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Dissertations / Theses on the topic 'Violin with wind ensemble'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Harman, Brian. "Dialectics for wind ensemble." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100752.

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Dialectics is a musical composition for 32-instrument wind ensemble. The materials and models used in the piece are based entirely on the harmonic series and on naturally-occurring acoustical phenomena that are stretched out in time, and that undergo a variety of transformational processes. A dialectic is created between two musical principles, each based in a different manner on the concept of reverberation.

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2

Harbin, Douglas A. "Symphony for wind ensemble." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1338882.

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Symphony for Wind Ensemble is written for piccolo, 2 flutes, 2 oboes, English horn, E-flat clarinet, 3 B-flat clarinets, bass clarinet, contrabass clarinet, 2 bassoons, 2 E-flat alto saxophones, B-flat tenor saxophone, E-flat baritone saxophone, 4 horns in F, 2 comets, 4 B-flat trumpets, 3 trombones, tuba, string bass, and 6 percussion lines that include: timpani, xylophone, castanets, vibraphone, chimes, 2 suspended cymbals, crash cymbals, triangle, snare drum, tambourine, tenor drum, crotales, bass drum, guiro, and tom toms (high, medium high, medium low, and low). The piece is comprised of

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3

Rickwood, Christopher M. "Persistence: for Wind Ensemble." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278876/.

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Persistence is a composition scored for piccolo, 2 flutes, 2 oboes, English horn, 2 bassoons, E-flat clarinet, 3 1st B-flat clarinets, 3 2nd B-flat clarinets, 3 3rd B-flat clarinets, bass clarinet, 2 E-flat alto saxophones, B-flat tenor saxophone, E-flat baritone saxophone, 3 B-flat trumpets, 4 French horns in F, 2 trombones, bass trombone, baritone, tuba, timpani, and 4 auxiliary percussionists. The music consists of three movements, fast-slow-fast, lasting approximately eleven and one-half minutes. The three movements last three minutes and twenty seconds, five minutes and thirty seconds, an

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4

Smith, Rob. "Whirl for wind ensemble /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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5

Oldham, Ryan Mobberley James. "Symphony for wind ensemble." Diss., UMK access, 2008.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2008.<br>"A dissertation in music composition." Advisor: James Mobberley. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 25, 2009. Online version of the print edition.

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6

Flory, Neil Randal. "Suite for wind ensemble /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9992736.

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7

Houglum, Daniel Patrick. "Sola fides sufficit: Concerto for violin and ensemble." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1633.

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Sola Fides Sufficit is a 20-minute concerto for solo violin and ensemble. The 16-member ensemble consists of flute (doubling piccolo), oboe, clarinet in Bb (doubling bass clarinet), bassoon, horn in F, trumpet in C, trombone, tuba, percussion I (bass drum, brake drum, chimes, glockenspiel, two woodblocks), percussion II (snare drum, suspended cymbal, two toms, triangle, vibraphone), piano, two violins, viola, cello, and contrabass. Sola Fides Sufficit is based on my previous solo violin composition Et si sensus deficit… written for violinist Emily Rolka in 2010. Sola Fides Sufficit is an expan

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8

McDonald, Richard F. (Richard Frederic). "Kinetico for Chamber Wind Ensemble." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc504015/.

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This single movement work is written for 2 flutes, 2 oboes, 3 clarinets in Bb, bass clarinet in Bb, 2 bassoons, alto saxophone in Eb, 2 horns in F, 2 trumpets in Bb, trombone, euphonium, tuba, contra bass, and 3 percussion. The approximate length is eight minutes. Both traditional and proportional systems of notation are employed. The entire piece is freely chromatic with some implications of whole tone and other nondiatonic scales. The harmonies are tertian yet have no functional tonal basis. Changing meters with asymmetrical divisions are used in all sections except C and E, which have time

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9

Cech, Andrew J. "Brother's lament for wind ensemble." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1244578892.

