Relevant bibliographies by topics / Villa Barbaro

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Villa Barbaro'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Villa Barbaro"

1

Reist, Inge Jackson. "Divine Loveand Veronese's Frescoes at the Villa Barbaro." Art Bulletin 67, no. 4 (1985): 614–35. http://dx.doi.org/10.1080/00043079.1985.10788295.

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Reist, Inge Jackson. "Divine Love and Veronese's Frescoes at the Villa Barbaro." Art Bulletin 67, no. 4 (1985): 614. http://dx.doi.org/10.2307/3050847.

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Bonora, A., K. Fabbri, and M. Pretelli. "ENVIRONMENTAL MICROCLIMATE MANAGEMENT AND RISK IN THE UNESCO WORLD HERITAGE SITE OF VILLA BARBARO MASER (ITALY)." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 4, 2019): 269–76. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-269-2019.

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<p><strong>Abstract.</strong> Indoor environment in heritage buildings can be cause of damage for architecture and artefacts which depend on several physical and chemical parameters: air temperature, relative humidity, volatile organic compounds, etc. How is it possible to evaluate their damage, or the risk of damages? How “aggressive” is indoor microclimate? The scientific literature proposes several different criteria for the evaluation of the risk of damages, especially in the field of museums, while there are few studies which take into consideration historic buildings. In this paper we propose an index – the Heritage indoor Microclimate Risk (HMR) – that allows to define the risk concerning the whole environment and not only the artefacts. Moreover, we propose its application to a real case study of a UNESCO Heritage World Site, obtained through indoor microclimate on-site monitoring and building simulation. The case study reported is Villa Barbaro, built in Maser (1554–1560) by the architect Andrea Palladio and registered in the UNESCO World Heritage Site list since 1996, as Palladian Villa of Veneto. The research is structured as follows: monitoring campaign of the microclimatic parameters; virtual modelling of Villa Barbaro and its validation (by comparing the simulated data and the monitored ones); construction of scenarios which can aid to guarantee the historic building’s conservation and the occupants’ comfort; definition of HMR. The innovative aspect of the proposed methodology is the use of a virtual building model of heritage buildings, to determine, through a single index, the degree of risk and the level of indoor microclimate aggression.</p>
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Kolb, Carolyn, and Melissa Beck. "The Sculptures on the Nymphaeum Hemicycle of the Villa Barbaro at Maser." Artibus et Historiae 18, no. 35 (1997): 15. http://dx.doi.org/10.2307/1483535.

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Ponte Hernando, Fernando J., José Pascual Bueno, Ana Pascual Molina, and Sonia González Castroagudín. "El «Compendio de Exploración Médica» de Nóvoa Santos y Vila Barberá." Cuadernos de Estudios Gallegos 61, no. 127 (2014): 299–317. http://dx.doi.org/10.3989/ceg.2014.127.10.

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Martín, Francisco Germán Rodríguez. "La villa romana de Torre Águila (Barbaño-Montijo, Badajoz)." Journal of Roman Archaeology 8 (1995): 312–16. http://dx.doi.org/10.1017/s104775940001610x.

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Rgers, Mary. "An ideal wife at the Villa Maser: Veronese, the Barbaros and Renaissance theorists of marriage." Renaissance Studies 7, no. 4 (1993): 379–97. http://dx.doi.org/10.1111/j.1477-4658.1993.tb00285.x.

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Rogers, Mary. "An Ideal Wife at the Villa Maser: Veronese, the Barbaros, and Renaissance Theorists of Marriage." Renaissance Studies 7, no. 4 (1993): 379–97. http://dx.doi.org/10.1111/1477-4658.00141.

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9

Park, Jin-Ho, and Lionel March. "Space architecture: Schindler's 1930 Braxton-Shore project." Architectural Research Quarterly 7, no. 1 (2003): 51–62. http://dx.doi.org/10.1017/s1359135503001982.

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Rudolph Michael Schindler (1887–1953) designed a beach house for Henry Braxton and Viola Brothers Shore in 1930. The house was to have been sited on Ocean Front Walk, Venice, Los Angeles [1]. It was never built, but remains a paper project. In the architectural drawings archives at University of California, Santa Barbara, there are both sketch plans and detailed plans for four levels: the ground floor, the main floor, the balcony floor and the roof level. There are drawings for each of the four elevations as well as sections. Constructional details are provided on five sheets. All told there are 13 extant drawings. In his signature upper case, Schindler typed a brief written description of the house [Table 1].
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Carrière, Jean-Marie. "Barbara Allen et Michel Bonetti, L’HABITER, UN IMPENSÉ DE LA POLITIQUE DE LA VILLE." Projet 367, no. 6 (2018): 96. http://dx.doi.org/10.3917/pro.367.0098.

