Relevant bibliographies by topics / Violin concert / Dissertations / Theses
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Dissertations / Theses on the topic 'Violin concert'

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Published: 4 June 2021
Last updated: 29 May 2022

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1

Wallin, Erik. "A Hollywood Concerto : En studie om Korngolds violinkonsert." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2996.

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2

Kubik, Cécile. "Penser l’interprétation des sonates françaises pour piano et violon au XIXe siècle (1800-1870) : des sources au concert." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040145.

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La thèse considère la double inconnue d’un répertoire et d’un jeu violonistique encore inexplorés. Elle dévoile les sonates françaises pour piano et violon de la période 1800-1870, mais questionne aussi leur interprétation. Une étude historique est menée sur le jeu des violonistes français : la base de données Mélos, deux inventaires inédits, l’analyse de maintes sources et témoignages, notamment un imposant corpus de traités pédagogiques de violon publiés en France au XIXe siècle et les partitions annotées du fonds Baillot de la Bibliothèque nationale de France (BnF), apportent des éclairages
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3

Chiang, Chen-Ju. "An Examination of the German Influence on Thematic Development, Chromaticism and Instrumentation of Ernest Chausson's Concert for Piano, Violin and String Quartet, Op.21." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/195479.

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This paper presents a history and analysis of how the two masters, Richard Wagner and Cesar Franck, influenced Ernest Chausson during his lifetime and how their musical elements are represented in Chausson's Concert. The influential elements include harmonic employment, instrumentation and thematic development. Musical quotations from Wagner's operas as well as Franck's sequential writing and cyclic technique are discussed. An analysis of formal structure is provided in this context. Musical circumstances surrounding the composition of Concert are presented as well as a brief biography and des
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4

Reinert, Gina. "Fantasia do Concerto para violino e orquestra de Octávio Meneleu Campos : uma proposta pedagógica." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/12220.

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O presente trabalho teve como objetivo a realização de uma proposta pedagógica para a obra Fantasia de Concerto, do compositor brasileiro nascido em Belém do Pará, Meneleu Campos. A partir do conhecimento da obra em questão, foi realizada uma comparação com o chamado repertório tradicional violinístico, a fim de identificar os aspectos técnicos semelhantes e, a partir disso, formular uma proposta pedagógica. A comparação com o repertório tradicional, foi baseada no artigo “Ousadia e convenção do Segundo Concerto para violino e Orquestra de Camargo Guarnieri” Alvarenga (2000). Para a realização
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Price-Brenner, Paul Alan. "Concerto for viola section and orchestra." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5605.

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Concerto for Viola Section and Orchestra is a two-movement work lasting nineteen minutes. Its first movement in entitled Frenetic, and the second, Song and Finale, is made up of a slow and fast section. The concerto is scored for piccolo, two flutes, two oboes, two clarinets in B-flat, bass clarinet, two bassoons, two horns in F, two trumpets in C, tenor trombone, bass trombone, four percussion, a section of seven violists, violins 1, violins 2, violoncellos, and double basses. Balance can be one of the main problems with writing a work for solo viola and orchestra. While the viola’s timbre ma
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6

Wallace, Frank James. "Graduation recital compositions." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/42046.

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7

Billing, Sally. "Bacewicz : the violin concertos." Thesis, City University London, 2006. http://openaccess.city.ac.uk/8473/.

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This study focuses upon the music of the now-neglected Polish composer Gralyna Bacewicz( 1909-1969). Her success as both a composer and concert violinist is well documented; along list of accolades and prestigious appointments serve as evidence of this. Her posthumous reputation, however, has declined at an alarming rate both inside and outside Poland. The study is introduced by a biography of the composer compiled from both English and Polish sources, providing details of her roles as composer and performer and offering a brief discussion of her music in general. The main body of text is devo
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8

Lemos, Lara Venusta de Almeida. "Concerto n.º 1 para Violino e Orquestra de M. Camargo Guarnieri: aspectos históricos, estéticos e temático-motívicos." Universidade Federal da Paraí­ba, 2009. http://tede.biblioteca.ufpb.br:8080/handle/tede/6625.

