Log in

Relevant bibliographies by topics / Vintage clothing

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Reports

Academic literature on the topic 'Vintage clothing'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Vintage clothing.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Vintage clothing"

1

Wang, Qi. "The Research on the Cultural Value and Purchasing Channels of Vintage Clothing." Communications in Humanities Research 4, no. 1 (May 17, 2023): 56–62. http://dx.doi.org/10.54254/2753-7064/4/20220176.

Full text

Abstract:

Vintage clothing is still popular today, and exploring its development history, as well as the fashion elements and buying channels can provide a certain value for those who still love Vintage. In this paper, through the literature reading method, this thesis examines why vintage clothing is still popular in three sections: historical perspective, popular elements, and purchasing channels. The first paragraph provides a short introduction to vintage, a definition of vintage, the market for vintage and a short analysis of consumer psychology. By introducing the social significance of clothing in different periods of time, the paper will show the charm of vintage fashion to the public. The third part will analyze and explain the popular elements of Chinese and Western vintage culture and introduce the purchase channels of today's vintage clothing and a slight analysis of consumer psychology. Through the research results, it is find that the popular elements of vintage clothing includes clothing style and decorative style. The purchase channels of vintage clothing includes in-store and online shopping such as second-hand deals and more. This study hopes to provide some contributions to scholars who study this field in the future.

APA, Harvard, Vancouver, ISO, and other styles

2

Fischer, Nancy L. "Vintage, the First 40 Years: The Emergence and Persistence of Vintage Style in the United States." Culture Unbound 7, no. 1 (March 12, 2015): 45–66. http://dx.doi.org/10.3384/cu.2000.1525.157145.

Full text

Abstract:

This paper historicizes when wearing vintage clothing first became fashionable in the United States. I trace when the trend emerges in the U.S. and explore various ways the press framed secondhand/vintage clothes and anachronistic dressing. I contend that the emergence of vintage occurs as a form of alternative consumption alongside changes that occurred in the U.S. garment industry such as outsourcing and product licensing. These changes led many consumers to seek more authentic consumption experiences. Consumers with cultural capital found in vintage an alternative market for sourcing fashionable street style. Consumers attribute characteristics to vintage clothing that are typically part of authenticity discourse such as it being of exceptional quality, original, handcrafted, made from natural fibers, and providing continuity with the past. The authenticity of vintage is symbolically deployed in opposition to contemporary mass-produced clothing and standardized retail shopping experiences.

APA, Harvard, Vancouver, ISO, and other styles

3

Özbek, Tuğba. "Why Vintage Style? Investigation of Vintage Clothing Motivations of Consumers." European Journal of Multidisciplinary Studies 7, no. 1 (March 2, 2018): 173. http://dx.doi.org/10.26417/ejms.v7i1.p173-173.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Meacham, Samantha, Laura E. McAndrews, and Katalin Medvedev. "The Clothing Consumption Process of the Vintage Consumer and Sustainable Practices for Mainstream Consumers." Journal of Family & Consumer Sciences 112, no. 3 (September 1, 2020): 34–40. http://dx.doi.org/10.14307/jfcs112.3.34.

Full text

Abstract:

The purpose of this study was to reveal how vintage consumers acquire, maintain, and discard their clothing and to establish whether their consumption habits may be perceived as a strategy of slow fashion. To achieve this objective, qualitative data collection from vintage consumers occurred in summer 2016 in a Southeastern college town. The findings reveal the unique and sustainable ways vintage consumers acquire, maintain/care/store, and discard clothing, and suggest that the vintage clothing consumption process includes the following phases: shopping, discovery, ownership, and new life. Implications suggest that such practices are more sustainable than fast fashion.

APA, Harvard, Vancouver, ISO, and other styles

5

Yan, Ruoh-Nan, Su Yun Bae, and Huimin Xu. "Second-hand clothing shopping among college students: the role of psychographic characteristics." Young Consumers 16, no. 1 (April 20, 2015): 85–98. http://dx.doi.org/10.1108/yc-02-2014-00429.

