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Journal articles on the topic 'Vijayanagara Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Hawaldar, Asmita. "Absence of Nose Ornaments in the Paintings of Lepakshi Temple." Integrated Journal for Research in Arts and Humanities 4, no. 2 (2024): 117–21. http://dx.doi.org/10.55544/ijrah.4.2.18.

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In Andhra Pradesh, in the village of Lepakshi, there is a temple dedicated to Veerabhadra. This temple, from the Vijayanagara Empire, is located in the Hindupur taluk of the Anantapur district. The murals from the Vijayanagara Empire are a specialty of this place. If one wants to witness the amalgamation of Vijayanagara's art, architecture, and temple craftsmanship in one place, then this temple is the most suitable. Here, there are many paintings and sculptures depicting various subjects. In the glorious Vijayanagara Empire, the allure of adornments is evident on all men and women, but the no

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Anupama, C. S. "Recollecting the History of Mysore Ganjifa: An Art Historical Perspective." RESEARCH REVIEW International Journal of Multidisciplinary 9, no. 7 (2024): 164–71. http://dx.doi.org/10.31305/rrijm.2024.v09.n07.020.

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Vijayanagara Empire becomes one of the best examples for understanding the development of different art forms in southern region of India. Vijayanagara Empire is not just known for its supremacy in administration and political and economic power but also the empire shares its contribution in the field of art and culture. This research paper is an attempt to know how Vijayanagara becomes the root cause for different art forms or style of paintings such as Surpur style paintings, Tanjavur paintings, traditional Mysore painting, Ganjifa art etc. during the period of its reign. It is necessary to

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BES, LENNART. "Sultan among Dutchmen? Royal dress at court audiences in South India, as portrayed in local works of art and Dutch embassy reports, seventeenth–eighteenth centuries." Modern Asian Studies 50, no. 6 (2016): 1792–845. http://dx.doi.org/10.1017/s0026749x15000232.

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AbstractFrom the fourteenth century CE onwards, South Indian states ruled by Hindu kings were strongly influenced by politico-cultural conventions from Muslim-governed areas. This development was, for instance, manifest in the dress and titles of the rulers of the Vijayanagara empire. As has been argued, they bore the title of sultan and on public occasions they appeared in garments fashioned on Persian and Arab clothing. Both adaptations exemplified efforts to connect to the dominant Indo-Islamic world. From Vijayanagara's fragmentation in the sixteenth and seventeenth centuries, new Hindu-ru

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Kumar, Sanjeev. "Theory of Origin, Administration and Decline of the Great Vijayanagar Kingdom in South Asia." American Journal of Development Studies 2, no. 1 (2024): 21–32. http://dx.doi.org/10.54536/ajds.v2i1.3596.

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The Vijayanagar Empire is one of the most prominent and well-known empires of South Asia. The empire had arisen in the times of the Delhi Sultanate and sustained for more than a period of three Centuries. It saw four dynasties and its share wars and conflicts with neighboring Muslim forces. Vijayanagar Empire also had an admirable administration system, in the sense that it is counted as highly centralized, just and elaborate. This research paper seeks to examine the administrative and political structure of the Vijayanagar Empire and various nuances related to the same. In this research explo

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Aswatha, Shashaank M., Jayanta Mukherjee, and Partha Bhowmick. "An Integrated Repainting System for Digital Restoration of Vijayanagara Murals." International Journal of Image and Graphics 16, no. 01 (2016): 1650005. http://dx.doi.org/10.1142/s0219467816500054.

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An integrated repainting system is proposed in this paper for digital restoration of images of heritage murals, which have historical significance in their painting styles and ritualistic contents. The repainting system uses an ensemble of conventional image processing tools, in tandem with some state-of-the-art image rendition techniques, such as scaled bilateral filtering, source-constrained inpainting, tonal processing, and texture mapping based on gradient fusion. Murals that are old by nearly four centuries, have been imaged in situ from the walls of temples under a controlled environment

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Ms.Dalia, Varghese. "Divine Designs: The Evolution of Temple Art in Bharat." International Journal of History and Archaeology Research Studies (IJHARS) 1, no. 1 (2024): 31–35. https://doi.org/10.5281/zenodo.14499994.