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Made available in DSpace on 2015-05-14T12:52:38Z (GMT). No. of bitstreams: 1 parte1.pdf: 3911167 bytes, checksum: c16331e624baa522e3f4f2912d83fec9 (MD5) Previous issue date: 2009-11-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The purpose of this research was to study the Concerto no. 1 for Violin and Orchestra by Camargo Guarnieri. One of its main goals was the search for elements of the Brazilian musical nationalism present in this work. Thus, in order to achieve this first goal, an analysis was done based on the Ensaio sobre a música brasileira by Má
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9

Nazor, Craig. "Concerto for solo violin, strings, and percussion /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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10

Holma, Hanna. "Practising and Preparing the Sibelius Violin Concerto." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-73858.

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In my master`s thesis project, I studied different ways to practise the Sibelius violin concerto to become a better violinist.The work describes my personal journey with the Sibelius violin concerto: how in one year, I studied to play the first movement of the concerto. Through this process and this project, I was able to see what my skills as a violinist are and what things I still need to develop. For the study, I got help from my colleagues, who are Finnish violinists, and I interviewed them. I was especially interested in their technical development during their studies so that I could con
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11

Chao, Emily. "Karol Szymanowski's first violin concerto, OP. 35." Thesis, Boston University, 2013. https://hdl.handle.net/2144/10960.

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Thesis (D.M.A.)--Boston University<br>In the absence of a thriving Polish music scene in the latter half of the 19th century, Karol Szymanowski (1882-1937) sought inspiration in other traditions. Consequently, his music is a cosmopolitan blend of Romantic, impressionistic, and nationalistic styles. Changes in Szymanowski's compositional style over the course of his career can thus be read as musical responses to outside stimuli; first to German, then French and fmally, eastern European folk trends. The first violin concerto, as the epitome of his "impressionistic" period, displays imaginative
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Gorby, Roderick B. "An Appalachian Fantasy for Violin and Orchestra." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1275451979.

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13

Houglum, Daniel Patrick. "Sola fides sufficit: Concerto for violin and ensemble." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1633.

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Sola Fides Sufficit is a 20-minute concerto for solo violin and ensemble. The 16-member ensemble consists of flute (doubling piccolo), oboe, clarinet in Bb (doubling bass clarinet), bassoon, horn in F, trumpet in C, trombone, tuba, percussion I (bass drum, brake drum, chimes, glockenspiel, two woodblocks), percussion II (snare drum, suspended cymbal, two toms, triangle, vibraphone), piano, two violins, viola, cello, and contrabass. Sola Fides Sufficit is based on my previous solo violin composition Et si sensus deficit… written for violinist Emily Rolka in 2010. Sola Fides Sufficit is an expan
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14

Quiroga, Martin. "Concerto Grosso No. 1." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22747.

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This concerto is the composer’s conversation with the past. In four movements, each one embodies a traditional musical form. The work is a continually transforming kaleidoscope of relentless virtuosity, fanciful flights of harmony and melody, and unapologetic shifts in timbre and texture. Although conceived in four separate movements, the entire work is without intervening pauses. The concerto grosso is scored for flute, violin, piano, and string orchestra, and is approximately twenty-five minutes in duration.
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Lee, Young Jae. "An analysis of the Violin concerto of Johannes Brahms /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/11207.

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Bae, DaeJin. "Stylistic Changes in Two Violin Concertos by Henryk Wieniawski." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439295069.

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17

Tartini, Giuseppe Burden Michael. "Six concertos for violin and string orchestra, 1733 /." Title page, contents and summary only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armb949.pdf.

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18

Usarek, Alicja Irena. "The genesis and fate of Béla Bartók's 1907 violin concerto." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004203.

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19

Vivaldi, Antonio Hodges Brian D. "A transcription of Vivaldi's violin concerto RV 208 for cello." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1454/umi-uncg-1454.pdf.

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Brian D. Hodges' thesis (D.M.A.)--University of North Carolina at Greensboro, 2007.<br>Title from PDF t.p. (viewed Oct. 22, 2007). Directed by John M. Fadial; submitted to the School of Music. Transcription includes cello part only. Includes bibliographical references (p. 34-37).
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20

Lang, Xiaoming. "He Zhanhao and Chen Gang: "The Butterfly Lovers" violin concerto." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185865.

