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Relevant bibliographies by topics / Violin – Performance / Dissertations / Theses

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Dissertations / Theses on the topic 'Violin – Performance'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Galvan-Herrera, Rafael. "Graduate violin recital." FIU Digital Commons, 2008. http://digitalcommons.fiu.edu/etd/3443.

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Sonata for Solo Violin Op. 27, No.2 ("Obsession") E. ugene Ysaye (1853-1931) I. Prelude. Poco Vivace IL Malinconia IIL Danse des ombres Concerto for Violin No. 2, Op.63 - Sergei Prokofiev (1891-1953) I. Allegro moderato II. Andante assai Sonata No. 3 for Violin and Piano, Op. 45 - Edvard Grieg (1843-1945) I. Allegro molto ed appassionato II. Allegretto espressivo alla Romanza IIL Allegro animato Estrellita (Mexican song for violin and piano) .M. Manuel M. Ponce (1 882-1948) Jascha Heifetz (1901-1987)

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2

Knapik, Stefan. "Early twentieth-century discourses of violin playing." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:9144cfab-0e11-4ea9-80cb-842d07845ce8.

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The thesis is a critical reading of pedagogical and biographical texts by and on violinists, written in the early twentieth century. It contributes to historical and discursive studies by providing a limited engagement with a largely neglected group of historical sources relating to musical performance, and further advances the historical research on subjectivity, the body, pathology, and erotics, in relation to discourses of music. The thesis also contributes to studies of performance practice, and empirical and psychological studies of musical performance, in that it engages with discursive

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3

Low, Sheau-Fang. "Applied violin instruction : factors and strategies contributing to effective teaching of three master teachers in Sydney." Master's thesis, Sydney Conservatorium of Music, 2000. http://hdl.handle.net/2123/8146.

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4

Gu, Li. "Violin Performance Teaching and Learning: the development of technology and its role in violin pedagogy." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/18731.

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Music is a creative art involving the expression of feeling and spontaneity. This artistry demands the mastery of musical instruments, of which the violin is one. Traditional violin methodology has been the accepted way to develop the art of violin playing, but technology and the internet have provided different approaches to teaching methods. This thesis addresses the degree to which these different approaches may or may not enhance violin teaching and learning. In the first instance this thesis looks at the function of the online learning platform YouTube, and then at the teaching methodolog

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5

Chi, Ju-Yang. "Musical Instrument Ergonomics in Violin and Piano Performance." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/30064.

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The compatibility of the instrument with human physical abilities and characteristics is one of the principles in ergonomics. Inadequate instrument set-ups and sizes that mismatch the player’s physical attributes is frequently cited as one of the risk factors contributing to the development of playing-related musculoskeletal disorders (PRMDs) in violin and piano performers. For violinists, playing in a sustained asymmetric posture is inevitable and it has been observed that the left upper limb, which is the side that supports the instrument, is predominantly symptomatic in upper string players

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6

Santos, Juliano Buosi dos 1976. "Consort de violinos : música instrumental germânica para mais de quatro vozes na segunda metade do século XVII." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285234.

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Orientador: Esdras Rodrigues Silva<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-26T00:34:41Z (GMT). No. of bitstreams: 1 Santos_JulianoBuosidos_M.pdf: 5944297 bytes, checksum: 6493cd8b9254b752c233881a86712f71 (MD5) Previous issue date: 2014<br>Resumo: Esta pesquisa tem o propósito de divulgar um repertório pouco conhecido e interpretado atualmente: a música germânica escrita para consort de violinos para mais de quatro vozes, na segunda metade do século XVII. Um estudo histórico e estilístico nos possibilita aproxima

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7

Tersigni, Andrea. "The American School of violin playing : a reality /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/11248.

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8

Jobbágy, Szemoke. "A Performer's Guide to Béla Bartók's Violin Concerto No 1, Opus Posthumous, 1907–1908." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc283828/.

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Despite Bartók's lasting international fame, some of his works remain unjustly lesser-known. One of the pieces that still resides in relative obscurity is his Violin Concerto No.1—a gem of the violin repertoire that must be brought to the broader public's attention. The fact that the concerto was hidden definitely contributed to its little–known status at first. However, the most important cause for the lack of enthusiasm to tackle this terrific work lies in the unorthodox demands it puts on the violinist. The purpose of this paper is to provide musical and technical suggestions based on Bartó

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9

Seymour, Rebecca. "Issues of performance practice in the violin works of Johannes Brahms (1833-1987) /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19278.pdf.