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The evolution of temple art in Bharat has remarkably merged the ethos of culture, art and spirit over many centuries. In this article, the temple architecture has been traced from the early religious structures of the Indus Valley civilization to the magnificent monuments of the Gupta, Cholla and Vijayanagara periods. It highlights the main architectural styles-Nagara, Dravida and Vesara and their distinctive features illustrating the regional diversity in design, symbolisation and creativity. The study discusses the intricate carvings, motifs, and ornamentation of temples, which are often ove

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H.B., Somashekar. "RESEARCH ON CONTRIBUTION OF SRI KRISHNADEVARAYA TO ART AND LITERATURE." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 23–30. https://doi.org/10.5281/zenodo.2580625.

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<em>The Krishnadevaraya</em><em> was the greatest emperor of the </em><em>Vijayanagara Empire</em><em> who reigned from 1509–1530. He is the third ruler of the </em><em>Tuluva Dynasty</em><em>. Presiding over the empire at its zenith, he is regarded as an icon by many Indians. Krishna Deva Raya earned the titles Kannada Rajya Rama Ramana (lit, "Lord of the Kannada empire"), Andhra Bhoja and Mooru Rayara Ganda (lit, "King of three Kings"). He became the dominant ruler of the peninsula of India by defeating the Sultans of Bijapur, Golconda, the </em><em>Bahmani Sultanat

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S, Jeyashree. "Rama Ravana Battle Scenes in Tamil Temple Sculptures." International Research Journal of Tamil 4, SPL 2 (2022): 349–56. http://dx.doi.org/10.34256/irjt22s253.

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The Ramayana and the Mahabharata are immortal epics that are the treasury of Indian culture. Both epics convey the values and ideals that people need. The Ramayana written in the Northern language by Valmiki is in some way the source for other Indian language Ramayanas. Kambana in Tamil and Konaputharetti in Telugu have composed Kambaramayana and Iranganatha Ramayana respectively. Sculptures can be found in the temples of Tamil Nadu including these three language Ramayanas. Thus, it is possible to realize that literature and art are interrelated. Many of the Alvars in the Vaishnava literary fo

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A., Sivasamy. "ARCHITECTURAL SIGNIFICANCE OF SRIRANGAM SRI RANGANATHA SWAMI TEMPLE: GLEENED FROM INSCRIPTIONS." International Journal of Interdisciplinary Research in Arts and Humanities 3, no. 1 (2018): 30–35. https://doi.org/10.5281/zenodo.1146688.

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Srirangam was called Vellithirumutha Gramam, in ancient times. At present, it is called Srirangam and Thiruvarangam in Tamil. Srirangam is located in Srirangam Taluk and Tiruchirapalli District, in Tamil Nadu. It is an island, bounded by Cauvery River on one side, and Kollidam (Coleroon) on the other side. This Island is called <em>Thirunavelantheevu,</em> also called <em>Antharangam,</em> meaning the last part of the heaven.<sup> </sup>The Government Epigraphist describes the temple as, “architecturally, the Srirangam Temple offers many interesting points to the stud

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Pieruccini, Cinzia. "Vīrabhadra, the Dreadful Destroyer of Sacrifice." Cracow Indological Studies 26, no. 2 (2024): 153–74. http://dx.doi.org/10.12797/cis.26.2024.02.06.

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When Śiva is not invited to the great sacrifice organised by Dakṣa, his bride Satī’s father, he emanates from himself the terrible Vīrabhadra, who completely destroys the sacrificial arena. The remote origins of this mythical story, which is extensively narrated especially in the Purāṇas, lie in some myths concerning Rudra, Śiva’s Vedic-Brahmanic precursor. The cult of Vīrabhadra spread throughout South India during the Vijayanagara empire, mainly thanks to the Śivaite sect of the Vīraśaivas. The long-lasting diffusion of his cult is also demonstrated by the wide production of metal plaques de

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Koligudde, Chandrakant. "Art and Architecture of Vijayanagar Empire." International Journal of Science and Research (IJSR) 10, no. 12 (2021): 919–20. https://doi.org/10.21275/sr211216165533.

