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Journal articles on the topic 'Villa Monticello (Rome, Italy)'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Jessica, Dello Russo. "An Archival and Historical Survey of the Jewish Catacombs of the Villa Torlonia in Rome." Roma Subterranea Judaica, Publications of the International Catacomb Society 2012, no. 7 (2012): 1–24. https://doi.org/10.5281/zenodo.5671093.

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The catacombs discovered in November of 1919 during excavations to reinforce the foundation piers of the “scuderie nuove” or new stables at the southwest corner of the Villa Torlonia were the last to be identified as Jewish in Rome in modern times. Nearly a century later, they are still the most studied of Rome’s ancient Jewish cemeteries, although their accessibility has long been an issue for a variety of political, economic and environmental concerns. In light of the proposed changes to the Villa Torlonia, including new structures that could directly affect the Jewish ceme

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Daniel, Becerra Fernández. "Notas sobre los revestimientos marmóreos parietales de la «Villa dei Quintili» (Roma, Italia)." Arqueologia Iberoamericana 52 (August 5, 2023): 29–36. https://doi.org/10.5281/zenodo.8207218.

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Este artículo da a conocer los «marmora» empleados en los revestimientos de carácter parietal que se encuentran en la «Villa dei Quintili» (Roma, Italia). Se presta especial atención a la preparación de las paredes y a la identificación macroscópica de los «marmora», constatando una gran variedad de revestimientos marmóreos parietales y de tipos lapídeos, así como la reutilización de rocas ornamentales en la preparación de las paredes. Los mármoles blancos grisáceos (&

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Crupi, Vincenza, Barbara Fazio, Giacomo Fiocco, et al. "Multi-analytical study of Roman frescoes from Villa dei Quintili (Rome, Italy)." Journal of Archaeological Science: Reports 21 (October 2018): 422–32. http://dx.doi.org/10.1016/j.jasrep.2018.08.028.

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Collier, W. O. "The Villa of Cardinal Alessandro Albani, Hon.F.S.A." Antiquaries Journal 67, no. 2 (1987): 338–47. http://dx.doi.org/10.1017/s0003581500025440.

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Cardinal Alessandro Albani was probably the most renowned collector of antiquities in eighteenth century Italy. His Roman villa, planned to display them, was built at various dates here discussed in the light of Albani's antedecents, upbringing and career as diplomatist, antiquary and amateur architect. The stylistic origins of the villa are considered together with its influence on later architects, notably Percier and Fontaine and the brothers Adam. Excerpts are given from the course of visits to Roman sites by the cicerone James Byres which illustrate the climate of informed opinion on arch

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Alberti, R., V. Crupi, R. Frontoni, et al. "Handheld XRF and Raman equipment for the in situ investigation of Roman finds in the Villa dei Quintili (Rome, Italy)." Journal of Analytical Atomic Spectrometry 32, no. 1 (2017): 117–29. http://dx.doi.org/10.1039/c6ja00249h.

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A variety of fragments of frescoes coming from the Villa dei Quintili in Rome and dating back to the II century A.D. were subjected to, first of all, an X-ray fluorescence (XRF) analysis by optimizing a portable spectrometer for non-destructive investigation in the field of cultural heritage.

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Crupi, Vincenza, Giuliana Galli, Mauro Francesco La Russa, et al. "Multi-technique investigation of Roman decorated plasters from Villa dei Quintili (Rome, Italy)." Applied Surface Science 349 (September 2015): 924–30. http://dx.doi.org/10.1016/j.apsusc.2015.05.074.

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Gaeta, Mario. "Petrogenetic implications of Ba-sanidine in the Lionato Tuff (Colli Albani Volcanic District, Central Italy)." Mineralogical Magazine 62, no. 5 (1998): 697–701. http://dx.doi.org/10.1180/002646198547927.

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AbstractA vitric fiamme containing BaO-bearing sanidine (BaO = 11 wt.%) was sampled (via di Fioranello, Rome) in the pyroclastic products of the Lower Flow Unit (LFU) belonging to the Villa Senni Eruption Unit in the Colli Albani Volcanic District (Roman Comagmatic Province, Central Italy). The fiamme of the LFU is essentially made up of glass, in which scarce phenocrysts of BaO-bearing sanidine, leucite and Al2O3-bearing Ca-clinopyroxene occur. In this paper the various parameters controlling barium partitioning between alkali feldspar and LFU liquid, are discussed.