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10

Palamara, Jason Andrew. "Dysphonia, for solo violin, chamber ensemble and live electronics." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1718.

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DYSPHONIA is a music and dance work, for violin soloist with a live chamber orchestra, including multiple laptops and a custom-built gesture detection system worn by a dancer. The piece was choreographed by Professor Charlotte Adams of the University of Iowa Dance Department and premiered at the Faculty Graduate Dance Concerts in February of 2015. This piece is inspired by ongoing research into computer programming, gesture and music-making, artificial intelligence (AI), and creative algorithms. While the actual algorithms I developed for use in this piece are far from sentient, it is my hope

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11

Anderson, Andrew E. (Andrew Edwin). "Hailstones and Birdcages for Wind Ensemble." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc500256/.

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Hailstones and Birdcages is a composition of approximately thirteen minutes' duration and is scored for two flutes and piccolo, two oboes and english horn, three Eb clarinets, E clarinete, bass clarinet, two bassoons, two Eb alto saxophones, Bb tenor saxophone, three Bb trumpets, four F horns, three trombones, euphonium, two tubas, and three percussionists. Four instruments--one each of flute, oboe, Bb clarinet, and trombone--are used in concertante like fashion, and there are prominent solo passages for the first bassoon, as well. The work is a single movement in three sections, fast - slow -

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12

Searls, Jesse Patrick. "Rhapsody for Flute and Wind Ensemble." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243905910.

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13

Macura, Nebojsa S. "Concerto for Piano and Wind Ensemble." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305645223.

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14

Hebel, Martin. "Tides Within: Concerto for Wind Ensemble." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1623167017549242.

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15

Stover, Christopher D. "With/in : for trombone and wind ensemble /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11268.

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16

Gaudry, Danielle D. "L'Age d'or of the Chamber Wind Ensemble." Thesis, University of Cincinnati, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3596498.

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<p> This document presents a narrative history of the chamber wind ensembles led by Paul Taffanel, Georges Barrère and Georges Longy in the late nineteenth and early twentieth centuries. Using different historical approaches, this study examines contemporaneous musical society and the chamber wind ensemble genre to explore the context and setting for the genesis of the <i>Société de musique de chambre pour instruments à vents,</i> the <i>Société moderne des instruments à vents,</i> the Longy Club and the Barrère Ensemble of Wind Instrume

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17

Fol, Alexandra [Verfasser]. "Exhalation/ Expiration for Wind Ensemble / Alexandra Fol." München : GRIN Verlag, 2011. http://d-nb.info/1182334091/34.

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18

Wilson, Eric C. "Manifest destiny : a symphony for wind ensemble." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1281300.

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19

Chatham, Rick 1962. "Constellations: For Wind Ensemble and Computer Music." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc1038771/.

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Constellations is a single movement work that explores the color between acoustic instruments and computer generated sounds. It is scored for four flutes (two doubling on piccolos), two oboes, two bassoons, eight B-flat clarinets, two bass B-flat clarinets; two alto saxophones, tenor saxophone, baritone saxophone; four trumpets in B-flat, four horns in F; three trombones, bass trombone; two tubas;piano; six percussionists; and contrabass. The duration of the work is nine minutes and twenty-eight seconds. Mapping of stellar constellations provide the primary material for all pitch and harmonic

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20

Trew, Michael Russell. "Movements, chamber orchestra Three movements for wind ensemble." Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/27228.

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Three Movements for Wind Ensemble, a 13-minute work for a wind ensemble consisting of twenty-five instruments, was composed in Vancouver between 1984-86. The first and third movements of this work are reminiscent stylistically of the Neo-classical tradition, while the second is a passacaglia involving a tonal ostinato juxtaposed with atonal ideas. Ideas, both thematic and structural, while entirely original, except for a 6-bar sequence in measures 59-64 of movement 1, were influenced by specific works of several composers. Stylistically, the composition is tonal, and reflects my background in

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21

Prinz, Kendall R. "As Darkness Falls: A Composition for Wind Ensemble." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2269/.