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Asher, Catherine B. "Review: The Royal Palaces of India by George Michell, Antonio Marintelli; Art and Architecture of Southern India: Vijayanagara and the Successor States by George Michell." Journal of the Society of Architectural Historians 55, no. 4 (1996): 487–88. http://dx.doi.org/10.2307/991207.

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Devru, Nandini, Swetha Rajshekhar Lakshetty, and Anand Katageri. "Association of CD4 Counts with Cardiovascular Dysfunction among HIV/AIDS Patients - A Hospital Based Study in North Karnataka." Journal of Evidence Based Medicine and Healthcare 8, no. 29 (2021): 2584–88. http://dx.doi.org/10.18410/jebmh/2021/477.

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BACKGROUND Globally the number of people living with human immunodeficiency virus/ acquired immunodeficiency syndrome (HIV/AIDS) has been rising steadily since 2011 nearing more than 33 million whereas in developing countries like India it is 2.4 million with a prevalence of 0.3%. The purpose of this study was to assess the association of CD4 counts with cardiovascular dysfunction among HIV/AIDS patients. METHODS This was a hospital-based study conducted at the Vijayanagara Institute of Medical Sciences, Bellary. Convenience sampling was used and patients admitted to the wards of the internal

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Talbot, Cynthia, and Burton Stein. "Vijayanagara." Journal of the American Oriental Society 114, no. 4 (1994): 656. http://dx.doi.org/10.2307/606180.

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Jollu, Rakesh. "Forts in Kurnool Regional of Andhradesa: With Particular Reference to Vijayanagar Empire History in Southern Asia." international Journal of Research in Engineering, Science and Management 5, ISSN (Online): 2581-5792 (2022): 78–102. https://doi.org/10.5281/zenodo.7204170.

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The political and economic history of the Vijayanagar empire, Vijayanagar fort in the Kurnool district and Regional Forts, and the development of fort in the Vijayanagar period in the respective domain. How fort help for military and other purposes. Understand the fort of the Kurnool district and Regional Fort’s historical study, and the present study has formulated three hypotheses: the historical background of the Kurnool district and Regional Fort’s historical fort and political history and the early foundations of the forts. 2) the art & architecture and culture of the Kurn

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Dallapiccola, A. L. "South Asia - George Michell: The new Cambridge history of India. I, 6: Architecture and art of southern India: Vijayanagara and the successor states. xxii, 302 pp. Cambridge, etc.: Cambridge University Press, 1995. £50." Bulletin of the School of Oriental and African Studies 60, no. 1 (1997): 168–69. http://dx.doi.org/10.1017/s0041977x00030044.

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Stein, Burton. "Book Reviews : Architecture and Art of Southem India; Vijayanagara and the Successor States by George Michell. (The New Cambridge History of India, volume 1.6) Cambridge University Press, 1995. Pp. xxi, 300. Maps, plans, photographic plates; bibliographical essay." South Asia Research 16, no. 2 (1996): 218–19. http://dx.doi.org/10.1177/026272809601600213.

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Lycett, Mark T., and Kathleen D. Morrison. "The “Fall” of Vijayanagara Reconsidered: Political Destruction and Historical Construction in South Indian History." Journal of the Economic and Social History of the Orient 56, no. 3 (2013): 433–70. http://dx.doi.org/10.1163/15685209-12341314.

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Abstract The eponymous capital of Vijayanagara was largely abandoned following the defeat of the imperial army at Talikota in 1565. The city was burned and looted and its monumental temple complexes, gateways, and images left in ruins. Despite large-scale damage to architecture in the city, however, the level and focus of destruction was strikingly variable. In this paper, we draw on the material record of late Vijayanagara temple complexes and other archaeological evidence to examine patterns of differentially distributed political violence. We suggest that these patterns may be understood, i

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Sinopoli, Carla M., and Kathleen D. Morrison. "Dimensions of Imperial Control the Vijayanagara Capital." American Anthropologist 97, no. 1 (1995): 83–96. http://dx.doi.org/10.1525/aa.1995.97.1.02a00110.

