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Journal articles on the topic 'Vincenzo'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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1

Fix, Adam. "Esperienza, Teacher of All Things." Nuncius 34, no. 3 (December 10, 2019): 535–74. http://dx.doi.org/10.1163/18253911-03403016.

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Abstract This paper reexamines the music and experimental science of Vincenzo Galilei through the lens of artisanal epistemology. Where previous scholars have questioned the veracity of Vincenzo’s experiments, I unpack how Vincenzo himself understood and utilized esperienza. Arguing against Cohen and Prins especially, I assert that Vincenzo’s esperienza functioned as a rational-empirical way of studying nature. I then show how esperienza played analogous roles in his science and practice. By treating his music as artisanal epistemology, I portray Vincenzo’s musical composition, like his experimentalism, as a form of natural knowledge-making. He deployed esperienza in science to capture knowledge of consonance and in art to express knowledge of music’s effects on passions. Finally, I situate Vincenzo within broader humanistic and artistic trends and consider his influence on Galileo. This study explores Renaissance music at the nexus of mathematical theory and empirical and instrumental practice while reinterpreting the early modern concept of esperienza.

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2

Gómez-Ferrer, Mercedes, and Yolanda Gil. "Vincenzo Vincenzi, “Geometer and Engineer to Cardinal Borja”." Nuncius 32, no. 1 (2017): 111–45. http://dx.doi.org/10.1163/18253911-03201005.

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This paper analyses the figure of Vincenzo Vincenzi on the basis of documents that place him in Valencia in 1635 as engineer and geometer to Cardinal Gaspar de Borja y Velasco. Vincenzi, who was born in the Urbino region, worked as a hydraulic engineer at the Villa d’Este in Tivoli. In Rome he made his name as the inventor of the wind gun and the mobile fountain, inventions that were disseminated through the works of Benedetto Castelli and, above all, those of Giovanni Faber who also served as an intermediary, recommending Vincenzi’s services to cardinals such as Emmanuele Pio di Savoia and taking it upon himself to find buyers for the wind gun. Vincenzi worked for the Bentivoglios on the bonifica del Gualtieri, and the Venetian Republic expressed its desire to purchase a number of his inventions, after which he travelled to Spain at the request of Borja in order to drain a salt marsh on the cardinal’s estates.

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3

Meißner, Thomas. "Vincenzo Bellini." Heilberufe 68, no. 5 (April 28, 2016): 74. http://dx.doi.org/10.1007/s00058-016-2186-4.

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4

Weber, P. J. "Vincenzo Camuccini:." KUR - Kunst und Recht 17, no. 3 (2015): 92–100. http://dx.doi.org/10.15542/kur/2015/3/6.

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5

Beltrame, Francesco. "Vincenzo Tagliasco." Artificial Intelligence in Medicine 44, no. 2 (October 2008): 77–78. http://dx.doi.org/10.1016/j.artmed.2008.08.005.

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6

Vitale, Vincenzo. "Dialogo: Vincenzo Vitale." Forum Italicum: A Journal of Italian Studies 53, no. 2 (May 12, 2019): 566–74. http://dx.doi.org/10.1177/0014585819846866.

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7

Pines, R. "Zaira. Vincenzo Bellini." Opera Quarterly 14, no. 4 (January 1, 1998): 140–43. http://dx.doi.org/10.1093/oq/14.4.140.

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8

Schauer, John. "Norma. Vincenzo Bellini." Opera Quarterly 6, no. 2 (1988): 141–43. http://dx.doi.org/10.1093/oq/6.2.141.

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9

Cole, Michael, and Diletta Gamberini. "Vincenzo Danti’s Deceits." Renaissance Quarterly 69, no. 4 (2016): 1296–342. http://dx.doi.org/10.1086/690314.