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As Darkness Falls is a composition that explores our interaction with several aspects of darkness through the use of musical imagery. The imagery attempts to reflect the moods, feelings, and impressions of a person as he or she interacts with darkness. The non-programmatic character of the composition allows listeners to superimpose their own experiences onto the musical tapestry in order to manifest a personal connection between the listener and the music. As Darkness Falls is a composition scored for a minimum instrumentation of piccolo, 6 flutes, 3 oboes, 3 bassoons, 9 B-flat clarinets, B-f

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22

Grove, Benjamin J. "Cruise/Control for Wind Ensemble and Fixed Electronic Media." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1524481623531767.

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23

Richardson, William Stone. "Wind ensemble music for the trumpet : an excerpt guide /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9992739.

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Thesis (D.M.A.)--University of Texas at Austin, 2000.<br>Vita. Includes bibliographical references (leaves 94-98). Discography leaves 92-93. Available also in a digital version from Dissertation Abstracts.

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24

Greene, Adam. "A breath between : a double concerto for flute and violin with small ensemble /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3099906.

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Thesis (Ph. D.--Music)--University of California, San Diego, 2003.<br>Vita. For flute and violin with ensemble of clarinet, violin, viola, violoncello, piano, oboe, bassoon, and double bass. Performance instructions precede score.

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25

Caines, Jacob E. "Frederick Fennell and the Eastman Wind Ensemble: The Transformation of American Wind Music through Instrumentation and Repertoire." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23482.

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The Eastman Wind Ensemble is known as the pioneer ensemble of modern wind music in North America and abroad. Its founder and conductor, Frederick Fennell, was instrumental in facilitating the creation and performance of a large number of new works written for the specific instrumentation of the wind ensemble. Created in 1952, the EWE developed a new one-to-a-part instrumentation that could be varied based on the wishes of the composer. This change in instrumentation allowed for many more compositional choices when composing. The instrumentation was a dramatic shift from the densely populated e

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26

Gensler, André [Verfasser]. "Wind Power Ensemble Forecasting : Performance Measures and Ensemble Architectures for Deterministic and Probabilistic Forecasts / André Gensler." Kassel : Kassel University Press, 2019. http://d-nb.info/117653517X/34.

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27

DeAlbuquerque, Joan. "Hemispheres for wind ensemble by Joseph Turrin a critical analysis /." connect to online resource, 2005. http://www.unt.edu/etd/all/Aug2005/dealbuquerque%5Fjoan/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2005.<br>System requirements: Adobe Acrobat Reader. Accompanied by recitals, recorded Nov. 9, 2000, Feb. 15, 2001, Apr. 26, 2001, Nov. 15, 2001, Nov. 28, 2001, and Apr. 25, 2005. Includes bibliographical references (p. 80-82).

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28

Makela, Steven L. "Reconstructions: Nine Movements for Solo Soprano, Chorus, and Wind Ensemble." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2435/.

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Reconstructions is a nine-movement composition for solo soprano, chorus, and wind ensemble using texts from several of Emily Dickinson's poems. The soloist represents the main character in this dramatic work, and the narrative structure portrays abstract moments in this character's life. While the narrative structure of the reconstructed fragments is important to the form of the composition, other elements are also significant. Pitch structures generated from set theoretical systems, in addition to cyclic and palindromic structures are utilized throughout. Timbre also delineates the form, as v

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29

deAlbuquerque, Joan. "Hemispheres for Wind Ensemble by Joseph Turrin: A Critical Analysis." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4886/.

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Hemispheres is a three-movement work for winds written by Joseph Turrin in May 2002. Commissioned by Kurt Masur for the New York Philharmonic, he wished to include a piece exclusively for winds and percussion in the programming of his farewell concert that commemorated his eleven years as Music Director. The work is in three movements: Genesis, Earth Canto, and Rajas which represent three different cultural views of creation. Formally, this work is based structurally and thematically on melody rather than harmony. This analysis focuses on three main tools which unify this work. The first is th

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30

Bove, Kaitlin May. "PARTITA FOR 8 VOICES & WIND ENSEMBLE: A TRANSCRIPTION PROCESS." UKnowledge, 2019. https://uknowledge.uky.edu/music_etds/146.

