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Relevant bibliographies by topics / Violino e piano / Dissertations / Theses

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Dissertations / Theses on the topic 'Violino e piano'

Author: Grafiati

Published: 7 September 2021

Last updated: 29 July 2025

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1

Cardoso, Filipa Soraia Mendes. "Inovações camerísticas - o trio de saxofone alto, violino e piano." Master's thesis, Universidade de Aveiro, 2012. http://hdl.handle.net/10773/9892.

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Mestrado em Música<br>Este documento tem como finalidade complementar o projeto de performance musical que se baseia em três obras para o trio de música de câmara composto por saxofone, violino e piano. A apresentação será realizada pelo Trio Ímpar, projeto criado em Agosto de 2011 e que se revela como o elemento-chave deste processo. O grupo instrumental de música de câmara composto por saxofone, violino e piano despertou o interesse de muitos compositores, sobretudo nos últimos trinta anos, pelo que, desde então, a escrita para esta formação se tem acentuado com impacto e importância sufici

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2

Sousa, Juliana. "Francisco de Sá Noronha: três obras para violino e piano." Master's thesis, Universidade de Aveiro, 2012. http://hdl.handle.net/10773/10837.

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Mestrado em Música<br>Este trabalho tem como objetivo dar a conhecer três obras para violino e piano de Francisco de Sá Noronha, violinista e compositor do séc. XIX, através da interpretação das mesmas após a sua análise e consequente edição, presentes neste documento. A documentação utilizada para a criação deste trabalho proveio, essencialmente, da Biblioteca Nacional. Os manuscritos a partir dos quais foi possível realizar esta edição e interpretação encontram-se na área de Música da Biblioteca Nacional, enquanto que os documentos que permitiram realizar uma pequena biografia sobre

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3

Saraiva, Samuel Alessandro Granjense de Lima. "Sonata para violino e piano nº 3 de Liduino Pitombeira: uma visão retórica." Universidade Federal de Minas Gerais, 2003. http://hdl.handle.net/1843/AAGS-7ZPM8N.

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This work begins by forming an idea in the readers mind of what is a rhetorical speech; later it disposes and puts the parts of the rhetoric into a systematic arrangement and relates them with music. It has one chapter entirely dedicated to the life and works of composer Liduino Pitombeira. Following it, there is a formal and rhetorical analysis of the three movements of the above-mentioned composers Sonata for Violin and Piano No.3. Then, it shows the compilation of a series of conversations with the composer through the Internet about some points detected in the analysis. The work finishes w

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4

Queiroz, Rucker Bezerra 1970. "Abordagem analitico-interpretativa da sonatina (1995) para violino e piano de Danilo Guedes Guanais." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285117.

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Orientador: Esdras Rodrigues Silva<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>O exemplar da BC (tombo 52182) acompanha 1 disquete<br>Made available in DSpace on 2018-08-02T22:31:56Z (GMT). No. of bitstreams: 1 Queiroz_RuckerBezerra_M.pdf: 4765217 bytes, checksum: 7e55476d3f6d84b0ab151a9a1764fc42 (MD5) Previous issue date: 2002<br>Resumo: o jovem compositor brasileiro Danilo Guanais reitera em sua Sonatina(1995) para violino e piano, o valor da música brasileira. Trata-se de uma obra, estilisticamente falando, bastante eclética. Isso se revela em cada

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5

Silva, Michelle Lauria. "As sonatas para violino e piano de Cláudio Santoro: aspectos técnico-violinísticos e estilísticos." Universidade Federal de Minas Gerais, 2005. http://hdl.handle.net/1843/AAGS-7YMPG3.

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This work is about the relation between the five sonatas for violin and piano by Cláudio Santoro and his aesthetic periods, emphasizing the violin part. The chosen method was to focus on the aesthetic periods of the composer, on the technical-violinistic materials, and on the analyses of the formal aspects of each movement of each sonata. The sonatas were composed in the dodecaphonic and nationalism periods (1940-1960). The meaningful similarity between the sonatas is neoclassicism, evinced in the use of the classical sonata form, combined with the new serial and nationalist elements. Concerni

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6

Amorim, Éverton Rodrigo. "Sonata Op. 61 para violino e piano de Glauco Velásquez: processos para construção de interpretação." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-05052017-120438/.