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Subrahmanyam, Sanjay. "Agreeing to Disagree: Burton Stein on Vijayanagara." South Asia Research 17, no. 2 (1997): 127–39. http://dx.doi.org/10.1177/026272809701700204.

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Mosteller, John F., and Annalibera Dallapiccola. "Vijayanagara City and Empire New Currents of Research." Journal of the American Oriental Society 107, no. 4 (1987): 846. http://dx.doi.org/10.2307/603391.

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Sinopoli, Carla M. "The Organization of Craft Production at Vijayanagara, South India." American Anthropologist 90, no. 3 (1988): 580–97. http://dx.doi.org/10.1525/aa.1988.90.3.02a00040.

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Fritz, John M. "Vijayanagara: Authority and Meaning of a South Indian Imperial Capital." American Anthropologist 88, no. 1 (1986): 44–55. http://dx.doi.org/10.1525/aa.1986.88.1.02a00030.

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Vasantamadhava, K. G. "A Note on the Pejavar Copper Plate 1352 Saka, 1430 A.D." Journal of the Royal Asiatic Society of Great Britain & Ireland 117, no. 1 (1985): 29–34. http://dx.doi.org/10.1017/s0035869x00154929.

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Karnataka has rich epigraphical sources. The entire edifice of Karnataka history from the 3rd century B.C. down to the end of Vijayanagara rests on epigraphical records. A volume of information concerning the political conditions, government and administration, political geography, the social structure and the life of the people, the religious faiths, economic conditions and many other topics, can be derived from a critical study of the inscriptions.The inscription under discussion is a copper plate from the village of Pejavar, Mangalore Taluka, South Kanara District, Karnataka State. The copp

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Nirmala, Chandrasekaran, Anand Dwarav, and Divya B.L. "Exploring the Ancient Temples of South India: A Review." International Journal of Current Science Research and Review 07, no. 12 (2024): 8704–11. https://doi.org/10.5281/zenodo.14268115.

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Abstract : South India is home to some of the most exquisite and architecturally significant temples in the world, dating back to the Pallava, Chola, Pandya, and Vijayanagar dynasties. These temples not only serve as places of worship but also as repositories of art, culture, and history. This review explores the historical evolution of South Indian temples, their architectural marvels, and the religious and cultural significance they hold. Key architectural features, such as gopurams, vimanas, and intricately carved mandapas, reflect the ingenuity of ancient craftsmen and their alignment with

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Wagoner, Phillip B. "Hampi. By Anila Verghese. New York and New Delhi: Oxford University Press, 2002. xiii, 95 pp.; 13 line drawings, 20 b/w, 4 color plates. Rs 595. - Penugonda Fort—A Defence Capital of the Vijayanagara Empire: History, Art, and Culture. By R. Vasantha. Delhi: Sharada Publishing House, 2000. 145 pp.; 14 line drawings, 38 b/w, 12 color plates. Rs 1100." Journal of Asian Studies 62, no. 1 (2003): 323–25. http://dx.doi.org/10.2307/3096221.

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Dr., Mayur K. Bhat. "Analysis of Clinical Profile of Adverse Drug Reactions among Hiv Positive Patients on Antiretroviral Therapy." International Journal of Medical and Pharmaceutical Research 4, no. 3 (2023): 457–64. https://doi.org/10.5281/zenodo.8006929.

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<strong>Background</strong>- Acquired Immunodeficiency Syndrome (AIDS) is a disease of the human immune system caused by the Human Immunodeficiency Virus (HIV). This condition progressively reduces the effectiveness of the immune system and leaves individuals susceptible to opportunistic infections and tumors. Current ART regimens are capable of reducing viral load to undetectable levels with a consequent increase in CD4+ counts and a substantial reduction in HIV-associated morbidity and mortality. In spite of ART benefits, adverse reactions to these drugs have been pointed to as one of the ma

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Sudyka, Lidia. "From Fields to the Throne." Cracow Indological Studies 25, no. 1 (2023): 301–16. http://dx.doi.org/10.12797/cis.25.2023.01.10.