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10

Jakubowski, Kelly Joan. ""Informed spontaneity" a theoretical approach to the enhancement of creativity in performance /." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1243788323.

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11

Kanno, Mieko. "Timbre as discourse : contemporary performance practice on the violin." Thesis, University of York, 2001. http://etheses.whiterose.ac.uk/2512/.

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12

Kim, Min Hwa. "Performance Guide to Selected Violin Works of Béla Bartók." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321894138.

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13

Dyo, Vladimir. "The Application of Bel Canto Principles to Violin Performance." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/193273.

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Music Performance<br>D.M.A.<br>Bel canto is "the best in singing of all time." Authors on vocal literature (Miller, Celletti, Duey, Reid, Dmitriev, Stark, Whitlock among others) agree that bel canto singing requires complete mastery of vocal technique. The "best in singing" means that the singer should possess immaculate cantilena, smooth legato, a beautiful singing tone that exhibits a full palette of colors, and evenness of tone throughout the entire vocal range. Furthermore, the singer should be able to "carry the tone" expressively from one note to another, maintain long lasting breath, fl

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14

Lee, Sheri Renee. "Four Twelve-Tone Violin Compositions: Performance Practice and Preparation." Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1242516300.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2009.<br>Advisor: Steven Cahn. Title from electronic thesis title page (viewed Aug. 11, 2009). Includes abstract. Keywords: twelve-tone; violin. Includes bibliographical references.

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15

Parsons, John Lewis. "Stylistic change in violin performance 1900-1960 : with special reference to recordings of the Hungarian violin school." Thesis, Cardiff University, 2005. http://orca.cf.ac.uk/55396/.

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This thesis describes and analyses stylistic change in violin performance (c. 1900-1960) by examining the so-called Hungarian violin school as an exemplar of stylistic change in this period. The thesis uses examples from both written and recorded sources to examine shifts in the use of expressive fingering, vibrato and flexibility of rhythm and tempo. The sources used include: performing editions; treatises; and recordings. In respect of the study of stylistic change, the thesis argues that recordings provide a valuable research resource for assessing the theoretical use of expressive devices,

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Hiew, Alexandra T. "Towards a Pedagogical Reference Work for Violinists Informed by Current Music Psychology ResearchTowards a Pedagogical Reference Work for Violinists Informed by Current Music Psychology Research." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1380619860.

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17

Song, Chi Young. "EARL KIM 12 CAPRICES FOR SOLO VIOLIN: SURVEY OF HIS INNOVATIVE SOLO VIOLIN WRITING VIA HIS TWELVE LOVE LETTERS." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/91.

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The purpose of this project is to bring Kim’s caprices into the mainstream violin literature through a three-prong approach by examining each caprice via musical analysis, technical analysis, and by investigating its pedagogical merit. After inspecting each caprice through three different lenses mentioned above, the paper will organize the twelve caprices around a tripartite structure; serial, atonal, and free tonal. The work opens with a six-measure Motto. While the relationship between the Motto and the rest of the work is not immediately clear, thorough musical and formal analysis will prov

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18

Gao, Jie (Violinist). "The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011757/.

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Contemporary professional violinists face constant exposure to multicultural compositions. For best results, they should be able to understand, capture, and express the subtleties of different styles. The violin and its repertoire spread to China through European missionaries during the late seventeenth century and continued to be developed by Chinese scientists and musicians who studied abroad. During the twentieth and twenty-first centuries, Chinese composers wrote many violin pieces inspired by the unique sounds of Chinese instruments. Additionally, Chinese music scholars wrote numerous ess

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Bresolin, Fernando da Costa. "Em busca de uma performance eloquente : as fantasias para violino solo de telemann sob a ótica de uma interpretação historicamente orientada aplicada ao violino moderno." Universidade do Estado de Santa Catarina, 2015. http://tede.udesc.br/handle/handle/1564.

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Made available in DSpace on 2016-12-08T17:06:48Z (GMT). No. of bitstreams: 1 123186.pdf: 18784010 bytes, checksum: 25b00cfa9a351ec473406840d2b587ca (MD5) Previous issue date: 2015-03-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This work consists in a discussion of interpretive and performing questions about music for violin of the eighteenth century. As a musical reference material are studied 12 Fantasias to Georg Philipp Telemann Solo Violin TWV 40: 14-25. It is proposed in this work a theoretical and practical approach to this repertoire under the light of in two

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Rodrigues, Ruth Elizabeth. "Selected students of Leopold Auer : a study in violin performance-practice." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/739/.