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AbstractThe great sculptor Vincenzo Danti wrote one of the longest poems to have survived from a Renaissance artist, but the text’s close thematic and conceptual connections to its author’s art have gone entirely unnoticed. What Danti’s poem and sculpture share, this essay argues, is a concern with mystified identity. Danti’s poetic sensibility stands at odds with the biographical frameworks that typically guide the interpretation of Renaissance art and literature. At the same time, his example shows how much there is to be gained from an investigation of how artists learned to be writers, and of what came of those efforts.

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10

Limansky, N. E. "Vincenzo Bellini: Norma." Opera Quarterly 21, no. 3 (January 1, 2005): 551–55. http://dx.doi.org/10.1093/oq/kbi052.

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11

Hodges, Richard, Sheila Gibson, and John Mitchell. "The making of a monastic city. The architecture of San Vincenzo al Volturno in the ninth century." Papers of the British School at Rome 65 (November 1997): 233–86. http://dx.doi.org/10.1017/s0068246200010643.

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LA COSTITUZIONE DI UNA CITTÀ MONASTICA. L'ARCHITETTURA DI SAN VINCENZO AL VOLTURNO NEL NONO SECOLOQuesto articolo esamina l'architettura del nono secolo del monastero alto medievale di San Vincenzo al Volturno nella regione di Molise. L'articolo prende in considerazione l'ampia gamma di costruzioni rinvenute negli ultimi quindici anni di scavo, compreso la grande chiesa abbaziale, San Vincenzo Maggiore, il palazzo degli ospiti di riguardo, il chiostro, le officine e le strutture in legno del vicus del monastero. Il lavoro fa riferimento a un ampio numero di paralleli per queste costruzioni sia nella penisola italiana che nell'Europa continentale.

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12

Pace Gravina, Giacomo. "L'Arcadia di Vincenzo Simoncelli." LawArt 1, no. 1 (January 30, 2020): 180–205. http://dx.doi.org/10.17473/lawart-2020-1-7.

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Il saggio indaga un trittico, opera del pittore scandinavo Christian Meyer Ross del 1898, per identificare le molteplici connessioni tra Arte, Storia e Diritto celate nel dipinto. Le immagini della Madonna, del Bambino Gesù e di S. Rocco, infatti, velano l’identità di importanti giuristi e di loro congiunti, consentendo all’autore di mettere in luce personaggi ed eventi rilevanti per la storia giuridica.

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13

Galvagno, Rosalba. "Archeologie di Vincenzo Consolo." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 1 (July 2022): 64–80. http://dx.doi.org/10.3280/asso2021-001004.

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Il saggio propone una lettura originale dell'opera di Vincenzo Consolo, soprattutto in riferimento al concetto di confine, presente in molte sue opere, e alla rappresentazione della Sicilia, vero e proprio campo di tensione che diventa un archetipo all'intera area mediterranea, attraversata oggi come ieri da grandi tensioni e sconfinamenti.

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14

Savica, Vincenzo. "Intervista a Vincenzo Savica." Giornale di Clinica Nefrologica e Dialisi 23, no. 1 (January 24, 2018): 35–37. http://dx.doi.org/10.33393/gcnd.2011.1459.

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15

Frabetti, Anna. "Conversazione con Vincenzo Consolo." Recherches, no. 21 (November 6, 2018): 11–22. http://dx.doi.org/10.4000/cher.1155.

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16

Lombardi, Vincenzo. "Reply from Vincenzo Lombardi." Journal of Physiology 588, no. 21 (October 29, 2010): 4329. http://dx.doi.org/10.1113/jphysiol.2010.199158.

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17

Willier, Stephen A. "La straniera. Vincenzo Bellini." Opera Quarterly 11, no. 3 (1995): 172–75. http://dx.doi.org/10.1093/oq/11.3.172.

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18

Glasow, E. T. "I puritani. Vincenzo Bellini." Opera Quarterly 12, no. 4 (January 1, 1996): 126–29. http://dx.doi.org/10.1093/oq/12.4.126.

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19

McKee, D. "Il pirata. Vincenzo Bellini." Opera Quarterly 15, no. 1 (January 1, 1999): 128. http://dx.doi.org/10.1093/oq/15.1.128.