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Musical study of The Butterfly Lovers violin concerto by He Zhanhao and Chen Gang. Tracing its cultural background in China, analyzing in terms of the concerto's form, melody, scale, mode, harmony, and orchestration and discussing the more unusual technical demands of violin playing made by this concerto.
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21

Sousamoglou, Antonios. "An interpretational approach to the Violin Concerto of Nikos Skalkottas." Thesis, City University London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511770.

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22

Jobbágy, Szemoke. "A Performer's Guide to Béla Bartók's Violin Concerto No 1, Opus Posthumous, 1907–1908." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc283828/.

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Despite Bartók's lasting international fame, some of his works remain unjustly lesser-known. One of the pieces that still resides in relative obscurity is his Violin Concerto No.1—a gem of the violin repertoire that must be brought to the broader public's attention. The fact that the concerto was hidden definitely contributed to its little–known status at first. However, the most important cause for the lack of enthusiasm to tackle this terrific work lies in the unorthodox demands it puts on the violinist. The purpose of this paper is to provide musical and technical suggestions based on Bartó
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23

Kim, Si Hyung. "A study of the Violin Concerto in D Minor by Ralph Vaughan Williams." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28443/.

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The focus of this study is to provide a clear understanding of Vaughan Williams' Violin Concerto in D Minor. In terms of form and compositional technique, this concerto is particularly challenging, because of Vaughan Williams' use of rhythmic motives and modes. This study is undertaken through an analysis. For a better understanding, a historical background, including overall form of each movement and key relationships, is explored and discussed. Then, Vaughan Williams' use of a ritornello-like motive, melody and modality as unifying elements is also identified and examined. In identifying the
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Mavroudis, Anastasios Ruper Arthur. "Performing Sicilianos : selected chamber works and Concerto for Violin and Orchestra." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/11857/.

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Yorgos Sicilianos (1920–2005) was educated in the tradition of Greece’s National School Movement, but managed to break away and to define his own musical personality. Over a 30-year period from 1954, he experimented with atonal neoclassical styles, the twelve-tone method and integral serialism, while searching for solutions to problems of form and structure. After 1980, Sicilianos concluded that the term ‘post-diatonic music’ best described his compositional style, which by then drew inspiration from literary works to give form and meaning to his music. This thesis analyses the compositional i
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Platt, Jessica K. "A methodolology of study for Samuel Barber's Concerto for violin and orchestra op. 14." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/783.

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Pereira, Antonio Carlos de Mello. "Concerto para viola de Claudio Santoro : edição de partitura, redução para viola e piano e subsidios para interpretação." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284717.

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Orientador: Emerson Luiz de Biaggi<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-12T12:06:02Z (GMT). No. of bitstreams: 1 Pereira_AntonioCarlosdeMello_M.pdf: 3600416 bytes, checksum: c92d7d21bb89a916777ef4de9d4054a7 (MD5) Previous issue date: 2008<br>Resumo: Este trabalho tem o intuito de contribuir para a pesquisa e o enriquecimento do repertório de música brasileira específica para viola, em vista da pouca quantidade de obras em forma de concerto escritas para o instrumento no Brasil. A produção de uma partitura edi
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Kim, Songyoung. "The Concept Of “Unity” In Isang Yun’s Königliches Thema Fr Violine Solo." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103345/.

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A Korean-German composer Isang Yun.s life was evenly distributed between two different countries, and his music contains both elements of performance practices of Eastern Asian and Western music. This dissertation presents his ethnic and aesthetic musical roots by an analytic examination of his solo violin piece, K♠nigliches Thema (1976). The dissertation is divided into four chapters. The first chapter contains Isang Yuns biography and his works of the four periods. The second chapter studies his philosophy in music and compositional techniques such as twelve-tone technique, Taoism, Hauptton,
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28

Kopsalidou, Evangelia. "L'art de la viole de gambe d'Eustache du Caurroy à Michel Corrette (1610-1773) : du concert de violes à la pièce soliste virtuose." Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL018.

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Le jeu de la viole de gambe devient un art aux XVIIe-XVIIIe siècles en France. Notre premier travail consiste à élaborer un bref catalogue des sources pour viole de gambe française dans la période mentionnée ci-dessus. Ce catalogue est l’outil essentiel pour un questionnement sur le répertoire de la viole de gambe de 1610 à 1773, périmètre qui inclut l’apogée et le déclin de l’instrument. Notre second intérêt est consacré aux violistes virtuoses et aux ensembles de violes. Nous ne traitons pas ici leur biographie ni l’analyse structurelle et technique de leurs œuvres, ni le sujet des ensembles
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Platt, Jessica K. "A methodology of study for Samuel Barber's Concerto for violin and orchestra op. 14." CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1467040.