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A presente dissertação apresenta um estudo que teve por objetivo buscar subsídios para a construção da performance da Sonata Op. 61 para violino e piano do compositor ítalo-brasileiro Glauco Velásquez (1884-1914). Primeiramente realizamos um breve estudo biográfico do compositor e das influências musicais a que foi exposto, destacando sua colaboração com a violinista Paulina d\'Ambrósio. Foram comparados elementos de sua Sonata Op. 61 com as sonatas de Franck e Lekeu, por apresentarem tais compositores relações diretas de semelhança e influência sobre Velásquez. Por fim, através de estudo da p

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Sell, Carlos José. "A utilização da escrita idiomática violinística nas peças para violino e piano de Luiz Cosme." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2003. http://hdl.handle.net/10183/3442.

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Este trabalho consiste de uma investigação sobre a utilização dos elementos da escrita idiomática violinística nas três peças para violino e piano de Luiz Cosme. Através da abordagem das partes de violino, o estudo proposto pretende definir as características da escrita do compositor gaúcho para este instrumento tendo como referência o repertório tradicional.

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8

Gomes, Joana Inês Machado. "A interpretação das obras para violino e piano de Fernando Lopes-Graça: perspectiva histórica antes e depois do centenário (2006)." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/11763.

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Este trabalho pretende: contribuir para um conhecimento mais profundo das obras para violino e piano de Fernando Lopes-Graça, possibilitando uma interpretação historicamente informada; descrever e analisar o campo de relações de Fernando Lopes-Graça com os violinistas da sua época aos quais dedicou parte das suas obras e, identificar a importância e o contributo que tiveram na escrita e interpretação das mesmas. Pretende ainda verificar a evolução da interpretação dessas obras antes e depois do centenário do compositor. A estrutura do texto divide-se em duas partes. Na primeira faz-se uma suci

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Bobos-Radu, Daniela. "Maria de Lourdes Martins: a análise e a interpretação das obras compostas para violino e piano." Master's thesis, Universidade de Aveiro, 2017. http://hdl.handle.net/10773/23434.

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Mestrado em Música<br>Maria de Lourdes Martins (1926 – 2009) representa uma figura da nova geração de compositores da vanguarda do século passado que deu um contributo musical muito importante para a cultura portuguesa. O projeto artístico é dedicado ao conhecimento acerca de Maria de Lourdes Martins, enquanto pianista, compositora e pedagoga. O objetivo passará por estudar os fatores motivacionais que definem o desempenho criativo nas suas obras e em que medida tais processos de escrita podem constituir-se cruciais para a promoção da criatividade musical no Portugal do século XXI. Nesse sent

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Casado, Alexandre Alves. "Cesar Franck : sonata para piano e violino : analise comparativa de quatro edições e sua aplicação a interpretação." [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284824.

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Orientadores: Helena Jank, Esdras Rodrigues Silva<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-03T17:03:33Z (GMT). No. of bitstreams: 1 Casado_AlexandreAlves_M.pdf: 5623149 bytes, checksum: c9813f6cd2fd592df85eae6834db7978 (MD5) Previous issue date: 2003<br>Resumo: Este trabalho focaliza a sonata para piano e violino de César Franck e as propostas de arcadas e dedilhados contidas em quatro edições distintas. Dividi-se em quatro capítulos. No capítulo I, .0 compositor", apresentamos uma sucinta biografia de C. Franck,

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Cristão, Rui Pedro Mendes. "Sonata para violino e piano OP.94 bis de Sergey Prokofiev: história e análise comparativa com versão original." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/11792.

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Na realização do Mestrado em Música – Interpretação – Violino foi proposta a elaboração de um Trabalho de Projeto, no qual os alunos escolheriam o tema a abordar. O tema escolhido e que melhor define a opção para este trabalho é “Sonata para violino e piano op.94 bis de Sergey Prokofiev: história e análise comparativa com a versão original”. O seguinte trabalho centra-se na análise e comparação de duas sonatas: a sonata para flauta e piano e a sua transcrição para violino e piano, elaboradas pelo compositor russo, Sergey Prokofiev. Este documento inicia-se com um breve foco da vida e obra do c

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12

Jaramillo, García Paola Andrea. "Primeira sonata-fantasia, Désespérance, para o violino e piano de Heitor Villa-Lobos : estratégias de estudo para o violinista." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/115559.