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20

Baxter, R. "La sonnambula. Vincenzo Bellini." Opera Quarterly 20, no. 4 (October 1, 2004): 742–44. http://dx.doi.org/10.1093/oq/kbh089.

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21

Bonaminio, Vincenzo. "Response by Vincenzo Bonaminio." International Journal of Psychoanalysis 94, no. 1 (February 2013): 124–27. http://dx.doi.org/10.1111/1745-8315.12048.

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22

Savica, Vincenzo. "Intervista a Vincenzo Savica." Giornale di Tecniche Nefrologiche e Dialitiche 23, no. 1 (January 2011): 35–37. http://dx.doi.org/10.1177/039493621102300110.

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23

Boorsch, Suzanne. "VINCENZO CENCI, ERASED PUBLISHER." Source: Notes in the History of Art 31/32, no. 4/1 (July 2012): 51–57. http://dx.doi.org/10.1086/sou.31_32.4_1.41552786.

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24

Iliescu, Nicolae. "VINCENZO CIOFFARI (1905–1997)." Forum Italicum: A Journal of Italian Studies 31, no. 2 (September 1997): 599–601. http://dx.doi.org/10.1177/001458589703100236.

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25

Facchini, Peter, Joerg Bohlmann, Ragai Ibrahim, and Norman G. Lewis. "Professor Vincenzo De Luca." Phytochemistry 113 (May 2015): 7–8. http://dx.doi.org/10.1016/j.phytochem.2014.05.010.

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26

Tansella, C. "Vincenzo Sciandra's multiple identity." Epidemiology and Psychiatric Sciences 22, no. 2 (April 16, 2013): 119–20. http://dx.doi.org/10.1017/s2045796013000152.

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27

Augusti, Giuliano. "Vincenzo Franciosi (1925–1989)." Meccanica 24, no. 2 (June 1989): 70. http://dx.doi.org/10.1007/bf01560131.

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28

Townsend, Alain. "Vincenzo Cerundolo 1959–2020." Nature Immunology 21, no. 3 (February 3, 2020): 243. http://dx.doi.org/10.1038/s41590-020-0617-5.

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29

Segal, Charles. "Sofocle. Vincenzo Di Benedetto." Classical Philology 81, no. 3 (July 1986): 245–49. http://dx.doi.org/10.1086/366993.

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30

Thiene, Gaetano. "Vincenzo Gallucci, 1935–1991." International Journal of Cardiology 32, no. 3 (September 1991): 419–21. http://dx.doi.org/10.1016/0167-5273(91)90316-h.

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31

THIENE, G., U. BORTOLOTTI, and A. MAZZUCCO. "Vincenzo Gallucci (1935–1991)." European Journal of Cardio-Thoracic Surgery 5, no. 5 (1991): 225. http://dx.doi.org/10.1016/1010-7940(91)90167-i.

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32

Barone, Vincenzo. "Autobiography of Vincenzo Barone." Journal of Physical Chemistry A 126, no. 49 (December 15, 2022): 9143–46. http://dx.doi.org/10.1021/acs.jpca.2c07842.

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33

Prieto, Eduardo. "Vincenzo Scamozzi : ¿pionero del ‘diseño ambiental’? = Vincenzo Scamozzi : Pioneer of Environmental Design." Cuaderno de Notas, no. 21 (July 31, 2020): 28. http://dx.doi.org/10.20868/cn.2020.4470.