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In this study the author develops a methodology for the study of the Samuel Barber Concerto for Violin and Orchestra, Opus 14 by analyzing the stylistic components of the work, presenting important pedagogical principles, and offering an array of performance practice techniques. The primary tool used to formulate the methodology was a survey of exceptional violinists and pedagogues. Twenty-six professional violinists responded to a survey that asked their suggestions for preparing and performing five specific excerpts from the Concerto. The compilation of the responses provides an invaluable g
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Yan, Jishuang. "Prokofiev's Eclectic Approach in his Violin Concerto No. 2 in G Minor." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505201/.

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Prokofiev had a specific approach to the modernist aesthetic that is worthy of a special study from a new perspective: eclecticism. There are two distinguishable views on his achievement in modern music. One is the Western version, which sees his eclectic approach as not innovative enough in comparison with modern composers such as Stravinsky. The other view is from the traditional Soviet approach, which holds Prokofiev in the highest esteem. These sources largely ignore Prokofiev's Paris and American periods. Such an oversimplification is likely to have reflected political circumstance. Neith
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31

Chiang, I.-Chun. "A Historical Technique from a Modern Perspective: The Transcription Scordatura in Mozart’s Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282169540.

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Greene, Adam. "A breath between : a double concerto for flute and violin with small ensemble /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3099906.

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Thesis (Ph. D.--Music)--University of California, San Diego, 2003.<br>Vita. For flute and violin with ensemble of clarinet, violin, viola, violoncello, piano, oboe, bassoon, and double bass. Performance instructions precede score.
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Kwak, Anna. "A performer's analysis of Allan Pettersson's Concerto No. 2 for Violin and Orchestra /." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487849696966575.

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Tagawa, Laura. "David Amram's Concerto for Violin and Orchestra (1974): An Exploration of Amram's Diverse Style." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/297059.

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This document examines David Amram's (b. 1930) diverse compositional style, as represented by his Concerto for Violin and Orchestra (1974). Amram's unique background as a performer in various genres allows him to blend styles seamlessly. He highlights the use of a wide range of styles in this work, which makes this concerto a significant work in the twentieth century, American violin concerto repertoire as well as bridging the classical, jazz, and world genres creating a truly American style of music. This document examines how these influences--including classical, jazz, world music, and "Bea
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Matys, Daniel. "O concerto para violino de Karłowicz: estudo da técnica violinística." Master's thesis, Universidade de Aveiro, 2013. http://hdl.handle.net/10773/12088.

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Mestrado em Música<br>A partir do Concerto para violino op.8 de Mieczysław Karłowicz, este trabalho tem como objetivo apresentar as várias técnicas violinísticas que podem ajudar a resolver os problemas técnicos que a execução dessa obra apresenta. A análise deste problemas e as possíveis soluções constitui, assim, a parte principal deste trabalho. Para um melhor estudo dos problemas aí discutidos, são apresentados os trabalhos prático-teóricos de autores como O. Sevcick e L. Auer, entre outros, e é feita ainda uma análise formal da obra. Este estudo pode, assim, servir como um auxiliar futur
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Donofrio, Anthony J. "In violent silence." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/951.

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My dissertation, In Violent Silence, takes its title from E.E. Cummings' sonnet "Notice the Convulsed Orange Inch of Moon". The piece musically reflects what I have found to be two unifying strings in the poem: the contrast of large and small, and the union of opposing ideas. To portray these elements, the nucleus of the piece is a pitch set that is harmonically rich and allows me to vacillate between tonal and non-tonal ideas. I also utilize the expansion and contraction of pitch register to reflect the dichotomy of large and small. The result is eighteen minutes of music with a clear and def
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Kim, Min Hwa. "Performance Guide to Selected Violin Works of Béla Bartók." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894138.

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Boman, Felicia. "Attraction to Violent Game Concepts." Thesis, Högskolan på Gotland, Institutionen för speldesign, teknik och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-1926.