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Van Oyen, Astrid. "The moral architecture of villa storage in Italy in the 1st c. B.C." Journal of Roman Archaeology 28 (2015): 97–123. http://dx.doi.org/10.1017/s1047759415002421.

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The Late Republican villa acted as a scene for the projection and contestation of moral values. Villas continued a long-standing association between the physical appearance and the concept of the house, on the one hand, and the moral positioning of its owner, on the other. Ancestral homes in particular proved symbolically salient mechanisms for claims of identity. In a Late Republic characterised by the extension of citizenship and influx of new wealth, this moral and socio-political representation became more contested. Physically and conceptually at some distance from Rome, rural estates pro

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Bartoli, Flavia, Luca D’Amato, Arianna Nucera, Giulia Albani Rocchetti, and Giulia Caneva. "Understanding the Lost: Reconstruction of the Garden Design of Villa Peretti Montalto (Rome, Italy) for Urban Valorization." Plants 13, no. 1 (2023): 77. http://dx.doi.org/10.3390/plants13010077.

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Urbanization and urban regeneration can significantly impact cultural heritage, but a greater knowledge of the past natural and historical features is needed to value the past and understand the present. The lost Villa Peretti Montalto in Rome, once located in the area that corresponds to the current front side of Termini station, deserves great attention due to its cultural value. This work aimed to provide a floristic and functional reconstruction of the gardens of the villa during the XVI and XVII Centuries. From several bibliographic and iconographic sources, a critical analysis and interp

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Meister, Maureen. "In Pursuit of an American Image: A History of the Italian Renaissance for Harvard Architecture Students at the Turn of the Twentieth Century." Prospects 28 (October 2004): 185–202. http://dx.doi.org/10.1017/s0361233300001472.

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After a five-month sojourn in Rome, the author Henry James departed with “an acquired passion for the place.” The year was 1873, and he wrote eloquently of his ardor, expressing appreciation for the beauty in the “solemn vistas” of the Vatican, the “gorgeous” Gesù church, and the “wondrous” Villa Madama. Such were the impressions of a Bostonian who spent much of his adult life in Europe. By contrast, in June of 1885, the young Boston architect Herbert Langford Warren wrote to his brother about how he was “glad to be out of Italy.” He had just concluded a four-month tour there. He had also visi

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Corazziari, Enrico. "XV International Symposium on Gastrointestinal Motility, 5-9 November 1995, Hotel Villa Pamphili, Rome, Italy." Neurogastroenterology & Motility 6, no. 4 (2008): 321. http://dx.doi.org/10.1111/j.1365-2982.1994.tb00199.x.

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Bartolini, Flaminia. "From Iconoclasm to Museum: Mussolini’s Villa in Rome as a Dictatorial Heritage Site." Martor. The Museum of the Romanian Peasant Anthropology Review 23 (November 15, 2018): 163–73. http://dx.doi.org/10.57225/martor.2018.23.09.

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In the last couple of years, public attitudes towards Fascist material legacies in Italy have been at the centre of a heated debate in the academic world, which has by now grown to involve the press and social media. This paper will look specifically at how this is reflected in a museum display at a heritage site that was once Mussolini’s residence in Rome. The underlying question of this paper is what role museums as heritage sites play in the renegotiation of a problematic past, and whether they can also have an active role in either supporting or challenging the official narrative. As herit

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Tsirogiannis, Christos, and David W. J. Gill. "“A Fracture in Time”: A Cup Attributed to the Euaion Painter from the Bothmer Collection." International Journal of Cultural Property 21, no. 4 (2014): 465–80. http://dx.doi.org/10.1017/s0940739114000289.

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Abstract:In February 2013 Christos Tsirogiannis linked a fragmentary Athenian red-figured cup from the collection formed by Dietrich von Bothmer, former chairman of Greek and Roman Art at New York’s Metropolitan Museum of Art, to a tondo in the Villa Giulia, Rome. The Rome fragment was attributed to the Euaion painter. Bothmer had acquired several fragments attributed to this same painter, and some had been donated to the Metropolitan Museum of Art as well as to the J. Paul Getty Museum. Other fragments from this hand were acquired by the San Antonio Museum of Art and the Princeton University

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Iuli, Cristina. "The Flux and the Fragment: Eleanor Clark's Rome for Wandering Intellectuals." MLN 140, no. 1 (2025): 7–29. https://doi.org/10.1353/mln.2025.a963652.

