Relevant bibliographies by topics / Viktor Shklovsky

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  2. Dissertations / Theses
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Academic literature on the topic 'Viktor Shklovsky'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Viktor Shklovsky"

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Gifford, Henry. "Viktor Shklovsky." Grand Street 8, no. 1 (1988): 94. http://dx.doi.org/10.2307/25007173.

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Schmitt, Cannon. "Refamiliarizing Viktor Shklovsky." Victorian Literature and Culture 47, no. 1 (2018): 187–201. http://dx.doi.org/10.1017/s1060150318001444.

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My title is paradoxical, possibly wrong. Refamiliarizing means reintroducing the once known but since forgotten on the assumption that familiarity fosters understanding. The logic on view inheres in the root word, “familiar”: “known to a person from long or close association.” But Viktor Shklovsky (1893–1984), enfant terrible of the Russian Formalists from the second decade of the twentieth century right to the end of his long life (another paradox), contests that logic.Defamiliarization, his most significant contribution to literary theory, posits that more familiarity with flogging, sex, or
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Gorman, D. "Viktor Shklovsky at 115." Minnesota Review 2008, no. 70 (2008): 133–40. http://dx.doi.org/10.1215/00265667-2008-70-133.

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Kluge, Sofie. "Topologisk poetik i Viktor Šklovskijs Prosateorien." K&K - Kultur og Klasse 45, no. 123 (2017): 55–68. http://dx.doi.org/10.7146/kok.v45i123.96829.

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Though not explicitly addressed as such, the literary topos plays a crucial role in Russian literary theorist Victor Shklovsky’s Theory of Prose (1925). On the backdrop of a critical discussion of the ‘symbolist’ conception of literature and of the ‘ethnographical school’s’ exploration of literary motifs, Shklovsky here presents what can be understood as a genuine topological poetics: A poetics bent on the ‘formulaic’ as quintessential literary device. Rather than a figuration of the author’s ideas literary images are, according to Shklovsky, conventional formulas that circulate in language. R
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Liu, Miaowen, and Natalia Z. Koltsova. "Perception of works of V. Shklovsky in China." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (2019): 462–76. http://dx.doi.org/10.22363/2312-9220-2019-24-3-462-476.

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The article is devoted to studying the long-term dissemination and perception of Viktor Shklovsky's works and ideas in China from the 1930s to 2010s, while providing a brief overview of the scientific articles of Chinese Russianists, who played a key role in studying the heritage of Shklovsky conceptual apparatus in Chinese literary criticism. Particular attention is paid to the category of estrangement, firmly included in Chinese literary studies and widely used in the analysis of works of Chinese literature and cinema, have been considered such concepts of Russian formalism as literary chara
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Bulatova, Asiya. "Estranging Objects and Complicating Form: Viktor Shklovsky and the Labour of Perception." Transcultural Studies 13, no. 2 (2017): 160–76. http://dx.doi.org/10.1163/23751606-01302004.

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In Viktor Shklovsky’s essay “Art as Device” habitual perception is described as a dangerous practice, which renders one insensitive to the experiences of modernity. Importantly, the subjects’ automatized relationship with the surrounding world disrupts their ability to engage with objects. Rather than being experienced through the senses, the object is recognized through an epistemological (preconceived) framework. As a result, Shklovsky argues, “we do not see things, we merely recognize them by their primary characteristics. The object passes before us, as if it were prepackaged.” By making t
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Nikolaev, Aleksandr V. "Returning the reality: Viktor Shklovsky & Susan Sontag." Vestnik Tomskogo gosudarstvennogo universiteta, no. 429 (February 1, 2018): 28–33. http://dx.doi.org/10.17223/15617793/429/3.

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Eccles, Anastasia. "Formalism and Sentimentalism: Viktor Shklovsky and Laurence Sterne." New Literary History 47, no. 4 (2016): 525–45. http://dx.doi.org/10.1353/nlh.2016.0028.

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Chudakova, M. "Conversation with Viktor Borisovich Shklovsky, January 9, 1981." Poetics Today 27, no. 1 (2006): 237–44. http://dx.doi.org/10.1215/03335372-27-1-237.

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Osipova, Anastasiya. "The End of The Soviet Baroque: Historical Poetics in Olesha’s Envy and Tynianov’s The Wax Person." Transcultural Studies 13, no. 2 (2017): 177–96. http://dx.doi.org/10.1163/23751606-01302005.

