublé, servant des besoins d’affirmation et de légitimité du pouvoir des souverains de Senji au XVIe siècle. Cette étude contribue également à considérer le site sous une vue plus patrimoniale et en terme de protection des monuments historiques et de l’héritage architectural indien
The archaeological site of Senji (Gingee) stands in Tamil Nadu, in Southern India. Senji is famous for its fortified walls and castles built upon and between the three main granitic hills of the area, which contributed to change this part of the Tamil country History between the 15e and the 19e centuries. Known for its military aspects, the religious architecture of Senji had yet never been under proper and full study. This dissertation tries to make a detailed study of the Hindu stone temples and places of worship in Senji and its close area. The research focuses on the pan-Indian Hindu temples and analyses the existing relation between them and the local goddesses whom places of worship are not systematically built in long lasting materials. Monuments are situated in the original historical context, mainly in the 16e century during Vijayanagara-Nāyaka domination. The history of Senji’s Nāyaka dynasty is also analysed in order to understand the concepts that rules temples constructions à these times, and the use of religious architecture in this troubled and warfare context, serving the purpose of legitimacy of their power on the 16e century. This research also tries to consider Senji as the object of conservation and preservation, and in terms of Indian cultural and architectural heritage
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Mercy, Nicole. "Recherches sur la peinture au Karnataka : de l’école de Vijayanāgar à l’école de Mysore, XVIème-XIXème." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL191.

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L’objet de ce travail est l’étude de la peinture au Karnataka depuis l’école de Vijayanāgar jusqu’à celle de Mysore, du XVIème au XIXème siècle. Nous avons tenté de réunir le corpus le plus large possible afin d’avoir une vision globale de l’art du Karnataka à travers ses peintures murales, ses manuscrits illustrés et ses images mobiles.Notre objectif était de mieux comprendre l’évolution de la peinture au Karnataka durant les trois cents ans qui séparent l’école de Vijayanāgar de celle de Mysore. Les seuls vestiges de l’école de peinture de Vijayanāgar se trouvent dans les peintures murales des temples Vīrabhadra de Lēpākṣī et celles du temple Virūpākṣa de Hampi. Nous présentons ces deux sanctuaires avant d’aborder l’école de peinture de Mysore et son iconographie, qui doit son rayonnement au roi Kṛṣṇarāja Woḍeyar III. A la même époque naissait aussi l’école de Surpur, inconnue jusqu’à aujourd’hui. Deux collections non publiées de miniatures provenant de Mysore et de Surpur nous ont permis de mieux comprendre l’évolution de ces écoles. La thèse prend aussi en compte d’autres développements spécifiques de l’art du Karnataka. Nous présentons en particulier les peintures murales du palais d’été de Tipu Sultan, qui se démarquent nettement des autres réalisations contemporaines, et des manuscrits d’un type original, nommés Uddharane, destinés à l’instruction des dévots adeptes du courant vīraśaiva
The aim of this work is to study the paintings of Karnataka from the school of Vijayanagar to that of Mysore. It covers the period from the XVIth to the XIXth century. Our goal was to better understand the evolution of painting in Karnataka during the three hundred years that separate both schools. The only remains of the Vijayanāgar School of Painting can be found in the murals of the Vīrabhadra Temples of Lēpākṣī and those of the Virūpākṣa Temple in Hampi. We discuss these two temples before evoking the school of painting of Mysore through its murals, manuscripts and miniatures. This school is closely connected to King Kṛṣṇarāja Woḍeyar III. Contemporarily to the school of Mysore appeared the school of Surpur, unknown until now. Two unpublished collections of miniatures from Mysore and Surpur have allowed us to better understand the evolution of these schools. Other pictorial achievements present specific developments in the art of Karnataka. We present the mural paintings of Tipu Sultan's summer palace, which stands out clearly from the previous era, as well as the Uddharane manuscript intended for the teaching of the devotees.We have tried to bring together in this work the widest possible corpus of murals, manuscripts and miniatures in order to have a global vision of painting in Karnataka
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Books on the topic "Vijayanagar"

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Shasthri, H. M. Chandrashekhara. The Vijayanagar urbanity. Bangalore: Bhagyashree Enterprises, 2006.