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Abstract: This essay discusses Eleanor Clark's 1952, Rome and a Villa as a book that, in the immediate postwar years, promoted new interest for Italy in the U.S., successfully reaching out to both intellectual élites and larger reading groups. It shows that, by redirecting modernist narrative techniques and interpretive methodologies from textual to architectural, historical, and cultural analysis, Clark pioneered the transition from literary to cultural criticism. The essay argues that, in examining the deep history of "the idea of Rome," the author claimed as its unifying force a transhistor

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Ceschin, Simona, Alma Kumbaric, Giulia Caneva, and Vincenzo Zuccarello. "Testing flora as bioindicator of buried structures in the archaeological area of Maxentius’s villa (Rome, Italy)." Journal of Archaeological Science 39, no. 5 (2012): 1288–95. http://dx.doi.org/10.1016/j.jas.2011.10.036.

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Ormos, Bálint. "„Ezt a Gyönyör tervezte veled...”." Belvedere Meridionale 30, no. 2 (2018): 5–30. http://dx.doi.org/10.14232/belv.2018.2.1.

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This study is about the poetry of Publius Papinius Statius at the end of the first century AD. Statius’s poetry was closely linked to the Flavian-dinasty and also to the emperor Domitianus. In this study I am going to examine Statius’s collection of occasional poems, named Silvae (Forest). From this collection I choose one particular piece of work: a poem about the luxurious villa of Manilius Vopiscus at Tibur (today Tivoli, 30 km far from Rome, at Lazio). Now I am going to write about the possible functions of this collection as a communication form for the contemporary elite. As a social gro

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Amici, Carla Maria. "Unusual Examples of Sophisticated Iron Technology in the Heating Systems of Roman Imperial Baths." European Journal of Archaeology 18, no. 4 (2015): 658–78. http://dx.doi.org/10.1179/1461957115y.0000000002.

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In Roman imperial times, metallurgy reached a high degree of specialization and complexity. The use of iron extended even to building technology, leading to some very particular results, achieving a sophisticated mastery of the technology with a complete understanding of metal properties, in a social and economic context characterized by large financial resources and a high level of creativity applied to architectural projects. A still unpublished device was found in the construction of several floors in the Villa of Giulia, Augustus' daughter, in Ventotene (Italy). In the thermal area, the co

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Ricca, Michela, Giuseppe Paladini, Natalia Rovella, et al. "Archaeometric Characterisation of Decorated Pottery from the Archaeological Site of Villa dei Quintili (Rome, Italy): Preliminary Study." Geosciences 9, no. 4 (2019): 172. http://dx.doi.org/10.3390/geosciences9040172.

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This work focused on the study of decorated pottery dated back to the 16th century from the Roman archaeological site of Villa dei Quintili, a monumental complex located in the south-eastern part of Rome (Italy). A minero-petrographic and geochemical study was undertaken to analyse five archaeological samples in order to define textural features and raw materials used for their production, along with the chemical and physical composition of the superficial decorative glazed coatings. For this purpose, different analytical methods were used, such as polarising optical microscope (POM), X-ray di

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Kumbaric, Alma, Flavia Bartoli, Zohreh Hosseini, Amii Bellini, and Giulia Caneva. "Botanical representations from Villa della Piscina di Centocelle (Rome, Italy) for a reconstruction of ancient Roman gardens." Acta IMEKO 13, no. 4 (2024): 1–8. https://doi.org/10.21014/actaimeko.v13i4.1857.

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Plants remains and phytoiconographic elements are important tools to reconstruct the lost gardens. Archaeobotanical data can give controversial results in areas having great anthropic disturbance, such as in the suburban Villa della Piscina in Centocelle (Rome). Then, we analyzed the plant representations to provide information for the reconstruction of the ancient gardens, studying the fragments of the decorated wall and of the ceiling structures remains that are usually neglected in their size, shape and color. After the identification of the plant species, we collected information on their

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Belfiore, Cristina Maria, Michela Ricca, Mauro F. La Russa, et al. "Provenance study of building and statuary marbles from the Roman archaeological site of "Villa dei Quintili" (Rome, Italy)." Italian Journal of Geosciences 135, no. 2 (2016): 236–49. http://dx.doi.org/10.3301/ijg.2015.19.