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A presente pesquisa tem como objetivo investigar estratégias de estudo para a parte de violino da Primeira Sonata-Fantasia, Désespérance, para violino e piano de Heitor Villa- Lobos. A prática é o caminho que o instrumentista usa para desenvolver habilidades como ritmo e afinação, articulação e demais demandas expressivas da obra. O foco da prática instrumental está no uso de estratégias adequadas para vencer aspectos técnicos de determinados repertórios. Este trabalho expõe estratégias de estudo baseadas nas propostas dos professores de violino Robert Gerle e Simon Fischer nos livros: The Art

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Taliberti, Viviane Terezinha Mion Bodaczny. "Trio op. 97, 'Arquiduque' , de Beethoven: um estudo sobre sua interpretação." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-29062015-153035/.

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Este estudo analisa o Trio op. 97, escrito por Ludwig van Beethoven, mediante uma abordagem ligada às práticas interpretativas com um enfoque histórico, estético e musicológico. A pesquisa objetivou reconhecer, nessa composição, os procedimentos técnicos, sonoros e interpretativos para alcançar unidade sonora e um pensamento musical comum a uma formação camerística composta por piano, violino e violoncelo. Do ponto de vista metodológico, a pesquisa se valeu de um estudo prático-interpretativo ao piano, da revisão bibliográfica de estudos analíticos da concepção e dos aspectos interpretativos d

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14

Käbisch, Renate. "Musik für Violine und Klavier." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-22968.

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Kim, Seong Ae. "Sonata for Violin and Piano." Thesis, State University of New York at Stony Brook, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3589708.

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<p> My dissertation piece is a three-movement work of 20 minute duration for violin and piano that draws significantly from elements of traditional Korean culture, especially folk dance and folk music, and secondarily from Korean folk theater and visual arts using rhythmic patterns and gestures from folk dance and melodies from folk music and extended instrumental techniques that mimic the sounds of Korean traditional music and the music that typically accompanies Korean traditional dances. </p><p> The formal shape and material intentions of the piece— the fast-slow-fast tempo profi

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16

Lim, Ahrhim. "The Romances for Violin and Piano by Robert and Clara Schumann: A Comparison and Contextualization." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1543579293352703.

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Collins, Susan May. "The violin and piano music of Raymond Hansen /." Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20051110.160444/index.html.

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HÖHMANN, REIKO CHRISTINE. "FOUR TWENTIETH-CENTURY SONATINAS FOR VIOLIN AND PIANO." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1171310483.

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Chi, Ju-Yang. "Musical Instrument Ergonomics in Violin and Piano Performance." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/30064.

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The compatibility of the instrument with human physical abilities and characteristics is one of the principles in ergonomics. Inadequate instrument set-ups and sizes that mismatch the player’s physical attributes is frequently cited as one of the risk factors contributing to the development of playing-related musculoskeletal disorders (PRMDs) in violin and piano performers. For violinists, playing in a sustained asymmetric posture is inevitable and it has been observed that the left upper limb, which is the side that supports the instrument, is predominantly symptomatic in upper string players

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O'Neill, Alice Ann M. "Parent as home teacher of Suzuki cello, violin, and piano students observation and analysis of Suzuki method practice cessions /." Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1070376603.

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Thesis (D.M.A.)--Ohio State University, 2003.<br>Title from first page of PDF file. Document formatted into pages; contains x, 99 p.; also includes graphics (some col.) Includes bibliographical references (p. 96-99). Available online via OhioLINK's ETD Center

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MacAdam-Somer, Batya. "Program notes Masters recital, October 3, 2009 /." Diss., [La Jolla, Calif.] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/fullcit?p1470608.

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Thesis (M.A.)--University of California, San Diego, 2009.<br>Available via ProQuest Digital Dissertations. With accompanying disc containing sound files of the thesis recital in 44K stereo. and 96K formats.

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Flesher, Eric. "Wandering rocks : for flute, clarinet, violin, cello and piano /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11331.

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Ritchie, Anthony Damian. "The influence of folk music in Three Works by Béla Bartόk: Sonata No. 1 for violin and piano, Sonata (1926) for piano, and 'Contrasts' for violin, clarinet and piano". Thesis, University of Canterbury. Music, 1986. http://hdl.handle.net/10092/4608.