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This thesis investigates the teaching and legacy of Leopold Auer; it addresses, in particular to what extent his promulgation of the ‘German’ School of Violin Playing was instrumental in establishing the ‘Russian’ and ‘American’ Schools. Recent research in late 19th-century violin performance-practice has focused mainly on the ‘German’ and ‘Franco-Belgian’ Schools, and on tracing ‘genealogies’ of violin playing, especially within the ‘German’ school itself. Auer, however, has been little studied, as remarkably is also true for descendents of the German school such as Ossip Schnirlin, Benno Rab

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21

Facchini, Fiammetta. "Psycho-physio dynamics in violin-piano duo: a pianist's perspective." Doctoral thesis, Universidade de Aveiro, 2014. http://hdl.handle.net/10773/13820.

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Doutoramento em Música<br>The case study looked at psychological and physiological responses to stress in musicians, comparing a newly formed and a consolidated violin-piano duo. The common element between these duos was the pianist. Using the psychological tests (STAI Y1 and Y2, K-MPAI, MMPI-2, ICAC), the immunoassay saliva test to measure cortisol (stress hormone) and non- invasive device VitalJacket® developed at the University of Aveiro, Portugal, participants were monitored under various performance conditions. Others quantitative and qualitative dataset were collected including a pianist

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Marinho, Marina Tavares Zenaide. "Aspectos analítico-interpretativos e a estética armorial no concertino em lá maior para violino e orquestra de cordas, de Clóvis Pereira." Universidade Federal da Paraíba, 2010. http://tede.biblioteca.ufpb.br:8080/handle/tede/6630.

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Made available in DSpace on 2015-05-14T12:52:39Z (GMT). No. of bitstreams: 1 parte1.pdf: 3077978 bytes, checksum: 50e81f5fa34cc2bf3c7338b19caa268a (MD5) Previous issue date: 2010-08-26<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This research intends to study the historical, aesthetic, and interpretative aspects of Clóvis Pereira s Concertino in A Major for Violin and String Orchestra (1996-2001) a unique concertante work written for the violin in the armorial style. Thus, the main goal of this dissertation is to offer interpretative ideas based on the an

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Noh, Yuri. "A Performance Guide to George Enescu's Violin Sonata No. 3 in A Minor, Op. 25, Emphasizing Its Use of Romanian Lăutari Violin Techniques and Style." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703383/.

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In Romanian, the word lăutari refers to highly skilled professional Romani (Gypsy) musicians. By interacting with Romanian culture and tradition, the lăutari settled down in the country and developed a unique musical tradition. Their music is characterized by intricate, elaborate, and refined ornamentation; its execution requires a highly level of technique. George Enescu, regarded as Romania's most influential musician, was affected by lăutari music. He created a unique musical language that recreates Romanian character by using lăutari elements. This dissertation examines how to approach Ene

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Schoonderwaldt, Erwin. "Mechanics and acoustics of violin bowing : Freedom, constraints and control in performance." Doctoral thesis, Stockholm : Datavetenskap och kommunikation, Kungliga Tekniska högskolan, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-9826.

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25

Calitz, Wilken Craill. "A multidisciplinary study of the phenomenon of violin vibrato." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/1792.

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Thesis (MMus (Music))--University of Stellenbosch, 2009<br>Violin vibrato is the action by which a violinist periodically changes the frequency of a sustained note by moving the finger on the string, rapidly backwards and forwards. If it is artistically applied, it adds life, character and warmth to an otherwise dull sounding note. Although it has been used since the sixteenth century, very little research has been done on the reason why humankind would experience such periodic fluctuations as an object of beauty in violin performance. In answering the question, this study explores a variety

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Silva, Débora Borges da. "Guias de execução e memorização : estudo de caso com violinistas pós-graduados." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/163517.

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O presente trabalho investiga processos de aprendizagem e memorização simultâneos ao avaliar a eficácia dos Guias de Execução (GEs) segundo o protocolo Chaffin. O protocolo foi utilizado como estratégia de prática deliberada para o aprendizado e memorização simultâneos. Objetiva-se observar o efeito dos GEs para o controle dos sintomas de ansiedade durante a performance, bem como para a recuperação de episódios de falhas de memória do intérprete. O estudo envolve quatro violinistas pós-graduados e apresenta a proposta de aprender e memorizar simultaneamente um repertório não estudado previamen

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Wang, Tracy (Chun-Chia). "Expanding the Violin's Possibilities in Chinese Music: A Case Study of Transcription and Performance Issues Related to Pipa Music Played on the Violin." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248509/.

