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Journal articles on the topic 'Vijayanagara Architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Hawaldar, Asmita. "Absence of Nose Ornaments in the Paintings of Lepakshi Temple." Integrated Journal for Research in Arts and Humanities 4, no. 2 (April 22, 2024): 117–21. http://dx.doi.org/10.55544/ijrah.4.2.18.

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In Andhra Pradesh, in the village of Lepakshi, there is a temple dedicated to Veerabhadra. This temple, from the Vijayanagara Empire, is located in the Hindupur taluk of the Anantapur district. The murals from the Vijayanagara Empire are a specialty of this place. If one wants to witness the amalgamation of Vijayanagara's art, architecture, and temple craftsmanship in one place, then this temple is the most suitable. Here, there are many paintings and sculptures depicting various subjects. In the glorious Vijayanagara Empire, the allure of adornments is evident on all men and women, but the nose rings are nowhere to be seen. This is the subject of research undertaken in this essay.

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2

Lycett, Mark T., and Kathleen D. Morrison. "The “Fall” of Vijayanagara Reconsidered: Political Destruction and Historical Construction in South Indian History." Journal of the Economic and Social History of the Orient 56, no. 3 (2013): 433–70. http://dx.doi.org/10.1163/15685209-12341314.

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Abstract The eponymous capital of Vijayanagara was largely abandoned following the defeat of the imperial army at Talikota in 1565. The city was burned and looted and its monumental temple complexes, gateways, and images left in ruins. Despite large-scale damage to architecture in the city, however, the level and focus of destruction was strikingly variable. In this paper, we draw on the material record of late Vijayanagara temple complexes and other archaeological evidence to examine patterns of differentially distributed political violence. We suggest that these patterns may be understood, in part, in terms of the contemporary politics of sovereignty, incorporation, and reconstitution of elite authority. Drawing on these observations, we discuss the role of commemorative destruction as well as post-1565 temple rededications and abandonments in the afterlife of Vijayanagara as a social space. In particular, we examine the potential of monumental violence to act as a symbol or to index social memory through a creative and fluid process of instituting claims about the past, heritage, authenticity, and the nature of the present.

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3

Natampally, Meera. "Reconstrucción visual (gráfica, ilustrada y digital) del Templo Hampi." Virtual Archaeology Review 5, no. 10 (May 2, 2014): 117. http://dx.doi.org/10.4995/var.2014.4225.

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The existing temple complex in Hampi, Karnataka, India was extensively studied, analyzed and documented. The complex was measured-drawn and digitized by plotting its edges and vertices using AutoCAD to generate 2d drawings. The graphic 2d elements developed were extended into 3 dimensional objects using Google sketch-up. The tool has been used to facilitate the visual re-construction to achieve the architecture of the temple in its original form. 3D virtual modelling / visual reconstruction helps us to visualize the structure in its original form giving a holistic picture of the Vijayanagara Empire in all its former glory. The project is interpreted graphically using Auto-CAD drawings, pictorially, digitally using Sketch-Up model and Kinect.

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4

Anil, Ar Seema. "Emerging Architectural Paradigms in South Indian Temples: A Chronological Analysis." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 07, no. 12 (December 30, 2023): 1–10. http://dx.doi.org/10.55041/ijsrem27853.

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This research delves into the intricate evolution of Indian temple architecture, spanning centuries of cultural and religious transformations. Originating in the Vedic/Aryan civilization, worship centered on natural elements with a simple square altar. A pivotal shift occurred with the introduction of idol worship, marking the genesis of temple architecture evolution. Initially, rock-cut structures featured a garbagriha and semi-open portico, retaining the windowless garbagriha from rock-cut temples. The Chalukya era saw experimentation, notably at Durga in Aihole and Pattadakal, earning the latter the title "Cradle of temple architecture" due to Nagara and Dravida style exploration. Pallavas contributed to the Dravidian vimana prototype, as seen in Mahabalipuram's monolithic rathas. Cholas refined the vimana, erecting the Brihadeshwara temple in Tanjore with a mortar-less construction. Pandyas added Gopurams, reflecting emotional ties. Hoysalas introduced star temples with intricate carvings, featuring single to multiple garbagrihas in various styles. The Vijayanagara era introduced Amman temples and Kalyana mantapas. Nayakas refined Dravidian architecture with concentric prakaras and tall gopurams. In the 20th century, transformative shifts like the Isha Center in Coimbatore embody inclusivity, challenging traditions, and fostering diverse spiritual environments. Key Words: Indian temple architecture, Cultural transformations, religious evolution, vedic/Aryan civilization, rock-cut structures.

