Relevant bibliographies by topics / Violin concertos

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Violin concertos'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Violin concertos"

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Tyniec, Andréa. "Three Violin Concertos." Circuit: Musiques contemporaines 28, no. 2 (2018): 112. http://dx.doi.org/10.7202/1051300ar.

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Forsberg, Suzanne, Maddalena Laura Lombardini Sirmen, and Jane L. Berdes. "Three Violin Concertos." Notes 50, no. 3 (1994): 1173. http://dx.doi.org/10.2307/898605.

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Abramson, Michael. "Some Intermediate-Level Violin Concertos." American String Teacher 47, no. 2 (1997): 53–55. http://dx.doi.org/10.1177/000313139704700210.

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Druce, D. "Violin concertos, arias and sextets." Early Music 42, no. 1 (2014): 136–38. http://dx.doi.org/10.1093/em/cau004.

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Driver, Paul. "Gruber's Concertos." Tempo, no. 178 (September 1991): 22–27. http://dx.doi.org/10.1017/s004029820001398x.

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The concerto evidently appeals to HK Gruber, as symphonies do not. He has so far written four works that are unambiguously in this form: ‘…aus schatten duft gewebt…’, a concerto for violin and orchestra of 1977–8; the concerto for percussion and orchestra Rough Music (Rauhetöne) of 1982–3; Nebelsteinmusik, for solo violin and string orchestra, of 1988; and the Concerto for Cello and Chamber Orchestra of 1989. Ambiguous examples of the form are his early Concerto for Orchestra (1960–64) – concertos for orchestra are by definition ambiguous – and Frankenstein!!, his ‘pan–demonium’ (rather than ‘
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Whitmore, Philip. "Towards an Understanding of the Capriccio." Journal of the Royal Musical Association 113, no. 1 (1988): 47–56. http://dx.doi.org/10.1093/jrma/113.1.47.

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An extended, unaccompanied violin passage labelled ‘Capriccio’ occurs towards the end of the first and last movements of each of the 12 solo violin concertos, op. 3, by Pietro Antonio Locatelli (1695–1764). These concertos, all of which observe the three-movement fast-slow-fast layout, were published in 1733 by Le Cène in Amsterdam under the title L'arte del violino, but were probably written in the late 1720s. The capriccios may last up to a few pages, and some are longer than the whole of the rest of the movement to which they belong.
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Dudley, Sherwood, and Jehoash Hirshberg. "Ten Italian Violin Concertos from Fonds Blancheton." Notes 43, no. 3 (1987): 672. http://dx.doi.org/10.2307/898216.

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Rushton, Julian, Mozart, and Monica Huggett. "Violin Concertos Nos.1, 2 & 5." Musical Times 135, no. 1816 (1994): 387. http://dx.doi.org/10.2307/1003230.

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Ebin, Zachary. "Period Style Cadenzas for Mozart's Violin Concertos." American String Teacher 62, no. 1 (2012): 38–43. http://dx.doi.org/10.1177/000313131206200107.

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Ревуцький, А. Я., and О. П. Гужва. "Melody of S. Prokofiev as the main feature of his style (on the examples of Concerts No. 1 and No. 2 for violin and orchestra)." Музикознавча думка Дніпропетровщини, no. 15 (November 1, 2019): 61–75. http://dx.doi.org/10.33287/22195.

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The purpose of the article is to analyze the violin concertos No. 1and No. 2, to find and explore the characteristic signs of S. Prokofievʼsmelody, lyrics, cantilenas, and ways of its construction. One of the taskswill be to discover their differences, using the example of concerts to showthe evolution of melody development by S. Prokofiev. Find thecharacteristics of his melody with works that were created in the same timeinterval along with the violin concertos. The methods are based on a comprehensive analysis of violin concertos; the historical and structurallyanalytical methods are used to
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Dissertations / Theses on the topic "Violin concertos"

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Billing, Sally. "Bacewicz : the violin concertos." Thesis, City University London, 2006. http://openaccess.city.ac.uk/8473/.

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This study focuses upon the music of the now-neglected Polish composer Gralyna Bacewicz( 1909-1969). Her success as both a composer and concert violinist is well documented; along list of accolades and prestigious appointments serve as evidence of this. Her posthumous reputation, however, has declined at an alarming rate both inside and outside Poland. The study is introduced by a biography of the composer compiled from both English and Polish sources, providing details of her roles as composer and performer and offering a brief discussion of her music in general. The main body of text is devo
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Tartini, Giuseppe Burden Michael. "Six concertos for violin and string orchestra, 1733 /." Title page, contents and summary only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armb949.pdf.