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The territory administered by the Nayakas, first from Keladi and later from Ikkeri (c. 1499–1763 CE), first on behalf of the Vijayanagara rulers and then in their own name, was the western strip of Karnataka, known as Kanara-Malnad. The Kanara coast is very fertile and the hills of neighbouring Malnad (Malladeśa) are noted for their biodiversity. The Śivatattvaratnākara, an encyclopaedic work in Sanskrit authored by the Keladi-Ikkeri king, Basavarāja (r. 1697–1714), besides discussions related to various fields of knowledge, holds not only passages describing the region and the history of its

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Dallapiccola, A. L. "Religious traditions at Vijayanagara as revealed through its monuments. By Anila Verghese. (Vijayanagara Research Project Monograph Series, Vol. 4.) pp. xiii, 285, 59 pl., 21 figs., 25 maps. New Delhi, Manohar and the American Institute of Indian Studies, 1995. Rs 750." Journal of the Royal Asiatic Society 6, no. 2 (1996): 265–66. http://dx.doi.org/10.1017/s1356186300007446.

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Dr., S. Rajagopal, and R. Praiya Dr. "Madurai Nayaka's Dilapidated Sri Varadaraja Perumal Temple at Maravapatti Village of Vadipatti Taluk - Architectural Engineering a Field Report." International Journal of Innovative Science and Research Technology (IJISRT) 9, no. 2 (2024): 13. https://doi.org/10.5281/zenodo.10683244.

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Temples are cultural houses that expose art and architecture. The strength of the temple is based on its maintenance, architectural material and environment. Constructing a temple; maintaining and preserving temple architecture is a very big task. Madurai Nayaks were Vaishnavites, but they extended their patronage to all the Hindu sects. They were busy  with people’s beliefs and constructed many Dravidian- style new temples in vital cities and rural villages. They extended many temple inner and outer prakaras, pillars mandapas; temple pounds. They repaired old temples and renovated

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Manohar, Mohit. "A Victory Tower Built by a Slave: The Chand Minar at Daulatabad in Deccan India." Muqarnas Online 38, no. 1 (2021): 35–76. http://dx.doi.org/10.1163/22118993-00381p03.

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Abstract The Chand Minar (1446) at Daulatabad Fort is one of the tallest pre-modern stone minarets in the world and has long been recognized as a major work of Indo-Islamic architecture. Yet surprisingly little is known about the building: its iconography and the reason for its construction have not been established; even its height is frequently misreported by half. The present article analyzes the building’s architecture and urban context and critically reads its inscriptions against the Tārīkh-i Firishta (ca. 1610), the main primary text for the history of the medieval Deccan. In so doing,

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Dr., Dundappa Y. Badlakkanavar. "The Evolution and Functioning Of Panchayats in Karnataka: Ancient, Medieval, and British Periods." 'Journal of Research & Development' 15, no. 16 (2023): 74–78. https://doi.org/10.5281/zenodo.8362124.

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<strong>Abstract</strong> Panchayats have played a pivotal role in the governance and administration of Indian societies for centuries. This article delves into the historical evolution and functioning of panchayats in the Karnataka region during the ancient, medieval, and British periods. By tracing their development, roles, and functions, we gain a comprehensive understanding of the socio-political landscape of Karnataka across these eras. The abstract explores the historical trajectory and operational dynamics of panchayats in Karnataka across three distinct periods: ancient, medieval, and

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Karashima, N., and Y. Subbarayalu. "THE EMERGENCE OF THE PERIYANADU ASSEMBLY IN SOUTH INDIA DURING THE CHOLA AND PANDYAN PERIODS." International Journal of Asian Studies 1, no. 1 (2004): 87–103. http://dx.doi.org/10.1017/s1479591404000063.