Full text

Abstract:

Purpose – The study aims to examine whether and how second-hand clothing shoppers differ from non-shoppers on various psychographic variables, including environmentalism, perception of contamination, price sensitivity and perception of vintage clothing. Additionally, this study hopes to uncover whether and how the aforementioned psychographic variables help predict second-hand clothing shopping behaviour, specifically shopping frequency at second-hand clothing stores. Design/methodology/approach – Data were collected through a survey method from 152 college students. Findings – Results showed that college students who shopped at second-hand clothing stores were more likely to be environmentally conscious, more sensitive to higher prices and more likely to wear used clothing to express a vintage look and to be “green”, and to perceive used clothing to be less contaminated, as compared to those who did not shop at second-hand clothing stores. This study concluded that, among college students, second-hand clothing shoppers may do so not only for economic reasons but also for creation of style and feeling special about themselves. Research limitations/implications – This study suggests that college students who shop at second-hand clothing stores are different from those who do not shop at second-hand stores in terms of their environmental attitudes, perceptions of contamination from used clothing, sensitivity to prices and how they feel about vintage clothing. Further, financial concern (i.e. price sensitivity) is no longer the only reason for second-hand clothing shopping. Originality/value – Little research has been conducted to understand second-hand clothing shopping behaviour among college students. This study examined multiple psychographic variables and provided insights into college students’ second-hand shopping behaviour.

APA, Harvard, Vancouver, ISO, and other styles

6

Aisyah, Siti, Chairul Anwar, Nugroho Djati Satmoko, Sutrisno, and Uli Wildan Nuryanto. "Role of Product Quality and Store Atmosphere on Purchase Decision of Clothing Product Vintage Vibes." JEMSI (Jurnal Ekonomi, Manajemen, dan Akuntansi) 9, no. 1 (February 7, 2023): 172–78. http://dx.doi.org/10.35870/jemsi.v9i1.915.

Full text

Abstract:

The objectives of this study is to examine role of product quality and store atmosphere on purchase decision of clothing product of Vintage Vibes. This research uses quantitative research. This study aims to analyze the influence of product quality and store atmosphere on purchasing decisions at Vintage Vibes. In this study, there are two kinds of variables, namely the independent variable and the dependent variable. The independent variables in this study are product quality and the atmosphere in the store, while the dependent variable is purchasing decisions. The unit of analysis in this study is "vintage vibes," with the criteria being namely those who have purchased fashion products at Vintage Vibes. The result of this study show that product quality has a positive effect on purchase decisions. Store atmosphere has an influence on purchase decision. Product quality and store atmosphere have a joint effect on purchase decision.

APA, Harvard, Vancouver, ISO, and other styles

7

Ніколаєва, Т. В., І. Л. Гаиова, and І. В. Давиденко. "ХУДОЖНЬО-КОМПОЗИЦІЙНІ ОСОБЛИВОСТІ ВИКОРИСТАННЯ ЕЛЕМЕНТІВ СТИЛЮ ВІНТАЖ В ДИЗАЙНІ СУЧАСНОГО ОДЯГУ." Art and Design, no. 1 (May 13, 2019): 127–39. http://dx.doi.org/10.30857/2617-0272.2019.1.11.

Full text

Abstract:

Research of historical experience and modern trends of the vintage tendencies in design of clothing and accessories, determining methods for creative transformation of materials' surfaces and decorative elements to be used in forward-looking fashion collections. Scientific research uses modern methods of historiographical, literary and analytical, system-structural analysis as well as methods of classification of the artistic and compositional transformation means applied to decorative elements and complements to costume. The study of the historical background of vintage style and promising directions of its development was done. The analysis of the use of vintage elements in modern clothes was performed. The assortment of decorative elements and costume additions of various fashion styles of the 20th century was analyzed. Technology of material processing for creating vintage effects in a modern costume was considered.

APA, Harvard, Vancouver, ISO, and other styles

8

Taylor, Lou. "The Several Lives of a Collection of Rag Dump Clothing from Normandy (1900–55): From Farm, to Dump, to Poverty Chic." Fashion Studies 1, no. 1 (2018): 1–38. http://dx.doi.org/10.38055/fs010106.

Full text

Abstract:

This material culture-based text researches the history of a collection of damaged clothing (1900–50s) once worn by farming families in Normandy and Brittany. The clothing was excavated from a textile dump in an abandoned warehouse in Normandy in 2012. This research examines the six life cycle stages of this clothing from original use, to abandonment, resurrection, and upcycling onto the extreme edges of the vintage fashion world. This text then follows the growing use of ragged clothing as design inspiration for both costly couture garments and the cheapest mass high street designs over the last thirty years or more. Carefully destroyed but brand-new and sweet-smelling denim jeans and jackets are now admired by celebrities and young high street fashion consumers around the world as fashionable commodities — worn with little regard to the health dangers faced by workers dealing with sand blasting and bleaches. The research then examines the cultural and social forces behind this interest in destroyed textiles in the world of fashion.