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Bae, DaeJin. "Stylistic Changes in Two Violin Concertos by Henryk Wieniawski." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439295069.

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Vivaldi, Antonio Hodges Brian D. "A transcription of Vivaldi's violin concerto RV 208 for cello." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1454/umi-uncg-1454.pdf.

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Brian D. Hodges' thesis (D.M.A.)--University of North Carolina at Greensboro, 2007.<br>Title from PDF t.p. (viewed Oct. 22, 2007). Directed by John M. Fadial; submitted to the School of Music. Transcription includes cello part only. Includes bibliographical references (p. 34-37).
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Nazor, Craig. "Concerto for solo violin, strings, and percussion /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Greene, Adam. "A breath between : a double concerto for flute and violin with small ensemble /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3099906.

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Thesis (Ph. D.--Music)--University of California, San Diego, 2003.<br>Vita. For flute and violin with ensemble of clarinet, violin, viola, violoncello, piano, oboe, bassoon, and double bass. Performance instructions precede score.
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Yan, Jishuang. "Prokofiev's Eclectic Approach in his Violin Concerto No. 2 in G Minor." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505201/.

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Prokofiev had a specific approach to the modernist aesthetic that is worthy of a special study from a new perspective: eclecticism. There are two distinguishable views on his achievement in modern music. One is the Western version, which sees his eclectic approach as not innovative enough in comparison with modern composers such as Stravinsky. The other view is from the traditional Soviet approach, which holds Prokofiev in the highest esteem. These sources largely ignore Prokofiev's Paris and American periods. Such an oversimplification is likely to have reflected political circumstance. Neith
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Platt, Jessica K. "A methodology of study for Samuel Barber's Concerto for violin and orchestra op. 14." CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1467040.

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In this study the author develops a methodology for the study of the Samuel Barber Concerto for Violin and Orchestra, Opus 14 by analyzing the stylistic components of the work, presenting important pedagogical principles, and offering an array of performance practice techniques. The primary tool used to formulate the methodology was a survey of exceptional violinists and pedagogues. Twenty-six professional violinists responded to a survey that asked their suggestions for preparing and performing five specific excerpts from the Concerto. The compilation of the responses provides an invaluable g
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Hong, Dayeon. "The Semantics of the Motives and Linear Voice Leading in the First and Second Movements of Korngold's Violin Concerto, Op. 35." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505269/.

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This dissertation aims to examine the motivic voice leading of the first two movements of Korngold's Violin Concerto, Op. 35 to illuminate the interwoven motives within the underlying structures of the movements. The analysis principally concentrates on two main motives: the motivic tritone and rising-third motives. Moreover, the analysis of Korngold's motivic writing further investigates the semantics that are evoked by the technical aspects. With his exceptional ability to interconnect music to narratives both in operas and films, Korngold never ceased to express the recurring themes of love
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Lewis, Stephen Edward Lewis Stephen Edward Lewis Stephen Edward Lewis Stephen Edward. "Three pieces." Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p1464858.

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Thesis (M.A.)--University of California, San Diego, 2009.<br>The 1st work for violin, clarinet, violoncello; the 2nd for piano with chamber orchestra; the 3rd for 2 flutes (1 doubling on piccolo), 2 clarinets, 2 violoncellos. Title from first page of PDF file (viewed July 7, 2009). Available via ProQuest Digital Dissertations. Accompanying disc contains PDF file of thesis and recordings of performances.
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Books on the topic "Violin concertos"

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Carter, Elliott. Violin concerto. Hendon Music, 1992.

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Carter, Elliott. Violin concerto. Hendon Music, 1991.

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Stowell, Robin. Beethoven, Violin concerto. Cambridge University Press, 1998.

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Lewis, Peter Scott. First violin concerto. T. Presser, 1998.

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Prokofiev, Sergey. Two violin concerti for violin and piano. Kalmus, 1999.

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Shostakovich, Dmitriĭ Dmitrievich. Piano concertos. Harmonia Mundi, 2011.

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Delius, Frederick. Concerto for violin (1916): For violin and piano. Masters Music Publications, 1995.

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Amram, David. Concerto for violin and orchestra: Violin and piano. C.F. Peters, 1995.

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Carlo, Menotti Gian. Concerto for violin and orchestra. G. Schirmer, 1992.

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Bruch, Max. Violin concerto no. 1 in G minor, op. 26. London, 1988.