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In ancient and medieval south India, from about the fifth century, the term nādu denoted a micro-region which was important as the basic unit of agricultural production. The agricultural community formed in the nādu was called nāttār or nāttavar, literally meaning the people of the nādu. Initially it was exclusively composed of the Vellāla peasantry, but from the eleventh century there began to appear in Tamil inscriptions the term periyanādu meaning “big nādu” to denote a supra-nādu assembly. In this paper we examine the meaning of the emergence of this and other similar supra-local and/or mu

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Dr, Shruthi M. Kumbar. "Obstetric Outcome in Primigravida with Unengaged Head at Term." International Journal of Medical and Pharmaceutical Research 4, no. 3 (2023): 929–35. https://doi.org/10.5281/zenodo.8098607.

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<strong>Background</strong>: A significant proportion of primigravidae presented with unengaged head at term and at the onset of labour. Though a substantial proportion of them deliver vaginally. The present study has been carried out to find out the relationship of fetal head palpable per abdomen with head station by per vaginal examination with the outcome of labour, nature of delivery and maternal and fetal well-being in primigravidae at term with or without onset of labour. <strong>Methods</strong>: The study done at Vijayanagar Institute of Medical Sciences, Ballari between january 2020 a

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Subrahmanyam, Sanjay. "The birth-pangs of Portuguese Asia: revisiting the fateful ‘long decade’ 1498–1509." Journal of Global History 2, no. 3 (2007): 261–80. http://dx.doi.org/10.1017/s1740022807002288.

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AbstractThe essay sets out to re-examine the events and processes of inter-state and commercial competition that accompanied the arrival of the first Portuguese fleets in the Indian Ocean after the voyage of Vasco da Gama (1497–99). Focusing on the ‘long decade’ from 1498 to 1509, a series of differing perspectives on the challenges caused by the Portuguese to other rival powers is laid out and examined in detail. These include the Venetian conception of the Portuguese enterprise, which tended to be divided between an ‘optimistic’ view (suggesting that the Cape route would collapse quickly), a

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Noklang, Samuel, Imjungba Noklang, Sri Sai Kaumudi Chirumamilla, and Pankaj K. Kannauje. "Serum uric acid level in chronic liver disease and its correlation with Child–Pugh score in a tertiary care hospital from South India." Journal of Family Medicine and Primary Care 12, no. 11 (2023): 2696–701. http://dx.doi.org/10.4103/jfmpc.jfmpc_847_23.

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Background: Chronic liver disease (CLD) is one of the important causes of morbidity and mortality in our country, and since the damage to the liver is irreversible, we have to look for many severity markers or predictors for the prognosis of the patient. In this study, we have tried to correlate the level of serum uric acid (UA) with the severity of CLD presented as a Child–Pugh score. Methods: A cross-sectional observational study was conducted at Vijayanagar Institute of Medical Science (VIMS), Ballari, Karnataka, from October 2015 to June 2017 in the Department of General Medicine. Fifty pa

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Grantham, William. "Spiritual Journey, Imperial City: Pilgrimage to the Temples of Vijayanagara. Alexandra Mack. Vedams ebooks Pvt. Ltd., New Delhi. xv + 227 pp. Rs 900 (Approximately $45.00 U.S.), ISBN 81-7936-004-0." American Antiquity 69, no. 2 (2004): 379–80. http://dx.doi.org/10.2307/4128432.

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Kenoyer, Jonathan Mark. "Fields of Victory: Vijayanagara and the Course of Intensification. Kathleen D. Morrison Contributions of the Archaeological Research Facility No. 53. University of California, Berkeley, 1995. viii + 201 pp., 67 figures, 10 tables, 2 appendixes, references cited. $27.00 (paper)." American Antiquity 62, no. 3 (1997): 564–65. http://dx.doi.org/10.2307/282177.

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E, N. Mounika Sai P.C Venkatasubbaiah. "Penugonda: Splendor and Legacy of the Second Capital of Vijayanagara Empire." September 17, 2024. https://doi.org/10.5281/zenodo.13773979.