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It is well known that the compositions of Béla Bartόk are influenced by folk music. Until recently, however, musicologists in the West have treated this aspect of Bartόk's music superficially. By avoiding the folk music influence, their analyses are based on a partial knowledge only of Bartόk and consequently, the conclusions they make are severely limited. The purpose of this study is to delve deeply into the folk music influence on Bartόk's compositional style and to take full account of his ethnomusicological knowledge when analysing his music. In order to do this, I have limited my study t

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Facchini, Fiammetta. "Psycho-physio dynamics in violin-piano duo: a pianist's perspective." Doctoral thesis, Universidade de Aveiro, 2014. http://hdl.handle.net/10773/13820.

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Doutoramento em Música<br>The case study looked at psychological and physiological responses to stress in musicians, comparing a newly formed and a consolidated violin-piano duo. The common element between these duos was the pianist. Using the psychological tests (STAI Y1 and Y2, K-MPAI, MMPI-2, ICAC), the immunoassay saliva test to measure cortisol (stress hormone) and non- invasive device VitalJacket® developed at the University of Aveiro, Portugal, participants were monitored under various performance conditions. Others quantitative and qualitative dataset were collected including a pianist

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Peeva, Adela Nikolova. "The Bulgarian Folklore Influence in Selected Works for Solo-Piano and Violin-Piano Duo of Pancho Vladigerov." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/101.

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The main goal of this paper is to discuss the tradition of Bulgarian folk music based on three significant folk-inflected compositions by Pancho Vladigerov, and thereby to contribute to the literature on Vladigerov's compositional style and influences. For this purpose, I have chosen three of his most popular and frequently performed compositions which are also representative of the stylistic trends in his music. They are: Bulgarian Rhapsody (op.16, 1922) for Violin and Piano, Song from Bulgarian Suite (op.21, 1927) for Violin and Piano and Shumen Miniatures (op. 29, 1934) for Solo Piano.

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Tu, Kuan-Chang. "In the Fingertips: A Discussion of Stravinsky's Violin Writing in His Ballet Transcriptions for Violin and Piano." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337288174.

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Metsvahi, Liisi. ""Ballade" by Eduard Tubin : An Estonian tale for violin and piano." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2467.

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The purpose of this study is to ascertain if exercising mental training, analysis and research on a musical piece before beginning the physical practicing process will benefit and simplify the learning process. The piece chosen is Eduard Tubin’s “Ballade” for violin and piano. Different sections have been analysed and translated into a narrative from my point of view. Historical background information is presented and the piece is also visual as a graph. From my research I deduct that mental techniques should be much more engaged into the everyday practice routine to avoid frustration and phys

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Joo, Hyun-Jung. "The ten sonatas for piano and violin by Ludwig van Beethoven." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/9712.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Music. Title from t.p. of PDF. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Audio available on compact disc;

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Baldwin, Richard Philip. "An analysis of three violin sonatas by William Bolcom." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1094823557.

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Archambault, Étienne. "Sans étoiles du continu et du discontinu : essai sur les modalités de transition et d'incidence." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112609.

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Sans etoiles is a musical composition in three movements written for clarinet, horn, violin, cello and piano. This essay deals with the principal characteristics of the musical material used in the piece, the modalities governing transitional processes and the influence of these factors on memory and the perception of musical time. The artistic project gave way to a reflection on the directional aspects of music in order to establish transitional links between independent musical entities defined as 'musical objects'. The main transitional agent between these entities consisted of an autonomou

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Ohlwein, Anna-Lena. "Grieg och fred : Hur jag som violinist kan använda mig av fingersättningar och pianostämman i instuderingen av sonater." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2978.

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Det här arbetet handlar om min instuderingsprocess av Edvard Griegs sonat för violin och piano op. 8. Under arbetets gång har jag huvudsakligen fokuserat på två frågeställningar: Hur kan jag använda fingersättningar på bästa sätt för att underlätta för intonation och musikalisk idé? Hur kan pianostämman i en sonat för violin och piano hjälpa mig att tolka violinstämman? De fingersättningar som föreslogs i utgåvan jag använde fungerade inte så bra för mig. Detta fick mig att fundera över hur man kan använda fingersättningar för att underlätta för intonation och musikalisk intention. På grund av

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Young, Aaron. "Four pieces for quartet : a composition for violin, violoncello, piano, and percussion." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/27802.

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“Four Pieces for Quartet” is a 27 minute chamber work for violin, violoncello, piano, and percussion. Influenced by various elements of jazz composition and practice, its four movements draw from various eras of jazz history for source material. The chosen material from ragtime, bebop, modal, and modern jazz sub-genres functions as the impetus for motive and rhythmic development, gesture, compositional structure, instrumentation, orchestration, and instrumental interaction throughout the work. With the appropriation and incorporation of these materials, the composition seeks to subtly merge ja

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Veloso, Ana Cristina Faria. "Nove canções populares portuguesas para violino com acompanhamento de piano : proposta de uma edição num contexto didático e cultural." Master's thesis, 2015. http://hdl.handle.net/10400.14/19367.