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5

Blurton, Richard. "The Great Platform at Vijayanagara. Architecture and Sculpture. By Anna L. Dallapiccola with a chapter by George Michell (Volume 12 of the Vijayanagara Research Project Monograph Series). pp. 95. Delhi, Manohar and the American Institute of Indian Studies, 2010." Journal of the Royal Asiatic Society 28, no. 2 (October 2, 2017): 392–95. http://dx.doi.org/10.1017/s1356186317000554.

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6

Manohar, Mohit. "A Victory Tower Built by a Slave: The Chand Minar at Daulatabad in Deccan India." Muqarnas Online 38, no. 1 (December 6, 2021): 35–76. http://dx.doi.org/10.1163/22118993-00381p03.

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Abstract The Chand Minar (1446) at Daulatabad Fort is one of the tallest pre-modern stone minarets in the world and has long been recognized as a major work of Indo-Islamic architecture. Yet surprisingly little is known about the building: its iconography and the reason for its construction have not been established; even its height is frequently misreported by half. The present article analyzes the building’s architecture and urban context and critically reads its inscriptions against the Tārīkh-i Firishta (ca. 1610), the main primary text for the history of the medieval Deccan. In so doing, the article demonstrates that issues of race shaped the courtly politics in the Deccan at the time of the minaret’s construction. The Chand Minar was commissioned by Parvez bin Qaranful, an African military slave, who dedicated the building to the Bahmani sultan ʿAla⁠ʾ al-Din Ahmad II (r. 1436–58). The article shows that the building commemorated the role of African and Indian officers in a 1443 military victory of the Bahmani sultanate (1347–1527) against the Vijayanagara empire (1336–1664). The construction of the Chand Minar impressed upon Ahmad II the importance of retaining in his court dark-skinned officers from India and Africa (dakkaniyān) at a time when their standing was threatened by the lighter-skinned gharībān, who had immigrated from the western Islamic regions. The article thus presents a detailed study of an important but neglected monument while shedding new light on racial factionalism in the fifteenth-century Deccan.

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7

Sharanabasava, Manjunatha Bhanuvally, Ravi S., S. N. Bhat, Mahadevaswamy, and Ramesh G. "Assessment of Micronutrient Status in Jasmine (Jasminum azoricum L.) Growing Soils of Huvina Hadagali Taluk, Vijayanagara District of Karnataka, India." International Journal of Plant & Soil Science 36, no. 1 (January 13, 2024): 89–97. http://dx.doi.org/10.9734/ijpss/2024/v36i14333.

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The present study was conducted during winter (November‑December, 2022) in Jasmine growing area of Huvina Hadagali Taluk, Vijayanagara District to assess the soil micronutrient status in Jasmine growing area and analysed for their fertility parameters. A total of 60 soil samples were collected, of which 30 surface (0‒20 cm) and 30 subsurface (20‒40 cm) soil depths covering six villages namely Huvinahadagali, Hanakanahalli, Vinobhanagara, Meerakornahalli, Devagondana-halli and Thippapura. In surface soil, available micronutrients boron, zinc, iron, copper and manganese ranged from 0.45 to 1.28, 0.24 to 0.98, 1.17 to 7.90, 0.30 to 3.76 and 2.44 to 22.52 mg kg-1, respectively. Mean soil pH was 7.96, mean soluble salt was 0.27 dS m-1 and soil organic carbon ranged from 2.40 to 6.80 g kg-1. In subsurface soil, available micronutrients boron, zinc, iron, copper and manganese ranged from 0.36 to 1.09, 0.16 to 0.80, 0.96 to 6.76, 0.16 to 2.72 and 1.84 to 20.86 mg kg-1, respectively. Mean soil pH was 8.06, mean soluble salt was 0.32 dS m-1 and soil organic carbon ranged from 1.60 to 6.00 g kg-1. The results showed that depending on the nutrient nature, their concentration was either found in the range of deficit, or sufficient or in excess due to poor nutrient management practices like continuous use of chemical fertilizers and less use of organics which results in poor soil fertility leading to low yield and low quality of Jasmine flowers.

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8

Asher, Catherine B. "Review: The Royal Palaces of India by George Michell, Antonio Marintelli; Art and Architecture of Southern India: Vijayanagara and the Successor States by George Michell." Journal of the Society of Architectural Historians 55, no. 4 (December 1, 1996): 487–88. http://dx.doi.org/10.2307/991207.

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9

Michell, George. "Vijayanagara: the architectural record." South Asian Studies 1, no. 1 (January 1985): 19–41. http://dx.doi.org/10.1080/02666030.1985.9628330.

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10

Heston, Mary Beth. "The Vijayanagara Courtly Style: Incorporation and Synthesis in the Royal Architecture of Southern India, 15th–17th Centuries. By George Michell. New Delhi: Manohar Publications, 1992. viii, 198 pp. $34.00." Journal of Asian Studies 52, no. 4 (November 1993): 1062–63. http://dx.doi.org/10.2307/2059416.