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Partita for 8 Voices (2012) is a groundbreaking a cappella work that earned its composer, Caroline Shaw, the record of youngest recipient of the Pulitzer Prize for Music in 2013. While the work continues to receive performances from its premiere ensemble, Roomful of Teeth, no transcription of the piece to any other ensemble type existed at the beginning of this DMA project. The author sought to transcribe a piece by a living female composer with no work for band into the wind band medium. The resulting transcription, Partita for 8 Voices & Wind Ensemble, adds a new work to the repertoire of ba

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31

Sanders, Nicholas William. "Forgotten Names." OpenSIUC, 2019. https://opensiuc.lib.siu.edu/theses/2528.

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Forgotten Names is a fifteen-minute programmatic work for wind ensemble and electronics. The piece represents my aim to express conceptually the memories of human lives being lost with the passage of time. The two salient vehicles used to convey the concept are melodic motivic development and pre-recorded electronic audio accompanying the ensemble. The prerecorded electronics work in tandem with the ensemble and provide the audience with inferable aural symbolism. These audio samples are to be triggered by a percussionist by using the free, downloadable program, Pure Data along with a performa

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32

Walden, Joseph P. "Pandora for Wind Symphony." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429812769.

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33

Ada, Stephen L. "A fanfare for the makers, for wind ensemble : score and analysis." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq24637.pdf.

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34

Spinella, Jake Robert. "Thorfin of Nibor| A Tone Poem for Wind Ensemble and Choir." Thesis, University of Louisiana at Lafayette, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1594333.

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<p>"Thorfin of Nibor" is a single-movement, programmatic work for wind ensemble and choir that centers on Thorfin, the Scottish Dwarf from the village of Nibor, and his epic adventure against an evil dragon. The piece is inspired by Robin Williams' influence on my life. The work pays homage to our joint interests, namely video games. The piece is 434 measures long. Prior to the score, an analysis of the piece provides an outline of the overall structure of the work as well as illustrations of the musical quotations used throughout the piece. The compositional decisions made during the creative

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35

Gunby, Matthew Clarke. "Ground to Dust." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1459515242.

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36

Taylor, Benjamin D. "At Which Point." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300732113.

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37

Sobieralski, Nathan James. "A performers analysis of Nicholas Francis' Concerto for trumpet and wind ensemble." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1417807701&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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38

Swanzy, David Paul. "The wind ensemble and its music during the French Revolution (1789-1795) /." Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb370598520.

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39

Redfield, Stephen. "Four selected works by Vincenzo Orgitano (fl. 1759-1805) : resurrecting eighteenth-century accompanied keyboard sonatas as ensemble pieces for intermediate violinists /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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40

Haxo, Cara. "And we drown." Digital Commons @ Butler University, 2015. http://digitalcommons.butler.edu/grtheses/265.

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41

Beams, Amber. "One Thousand North." Digital Commons @ Butler University, 2016. http://digitalcommons.butler.edu/grtheses/418.

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42

Wilcox, Russ. "A Constant Haunting." Digital Commons @ Butler University, 2019. https://digitalcommons.butler.edu/grtheses/512.

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43

Zamo, Michaël. "Statistical Post-processing of Deterministic and Ensemble Wind Speed Forecasts on a Grid." Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLA029/document.

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Les erreurs des modèles de prévision numérique du temps (PNT) peuvent être réduites par des méthodes de post-traitement (dites d'adaptation statistique ou AS) construisant une relation statistique entre les observations et les prévisions. L'objectif de cette thèse est de construire des AS de prévisions de vent pour la France sur la grille de plusieurs modèles de PNT, pour les applications opérationnelles de Météo-France en traitant deux problèmes principaux. Construire des AS sur la grille de modèles de PNT, soit plusieurs milliers de points de grille sur la France, demande de développer des m

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44

Sharp, Barry Shelton. "Sizhu for flute, clarinet in B-flat, violin, cello, piano, and percussion." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1751.