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Winkler, Aldo, Tania Contardo, Virginia Lapenta, Antonio Sgamellotti, and Stefano Loppi. "Assessing the impact of vehicular particulate matter on cultural heritage by magnetic biomonitoring at Villa Farnesina in Rome, Italy." Science of The Total Environment 823 (June 2022): 153729. http://dx.doi.org/10.1016/j.scitotenv.2022.153729.

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Columbu, S., C. Lisci, F. Sitzia, et al. "Mineralogical, petrographic and physical-mechanical study of Roman construction materials from the Maritime Theatre of Hadrian's Villa (Rome, Italy)." Measurement 127 (October 2018): 264–76. http://dx.doi.org/10.1016/j.measurement.2018.05.103.

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Dobosi, Linda. "The architectural parallels of the mausoleum of Iovia (Pannonia) revisited – Experimenting with the hexagon in late antique architecture." Acta Archaeologica Academiae Scientiarum Hungaricae 75, no. 1 (2024): 73–95. http://dx.doi.org/10.1556/072.2024.00010.

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AbstractThe curious shape of the so-called early Christian mausoleum of Iovia, Pannonia has attracted much attention since its discovery in the 1980s. The main part of the building, a hexagon flanked by alternating semi-circular and rectangular rooms was complemented by a bi-apsidal vestibule and a rectangular peristyle courtyard. The hexagon was a relatively rarely used form in late antique architecture compared to the octagon, however, hexagons can still be detected in all parts of the Roman Empire in all kinds of architectural contexts: they appeared in late Roman villae, baths, funerary bu

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Cipriani, L., S. Bertacchi, and G. Bertacchi. "AN OPTIMISED WORKFLOW FOR THE INTERACTIVE EXPERIENCE WITH CULTURAL HERITAGE THROUGH REALITY-BASED 3D MODELS: CASES STUDY IN ARCHAEOLOGICAL AND URBAN COMPLEXES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 4, 2019): 427–34. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-427-2019.

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<p><strong>Abstract.</strong> The paper compares two workflows for the achievement of 3D models aimed at in-depth studies on the geometric features of Cultural Heritage artefacts and their dissemination. The purpose is the outlining of pros and cons of different techniques coming from entertainment and video games industry, starting from highly reliable 3D documentation of cultural assets, i.e. architectural/archaeological/urban sites. Two different possible applications are described: (i) procedural modelling used for understanding and visualising reconstruction hypotheses o

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Dello, Russo Jessica. "The Jewish Catacomb on the Via Labicana." Roma Subterranea Judaica, Publications of the International Catacomb Society (PICS), 3 (2010), pp. 1-13. 2010, no. 3 (2021): 1–13. https://doi.org/10.5281/zenodo.5676249.

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The Jewish catacomb discovered in late 1881 below the via Labicana (the modern via Casilina) a little over two miles southeast of Rome has been described as one of two small funerary hypogea for the ancient Jews of Rome in addition to larger catacombs by the consular roads of the Appia, Nomentana, and Portuense. A three-day survey of the site in January of 1884 revealed a small section of an underground cemetery. Yet the Roman archaeologist Orazio Marucchi (1852–1931) believed that many galleries inaccessible at the time of his study would demonstrate that, once excavated, the via Labica

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Leonardi, Andrea, Giuseppe De Sandi, and Claudia Colella. "Ephemeral Museums in Pandemic Era: Bari and the Museo Provinciale that Was There, that Has Been and Has Never Been." European Journal of Interdisciplinary Studies 7, no. 1 (2021): 124. http://dx.doi.org/10.26417/241tmv41h.