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Dissertations / Theses on the topic "Villa Barbaro"

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Bonora, Anna. "La conservazione del patrimonio storico immateriale: Il microclima di Villa Barbaro a Maser." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/13235/.

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Oggetto della tesi è lo studio del microclima interno di un edificio storico, nello specifico di Villa Barbaro: villa veneta realizzata a Maser tra il 1554 e il 1560 dall’architetto rinascimentale Andrea Palladio (1508-1580) e dichiarata dall’Unesco “Patrimonio Mondiale” nel 1996. Il monitoraggio in questione è stato realizzato con la finalità di effettuare, in base ai dati rilevati, simulazioni microclimatiche, utili a garantire una migliore e più attenta conservazione della villa in sé e dei materiali in essa contenuti: al centro della ricerca vi è dunque il microclima caratteristico di questo edificio e le varianti che è possibile apportarvi agendo attraverso fattori piuttosto semplici, in grado di indirizzare quelle varianti; fattori che lo determinano sia in modo diretto e volontario, sia indiretto e dunque involontario. I parametri ambientali sottoposti a monitoraggio sono quelli tipici di qualsiasi lavoro di questo genere: temperatura dell’aria, umidità relativa, pressione di illuminazione e variazioni della CO2. I dati acquisiti dal monitoraggio hanno permesso di procedere con la modellazione virtuale utile a controllare il comportamento fisico del microclima interno tramite simulazioni termodinamiche e fluidodinamiche, permettendo l’elaborazione di ipotesi al fine di migliorare il comfort dei visitatori e garantire la conservazione del manufatto e dei beni custoditi. Accanto al monitoraggio, è stata effettuata una lettura orientata de “i Quattro Libri dell’Architettura”, utile ad individuare tutti i passaggi nei quali Andrea Palladio fornisce suggerimenti e indicazioni che, in qualche misura, abbiano una valenza “microclimatica”. L’insieme di queste informazioni permette di elaborare una stima della percentuale di rischio microclimatico e per valutare quale sia il grado di comfort percepito dai visitatori; e dunque, per migliorarlo, nella villa come in qualsiasi altro edificio; ciò tenendo sempre ben presenti i costi complessivi delle operazioni simulate.
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Lafi, Nora. "Une ville du Maghreb entre ancien régime et réformes ottomanes : genèse des institutions municipales à Tripoli de Barbarie, 1795-1911 /." Paris ; Budapest ; Turin : l'Harmattan, 2002. http://catalogue.bnf.fr/ark:/12148/cb389193754.

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Texte remanié de: Th. doct.--Hist.--Aix Marseille 1, 1999. Titre de soutenance : Tripoli de Barbarie, 1795-1911, genèse et perennité des institutions municipales.<br>En appendice, choix de documents en arabe et en français. Bibliogr. p. 13-14 et p. 247-281.
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Popova, Olga. "Étude d'une archive d'une famille de notables de la ville d'Ur du VIe au IVe siècle av. J.-C. : l'archive des Gallābu." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H036.

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La thèse présente la première édition complète et commentée des textes de l'archive de la famille Gallabu, une archive provenant de la ville d'Ur, au sud de la Babylonie. Il s'agit d'une famille de prébendiers-barbiers qui ont laissé la plus longue archive privée du Ier millénaire avant J.-C. Les documents de l'archive s'étalent sur 260 ans et couvrent les périodes néo-babylonienne, achéménide et hellénistique. La thèse présente une réflexion sur la nature de l'archive des Gallabu et étudie l'histoire particulière de la famille et de son patrimoine. La famille des Gallabu est placée par la suite dans un contexte politique et socio-économique plus large pour étudier de différents aspects de la vie socio-économique des notables urbains à Ur au Ier millénaire avant J.-C., la seconde ville méridionale la plus importante à cette époque<br>This work presents the first complete and annotated edition of the texts from the Gallabu family archive, from the city of Ur in southern Babylonia. It is a family of prebendaries-barbers that left the longest known private archive in the first century BC. Documents of the archive cover over 260 years and include Neo-Babylonian, Achaemenid, and Hellenistic periods. The thesis provides an insight into the nature of the Gallabu archive and examines the history of the family and its heritage. The family of Gallabu is considered within a political and socio-economic context in order to study different aspects of the socio-economic life of the urban elite of the city of Ur in the first millennium BC, the second most important city in southern Babylonia at the time
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Books on the topic "Villa Barbaro"

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Hersbruck, Deutsches Hirtenmuseum. Das Porträt im 19. Jahrhundert: Fotografie und Malerei : Sonderausstellung im Deutschen Hirtenmuseum Hersbruck, 19.12.1989-30.4.1990/[Katalogbearbeitung, Barbara Hörmann, mitarbeit, Viola Kindt]. Das Museum, 1989.