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Sizhu was written for the standard Pierrot ensemble though with percussion replacing the singer. This particular ensemble is capable of producing a multitude of colors while maintaining the balance inherent to a chamber group. The Chinese name, si’zhu, is a literal and figurative metaphor for these elements of the ensemble. Literally translated “silk” (sī) and “bamboo” (zhú), the word is a generalization for Chinese classical music developed in the Jiangsu province (Jiāngnán sīzhú) that utilizes strings, or “silk” instruments, and flutes, or “bamboo,” instruments in combination. A typical work

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45

Johnson, Carly Jo Lynn. "An annotated collection of twentieth century wind band excerpts for trumpet." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1117571186.

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Thesis (Ph.D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xiii, 137 p.; also includes musical examples. Includes bibliographical references (p. 133-137). Available online via OhioLINK's ETD Center

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46

Bernard-Stevens, Sarah Anne. "An examination of works for wind band, brass ensemble and percussion ensemble: “Suite Française” by Darius Milhaud, “Hats Off to Thee” by John Zdechlik and “Mercury Rising” by Nathan Daughtrey." Kansas State University, 2012. http://hdl.handle.net/2097/13756.

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Master of Music<br>Department of Music<br>Frank Tracz<br>The following report contains the research and analysis of three musical compositions prepared for effective rehearsal and performance for the Graduate Conducting Recital. The repertoire selected includes Hats Off to Thee by John Zdechlik, performed by the Kansas State University Brass Ensemble on April 18th, 2012; Mercury Rising by Nathan Daughtrey, performed by the Kansas State University Percussion Ensemble on April 3rd, 2012 and Suite Française by Darius Milhaud, performed by the Kansas State University Concert Band on April 25th, 20

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47

Milovanovic, Biljana. "A Study and Performance Guide to Dennis Kam's Sonata Ibis for Clarinet, Violin, Cello and Piano and a Performance Comparison to Four Earlier Versions of the Work." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/71.

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In 2005, Dennis Kam completed the Sonata Ibis which the ensemble Ibis Camerata premiered at the Festival Miami at the University of Miami that same year. The composition is the last of five versions of the same work, originally written for piano solo. The work was recorded by the Ibis Camerata, on their CD titled Glisten, and released in 2006 on the Albany Records music label. The composition presents an important addition to the existing repertoire for the ensemble of clarinet, violin, cello, and piano. Sonata Ibis is a single movement work not following traditional forms. The work reflects t

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48

Treybig, Joel Andrew. "An investigation and analysis of Karel Husa's Concerto for trumpet and wind orchestra /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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49

Hughes, Russell M. 1954. "Contours." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278234/.

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Contours is scored for full wind ensemble and percussion, and is approximately nine minutes in length. The title refers to the way melodic shape or contour is used to create unity and variety in the piece. Contours is a single-movement work containing three sections that are unified by thematic and harmonic materials. The melodic material is generated by three twelve-tone rows, which are then used in combination with freely composed material. The first and last sections are highly contrapuntal and rhythmically disjunct. Both sections share common rhythmic and melodic patterns. These sections

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50

Foust, E. J., and E. J. Foust. "Songs out of Sorrow." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/622987.

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Songs out of Sorrow is a seven-movement work for wind ensemble and soprano. The text and title come from the second chapter of American poet Sara Teasdale’s collection Love Songs. The methodical use of trichord combinations provides the primary harmonic and melodic language of the work, creating rising tension through the first four movements and subsequent resolution through the final three. Movement one, Spirit’s House, utilizes non-functional triadic harmonies with the addition of fourths and seconds. The second movement, Mastery, contains whole tone language. An instrumental interlude prec

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