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Journal articles on the topic 'Vincent (Cathedral)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Hapak, Emil. "Circumstances, Events, and Consequences of the Relocation of the Relics of Blessed Vincent Kadlubek to Sandomierz Cathedral in 1845." Studia Sandomierskie. Teologia – Filozofia – Historia 29 (March 1, 2023): 5–22. http://dx.doi.org/10.15633/sts.2901.

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The article describes the journey of the relics of Blessed Vincent Kadlubek’s to Sandomierz Cathedral in 1845. The introduction discusses the origins of the cult of Blessed Vincent in this cathedral, the religiosity of Sandomierz residents of the first half of the 19th century, the efforts of Bishop Joseph Goldtmann to bring the relics to Sandomierz, as well as the process of obtaining them from the Cistercian monastery in Jedrzejow. The further part of the study describes their introduction to the Sandomierz Cathedral, reconstructing the course of the procession from the Reformate monastery c

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2

Baran, Wojciech. "Manuscrits médiévaux contenant les œuvres de saint Thomas d’Aquin dans les Archives et Bibliothèque du Chapitre Cathédral de Cracovie." Przegląd Tomistyczny 30 (May 27, 2025): 69–91. https://doi.org/10.12775/pt.2544-1000.30.03.

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Medieval Manuscripts Containing the Works of St. Thomas Aquinas in the Archives and Library of the Cracow Cathedral Chapter The Archives and Library of the Cracow Cathedral Chapter preserve five 15th-century paper manuscripts containing the works of St. Thomas Aquinas: 1) Ms 115 (143) containing the "Quaestiones disputatae de veritate", 2) Ms 116 (144) containing the "Summa Theologiae", IIa IIae, 3) Ms 117 (145) containing the "Summa contra gentiles", 4) Ms 120 (148) containing the "Summa contra gentiles", and 5) Ms 122 (150) containing the "Quaestiones quodlibetales". Although these manuscrip

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3

Trichereau, Barbara, and Claudine Loisel. "The nineteenth-century restoration processes of Louis Germain Vincent-Larcher at the Cathedral of Troyes." Glass Technology: European Journal of Glass Science and Technology Part A 58, no. 6 (2017): 189–98. http://dx.doi.org/10.13036/17533546.58.6.101.

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4

Jamil, Abdul. "PENGELOLAAN DANA SOSIAL KEAGAMAAN GEREJA (PAROKI) KATEDRAL JAKARTA DALAM PEMBERDAYAAN UMAT KATOLIK." Harmoni 11, no. 1 (2012): 44–55. http://dx.doi.org/10.32488/harmoni.v11i1.230.

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Religious institutions have given much contribution to the society through fund management and social asset. One of the religious institutions is the Church (PAROKI) cathedral in Jakarta. Through the research with a qualitative approach, it is revealed this institution has implemented a system and mechanism for social religious funding management effectively and efficiently, with healthy, transparent and accountable management system. The distribution of collected funds, for the social activities carried out by the church, was done through the Social Section of the Paroki (SSP) or Social-Econo

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5

Zieliński, Jan. "Bitwa pod Zurychem i pod Bernem. Szwajcarski epizod Aleksandra Wata. Dyptyk." Colloquia Litteraria 12, no. 1 (2012): 69. http://dx.doi.org/10.21697/cl.2012.1.5.

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The Battle of Zurich and Berne. Swiss episode of Aleksander Wat. DiptychAleksander Wat’s participation in the international congress of Pen Clubs in Zurich in June 1947, was for him an opportunity not only to reflect on his continuing role in journalism and cultural life in post-war Poland (among others indirectly influenced the decision to leave Poland permanently in 1963), but also to see the Cathedral of St. Vincent of Zaragoza in Bern and its famous stained glass window, depicting the mystical mill. A similar theme – the mill appears in the poem Condemned which the author interprets in mul

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6

Rovenko, Elena V. "Music is an Architecture Revived: a Gothic Cathedral as a Model for a Perfect Musical Composition as Seen by Vincent D’Indy." Contemporary Musicology, no. 3 (2021): 43–72. http://dx.doi.org/10.56620/2587-9731-2021-3-043-072.