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11

Dallapiccola, A. L. "South Asia - George Michell: The new Cambridge history of India. I, 6: Architecture and art of southern India: Vijayanagara and the successor states. xxii, 302 pp. Cambridge, etc.: Cambridge University Press, 1995. £50." Bulletin of the School of Oriental and African Studies 60, no. 1 (February 1997): 168–69. http://dx.doi.org/10.1017/s0041977x00030044.

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12

Stein, Burton. "Book Reviews : Architecture and Art of Southem India; Vijayanagara and the Successor States by George Michell. (The New Cambridge History of India, volume 1.6) Cambridge University Press, 1995. Pp. xxi, 300. Maps, plans, photographic plates; bibliographical essay." South Asia Research 16, no. 2 (October 1996): 218–19. http://dx.doi.org/10.1177/026272809601600213.

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13

Shokoohy, Mehrdad. "Architecture of the Sultanate of Ma'bar in Madura, and other Muslim Monuments in South India." Journal of the Royal Asiatic Society 1, no. 1 (April 1991): 31–92. http://dx.doi.org/10.1017/s1356186300000055.

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During the fourteenth century on the Travancore coast of South India an independent Muslim sultanate was established which lasted for less than half a century, and was eventually terminated by the newly established neighbouring kingdom of Vijayanagar. The short, brutal and enigmatic period of this sultanate has attracted the attention of a number of modern scholars who have tried to put together its history through study of the coins, a few inscriptions, and the brief, often dismissive remarks found in the North Indian histories, as well as, most informative of all, the travel account of Ibn Baṭṭūṭa, who visited the region when the power of the sultanate was at its peak. However, none of these studies agrees even in the number and chronology of the sultans, let alone the details of the events: a confusion which is a direct result of the lack of adequate information at the present time. Under the circumstances it may appear presumptuous to embark on a description of the architectural monuments of this sultanate.

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14

Haak, Candis. "A Digital Analysis of an Early Medieval Cultic and Ritual Change in Hampi: The Mula Virupaksha Temple in the Hemakuta Hill Sacred Space." Histories 2, no. 3 (August 30, 2022): 315–33. http://dx.doi.org/10.3390/histories2030023.

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This paper examines a 12th-century Virupaksha temple through the reconstruction and exploration of space, movement, devotee corporeal experiences, and the use of natural landscape microtopographic features in monument design. The Mula Virupaksha Temple presents a dramatic change in the previously non-imperial sacred landscape in the Hemakuta Hill area at Hampi (Bellary District, Karnataka). With its construction, Hampi transitioned from a local Shaiva pilgrimage center dedicated to the river goddess Pampa and her counterpart Bhairava to a popular Shaiva pilgrimage and cult center of the newly imported god, Virupaksha. The Mula Virupaksha Temple presents a design thoroughly novel to the area that ushered in a period of sophisticated and unprecedented architectural planning at the site which incorporated natural landscape features for the management and cultivation of devotee ritual corporeal experiences. Virupaksha, his patrons, and associated artisans brought significant cultic change and architectural innovation that took root and persisted into the imperial Vijayanagara period, from the mid-14th to late 16th centuries. The present paper relies on a digital methodology developed to identify ritual changes in early medieval South Asian sacred spaces, focusing on time-sensitive maps created through a geographic information system (GIS), and coupled with the immersive panoramic capabilities of Google Street View (GSV) for a ground-based investigation of the non-ephemeral pilgrimage landscape features.

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15

"Architectural Style of the Vijayanagar Empire." Journal of Progress in Civil Engineering 4, no. 6 (June 30, 2022). http://dx.doi.org/10.53469/jpce.2022.04(06).07.

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16

"Classification of Architectural Designs using Deep Learning." International Journal of Engineering and Advanced Technology 9, no. 3 (February 29, 2020): 2471–74. http://dx.doi.org/10.35940/ijeat.c5621.029320.

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Architecture style of buildings play’s an important role in various aspects. Architectural style or the construction method affects the human health in multiple ways. Many dynasties are ruled India and constructed various types of monuments. So, In this proposed work popular dynasties like Hoysala dynasty, Vijayanagar empire, Mughal empire, Nizam’s of Hyderabad, Chalukya dynasty etc. are considered for creating dataset for the work. The architects of those times had really good knowledge about the different scientific methods to be used for construction. This project aims at classification of different architectural styles. Automatic identification of different architectural styles would facilitate different applications. The dataset is manually created by downloading images from various websites. Deep learning, inception v3 master algorithm are used. Experiments are performed using tenser flow and bottle neck files are created for validation. Good recognition rate is achieved with a fewer data set.

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