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In recent years, a large part of the erhu's repertoire has been arranged for performance on the violin and vice versa. Given the difficulties involved in transcribing the music of plucked or woodwind instruments for the violin, the erhu has been the most popular choice for transcribing Chinese music for the violin. However, the erhu and violin are radically dissimilar instruments based on different principles. Pipa music is an essential part of traditional Chinese music from as early as 202 BCE, and the instrument's repertoire represents a large portion of East Asian music aesthetics, and this

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Nobes, Pauline Heather. "Neglected sources of the solo violin repertory before ca. 1750 : with special reference to unaccompanied performance, scordatura and other aspects of violin technique." Thesis, University of Exeter, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341168.

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Park, Siryung. "George Rochberg’s Caprice Variations for Unaccompanied Violin: A Stylistic Study and Performance Guide." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491818327037456.

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Plumpton, Elliott M. "Style and Expression in Brahms' Violin Sonatas: Performance Practice in the 21st-Century." Thesis, Griffith University, 2021. http://hdl.handle.net/10072/405190.

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This artistic research explores tensions between historical and modern stylistic expectations for the violin sonatas of Johannes Brahms. Aspects of 19th-century performance style diverge from modern conventions, including the use of tempo flexibility and violinistic devices like vibrato and portamento, and this creates certain challenges for performance of Brahms’ music today. Such challenges include considering and assimilating these ideas amidst conflicting norms and the practicalities of modern training. In this investigation I prepared each of Brahms’ violin sonatas for recital with some e

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Dossumova, Aisha. "THE INFLUENCE OF KAZAKH FOLKLORE ON THE DEVELOPMENT OF VIOLIN PERFORMANCE IN KAZAKHSTAN." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/381242.

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Music Performance<br>D.M.A.<br>The purpose of this monograph is to promote Kazakh violin repertoire by focusing on the influence of Kazakh folklore on the development of violin performance in Kazakhstan in the beginning of the twentieth century. The monograph will include a brief discussion of the history of Kazakhstan, a historical background of folk music and its importance to the development of violin performance in Kazakhstan, a discussion of Kazakh folk strings instruments in relation to violin performance in Kazakhstan, and discussion of selected violin works by Kazakh composers with str

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Pérez, Carrillo Alfonso Antonio. "Enhacing spectral sintesis techniques with performance gestures using the violin as a case study." Doctoral thesis, Universitat Pompeu Fabra, 2009. http://hdl.handle.net/10803/7264.

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In this work we investigate new sound synthesis techniques for imitating musical instruments using the violin as a case study. It is a multidisciplinary research, covering several fields such as spectral modeling, machine learning, analysis of musical gestures or musical acoustics. It addresses sound production with a very empirical approach, based on the analysis of performance gestures as well as on the measurement of acoustical properties of the violin. Based on the characteristics of the main vibrating elements of the violin, we divide the study into two parts, namely bowed string and viol

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Platt, Jessica K. "A methodology of study for Samuel Barber's Concerto for violin and orchestra op. 14." CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1467040.

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In this study the author develops a methodology for the study of the Samuel Barber Concerto for Violin and Orchestra, Opus 14 by analyzing the stylistic components of the work, presenting important pedagogical principles, and offering an array of performance practice techniques. The primary tool used to formulate the methodology was a survey of exceptional violinists and pedagogues. Twenty-six professional violinists responded to a survey that asked their suggestions for preparing and performing five specific excerpts from the Concerto. The compilation of the responses provides an invaluable g

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Su, Linya. "Song of your voices| Violin performance major students' perceptions of their lives in violin learning from childhood to the music schools in New York City." Thesis, Teachers College, Columbia University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3588616.

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<p> The purpose of this heuristic study was to explore and describe conservatory-trained violin performance major students' perceptions of their lived experience in violin learning from childhood to the music schools in New York City. The seven participants were undergraduate, graduate-level violin major students selected from the three major music schools in New York City. The primary data was collected via face-to-face audiotaped interviews, which became the narrative data.</p><p> The first question addressed students' perceptions of one-to-one violin instruction regarding expectations and

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Kim, Jun Y. "A Performer's Guide to Violin Orchestral Excerpts from Baroque to the Twentieth Century Compositions." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1377873196.