APA, Harvard, Vancouver, ISO, and other styles

9

Pawson, Mark. "Never throw anything away, EVER." Art Libraries Journal 41, no. 2 (April 2016): 127–31. http://dx.doi.org/10.1017/alj.2016.13.

Full text

Abstract:

Mark Pawson is an artist, self-publisher and bookseller. He grew up in Cheshire, lives in London and never went to Art School. He's a one-man production line creating and selling a constant stream of artists books, postcards, badges, multiples, T-shirts and other essential ephemera. He has collaborated with jewellery makers Tatty Devine and worked with Levis Vintage Clothing.

APA, Harvard, Vancouver, ISO, and other styles

10

Kneese, Tamara, and Michael Palm. "Brick-and-Platform: Listing Labor in the Digital Vintage Economy." Social Media + Society 6, no. 3 (July 2020): 205630512093329. http://dx.doi.org/10.1177/2056305120933299.

Full text

Abstract:

Vintage goods are valued for their nostalgic association with pre-digital modes of production, but their contemporary trafficking is increasingly organized by processes of platformization. The central component of what we call “listing labor in the digital vintage economy” is the online display of collectible merchandise, but listing labor also entails promoting sellers’ brands on social media and using sales platforms and other logistical media to manage inventory, process transactions, and handle shipments. Listing labor is performed by branded merchants and their employees alongside independent entrepreneurs. The digital vintage economy connects brick-and-mortar shops and resale supply chains organized around flea markets, thrift shops and charity bins, estate sales, and consigners, to online clearinghouses like eBay and Craigslist, and to social media and payment apps. In this article, we argue that listing labor in the digital vintage economy further develops the concept of “platform labor.” We focus on vintage clothes and vinyl records, dominated by women and men, respectively, to help us analyze divisions of listing labor organized by gender, race, age, and class. We draw upon 20 semi-structured interviews with shop owners and employees and on participant observation in independently owned clothing boutiques and record stores in several US cities. The digital vintage economy provides another angle for understanding how identity-based distinctions affect the opportunities associated with platform labor, and our account of listing labor highlights the need for studies of platformization that analyze its effects on specific local economies as well as on job markets and commercial sectors.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Vintage clothing"

1

Пазюк, Катерина Миколаївна. "History of Vintage Clothing." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7366.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Diggins, Kimberly A. "Shifting cultures of recycled style : a history of second-hand clothing markets in Montreal." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0001/MQ43853.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Strandell, Matilda, and Karin Wallin. "En andra chans : en överblick av secondhandkläders marknad." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19610.

Full text

Abstract:

In our globalized society massconsumption is widespread. However there is a trend showingthat people are starting to re-use clothes instead of buying newly produced garments. Reasonsfor buying secondhand clothing are many. During the 1950s people strived to look likeeveryone else but in the 1960s this changed. Subcultures grew stronger. People wanted toseparate themselves from the masses. Secondhand clothing became a way to showindividuality. The development of secondhand clothing has been fairly slow until about 10years ago when a shift in attitudes happened.The growing awareness of the environment has contributed to the expansion of thesecondhand market. Press and media’s focus on how the textile industry has affected theenvironment has made people aware of the consequences. This has led to an increasedtransparency for the commercial companies, but it has also increased the interest forsecondhand clothing. In a society where values like individuality and authenticity has becomemore important than ever before the secondhand market fills a need. The customers’ strive tobe unique can be satisfied by providing garments that are one-off pieces.The secondhand market is yet rather unexplored. We became interested in finding out who theactors on the secondhand market are and how they run their businesses. The problem that thestudy is based upon is; What is the business model for secondhand clothing? In this study thebusiness model is defined as the way a company organizes their resources to create business.To answer our question we did a field study in Buffalo, New York State (USA). The reasonfor choosing Buffalo was that the city has an interesting economical background and arelatively large variety of secondhand shops. Buffalo lost its heavy industry during the 1960sand 1970s. Because of that, the population declined. Parallels have been drawn betweenBuffalo as a “secondhand city” and the secondhand market.The study has had a qualitative method of research. The empirical part is based on semistructuredinterviews. The selections of respondents have been chosen after type of shop toget a broad perspective. During the interviews both film- and audio recording has beenconducted, which has later been analyzed and interpreted.Theory and empirical facts were connected in the analyses. Our conclusions are that thedifferent types of shops selling secondhand clothing have got different business models. Whatseparates the business model of vintage- and consignment shops from the model of thrift- andcharity shops is that they focus on the customer when they organize their resources. Thebusiness model of thrift shops is to offer value creating processes. The customer becomes aco-producer in the consumption process.The changing attitudes towards secondhand clothing have increased the demand for usedclothes. Tendencies show that companies have started to acknowledge this and thereforeadjust their offer, store locations and promotion. Because of this thrift shops have started toapproach the business model of the vintage- and consignment shops where the customer is infocus. This change has been more evident on the Swedish market, however we think that thiswill happen on the American market as well. This shows that when garments start to beselectively chosen and sold in central locations the price increase which in turn decrease thecustomer’s part of the value-creating process.
Program: Textilekonomutbildningen