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Reist, Inge Jackson. Renaissance harmony: The Villa Barbaro at Maser. 1987.

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Astleitner, Hermann, Ines Deibl, Otto Lagodny, Patrick Warto, and Jörg Zumbach, eds. Rechtsdidaktik zwischen Theorie und Praxis. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783845294681.

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This edited volume presents several contributions from the second conference on the interrelationship between educational science and law, which took place in Austria in autumn 2016. The conference focused on the tension that arises when changes in the teaching and training of law are addressed. A perennial major concern within law education is the question of how it has to be applied in order to meet contemporary challenges, but so are other topics that address issues relating to the improvement of legal education. These considerations clearly show that the field of law education connects theory and practice and can improve the teaching of law significantly. With contributions by Rudolf Mosler, Michael Frey, Raimund Pittl, Lina Rosa Gradl, Ines Deibl, Jörg Zumbach, Viola Geiger, Christine Neuner, Natalia Hartmann, Christoph Görisch, Pamela Hölbling, Marcus Schladebach, Stephanie Moser, Tanja Thurner, Doris Lewalter, Kai von Lewinski, Raphael de Barros Fritz, Dana-Sophia Valentiner, Barbara Paesold, Karin Sonnleitner, Evelyne Schmid, Hermann Astleitner, Lutz Lammers, Patrick Warto, Jan-Gero Alexander Hannemann and Otto Lagodny.
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Book chapters on the topic "Villa Barbaro"

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Sdegno, Alberto, Silvia Masserano, and Veronica Riavis. "The Crociera Room of Villa Barbaro in Maser. Perspective Restitution of Architectural Frescoes." In Putting Tradition into Practice: Heritage, Place and Design. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57937-5_33.

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Chavarría Arnau, Alexandra. "Churches and villas in the 5th Century: reflections on italian archaeological data." In Le trasformazioni del V secolo. L'Italia, i barbari e l'Occidente romano. Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.scisam-eb.4.00023.

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"Daniele Barbaro, Prudence and Time: Towards a Logos of Architecture at the Villa Barbaro at Maser." In From Mythos to Logos. BRILL, 2019. http://dx.doi.org/10.1163/9789004398962_004.

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"‘Hell and Paradise Are Here’: The Garden of Villa Barbarigo at Valsanzibio, Padua." In The Architecture of Western Gardens: A Design History from the Renaissance to the Present Day. MIT Press, 1991. http://dx.doi.org/10.37862/aaeportal.00122.030.

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Sklair, Leslie. "Corporate Starchitects and Unique Icons." In The Icon Project. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190464189.003.0009.

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Although some find it unpleasant and others find it flippant, the term ‘starchitect’ is theoretically useful for the sociology of architecture. It connects the world of the architect with the world of celebrity, and it con­nects architecture as an esoteric aesthetic practice with architecture as an industry in the public eye. Over the last few years, the term has become well established in the mass media and in trade publications, and it is also, slowly, starting to be taken seriously by scholars in and around architecture (e.g., McNeill 2009, Ponzini and Nastasi 2011; Knox 2012; Gravari-Barbas and Renard-Delautre 2015). The quest for fame, of course, is not new. Leon Battista Alberti, universal man, prodigious self-promoter of the early renaissance, and still an architectural notable, wrote an allegorical play on fame in the 1440s, recently reprinted (Alberti 1987). Neither Frank Lloyd Wright (1869–1959) nor Le Corbusier (1887–1965, Corb) shunned public­ity; both were what we would now call celebrities. Their rivalry is well documented, mostly in arguments around different conceptions of modernism—they never met. Noting that Wright called the Villa Savoye, one of Corb’s most celebrated buildings, ‘a box on stilts’, the cultural historian Nicholas Cox Weber, in his life of Corb, comments: ‘Today, it is an icon of twentieth-century design and has spawned countless imitations all over the world’ (2008: 288; see also Etlin 1994). Wright and Corb died around the time capitalist globalization was beginning to establish itself as a truly global system, and their own lives contained significant measures of socially produced iconicity. Although these terms were not used about them during their lifetimes, they can be considered proto-global and proto-iconic architects, by which I mean that the terms ‘global’ and ‘iconic’ are fruitfully employed today about them and their surviving architectural works. So, before considering the starchitects of our time, it is instructive first of all to delve briefly into the careers of these two most iconic architects of the first half of the 20th century. Wright and Corb both enjoy institutional legacies and continue to have plenty of enthusiasts.
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