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This is a small scale research conducted by a Game Design student about attraction to a game concept of violent nature. A survey was executed and launched on social media such as Facebook to gain many participants in a short period of time. They were asked how attracted they were to the graphics of the concept and also if and how much money they would pay for a game like it. One of the most important parts of this research is that the participators are of a mixed group when it comes to age and gender, but also location, since these things tend to control our environment which in turn can shape
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Chang, Jean Tzu. "The Role of Alfred Schnittke's Viola Concerto in the Development of the Twentieth Century Viola Concerto." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/195445.

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The result of an artistic partnership between the composer and its dedicatee Yuri Bashmet, Alfred Schnittke’s Viola Concerto is one of the most representative contemporary viola concertos exemplifying the departure from conventional tonality and the development of a compositional language which impacts viola technique. The purpose of this study is to identify the significant role of Schnittke’s Viola Concerto in the development of the twentieth century viola concerto as well as to enable the performer to better execute and interpret the work. The discussion in this document is divided into fou
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Radke, Melanie. "Folk influences in concert repertoire for the violin: a performer’s perspective." 2007. http://hdl.handle.net/2440/41349.

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The submission focuses on the performance of violin works that incorporate elements of folk music. It investigates some of the ways in which traditional folk melodies are utilised in violin repertoire and considers the implications for performance. It recognises that when performing music inspired by folk idioms the classical violinist often needs to adopt a different set of technical and musical objectives relevant to the cultural origin of the work. The submission takes the form of two CD recordings with a supporting exegesis. The exegesis discusses those aspects of the performances that ste
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Duarte, David da Silva. "Divulgação do violino a crianças em idade pré-escolar e primeiro ciclo do ensino básico." Master's thesis, 2018. http://hdl.handle.net/10400.14/28194.

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O projeto de intervenção visou oferecer aprendizagens originais e averiguar o que os alunos do primeiro ciclo conheciam antes e aprenderam, através da divulgação do violino, as cordas de arco, em simultâneo colaborar com problemas diagnosticados em projeto educativo de escola. Foram realizados quinze concertos pedagógicos em nove escolas da ilha do Faial, nos Açores, para alunos em idade pré-escolar e do primeiro ciclo, entre os três e os dez anos de idade, que nunca tiveram acesso às audições do ensino artístico, porque o Conservatório fica integrado no edifício sede, Escola Básica, António J
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"A Performer’s Guide and Structural Analysis of Sergei Taneyev’s Concert Suite for Violin and Orchestra." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.53737.

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abstract: This research paper is a study of Sergei Taneyev’s Concert Suite for Violin and Orchestra, Op. 28 and includes Taneyev’s biography, a brief musical analysis which benefits the interpretation, and performance suggestions from the perspective of a concert violinist. The purpose of this paper is to enable performers to achieve a better understanding of this artwork and make informed musical choices. Sergei Ivanovich Taneyev (1856-1915) was a Russian composer. As a composition pupil of Tchaikovsky, and a teacher of Scriabin, Rachmaninoff, Lyapunov, and Glière, Taneyev is an important f
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Huang, Po-Hung, and 黃博鴻. "The Study of Piano and Violin Sonata No.3 Op.108 in D Minor by Johannes Brahms/Po-Hung Huang Violin Master Graduation concert." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/09326120114564444168.

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碩士<br>東吳大學<br>音樂學系<br>98<br>There are only three violin sonatas recorded and published in Brahm&apos;s life. This these is trying to discuss about the latese of three violin sonatas but the composition of the music is the most gigantic –namely, the Piano and Violin Sonata No. 3 Op. 108 in D Minor. In order to realize the background of this sonata and know the composition stle of Brahms intially, the writer especially wrote chapter two to explore. Via comparing and analyzing three violin sonatas, you could find that the Brahm&apos;s composition style is classicism actually, however, he was the
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Власенко, Світлана Анатоліївна, та Svitlana Anatoliivna Vlasenko. "Жанр інструментального концерту в творчості Антоніо Вівальді". Master's thesis, 2020. http://repository.sspu.edu.ua/handle/123456789/9763.