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The proposal introduces the theme of the communicative resilience of exhibitions during the Pandemic Era. On March 7, 2020, Italy and its museums, as well as the countless exhibitions housed in their rooms, were closed leaving hundreds, perhaps thousands, of works without the public: from the paintings of Raphael (Rome, Scuderie del Quirinale), to the tables of the Griffoni Polyptych assembled after three hundred years (Bologna, Palazzo Fava), to the statues of Canova (Rome, Palazzo Braschi), to the Sant'Antonio by Antonio Vivarini and to the San Felice in the chair by Lorenzo Lotto chased by

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Rodari, Paola. "Birth of a science centre. Italian phenomenology." Journal of Science Communication 05, no. 02 (2006): F. http://dx.doi.org/10.22323/2.05020901.

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In May 2004 the Balì Museum, Planetarium and interactive science museum, was opened to the public in Italy: 35 hands-on exhibits designed according to the interactive tradition of the Exploratorium in San Francisco, an astronomic observatory for educational activities, a Planetarium with 70 places. With a total investment of about three million euros, about two thirds of which were spent on restructuring the splendid eighteenth-century villa in which it is housed, the undertaking may be considered a small one in comparison with other European science centres. Three million euros: perhaps enoug

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Serpe, Brunella. "Montessori’s Children’s Houses in Calabria at the beginning of the twentieth century in the Historic Archive of the ANIMI." Rivista di Storia dell’Educazione 8, no. 2 (2021): 97–107. http://dx.doi.org/10.36253/rse-10369.

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The birth of Montessori’s Case dei Bambini (“Children’s Houses”) and the adoption of her innovative teaching method constitute an interesting chapter in the renewal of educational practices in Italy in the early years of the 20th century. Spreading from North to South, the biggest impact was felt where the social question was most acute. Milan, Rome and Città di Castello (the location of the Villa Montesca belonging to Leopoldo Franchetti and his wife Alice Hallgarten), together with very small communities such as those of Ferruzzano and Saccuti in the province of Reggio Calabria, were ideal c

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Arangio, Susanna. "Collecting Mussolini: The Case of the Susmel–Bargellini Collection." Ex Novo: Journal of Archaeology 5 (May 24, 2021): 7–18. http://dx.doi.org/10.32028/exnovo.v5i.408.

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Heritage Studies has dealt with Italian Fascism in different ways but paying little attention to the movable items linked to the regime, such as paintings, sculptures and memorabilia. Over the last decade, private collections linked to the Mussolini iconography have emerged, owing to a renewed social acceptance of it and more items of Mussoliniana being readily available. Due to the reluctance of experts to confront this issue and the expansion of private museums in Italy, spontaneous initiatives have sprung up including a permanent exhibition of Mussolini iconography as part of the MAGI’900 M

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Duran, Kevin. "Reviewer Acknowledgements for International Business Research, Vol. 11, No. 12." International Business Research 11, no. 12 (2018): 157. http://dx.doi.org/10.5539/ibr.v11n12p157.

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International Business Research wishes to acknowledge the following individuals for their assistance with peer review of manuscripts for this issue. Their help and contributions in maintaining the quality of the journal are greatly appreciated. International Business Research is recruiting reviewers for the journal. If you are interested in becoming a reviewer, we welcome you to join us. Please find the application form and details at http://www.ccsenet.org/journal/index.php/ibr/editor/recruitment and e-mail the completed application form to ibr@ccsenet.org. Reviewers for Volume 11, Number 12

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Vitrano, Angela, Rita Barone, Antonino Giangreco, et al. "Overcoming the Cost Barrier for Thalassemia Innovative Treatments." Blood 142, Supplement 1 (2023): 5200. http://dx.doi.org/10.1182/blood-2023-180708.

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Background: It has been estimated that 5-7% of the world's population carries a mutated gene affecting the production or function of the haemoglobin molecule, and that around 56,000 new individuals affected by Thalassemia Dependent Transfusion (TDT) are born every year worldwide. Innovative treatment (IT), such as gene addition therapy (GT), gene editing (GE) and ineffective erythropoiesis modulating drugs (IEMD), have been developing for the cure of TDT patients, offering chances for obtaining durable transfusion independence (TI). The possibility of bringing IT to the “bed-site” of the patie