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ResumenPublicada por Vincenzo Scamozzi en 1615, la Idea dell’architettura universale es una suerte de enciclopedia avant la lettre que compendia el conocimiento que habían ido atesorando los arquitectos italianos desde mediados del siglo XV. Se trata, además, de una obra sin parangón en el Renacimiento en lo que toca a su aproximación holística y compleja a las dimensiones medioambientales de la arquitectura, desde escalas muy diversas y abarcando temas que van desde la descripción del territorio hasta el diseño de las ventanas, los pórticos o los jardines, pasando por el análisis de la orientación solar, la atención a los vientos dominantes o el estudio de la disponibilidad de agua o la iluminación natural en cada contexto. En su empeño, Scamozzi no solo reinterpreta la tradición del higienismo hipocrático —recogida por Vitruvio y desarrollada por Aberti y Palladio—, sino que la actualiza y enriquece aplicando a la arquitectura las importantes innovaciones que los científicos de la época habían hecho en campos como la geografía, la óptica y la hidráulica.AbstractPublished by Vincenzo Scamozzi in 1615, Idea dell’architettura universale is something of an avant la lettre encyclopedia of knowledge compiled by Italian architects since the mid-15th century. It is, moreover, unmatched in the Renaissance in what concerns its complex, holistic approach to the environmental dimensions of architecture, taken from very different scales and embracing themes ranging from the description of territories to the design of windows, porticos, or gardens, and along the way including an analysis of solar orientation, attention to dominant winds, and a study of the availability of water, natural light, and other resources in each context. In this work Scamozzi does not only reinterpret the tradition of Hippocratic hygienism as recorded by Vitruvius and developed by Alberti and Palladio; he also updates and enriches it by applying to architecture the major innovations scientists of the period had made in fields like geography, optics, and hydraulics.

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34

M. Coutts, Catherine, and Richard Hodges. "New excavations of the Crypt Church at San Vincenzo al Volturno in 1994." Papers of the British School at Rome 64 (November 1996): 283–85. http://dx.doi.org/10.1017/s0068246200010424.

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NUOVI SCAVI NELLA CHIESA A CRIPTA DI SAN VINCENZO AL VOLTURNO (1994)Questa breve nota vuole essere una aggiunta agli scavi della chiesa a cripta di San Vincenzo al Volturno pubblicati in R. Hodges (1993) (ed.), San Vincenzo al Volturno 1. The 1980–86 Excavations, Part I (London, British School at Rome). Scavi della Soprintendenza nell'area dell'atrio di questa chiesa alto medievale hanno rivelato la presenza di un portico recinto costruito nel IX secolo (fase 5), all'interno del quale si trovava il piccolo cimitero descritto nella prima relazione. Gli scavi hanno anche aiutato a stabilire le precise misure dell'edificio tardo romano che precedeva la chiesa a cripta alto medievale.

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35

Hodges, Richard, Sheila Gibson, and Andrew Hanasz. "Campo la Fontana: a late eighth-century triconch chapel and the Ponte Latrone at the entrance to the territory of San Vincenzo al Volturno." Papers of the British School at Rome 58 (November 1990): 273–97. http://dx.doi.org/10.1017/s0068246200011673.

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CAMPO LA FONTANA: UNA TRICORA DEL TARDO VIII SECOLO D.C. E IL PONTE LATRONE ALL'INGRESSO DEL TERRITORIO DI SAN VINCENZO AL VOLTURNOUna tricora altomedievale è stata identificata da Franco Valente nel 1985 accanto al Ponte Latrone (una costruzione romana che attraversa il fiume Volturno presso Venafro). La tricora, che evidenzia numerose similarità con la Chiesa della Cripta a San Vincenzo al Volturno, presenta tre fasi principali. La prima è costituita da una cappella con corto nartece che porta a un abside ben costruita. La cappella aveva un'ampia porta, una piccola finestra strombata nel lobo dell'abside centrale e un tetto a cupola. La malta rinzaffata sui muri esterni e la costruzione stessa dell'abside riportano alla tecnica di lavorazione adottata a San Vincenzo nella fase 3c (ca 780–800 d.C). Nella seconda fase la cupola viene sostituita da un tetto voltato. Nel corso della terza, durante il XVIII e XIX secolo, il nartece fu ristrutturato per accogliere nel primo piano un fienile, mentre l'abside fu adattata a stalla. È probabile che questa cappella sorgesse al limite meridionale del territorio di San Vincenzo al Volturno.