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Твори А. Вівальді пов'язані з епохою пізнього бароко. Серед особливостей цього періоду у музичному мистецтві стало виникнення концертного жанру, який вдосконалив відомий італійський скрипаль-віртуоз Антоніо Вівальді. Концерт був жанром, який найбільшого розвитку набув у Вівальді. Творчість цього митця набула великої зацікавленості у сучасних виконавців та дослідників його творчої діяльності, а також у XX столітті. Метою даної роботи є визначення взаємозв'язку жанрів інструментальних концертів для скрипки і мандоліни А. Вівальді. Мета: вивчити теоретичний, музикознавчий та культурологічний мате
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HSU, PEI-SHING, and 徐珮馨. "An Analysis and Interpretation of Saint-Saëns’s Violin Concert Piece Havanaise and Introduction et Rondo Capriccioso." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/4689ps.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>104<br>Charles Camille Saint-Saëns wrote Havanaise, op. 83 and Introduction et Rondo Capriccioso, op. 28 in 1863 and 1887 respectively. The latter is dedicated to the Spanish Violinist Pablo de Sarasate. Both are single movement pieces. This thesis uses the violin versions of these pieces with piano accompaniment as samples for analysis and research. We will look deeply into the life and style of creativity of Saint-Saëns, in order to understand and analyse the background of these pieces and their methods of composition, so the pieces can be performed closer to the
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Zimányi, Monika. "Josef Suk - významný český houslista 20. století." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-346115.

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This thesis presents personality of Josef Suk, the great violinist of the 20th century, who followed his famous ancestors - Antonín Dvořák and Josef Suk. Describing Master not only as a violinist, but also as a chamber musician, conductor and pedagogue. Besides personality this famous violinist the work pointing on Czech violin school, which he representatived and his quality of playing the violin was on the top of the violin elite on the world. There is describe co-operation with the others artists, who have important place in his life. Excipting Suk's path work undrapes his private and ideas
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Chang, Yu-Jui, and 張友瑞. "YU-JUI CHANG VIOLIN RECITAL WITH A SUPPORTING PAPER ANALYSIS AND INTERPRETATION OF SARASATE'S CONCERT FANTASY ON GOUNOD'S "FAUST"." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/57113444150649989180.

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碩士<br>國立交通大學<br>音樂研究所<br>101<br>The subject of this article is Sarasate’s “Faust” Fantasy, op.13. Sarasate chose melody fragments of Gounod’s opera “Faust” as the creative core of the song, to be rewritten as a violin virtuoso song, which is one full of dramatic change and filled with a high degree of skill. It is composed of three chapters. The first chapter describes Sarasate’s life and the musical style featured in his work. The second chapter is the background of “Faust”, and focuses on Goethe’s literary work to understand the background of the story. Furthermore, it studies Gounod’s opera
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Голяка, Антон Геннадійович, та Anton Hennadiiovych Holiaka. "Скрипкові концерти Анрі В’єтана в контексті романтичної традиції XIX століття". Master's thesis, 2020. http://repository.sspu.edu.ua/handle/123456789/9782.

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Анрі В’єтан створив свій індивідуальний стиль і яскравим прикладом новаторства композиторського письма став жанр концерту. Застосовані композитором принципи симфонізації музичної драматургії мали значний вплив на музичне мистецтво періоду романтизму. Метою даної роботи є виявлення основоположних засад скрипкової творчості Анрі В’єтана в аспекті формування романтичного концерту. Завдання: виявити головні трансформації жанру скрипкового концерту у XVIII–XIX століттях; окреслити магістральні віхи життєвих та творчих шляхів Анрі В’єтана; дослідити особливості оркестрового письма композитора; на ма
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Copeland, Warren. "Time for bee: a recital of compositions." Thesis, 1994. http://hdl.handle.net/2429/5123.

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Time for Bee consists of a series of ten original musical/theatrical compositions created between September 1992 and January 1994, first performed on the evening of January 28, 1994 in the Recital Hall of the University of British Columbia. While each of the works can be performed individually, it was the composer’s intent to create a recital which is logical in its progression. This should suggest that in some way the pieces belong together as a larger whole. The concept of “waiting” circulates throughout all the works, in the sense that the actual material is either minimalist (and so
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McKittrick, J. Cameron. "Graduate recitals." Thesis, 1994. http://hdl.handle.net/2429/5441.

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The loss of personal meaning is explored by analogy through manipulation of the relationship between musical content and its possible interpretations. Recognized musical signals are used out of context. Weightless signals are used in absolutely rigid and unified structures. These approaches were brought to the stage before a live audience in a single recital on March 6, 1994.
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