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Vincent d’Indy developed his own understanding of the ideal algorithm of constructing musical forms. In support of his concept, he took a general artistic perspective. His aim, apparently, was to confirm the special status of the suggested compositional strategies as universal for different kinds of art. These strategies are grounded in such categories as rhythm, order, proportionality, and symmetry inherent to any kind of spatial/temporal art with architecture and music representing the extremes of the spatial/temporal continuum. D’Indy established the correlations between the spatial/tempora

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7

Lamine, Sihem. "Colonial Zaytuna: The Making of a Minaret in French-Occupied Tunisia." Muqarnas Online 38, no. 1 (2021): 185–221. http://dx.doi.org/10.1163/22118993-00381p07.

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Abstract In March 1892, eleven years after the establishment of the French protectorate in Tunisia, a congregation of ulemas, religious scholars, and students, as well as representatives of the waqf administration (Jamʿiyyat al-Awqāf) gathered in the ṣaḥn of the Zaytuna Mosque to lay the cornerstone of a new minaret. The pre-exiting tower, whose latest major renovations dated from the seventeenth-century Ottoman Muradid times, was deemed hazardous; it was therefore entirely demolished and replaced by a large-scale replica of the nearby Hafsid Kasbah Mosque of Tunis. The new minaret of the Zayt

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8

Sebregondi, Giulia Ceriani, and Richard Schofield. "First Principles: Gabriele Stornaloco and Milan Cathedral." Architectural History 59 (2016): 63–122. http://dx.doi.org/10.1017/arh.2016.3.

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AbstractThe construction from 1386 of Milan Cathedral, the largest Gothic church ever constructed in Italy, was one of the most important episodes in the history of Italian and European architecture. The documentation of the lateTrecentoand earlyQuattrocentodiscussions over how to build the Cathedral is extraordinarily rich and extensive, and permits a consideration of the project from many points of view including the relationship between medieval architectural theory and an actual project. At the same time, any enquiry has to contend with the copious modern literature and the conclusions tha

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9

Broeyer, F. G. M. "De Irenische Perkins-Vertaling Van De Arminiaan Everard Booth (1577-1610) 1." Nederlands Archief voor Kerkgeschiedenis / Dutch Review of Church History 71, no. 2 (1991): 177–209. http://dx.doi.org/10.1163/002820391x00195.

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AbstractBooth's Translation of an Irenical Perkins-Book In 1604 the Utrecht minister Everard Booth (1577-1610) published a translation of William Perkins' 'A Reformed Catholike'. Because of this translation, biographical dictionaries and other literature say that he must have agreed more or less with the predestinarian views of Franciscus Gomarus. In the conflict between Franciscus Gomarus and Jacobus Arminius, Perkins played an important part. He owes this to Arminius, who wrote a book against him and utterly disliked his ideas on predestination, the certainty of faith and final perseverance.

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10

Слюнькова, Инесса Николаевна. "The Church of the Ascension in Livadia and Byzantine Architectural Style. Imperial Commission and Project Execution." Вестник церковного искусства и археологии, no. 2(3) (August 15, 2020): 78–110. http://dx.doi.org/10.31802/bcaa.2020.3.2.006.

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Поднимается проблема изученности наследия русской церковной архитектуры, которая напрямую связана с требованиями идентичности и практикой воссоздания утраченных памятников. Работа является первым историко-архитектурным исследованием Вознесенской церкви в Ливадии (1869-1876, разобрана в 1929, воссоздание начато в 2016). Обозначены черты, характерные для императорского искусства, присущие храмам Ливадии, архитектуре Владимирского собора в Херсонесе. Вознесенская церковь рассматривается в контексте становления византийского стиля в русской архитектуре эпохи историзма. Раскрывается история и симво

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11

Freedman, Richard. "The Moderne Motet Anthologies: Four-Voice Motets from the Motteti del Fiore Series, and: The Moderne Motet Anthologies: Five- and More-Voice Motets from the Motteti del Fiore Series, and: Motetti del Laberinto Libro primo a cinque Voci. .. (Venice, Girolamo Scotto, 1554), and: Sacrae Cantiones Vulgo Motetta. .. (Venice, Scotto, 1568), and: Caesaris Tudini Canonici & Musici Cathedralis Ecclesiae Adriensis Mottetorum Quinque Vocibus Liber Primus (Venice: Vincenti, 1588) (review)." Notes 57, no. 3 (2001): 724–28. http://dx.doi.org/10.1353/not.2001.0019.