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Fentress, Elizabeth. "Stately Homes: recent work on villas in Italy - HENRI BROISE and XAVIER LAFON, LA VILLA PRATO DE SPERLONGA (Collection de l'École Française de Rome 285, 2000 [2003]) Pp. 210, 302 figs., 7 fold-out plans. ISBN 2-7283-0595-1. $59 (paperback). - MARA STERNINI (ed.), LA VILLA ROMANA DI COTTANELLO (L'Edipuglia, Bari 2000), Pp. 207, 67 pls. (some in color). ISBN 88-7228-273-X. $44 (hardback). - DAVID and NOELLE SOREN, A ROMAN VILLA AND A LATE ROMAN INFANT CEMETERY. EXCAVATION AT POGGIO GRAMIGNANO (LUGNANO IN TEVERINA) (L'Erma di Bretschneider, Roma 1999) Pp. 687, plus 310 figs. and 269 pls. ISBN 88-7062-989-9. $597 (hardback). - XAVIER LAFON, VILLA MARITIMA. RECHERCHES SUR LES VILLAS LITTORALES DE L'ITALIE ROMAINE (IIIe SIÈCLE av. J.-C. / IIIe SIÈCLE ap. J.-C.) (Bibliothèque des Ecoles françaises d'Athènes et de Rome fasc. 307; Ecole française de Rome 2001). Pp. 527, figs. 217, 3 pls. hors-texte. ISBN 2-7283-0618-4. $99 (hardback)." Journal of Roman Archaeology 16 (2003): 545–56. http://dx.doi.org/10.1017/s104775940001343x.

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Kordovska, P. A. "Italian singer Daisy Lumini as an interpreter of the post-avant-garde music." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 253–66. http://dx.doi.org/10.34064/khnum1-56.16.

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Introduction. In the music of the late twentieth century the realization of the creative potential of performers is rarely limited with the framework of direction which was chosen in the beginning of career. The field of the academic music may be too narrow for the artist, but this does not mean a definitive departure from this area. The life and performances of Italian singer, actress and composer Daisy Lumini (1936–1993) could be considered as one of the examples of the twentieth century “variability” of the artist’s way. She developed from a graduate of the Conservatory to a pop star and a

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Witcher, Robert. "F. Cambi, Archeologia dei paesaggi antichi: fonti e diagnostica. Rome: Carocci, 2003. Pp. 128. ISBN 8-8430-2499-x. €8.50. - S. L. Dyson, The Roman Countryside. London: Duckworth, 2003. Pp. 128. ISBN 0-7156-3225-6. £10.99. - R. Francovich and R. Hodges, Villa to Village. The Transformation of the Roman Countryside in Italy c. 400–1000. London: Duckworth, 2003. Pp. 128. ISBN 0-1756-3192-6. £10.99." Journal of Roman Studies 95 (November 2005): 321–22. http://dx.doi.org/10.1017/s007543580000321x.

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Griffith, Alison B. "ARCHITECTURAL TERRACOTTAS - P. Lulof, C. Rescigno (edd.) Deliciae Fictiles IV. Architectural Terracottas in Ancient Italy. Images of Gods, Monsters and Heroes. Proceedings of the International Conference held in Rome (Museo Nazionale Etrusco di Villa Giulia, Royal Netherlands Institute) and Syracuse (Museo Archeologico Regionale ‘Paolo Orsi’), October 21–25, 2009. Pp. xiv + 634, ills, maps, colour pls. Oxford: Oxbow Books, 2011. Cased, £40, US$80. ISBN: 978-1-84217-426-5." Classical Review 63, no. 1 (2013): 243–45. http://dx.doi.org/10.1017/s0009840x12003228.

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Burel, Oleksandr. "On Gabriel Pierné and his compositions for piano and orchestra." Aspects of Historical Musicology 16, no. 16 (2019): 170–89. http://dx.doi.org/10.34064/khnum2-16.10.