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Ganesh, K. Studies in Vijayanagar Coins. 2009: K. Ganesh, 2009.

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Sarma, P. Sree Rama. A history of Vijayanagar Empire. Hyderabad, [India]: Prabhakar Publications, 1992.

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Hampi Vijayanagar: Histoire et légendes. Palaiseau: Agamât, 2004.

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Jayasree, K. Agrarian economy in Andhra under Vijayanagar. New Delhi: Navrang, 1991.

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Filliozat, Pierre-Sylvain. Hampi-Vijayanagar: The Temple of Viṭhala. New Delhi: Sitaram Bhartia Institute of Scientific Research, 1988.

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Court life under the Vijayanagar rulers. Delhi: B.R. Pub. Corp., 1999.

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Filliozat, Pierre-Sylvain. Hampi-Vijayanagar: The Temple of Viṭhala. New Delhi: Sitaram Bhartia Institute of Scientific Research, 1988.

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Clare, Arni, ed. Hampi: Discover the splendours of Vijayanagar. New Delhi: Niyogi Books, 2010.

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Research Seminar on "the Vijayanagar Empire and Cultural Renaissance" (2009 Colombo, Sri Lanka). Vijayanakarap pēraracum kalācāra mar̲umalarcciyum: Āyvaraṅkuc cir̲appu malar, 2009. [Kol̲umpu]: Intucamaya Kalācāra Aluvalkaḷ Tiṇaikkaḷam, 2009.

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Book chapters on the topic "Vijayanagar"

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Chaluvaraju. "Intangible Heritage of Vijayanagara: Vijayadashmi Tradition." In Digital Hampi: Preserving Indian Cultural Heritage, 299–313. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5738-0_18.

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Srinivasan, Sharada, Rajarshi Sengupta, S. Padhmapriya, Praveen Johnson, Uma Kritika, Srinivasa Ranganathan, and Pallavi Thakur. "Vijayanagara Era Narasimha Bronzes and Sculpture: Digital Iconometry." In Digital Hampi: Preserving Indian Cultural Heritage, 173–87. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5738-0_11.

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Rao, Mamata N. "Architectural and Social Life Reconstructions of Bazaar Streets of Hampi: Vijayanagara Period." In Digital Hampi: Preserving Indian Cultural Heritage, 265–82. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5738-0_16.

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Rao, Mamata N. "Analysis of Murals, Stucco Work, Relief Work and Textual Narratives for Understanding Clothing Styles of Vijayanagara Period." In Heritage Preservation, 311–31. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-7221-5_15.

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"Vijayanagar." In Towns and Cities of Medieval India, 100–126. Routledge, 2016. http://dx.doi.org/10.4324/9781315276755-12.

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"Mission to Calicut and Vijayanagar." In Album Prefaces and Other Documents on the History of Calligraphers and Painters, 68—U—88. BRILL, 2002. http://dx.doi.org/10.1163/9789004492301_017.

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"Introduction." In Vijayanagara Voices, ix—xxiv. Routledge, 2016. http://dx.doi.org/10.4324/9781315548203-1.

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"Poet." In Vijayanagara Voices, 161–80. Routledge, 2016. http://dx.doi.org/10.4324/9781315548203-10.

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"Achyutaraya." In Vijayanagara Voices, 181–93. Routledge, 2016. http://dx.doi.org/10.4324/9781315548203-11.

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"Conclusion." In Vijayanagara Voices, 194–227. Routledge, 2016. http://dx.doi.org/10.4324/9781315548203-12.

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Conference papers on the topic "Vijayanagar"

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Nawafune, N., K. Sarkar, M. Ito, and A. Desai. "First Movable KR in India Has Successfully Started Up in JSW Steel at Vijayanagar." In AISTech2019. AIST, 2019. http://dx.doi.org/10.33313/377/092.

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