APA, Harvard, Vancouver, ISO, and other styles

4

Murphy, Ian, and 穆伊恩. "Barstad Collective Vintage Clothing." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/70659136012201922593.

Full text

Abstract:

碩士
輔仁大學
國際創業與經營管理學程碩士在職專班
102
In this report, I attempt to explain the problem faced by a niche market of fashion forward men, which is specifically the dissonance between the time-consuming processes of shopping for authentic, limited vintage/second-hand menswear, along with the convenient availability of the mass manufacturing imitative designs of modern incumbents. I provide a two prong solution, mainly a comprehensive collection of unique designs available at a centralized e-commerce store and a newly designed membership subscription service that aims to ultimately solve the problem of convenience and quality, original design. This solution will sufficiently fill this largely underserved market and need by removing the time needed to be spent shopping for one-of-a-kind pieces and thus eliminating the reliance on modern brands due to convenience.

APA, Harvard, Vancouver, ISO, and other styles

5

Busso, Camilla. "The principle of rarity on vintage clothing : consumers’ preferences and self-expression." Master's thesis, 2021. http://hdl.handle.net/10400.14/35646.

Full text

Abstract:

Rarity is a widely discussed topic in consumer behaviour as perceptions of scarcity suggest a higher value and preference for the product or service considered. Within the fashion realm the rarity principle is often highlighted in luxury to grant exclusivity. However, the role of rarity should be also considered in vintage fashion, as vintage clothing is usually perceived to be unique, different and one of a kind. Since rarity entails exclusivity and vintage clothing is believed to be non-conforming to the fashion norm, this research experimentally tests both the effects of rarity on preferences for vintage clothing and consumers’ expression of identity through vintage. An online survey was led in which participants were exposed to two conditions of product type (vintage, new collection) paired to two conditions of availability cues (rare, abundant). In general terms, no preference for rarity over abundancy was found, but results indicated a significant interaction with product type. Vintage was preferred over new collection clothing when rarity cues were presented and was valued significantly more in the rare over abundant condition. Moreover, a main effect of rarity cues was found on levels of self-expression through the product shown; this effect was larger if it was vintage compared to new collection. Overall, findings suggests that only vintage benefits from rarity cues – while being damaged by abundancy cues – and that rarity and vintage together have the power of turning consumers in their authentic selves, as perceived self-expression is enhanced when wearing a rare vintage piece.
A raridade é um tema amplamente discutido no comportamento dos consumidores, visto que a perceção de escassez tende a ser associada a um maior valor e preferência pelo produto ou serviço considerado. No domínio da moda, o princípio da raridade é frequentemente utilizado no luxo, para conceder exclusividade. A função da raridade também deve ser considerada na moda vintage, desde que este é geralmente vista como única e diferente. Considerando que a raridade implica exclusividade e visto que o vintage não está em conformidade com a norma da moda, este estudo testa experimentalmente ambos os efeitos da raridade nas preferências relativa ao vestuário vintage e a expressão da identidade dos consumidores através de vintage. Foi conduzido um questionário em que os participantes foram expostos a duas condições de produto (vintage, nova coleção) e duas condições de disponibilidade (raro, abundante). Relativamente à preferência, a raridade não se destacou da abundância, mas os resultados indicaram uma interação significativa com o tipo de produto. Vintage foi preferida ao vestuário novo da coleção quando foram apresentados sinais de raridade, e foi atribuído um valor monetário significativamente maior na condição de raridade, em comparação com a abundância. Foi também observado uma relação entre raridade e autoexpressão, especialmente reforçada no vestuário vintage. As conclusões sugerem que o vintage só pode beneficiar da perceção de raridade – mas é danificada por sinais de abundância – e que a raridade e a vintage em conjunto têm o poder de transformar os consumidores nos seus eus autênticos, fomentando a sua autoexpressão.