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36

Mitchell, John, and Richard Hodges. "Portraits, the cult of relics and the affirmation of hierarchy at an early medieval monastery: San Vincenzo al Volturno." Antiquity 70, no. 267 (March 1996): 20–30. http://dx.doi.org/10.1017/s0003598x00082855.

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San Vincenzo al Volturno is an early medieval monastery in the high province of Molise, southeast of Rome, and site of most substantial excavations over the last 15 years. The publication of portrait wall-paintings from the crypt of its great church, San Vincenzo Maggiore, is occasion to examine the place of the individual in that religious society.

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37

Hodges, Richard, and Alessia Rovelli. "San Vincenzo al Volturno in the sixth century." Papers of the British School at Rome 66 (November 1998): 245–46. http://dx.doi.org/10.1017/s006824620000430x.

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SAN VINCENZO NEL SESTO SECOLOQuesta breve nota utilizza una recente analisi di monete tardo romane di San Vincenzo al Volturno per suggerire che il centro-podere continuò ad essere occupato nella seconda metà del sesto secolo, e non fu invece abbandonato come si era creduto precedentemente. La presenza di monete gotiche sul sito viene anche notata.

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38

Barbalato (book author), Beatrice, and Andrea Mirabile (review author). "Sisifo felice. Vincenzo Cerami, drammaturgo." Quaderni d'italianistica 32, no. 1 (December 6, 2011): 161–63. http://dx.doi.org/10.33137/q.i..v32i1.15952.

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39

Trautmann, Frédéric. "Paglia, Vincenzo – Pegoraro, Renzo (éd.),." Revue des sciences religieuses, no. 94/2-4 (December 31, 2020): 426–27. http://dx.doi.org/10.4000/rsr.9944.

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40

Traina, Giuseppe. "L’ulissismo intellettuale in Vincenzo Consolo." Recherches, no. 21 (November 6, 2018): 99–111. http://dx.doi.org/10.4000/cher.1209.

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41

Gallo, Cinzia. "Vincenzo Consolo lettore di Pirandello." Recherches, no. 21 (November 6, 2018): 171–81. http://dx.doi.org/10.4000/cher.1259.

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42

Scorza, R. A. "Vincenzo Borghini and the Impresa." Journal of the Warburg and Courtauld Institutes 52 (1989): 85. http://dx.doi.org/10.2307/751540.

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43

Pines, Roger. "Caballé Onstage Norma. Vincenzo Bellini." Opera Quarterly 11, no. 1 (1994): 149–52. http://dx.doi.org/10.1093/oq/11.1.149.

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44

Jellinek, George. "Bianca e Fernando. Vincenzo Bellini." Opera Quarterly 11, no. 2 (1995): 181–83. http://dx.doi.org/10.1093/oq/11.2.181.

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45

Rishoi, Niel. "Beatrice di Tenda. Vincenzo Bellini." Opera Quarterly 11, no. 4 (1995): 139–45. http://dx.doi.org/10.1093/oq/11.4.139.

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46

Baxter, R. "Adelson e Salvini. Vincenzo Bellini." Opera Quarterly 12, no. 4 (January 1, 1996): 124–26. http://dx.doi.org/10.1093/oq/12.4.124.

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47

Levine, Robert. "Beatrice di Tenda. Vincenzo Bellini." Opera Quarterly 6, no. 2 (1988): 147–48. http://dx.doi.org/10.1093/oq/6.2.147.

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48

Lemoine, Claude. "Hommage au Professeur Vincenzo Majer." Psychologie du Travail et des Organisations 21, no. 4 (2015): 395–97. http://dx.doi.org/10.1016/s1420-2530(16)30006-1.

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49

Toso, Fiorenzo. "Vincenzo Orioles,Percorsi di parole." Zeitschrift für romanische Philologie (ZrP) 120, no. 4 (December 2004): 641–44. http://dx.doi.org/10.1515/zrph.2004.641.

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50

O'Connell, Daragh. "Sicilian Literature and Vincenzo Consolo." Italian Studies 63, no. 2 (September 2008): 315–21. http://dx.doi.org/10.1179/007516308x344414.

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