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Book chapters on the topic "Violin concertos"

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Jarman, Douglas. "Alban Berg, Wilhelm Fliess, and the Secret Programme of the Violin Concerto." In The Berg Companion. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-09056-3_8.

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Brodbeck, David. "Music and the Marketplace: On the Backstory of Carlos Chávez’s Violin Concerto." In Carlos Chavez and His World, edited by Leonora Saavedra. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400874200-013.

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Jayakumar, Shashi. "Terrorism, Radicalisation, and CVE: Practical Considerations and Concerns." In Terrorism, Radicalisation & Countering Violent Extremism. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1999-0_1.

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Gunter, Barrie. "What Are the Concerns About Mediated Violence?" In Does Playing Video Games Make Players More Violent? Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-57985-0_1.

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Miner, Michael H. "Civil Commitment of Youthful Offenders: Issues and Concerns." In Sexually Violent Predators: A Clinical Science Handbook. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04696-5_5.

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Meyer, Stephen C. "The double life of Miklós Rózsa’s Violin Concerto and The Private Life of Sherlock Holmes." In Double Lives. Routledge, 2019. http://dx.doi.org/10.4324/9780429019319-5.

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Segall, Christopher. "Monogram, Theme, and Large-Scale Form in Alfred Schnittke’s Viola Concerto." In Analytical Approaches to 20th-Century Russian Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-17.

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Klimmt, Christoph, Hannah Schmid, Andreas Nosper, Tilo Hartmann, and Peter Vorderer. "‘Moral Management’: Dealing with Moral Concerns to Maintain Enjoyment of Violent Video Games." In Computer Games as a Sociocultural Phenomenon. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583306_11.

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Riepel, Joseph. "Violin Concertos." In Recent Researches in the Music of the Classical Era, 90. A-R Editions, 2013. http://dx.doi.org/10.31022/c090.

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"Violin Concertos." In The Szymanowski Companion. Routledge, 2016. http://dx.doi.org/10.4324/9781315552378-52.

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Conference papers on the topic "Violin concertos"

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Pu, Lihua. "Jenő Hubay and His Four Violin Concertos." In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.253.

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Brown, Alexander L. "Impact and Fire Modeling Considerations Employing SPH Coupling to a Dilute Spray Fire Code." In ASME 2009 Heat Transfer Summer Conference collocated with the InterPACK09 and 3rd Energy Sustainability Conferences. ASMEDC, 2009. http://dx.doi.org/10.1115/ht2009-88493.

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Transportation accidents and the subsequent fire present a concern. Particularly energetic accidents like an aircraft impact or a high speed highway accident can be quite violent. We would like to develop and maintain a capability at Sandia National Laboratories to model these very challenging events. We have identified Smoothed Particle Hydrodynamics (SPH) as a good method to employ for the impact dynamics of the fluid for severe impacts. SPH is capable of modeling viscous and inertial effects for these impacts for short times. We have also identified our fire code Lagrangian/Eulerian (L/E) p
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Wong, Kaufui V., and John Plackemeier. "Policies for Effective Trading Scheme to Reduce Carbon Dioxide Emissions." In ASME 2010 International Mechanical Engineering Congress and Exposition. ASMEDC, 2010. http://dx.doi.org/10.1115/imece2010-39723.

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The World Bank and the Intergovernmental panel on climate change have concluded that human activities such as fossil fuel combustion have caused higher average temperatures, more violent weather patterns and higher sea levels. Governments, politicians and corporations have started to take steps to curb emissions of carbon dioxide and other greenhouse gases to reduce its imbalance in the atmosphere, and in so doing, diminish the impacts it will have in the near future. While these parties have recognized the importance of significantly reducing emissions in the coming decades, there are current
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Reports on the topic "Violin concertos"

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Scrivens, Ryan, Steven M. Chermak, Joshua D. Freilich, Thomas W. Wojciechowski, and Richard Frank. Detecting Extremists Online: Examining Online Posting Behaviors of Violent and Non-Violent Right-Wing Extremists. RESOLVE Network, 2021. http://dx.doi.org/10.37805/pn2021.21.remve.

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Like most of us, violent extremists often leave a digital footprint behind. Researchers, practitioners, and policymakers raise questions about whether violent individuals can be identified online prior to their attacks offline based on their online posting behaviors. Despite ongoing concerns, few empirically grounded analyses have identified which online users have engaged in violent extremism offline and then assessed their digital footprints, and fewer analyses have identified differences in posting behaviors of those who share extreme ideological beliefs but are violent or non-violent in th
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