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The term Soviet Baroque was coined by Viktor Shklovsky in 1929 to describe the aesthetic and theoretical tendencies of the left art of the 1920s – a generation of revolutionary artists to which he himself belongs. Shklovsky understands Baroque not as a specific historical style, but as the aesthetics of “intensive detail” and nonsychronous conception of history. With the onset of the Stalinist ideology and of the Five-Year Plan era’s optimism in the legibility of progress, Shklovsky becomes openly critical of the Soviet Baroque and his former artistic allies who espouse it. In this article I a
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Dissertations / Theses on the topic "Viktor Shklovsky"

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Ånskog, Emelie. "allt är nytt under solen : betraktaren som medskapare." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-65695.

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Vi behöver öppna våra ögon innan vi kan ta konst till våra hjärtan och vi behöver öppna våra hjärtan innan vi kan betrakta konst. Det handlar om att se. Och att vara en medskapare.<br>We need to open our eyes before we can take art to our hearts and we need to open our hearts before we can observe art. It’s about seeing. And being a co-creator.
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Finer, Emily. "Viktor Shklovskii and Laurence Sterne : literary reception in theory and practice." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612072.

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Chiou, Mei-Chyi, and 邱美齊. "An Application of Text Typology Theory in Translating Epistolary Novel: Using Viktor Shklovsky’s Zoo, or Letters Not about Love as a Case Study." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/18311146570886986133.

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碩士<br>輔仁大學<br>翻譯學研究所在職專班<br>96<br>According to Katharina Reiss’ and Peter Newmark’s text typology, novels and letters are categorized as the type of expressive text which focuses on form and esthetic effect. To faithfully represent the expressive function of the source text, the translation has to emphasize the sacred position of author or the principle of semantic equivalence. Although their nature is the communication of emotion for both senders and receivers, letters as the type of expressive text, using the written language to project one’s selfhood, inevitably include disguise. As a re
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Books on the topic "Viktor Shklovsky"

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Shklovskiǐ, Viktor Borisovich. Knight's move: By Viktor Shklovsky ; translation by Richard Sheldon. Dalkey Archive Press, 2005.

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Viktor Shklovskiĭ. Molodai︠a︡ gvardii︠a︡, 2014.

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Turning into Sterne: Viktor Shklovskii and literary reception. Legenda, 2010.

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Shklovskiǐ, Viktor Borisovich. Viktor Shklovsky: A reader. 2017.

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Shklovskiǐ, Viktor Borisovich. Knight's Move: By Viktor Shklovsky ; Translation By Richard Sheldon (Dalkey Archive Scholarly Series). Dalkey Archive Press, 2005.

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6

Madrid, Alejandro L., and Pepe Rojo. Experimentalism as Estrangement. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0006.

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This chapter analyzes Café Tacvba’s fourth album, Revés/Yosoy, which fans and critics alike consider the band’s most experimental recording. By exploring the process of production and circulation of the record along with an analysis of some of the songs’ lyrics in relation to Viktor Shklovsky’s notion of estrangement, the chapter explores how members of the band struggled to handle issues of self-identification in the face of the pressures of a globalized music industry. The chapter explores this moment in tandem with the continuous introduction of neoliberal policies in Mexico since the mid-1
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Book chapters on the topic "Viktor Shklovsky"

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Kolesnikoff, Nina. "Shklovskii, Viktor Borisovich." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk. University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-170.

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"Translator’s Introduction." In Viktor Shklovsky. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501310393.0004.

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"Part One: Introduction." In Viktor Shklovsky. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501310393.ch-001.

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"Resurrecting the Word (1914)." In Viktor Shklovsky. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501310393.ch-002.

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"Art as Device (1917/1919)." In Viktor Shklovsky. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501310393.ch-003.

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"Literature beyond “Plot” (1921/1925)." In Viktor Shklovsky. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501310393.ch-004.

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"Part Two: Introduction." In Viktor Shklovsky. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501310393.ch-005.

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"A Letter to Roman Jakobson (1922/1990)." In Viktor Shklovsky. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501310393.ch-006.

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"Zoo, or Letters Not About Love (1923/1966)." In Viktor Shklovsky. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501310393.ch-007.

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"A Sentimental Journey (1923)." In Viktor Shklovsky. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501310393.ch-008.

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You might also be interested in the extended bibliographies on the topic 'Viktor Shklovsky' for particular source types:
Journal articles
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