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Books on the topic 'Vijayanagara Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Jayaprada, V. Vijayanagara temples at Tāḍapatri: An art-historical study. Bharatiya Kala Prakashan, 1998.

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2

Shivarudraswamy, S. N. Vijayanagara temples in Karnataka. Directorate of Archaeology and Museums, 1996.

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3

Mahalingam, A. The Vijayanagara-Nāyakas: Art and culture. Sharada Pub. House, 2012.

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4

Talwar, H. T. Jaina art and architecture at Vijayanagara, Hampi. Directorate of Archaeology and Museums, 1997.

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5

Nalini, Rao, ed. Sangama: A confluence of art and culture during the Vijayanagara period. Originals, 2006.

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6

Rao, Nalini. Royal imagery and networks of power at Vijayanagara: A study of kingship in South India. Originals, 2010.

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7

Rajarajan, R. K. K. Art of the Vijayanagara-Nāyakas: Architecture and iconography. Sharada Pub. House, 2006.

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8

1944-, Dallapiccola Anna L., and American Institute of Indian Studies., eds. The Ramachandra Temple at Vijayanagara. Manohar, American Institute of Indian Studies, 1992.

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9

Kumari, Y. Nirmala. Social life as reflected in the sculptures and paintings of later Vijayanagara period, A.D. 1500-1650: With special reference to Andhra. T.R. Publications, 1995.

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10

Michell, George. Architecture and art of southern India: Vijayanagara and the successor states. Cambridge University Press, 1995.

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11

American Institute of Indian Studies, ed. Vijayanagara: Warfare and the archaeology of defence. Manohar and American Institute of Indian Studies, 2015.

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12

Subramani-Sthapathi, P. Texts and traditions: Temple construction during the Vijayanagara period. Bharatiya Kala Prakashan, 2017.

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13

Gobhai, Noshir. Hampi: A story in stone. Eminence Designs, 2009.

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14

Śāmarāv, Pulumati. Vijayanagarada kale mattu sāhitya. Karnāṭaka Sarkāra, Kannaḍa mattu Saṃskr̥ti Ilākhe, 2014.

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15

Naidu, P. N. Chola and Vijayanagara art: A comparative study of temples of Chittoor District. New Era Publications, 1994.

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16

Pālucāmi, Cā. Nāyakkar kālak kalaik kōṭpāṭukaḷ. Kālaccuvaṭu Patippakam, 2013.

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17

Reddeppa, K. The Vedanarayana Swami Temple, Nagalapuram. K. Reddeppa, 1988.

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18

Rao, D. Hanumantha. Lēpākṣī temple: A cultural and architectural study. Bharatiya Kala Prakashan, 2004.

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19

Glimpses of Vijayanagara-Nāyaka art. Sharada Publishing House, 2015.

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20

Rao, Nalini N. Royal artistic imagery at Vijayanagara. 1999.

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21

South India under Vijayanagara: Art and archaeology. Oxford University Press, 2011.

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22

South India under Vijayanagara: Art and archaeology. Oxford University Press, 2011.

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23

Vijayanagara kalada sainyavyavasthe mattu yuddhaniti. Sancike Prakasana, 2009.

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24

Art of the Vijayanagara Nayakas Architecture and Icongraphy. Sharada Prakashan, 2007.

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25

Material culture depicted in Vijayanagara temples. Bharatiya Kala Prakashan, 2000.

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26

Ramayana sculptures from Hampi-Vijayanagara. Bharatiya Kala Prakashan, 2010.

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27

Place Hampi: The Panoramic Imaginary of Vijayanagara. Kehrer Verlag Heidelberg, Klaus Kehrer, 2012.

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28

Archaeology, art, and religion: New perspectives on Vijayanagara. Oxford University Press, 2000.

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29

Sangama. Low Price Publications,India, 2005.

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30

Kumari, Y. Nirmala. Social Life As Reflected in Sculptures Paintings of Later Vijayanagara Period (A.D. 1500-1650). New South Wales Univ Pr Ltd, 1996.

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31

Michell, George. Architecture and Art of Southern India: Vijayanagara and the Successor States 1350-1750. Cambridge University Press, 2008.

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32

Penugonda Fort: A defence capital of the Vijayanagara Empire : history, art, and culture. Sharada Pub. House, 2000.

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33

Jaques, Tony. Dictionary of Battles and Sieges. Greenwood, 2006. http://dx.doi.org/10.5040/9798216190738.

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Abstract:

Lead Reviewer: Dr. Daniel Coetzee, Independent Scholar, London, UK Review Board: Jeremy Black, University of Exeter, UK Dr. Frances F. Berdan, Professor of Anthropology, California State University, San Bernardino David A. Graff, Associate Professor, Department of History, Kansas State University Dr. Kevin Jones, University College London Dr. John Laband, Wilfrid Laurier University, Waterloo, Ontario, Canada Dr. Carter Malkasian, Center for Naval Analysis Mr. Toby McLeod, Lecturer in Modern History, University of Birmingham, UK Dr. Tim Moreman, Independent Scholar, London, UK Professor Bill Na

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