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Background. The French composers’ creativity of the late XIX – first third of XX centuries is the admirable treasury of the world musical art. It is worth mentioning such remarkable and original artists as C. Debussy and M. Emmanuel, P. Dukas and E. Satie, A.Roussel and M.Ravel. The name of G. Piern&#233; (1863–1937) can surely be added to this series of authors. But his oeuvre is still terra incognita for us. The thorough considerable researches about the author are not numerous. The monograph “Gabriel Piern&#233;: musicien lorrain” by G. Masson was created in 1987, and the publicatio

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Laurence, Ray. "V. M. Strocka, Casa del Labirinto (VI, 11, 8–10). (Häuser in Pompeji iv). Munich: Hirmer, 1991. Pp. 143, 92 pls, numerous illus. ISBN 3-7774-5230-4. DM 278. - D. Michel, Casa dei Cei (I, 6, 15). (Häuser in Pompeji III). Munich: Hirmer, 1990. Pp. 95, 58 pls, 47 illus. ISBN 3-7774-5040-5. DM 198. - J. L. Franklin, Pompeii: The ‘Casa del Marinaio’ and its History (Soprintendenza Archeologica di Pompei Monografie III). Rome: ‘L’Erma’ di Bretschneider, 1990. Pp. 70, 12 pls, 13 figs, ISBN 88-7062-697-0. L 70,000. - J. R. Clarke, The Houses of Roman Italy, 100 B.C.–A.D. 250: Ritual, Space, and Decoration. Berkeley: University of California Press, 1991. Pp.xxxii + 411, 24 pls, 227 figs, 3 maps, ISBN 0-520-07267-7. $65.00. - E. K. Gazda (ed.), Roman Art in the Private Sphere: New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula. Ann Arbor: University of Michigan Press, 1991. Pp. 156, 76 figs. ISBN 0-472-10196-X. £29.95." Journal of Roman Studies 83 (November 1993): 227–29. http://dx.doi.org/10.2307/301018.

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James, N. "Mediterranean - Stuart Swiny (ed.). The earliest prehistory of Cyprus: from colonization to exploitation (Cyprus American Archaeological Research Institute Monograph 2/American Schools of Oriental Research Archaeological Report 5). xiv+171 pages, 34 figures. 2001. Boston (MA): American Schools of Oriental Research; 0-89757-051-0 hardback $84.95 & £65. - Curtis Runnels & Priscilla M. Murray Greece before history: an archaeological companion and guide, xv+202 pages, 104 figures. 2001. Stanford (CA): Stanford University Press 08047-4036-4 hardback $45 & £35, 08047-4050-X paperback $17.95 & £11.95. - Yannis Hamilakis (ed.). Labyrinth revisited: rethinking ‘Minoan’ archaeology, x+237 pages, 39 figures, 4 tables. 2002. Oxford: Oxbow; 1-84217-061-9 paperback £28. - Paul Äström (ed.). The chronology of base-ring ware and bichrome wheel-made ware: proceedings of a colloquium held in the Royal Academy of Letters, History & Antiquities, Stockholm, May 18–19 2000 (Conferences 54). 251 pages, 54 figures, 9 colour plates, 9 tables. 2001. Stockholm: Royal Academy of Letters, History & Antiquities; 91-7402-320-9 (ISSN 0348-1433) paperback Kr239 (+VAT). - Charlotte Scheffer (ed.). Ceramics in context: proceedings of the Internordic Colloquium on ancient pottery, held at Stockholm. 13–15 June 1997 (Acta Universitatis Stockholmiensis Stockholm Studies in Classical Archaeology 12). 170 pages, 62 figures, 3 colour illustrations, 14 tables. 2001. Stockholm: Stockholm University; 91-22-01913-8 (ISSN 0562-1062) paperback Kr 223 (+VAT). - Edward Herring & Kathryn Lomas (ed.). The emergence of state identities in Italy in the first millennium EC (Accordia Specialist Studies on Italy 8). vii+227 pages, 50 figures, 3 tables. 2000. London: Accordia; 1-873415-22-2 paperback. - Birger Olsson, Dieter Mitternacht & Olof Brandt (ed.). The synagogue of ancient Ostia and the Jews of Borne: interdisciplinary studies (Skrifter Utgivna av Svenska Institutet i Rom 4° LVII/Acta Instituti Romani Regni Sueciae ser. in 4° LVII). 202+v pages, 141 figures, 2 tables. Stockholm: Swedish Instilulein Rome; 91-7042-165-X (ISSN 0081-993X) paperback Kr450. - José María Blázquez. Religiones, ritos y creencias funerarias de la Hispania prerromana. 350 pages, 3 tables. 2001. Madrid: Biblioteca Nueva; 84-7030-7975 paperback. - Simon Keay, John Creighton & José Remesal Rodríguez. Celti (Peñaflor): the archaeology of a Hispano-Roman town in Baetica (University of South-ampton Department of Archaeology Monograph 2). xii+252 pages, 216 figures. 2000. Oxford: Oxbow; 1-84217-035-X paperback £35. - Janet Burnett Grossman. Greek funerary sculpture: catalogue of the collections at the Getty Villa. xi+161 pages, b&w illustrations. 2001. Los Angeles (CA): Getty; 0-89236-612-5 hardback £42.50. - Marion True & Mary Louise Hart (ed.). Studia varia from the J. Paul Getty Museum (Vol. 2; Occasional Papers on Antiquities 10). ii + 166 pages, 191 figures, 5 tables. 2001. Los Angeles (CA): Getty; 089236-634-6 paperback £38.50. - Jairus Banaji. Agrarian change in late antiquity: gold, labour, and aristocratic dominance, xvii+286 pages, 1 map, 12 tables. 2001. Oxford: Oxford University Press; 0-19-924440-5 hardback £50. - Maria Wyke. The Roman mistress: ancient and modern representations, x+452 pages, 32 figures. 2002. Oxford: Oxford University Press; 0-19-815075-X hardback £40." Antiquity 76, no. 292 (2002): 567–68. http://dx.doi.org/10.1017/s0003598x00119416.