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Vintage clothing"

1

David, Little. Vintage denim. Salt Lake City, UT: Gibbs Smith, Publisher, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

McCormick, Terry. A consumer's guide to vintage clothing. New York: Dembner Books, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

DeWitt, Mari. Vintage clothing for the fashion doll. Grantsville, Md: Hobby House Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Lystrup, Lise-Lotte. Vintage knitwear for modern knitters. New York: Thames & Hudson, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Barre, Kathleen M. La. Reference book of women's vintage clothing, 1900-1919. Portland, Or. (7136 SE 87th, Portland 97266): La Barre Books, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Hollinghurst, Liza. Vintage knitting. Oxford, UK: Old House, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Montgomerie, Claire. Knitting vintage: 30 knitting projects inspired by period fashions. Hauppauge, NY: Barrons, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Rengren, Kristen. Vintage baby knits. New York: Stewart, Tabori & Chang, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kaffe, Fassett, and Rowan Yarns, eds. Vintage knits: Thirty knitting designs from Rowan for men and women. North Pomfret, VT: Trafalgar Square Publishing, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

D, La Barre Kay, ed. Reference book of women's vintage clothing, 1910-1919. The Dalles, OR: La Barre Books, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Vintage clothing"

1

Sandoval, Efrén. "From paca to vintage clothing." In Fashion’s Transnational Inequalities, 143–61. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003219675-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Ryding, Daniella, Claudia E. Henninger, and Marta Blazquez Cano. "Introduction to Vintage Luxury Fashion—Exploring the Rise of the Secondhand Clothing Trade." In Vintage Luxury Fashion, 1–10. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71985-6_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Ryding, Daniella, Menglu Wang, Carly Fox, and Yanan Xu. "A Review of Secondhand Luxury and Vintage Clothing." In Sustainability in Fashion, 245–66. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51253-2_12.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Velikonja, Mitja. "“Yugo-vintage?”—Preserving and Creating Memory Through Clothing." In Titoism, Self-Determination, Nationalism, Cultural Memory, 193–213. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-59747-2_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Le Zotte, Jennifer. "The Invention of Vintage Clothing." In From Goodwill to Grunge. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469631905.003.0005.

Full text

Abstract:

This chapter recounts the process of upgrading certain older apparel, a transnational process led by the wealthy and famous, including rich collegians, titled nobility, and rock stars like Jimi Hendrix and Janis Joplin. Celebrations of affluence, elitism, individuality, and fame framed this path. The invention of "vintage" responded to a desire for visible distinction, one almost classically linked to affluence and in keeping with the 1899 thesis of economist Thorstein Veblen. For example, the 1956-7 college fad for old raccoon-fur coats from the 1920s was emblematic of a rising class of wealthy youth to whom chain department stores like Lord & Taylor eagerly appealed—and for whom the word “vintage” was first applied to clothing. Vintage exhibitionism usually disavowed political affiliations while reveling in bucking convention.

APA, Harvard, Vancouver, ISO, and other styles

6

"Playing Dress-Up: eBay’s Vintage Clothing-Land." In Everyday eBay, 293–304. Routledge, 2012. http://dx.doi.org/10.4324/9780203958988-23.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

"Vintage Clothing Cultures: The Comforts of History." In Fashion-Wise, 123–31. BRILL, 2013. http://dx.doi.org/10.1163/9781848881600_013.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Babcock, Barbara A. "Artifact." In Folklore, Cultural Performances, And Popular Entertainments, 204–16. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069198.003.0028.

Full text

Abstract:

Abstract The word (arte + factum) literally means “something made by skill or craft” and may refer to any artificial product. In common usage, artifact denotes an object manufactured or modified by human hands. Most dictionary definitions and representative examples not only confer simplicity and primitiveness upon artifacts, but are themselves deceptively simple, concealing both the tangled connotations of the term and the over whelming diversity and complexity of human makings as well as the uses, meanings, and valuations thereof. The domain of artifacts (otherwise known as material Culture) has been endlessly subdivided and variously modified: implements, tools, weapons, ornaments, domestic utensils, religious objects, antiquities, primitive artifacts, folk materials, vintage clothing, and so on. The primary division, however, is into practical or utilitarian versus aesthetic or expressive things, with “artifact” or “craft” usually denoting the former and “art” or “art object” the latter. This distinction is problematic and confusing and is best discarded because the idea of art as a separate category of things “beyond necessity” is alien to most of the world’s cul tures. All artifacts have an aesthetic dimension, and aesthetic valuation is extremely relative.

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Vintage clothing"

1

Reiley, Kathryn, and Kristy A. Janigo. Poppin’ Tags: How Consumers Communicate Uniqueness with Vintage Clothing. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-951.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!