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A presente dissertação consiste num projeto educativo que prevê a edição de um livro de nove peças para violino e piano baseado em músicas tradicionais portuguesas. O objetivo é de incluir a canção portuguesa como mais uma forma metódica e pedagógica para o aluno e assim dar-lhe a oportunidade de este se familiarizar desde muito cedo com uma fonte musical e cultural do seu próprio país de origem. A edição pretende apoiar o ensino do instrumento nas escolas de música portuguesa, fornecendo um suporte pedagógico para o repertório do ensino de iniciação do violino. Para contextualização metódica

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"Cesar Franck : sonata para piano e violino : analise comparativa de quatro edições e sua aplicação a interpretação." Tese, Biblioteca Digital da Unicamp, 2003. http://libdigi.unicamp.br/document/?code=vtls000304169.

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Brown, Brittni Taylor. "Doctoral thesis recital (violin)." Thesis, 2013. http://hdl.handle.net/2152/23947.

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Kim, Min Jung Sinaisky Ilya. "The virtuoso violinist as composer from the Baroque period through the 20th century compositional insights and innovations." 2007. http://hdl.handle.net/1903/9727.

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Nam, Soo Jin. "Doctoral thesis recital (violin)." 2011. http://hdl.handle.net/2152/17016.

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Hsu, Chien-Tai. "Compositional traditions and innovations in violin literature the twentieth century and beyond /." 2005. http://hdl.handle.net/1903/9753.

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Lee, Chag-Hee Kim Hyun-Jung Ko Eunae Shon Eun-Jung. "Works for violin and piano by French composers, 1870-1950." 2007. http://hdl.handle.net/1903/9733.

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Yaniw, Todd. "Doctoral thesis recital (piano)." Thesis, 2014. http://hdl.handle.net/2152/24535.

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Sonata for violin and piano in G major, K.301 / Wolfgang Amadeus Mozart -- Sonata for violin and piano in G minor, L.140 / Claude Debussy -- Trio for violin, horn and piano in E flat major, op40 / Johannes Brahms.<br>text

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Bae, Hyunhee. "Doctoral thesis recital (violin)." 2010. http://hdl.handle.net/2152/15744.

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Hurwitz, Hanna. "Master's thesis recital (violin)." Thesis, 2012. http://hdl.handle.net/2152/23964.

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Lee, Julie. "Doctoral thesis recital (violin)." Thesis, 2014. http://hdl.handle.net/2152/24515.

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Chung, Inyoung. "Doctoral thesis recital (violin)." 2011. http://hdl.handle.net/2152/16127.

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Nam, Soo Jin. "Doctoral Thesis Recital (violin)." Thesis, 2012. http://hdl.handle.net/2152/19433.

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Watson, Roseminna. "Artist Diploma Recital (violin)." Thesis, 2012. http://hdl.handle.net/2152/19553.

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Sung, Kyoung Joo. "Doctoral thesis recital (violin)." Thesis, 2014. http://hdl.handle.net/2152/24508.

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Youn, Hyo Joung. "Doctoral thesis recital (collaborative piano)." Thesis, 2012. http://hdl.handle.net/2152/23781.

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HSU, YEN-JUNG, and 許晏榕. "The Equal Partnership of Piano and Violin – Beethoven’s Sonata for Piano and Violin in D Major, Op. 12 No.1." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/g84dj7.

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Abstract:

碩士<br>東吳大學<br>音樂學系<br>107<br>The theme of this research paper explores the equal partnership between piano and violin in the sonata, which mainly analyzes the－ Beethoven’s Sonata for piano and violin in D Major, Op. 12 No.1. Beethoven’s Op.12 compose with three sonatas for piano and violin, and this work is the first of them, composed of three movements. Three of Violin Sonatas Op.12 were published in 1799 by Artaria of Vienna, and are the only works of ten violin sonatas dedicated to his teacher Antonio Salieri (1750-1825). This article will start with the classical music sonatas, and the com

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Moon, Chaekyung. "Doctoral thesis recital (piano)." 2011. http://hdl.handle.net/2152/17015.

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