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Zerbi, Tommaso. "A Home in Rome: Villa Mills and The Palatine Hill." Papers of the British School at Rome, July 3, 2023, 1–55. http://dx.doi.org/10.1017/s0068246223000041.

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Prior to the acts of demolition pursued in the ventennio to recover and celebrate the heirlooms of antiquity as the simulacra of a fascist restoration of the Roman Empire, a Gothic Revival villa stood atop the Palatine Hill. A transhistorical palimpsest, this edifice incorporated a portion of the imperial palace that was erected for Domitian after his accession to power (AD 81). Through the disclosure of groundbreaking archival documentation, this article reveals that the Gothic Revival mansion, commonly known as ‘Villa Mills’, can be renamed ‘Villa Smith’. It was Robert Smith (1787–1873), a l

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Privitera, Antonella, Simone Bernardini, Giancarlo Della Ventura, et al. "A multi‐analytical investigation of Imperial (I‐II century AD) Roman cooking ware from ‘Villa della Piscina’ and the so called ‘Minerva Medica Temple’ (Rome, Italy)." Journal of Raman Spectroscopy, July 3, 2024. http://dx.doi.org/10.1002/jrs.6718.

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AbstractA multi‐analytical approach based on colourimetry, micro‐Raman spectroscopy, scanning electron microscopy, optical microscopy and powder X‐ray diffraction, has been applied to investigate Roman cooking ware samples dating back to imperial age (I‐II century AD). In particular, the highly distinctive production of pots coming from two different archaeological sites, ‘Villa della Piscina’ at Centocelle district and the so called ‘Minerva Medica Temple’ at Esquilino district (Rome, Italy), was studied characterising the colour, the chemical, mineralogical and petrographic distinctive prope

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"8th International Symposium on Kinetics in Analytical Chemistry, University of Rome Tor Vergata, Villa Mondragone, Rome, Italy, July 8–10, 2004." Analytical Letters 37, no. 1 (2004): 175–77. http://dx.doi.org/10.1081/al-120028763.

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Alicandri, Enrica, Anna Maria Vettraino, Mariagrazia Agrimi, Mario Ciaffi, and Elena Kuzminsky. "Molecular markers dataset to assess the genetic diversity of oriental plane trees from historical sites in Lazio (central Italy)." March 3, 2022. https://doi.org/10.5281/zenodo.6325140.

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The dataset presented in this article is related to the research paper titled “Dimensional and genetic characterization of the last oriental plane trees (Platanus orientalis L.) of historical sites in Lazio (central Italy)”. Indeed, the molecular analyses reported in that article consisted in a comparison of Italian veteran plane trees with 12 certified accessions of P. orientalis , P. occidentalis and their hybrids P. acerifolia (4 individuals per species). First, LEAFY gene analyses allowed identifying 32 P. orientalis and two P. acerifolia in four sites of the province of Rome,

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