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Bidgood, Lee. "Grounds and Consorts." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/1051.

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The concert features an eclectic variety of blues, rags, fiddle tunes and consort music arranged for both historic and modern instruments. The program includes works by numerous composers, from Johann Groh and Thomas Lupo, who were born in the late 16th century, to George Linus Cobb and Doc Roberts of the early 20th century.

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Young, Diana S. (Diana Santos) 1975. "A methodology for investigation of bowed string performance through measurement of violin bowing technique." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/38637.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2007.<br>Includes bibliographical references (leaves 181-186).<br>Virtuosic bowed string performance in many ways exemplifies the incredible potential of human physical performance and expression. Today, a great deal is known about the physics of the violin family and those factors responsible for its sound capabilities. However, there remains much to be discovered about the intricacies of how players control these instruments in order to achieve their characteristic

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Huang, Chenshayang. "Let Music Speak Day and Night: A Performance Guide for George Enescu's "Impressions D'enfance for Violin and Piano"." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752350/.

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In the world of chamber music, programmatic suites are more rarely composed and consequently more rarely presented in recital than other musical forms. Perhaps partially for this reason, George Enescu's Impressions d'enfance for violin and piano, his last chamber piece written in the tumultuous year of 1940, has been overlooked for a long time; even the composer himself did not make a recording of this seldom performed piece. This dissertation examines Impressions d'enface in order to explore the relationship between the underlying Romanian folk rhythmic and melodic patterns, to provide an ana

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Mou, Qing Olivia. "Towards a Timbre-Focused Approach for the Acquisition of Expressive Performance Skills in Contemporary Violin Practice." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29444.

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Timbre is not a well understood musical attribute; it is often referred to as the ineffable quality of sound that cannot be analysed in musical performances. In recent years, cognitive science has investigated timbre’s performativity and its ability to elicit musical emotions; however, this topic is still being overlooked in performance research. Inspired by recent literature that explores the power of timbre, this research project situates timbre as a central category of musical performance by drawing on its importance in developing expressivity from aspects of timbre perception. Through t

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Seebacher, Robert J. "AN EXAMINATION OF A CONDUCTOR’S PERFORMANCE PREPARATION OF THE MENDELSSOHN VIOLIN CONCERTO IN E MINOR." UKnowledge, 2014. http://uknowledge.uky.edu/music_etds/29.

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The music of Felix Mendelssohn-Bartholdy (1809-47) has earned a prominent position in the orchestral repertoire. One of his greatest works, and certainly one of the most performed, is his Violin Concerto in E minor, Op. 64. The work enjoys much popularity with, and recognition by, soloists, orchestras, and conductors alike. Even with its fame and familiarity, it remains a work that must be carefully studied and prepared by the conductor. This document presents an examination of a conductor’s performance preparation of the Mendelssohn Violin Concerto. The purpose of this examination is to equip

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Kim, Hojin. "George Rochberg's Caprice Variations for Unaccompanied Violin| An analytical overview and a performance study guide." Thesis, The Florida State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3681739.

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<p> The purpose of this treatise is to analyze the <i>Caprice Variations for Unaccompanied Violin</i> (1970) by George Rochberg from a performer's perspective. The Caprice Variations amalgamates many historical compositional styles that require a performer's musical understanding and technical capabilities. </p><p> To provide insight into Rochberg's compositions, Chapter Two gives a biographical review of his life. Tragedy, such as his son's death, provoked his musical style to shift from an atonal to a tonal language. Emerging from this event in his life, Rochberg's work was strongly influe

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Neto, Tiago Jose Garcia Vieira. "The violin in Portugal c.1875-1950 : a contextual study of repertoire, composers, performance and performers." Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521833.

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Chatziiosifidis, Stelios. "Tracing the idea in Schoenberg's Violin Concerto: an interpretation through performance practice, analysis and recording analysis." Thesis, University of Kent, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.592679.

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Schoenberg's twelve-tone music has attracted widespread musicological research and attention. The performance of his twelve-tone music, however, has not received the same prominence. The tension between these two opposing trends is the foundation of this thesis, which applies academic research to shaping an interpretation that leads to a performance of Schoenberg's Violin Concerto. In order to understand Schoenberg's musical thinking this study begins with the exploration of his concept of performance practice, identifying and organising the manifold issues around the concept of the Idea. In c

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Theodore, Mary. "The violin and piano sonatas of Charles Ives : a methodical approach to performance with motivic analysis /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/11277.