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The article delves into the rich tapestry of the second capital of the Vijayanagara Empire i.e. Penugonda, a focal point of the region named after it as, ‘Penugonda Rajya’,during Vijayanagara regime was Known for its cultural dynamism and architectural brilliance, it flourished as a hub of creativity and innovation during the period under study and it explores the intricate carvings, majestic temples, and grand monuments that characterize the region's built heritage. Drawing on historical accounts and archaeological findings, it illuminates how artisti

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Jammanna, A. "DIFFERENT DIMENSIONS AND FEW DYNAMIC ASPECTS OF VIJAYANAGARA SUPREMACY." Scholarly Research Journal for Interdisciplinary Studies 4, no. 36 (2017). http://dx.doi.org/10.21922/srjis.v4i36.10084.

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One of the earliest writers on and admires of the Vijayanagara empire the Englishman Robert Sewell once expressed his opinion on the tradition of history writing (or the lack of it) in pre-modern India. In a series of lectures delivered before the east India Association in London in 1897 entitled “India before the British’ he observed that they only way of knowing what happened a hundred years ago was. Medieval times saw many changes in the art and culture of India. The cosmopolitan and philosophic traditions that were integral to the indict vision of life evolved with the charging times. Prac

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S.Krishnaveni and Dr.Mrs.T.Selvanayaki. "Art and Architecture of Arjuneshvar Temple at Kadathur – A Study." April 1, 2017. https://doi.org/10.5281/zenodo.439622.

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<em>Kadathur, Arjuneshwarar temple is located on the banks of river Amaravathi. The available inscriptions prove that the temple was constructed by the king Vikrama chola in the 12th century. About the construction of this temple, the original structure of this temple was constructed during the kongu Chola period and was developed by Pandya and the Vijayanagara period. The temple faces East. The first rays of the sun reflects from the water and fall on the lingam each and every day of the year. This paper describes the temple history and its architectural style.</em>

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Varghese, Ms Dalia. "Divine Designs: The Evolution of Temple Art in Bharat." International Journal of History and Archaeology Research Studies (IJHARS), December 18, 2024, 31–35. https://doi.org/10.63090/ijhars/3049.1622.0005.

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The evolution of temple art in Bharat has remarkably merged the ethos of culture, art and spirit over many centuries. In this article, the temple architecture has been traced from the early religious structures of the Indus Valley civilization to the magnificent monuments of the Gupta, Cholla and Vijayanagara periods. It highlights the main architectural styles-Nagara, Dravida and Vesara and their distinctive features illustrating the regional diversity in design, symbolisation and creativity. The study discusses the intricate carvings, motifs, and ornamentation of temples, which are often ove

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Dr. Kore Koteswara Rao and Dr. Ravi Kumar Kodali. "The Significance And Distinctiveness Of The Vaishnavite Temples Of The Vijayanagara In Andhra Pradesh, Karnataka And Tamil Nadu." Nanotechnology Perceptions, December 20, 2024, 3300–3310. https://doi.org/10.62441/nano-ntp.vi.5413.

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The Vaishnavite temple of the Vijayanagara Empire spanning Andhra Pradesh, Karnataka and Tamilnadu represents a unique confluence of spiritual devotions, architectural brilliance and regional cultural synthesis. These temples are significant for their rule in promoting Vaishnavism as a unifying spiritual and cultural force in South India, showcasing the exceptional blend of Dravidian architecture, intricate Carvings and thematic representations of Lord Vishnu's various incarnations, Such as Rama, Krishna and Venkateshwa reinforcing the bhakti tradition. The temples such as Sri Venkateswara Tem

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Chandrasekaran, Nirmala, Dwarav Anand, and B. L. Divya. "Exploring the Ancient Temples of South India: A Review." International Journal of Current Science Research and Review 07, no. 12 (2024). https://doi.org/10.47191/ijcsrr/v7-i12-07.

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South India is home to some of the most exquisite and architecturally significant temples in the world, dating back to the Pallava, Chola, Pandya, and Vijayanagar dynasties. These temples not only serve as places of worship but also as repositories of art, culture, and history. This review explores the historical evolution of South Indian temples, their architectural marvels, and the religious and cultural significance they hold. Key architectural features, such as gopurams, vimanas, and intricately carved mandapas, reflect the ingenuity of ancient craftsmen and their alignment with spiritual

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