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12

Freestone, Ian C. "Theophilus and the Composition of Medieval Glass." MRS Proceedings 267 (1992). http://dx.doi.org/10.1557/proc-267-739.

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ABSTRACTCurrent understanding of medieval glass composition is compared with the instructions for the preparation and use of glass outlined by Theophilus in the early twelfth century. The points are illustrated by analyses of glasses from a range of objects and locations. They include the Westminster Retable, the pavement at Cluny Cathedral, Romanesque Mosan enamels on copper, Abbey windows from San Vincenzo in Italy and early enamelled glass vessels which are likely to have been made in Venice.

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13

Šitina, Ana. "Bishop Vincenzo Arrigoni (1599-1626) and Some New Insights Concerning the Altarpiece by Filippo Zaniberti (1585-1636) in the Šibenik Cathedral of Saint James." Ars Adriatica 11 (December 30, 2021). http://dx.doi.org/10.15291/aa.3577.

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The early period of the post-Tridentine renewal in the Šibenik Diocese is marked by Bishop Vincenzo Arrigoni’s(1599-1626) commissions and donations. The altarpiece in the Šibenik cathedral executed by Filippo Zanberti (1585-1636) has been considered one of the many works commissioned by Arrigoni in the first decades of the 17th century. The fact that both Zaniberti and Arrigoni were originally from Brescia contributed to this false conclusion. However, the newly found will of Lucija Ivetić dating from 1626 and the archival data from 1635 describing the acquisition of the altarpiece in Venice p

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14

Ruiz, Jiménez Juan. "Primeros órganos de la catedral de Córdoba (ss. XIII-XV)." Paisajes sonoros históricos (c.1200-c.1800), January 4, 2025. https://doi.org/10.5281/zenodo.14598266.

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Recogemos en este artículos los primeros testimonios sobre los órganos de la catedral de Córdoba y de su ubicación en el coro gótico (ss. XIII-XV). In this article we gather the first testimonies about the organs of the Cathedral of Cordoba and their location in the Gothic choir (13th-15th centuries).

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15

"Inhalt." Zeitschrift für Historische Forschung 47, no. 1 (2020): 1–4. http://dx.doi.org/10.3790/zhf.47.1.toc.

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Abhandlungen und Aufsätze Robert Gramsch-Stehfest, Von der Metapher zur Methode. Netzwerkanalyse als Instrument zur Erforschung vormoderner Gesellschaften . . . . . . . . . . . . . . . . . . . . . . 1 Sarah-Maria Schober, Zibet und Zeit. Timescapes eines frühneuzeitlichen Geruchs 41 Buchbesprechungen Crailsheim, Eberhard /Maria D. Elizalde (Hrsg.), The Representation of External Threats. From the Middle Ages to the Modern World (Wolfgang Reinhard) . . . . 79 Höfele, Andreas / Beate Kellner (Hrsg.), Natur in politischenOrdnungsentwürfen der Vormoderne. Unter Mitwirkung von Christian Kaiser (Ste

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16

"Buchbesprechungen." Zeitschrift für Historische Forschung 47, no. 1 (2020): 79–182. http://dx.doi.org/10.3790/zhf.47.1.79.

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Crailsheim, Eberhard / Maria D. Elizalde (Hrsg.), The Representation of External Threats. From the Middle Ages to the Modern World (History of Warfare, 123), Leiden / Boston 2019, Brill, XV u. 466 S., € 127,00. (Wolfgang Reinhard, Freiburg i. Br.) Höfele, Andreas / Beate Kellner (Hrsg.), Natur in politischen Ordnungsentwürfen der Vormoderne. Unter Mitwirkung von Christian Kaiser, Paderborn 2018, Fink, 224 S., € 59,00. (Stefano Saracino, Erfurt / München) Jütte, Robert / Romedio Schmitz-Esser (Hrsg.), Handgebrauch. Geschichten von der Hand aus dem Mittelalter und der Frühen Neuzeit, Paderborn 2

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