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Miskelly, Jessica. "FIFTHS: AN APPROACH TO VIOLIN TECHNIQUE FOR THE LEFT HAND AS TAUGHT BY RODNEY FRIEND." UKnowledge, 2018. https://uknowledge.uky.edu/music_etds/107.

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This document examines Rodney Friend’s approach to violin technique for the left hand, with specific emphasis on the execution of fifths. The application of this technique plays a valuable role in establishing correct hand positioning, creating consistent intonation, improving vibrato, and adding to the palette of colors available to the violinist. Mr. Friend is an esteemed violinist, a perceptive pedagogue, and a dedicated mentor in today’s music world, and, in those roles, he exemplifies the qualities of beauty, truth, and goodness that characterize meaningful engagement in the arts. His tho

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Løland, Olav Eirik. "A New Performance : Exploring the possibilities and difficulties related to the inclusion of the voice in violin playing." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4129.

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This thesis seeks to explore the many possibilities that lie within the incorporation of the voice alongside playing the violin. This territory is still very unknown, and the author believes that many new artistic possibilities and tools are yet to be discovered.The attempts made seek to understand the difficulties and limitations of the incorporation of the voice, while discovering its bountiful treasures.<br><p>"Terje Vigen" by Ivar BøksleArrangement by Olav Eirik LølandViolin and vocal - Olav Eirik Løland</p><p></p><p>Konserten börjar efter två minuter.</p>

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Phillips, Marina Louise. "An assessment of the contribution to Australian string pedagogy and performance of Jan Sedivka." Thesis, 2001. https://eprints.utas.edu.au/21212/1/whole_PhillipsMarinaLouise2002_thesis.pdf.

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Violin performance and pedagogy have been a central thread in my life for many years. The art of communicating something you love to others, is a very special occupation. I became interested in the work of Jan Sedivka as a young student violinist in Western Australia, where the knowledge of the existence of a 'great old master' Jiving in _Tasmania was in the hack uf my mind. My first enc_ounter with Sedivka occurred when I participated in one of his master classes. During this class a contemporary of mine performed the first movement of the Mendelssohn Violin Concerto and I heard my fir

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Hsieh, Hsing-Ting, and 謝昕庭. "A Study of Automatic Violin Performance Assessment Methods." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/fgad3w.

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碩士<br>國立臺北科技大學<br>電子工程系<br>106<br>This study proposes a way to judge whether a violin performance is good or not, thereby helping violin beginners understand how to improve in terms of pitch and timbre. For timbre analysis, we define three judgment classes, namely "good", "bad", and "general". The judgment methods we developed include Gaussian mixture model (GMM) classifier, support vector machine(SVM), and naive Bayes classifier (NBC). The experimental results show that the support vector machine performs the best, which achieves the classification accuracy of 89.5%. In addition, for pitch an

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"A Performance Guide of Fazil Say's Sonata for Violin and Piano and Cleopatra for Solo Violin." Doctoral diss., 2013. http://hdl.handle.net/2286/R.I.18000.

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abstract: There are a significant number of musical compositions for violin by composers who used folk songs and dances of various cultures in their music, including works by George Enescu, Béla Bartók and György Ligeti. Less known are pieces that draw on the plethora of melodies and rhythms from Turkey. The purpose of this paper is to help performers become more familiar with two such compositions: Fazil Say's Sonata for Violin and Piano and Cleopatra for Solo Violin. Fazil Say (b. 1970) is considered to be a significant, contemporary Turkish composer. Both of the works discussed in this docu

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Wang, Wen-Cheng, and 王文呈. "The Analysis and Performance Practice of Ravel’s Violin Sonata." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/43k577.

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碩士<br>輔仁大學<br>音樂研究所<br>101<br>Abstract Despite being a pianist, violin playing techniques used in Ravel’s “Violin Sonata” have been highly praised by critics. In the writing of the work, Ravel added personal ingenuity to the piece carefully and deliberately that brings a distinctive style and unique sound effects. The essay consists of five main parts: Chapter One Introduction starts by presenting research motivation and method; Chapter Two gives insights into Ravel's life, a general overview of Ravel’s important works, and the motive and background of this sonata; Chapter Three focuses on str

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