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Journal articles on the topic 'VIP (Artists' group)'

Author: Grafiati

Published: 29 July 2024

Last updated: 19 July 2025

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1

Хилько, Б. В., and В. А. Шарифуллина. "Peculiar properties of the artistic strategy of the Saint Petersburg artist Vic (V.Yu. Zabelin)." Iskusstvo Evrazii [The Art of Eurasia], no. 2(29) (June 30, 2023): 224–41. http://dx.doi.org/10.46748/arteuras.2023.02.007.

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Статья посвящена творчеству петербургского художника В.Ю. Забелина (Вика) и впервые вводит в научный оборот ряд его произведений. Вячеслав Юрьевич Забелин (1953–2016) — активный участник ленинградского андеграунда 1970–1980-х годов: основал творческую группу «Алипий», был одним из создателей ТЭИИ (Товарищества экспериментального изобразительного искусства) и первых независимых петербургских галерей. Исследование предпринято с целью определить особенности художественной стратегии Вика, находящейся на пересечении традиционного, авангардного и актуального искусства. Для характеристики произведени

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Belder, Lucky. "Art lending in the Netherlands." Art Libraries Journal 12, no. 1 (1987): 47–50. http://dx.doi.org/10.1017/s0307472200005071.

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The loan of works of art to the public was initiated in the Netherlands in 1955 through a scheme set up by a group of artists to encourage people to purchase contemporary art. The success of this scheme attracted support from the government, which was itself acquiring works in the process of assisting artists. Works thus acquired were lent to public institutions and government bodies, but from the 1970s they were also made available for loan to the public via artotheques. These two schemes gave rise to over a hundred art lending centres including hybrid establishments owing something to both;

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Tingay, Steven. "Indigenous Australian artists and astrophysicists come together to communicate science and culture via art." Journal of Science Communication 17, no. 04 (2018): C02. http://dx.doi.org/10.22323/2.17040302.

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During the International Year of Astronomy in 2009, we initiated a collaboration between astrophysicists in Western Australia working toward building the largest telescope on Earth, the Square Kilometre Array (SKA), and Indigenous artists living in the region where the SKA is to be built. We came together to explore deep traditions in Indigenous culture, including perspectives of the night sky, and the modern astrophysical understanding of the Universe. Over the course of the year, we travelled as a group and camped at the SKA site, we sat under the stars and shared stories about the constella

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Weisman, A., T. Yona, U. Gottlieb, R. Ingel, and Y. Masharawi. "Tattoo artists and dental workers have similar musculoskeletal pain patterns." Occupational Medicine 72, no. 1 (2021): 43–50. http://dx.doi.org/10.1093/occmed/kqab149.

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Abstract Background Tattoo artists are an understudied population with regards to musculoskeletal (MSK) pain. Aims To explore the characteristics of MSK pain among Israeli tattoo artists and determine whether they are similar to those of dental workers. Methods An online survey including demographics and the Hebrew version of the Extended Nordic Musculoskeletal Questionnaire was disseminated via Israeli social media groups. We directly compared tattoo artists, dental workers and office workers as a reference group. Results Altogether, 114 tattoo artists, 161 dental workers and 296 office worke

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Yavuz, Perin Emel, and Ekin Akalın. "DEMIR ONGER, COLLECTIONNEUR DU GROUPE DU CAFÉ DU GYMNASE À PARIS." Manazir Journal 6 (May 14, 2025): 191–213. https://doi.org/10.36950/manazir.2024.6.8.

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Après la Seconde Guerre mondiale, les artistes turcs de l'École de Paris jouent un rôle significatif dans la scène artistique parisienne, participant activement aux débats entre abstraction et figuration. Peintres et sculpteurs turcs exposent dans des salons majeurs comme le Salon de Mai et le Salon des Réalités Nouvelles, affirmant leur présence au sein de l'avant-garde parisienne. Leurs interactions avec des figures influentes de l'art moderne, ainsi que leur participation à des expositions clés, témoignent de leur intégration dans le milieu artistique français. La mémoire de cette génératio

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Tanyildizi, Seda Ozen. "Scale: New Strategies in Site-Specific Art." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 107–12. http://dx.doi.org/10.18844/prosoc.v4i11.2864.

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Today, one of the crucial issues for discussions on site-specific art is scale. The journey of site-specific art, starting with a quite minimal insertion into an empty gallery space is now institutionalised according to utterly different aims, sometimes involving enormous dimensions. However, to discuss the subject of ‘site-specific art’ only with regard to high-budget projects of major institutions would mean ignoring the large group of artists who work outside these controversial circumstances, employ physical features of a site as a tool to convey their artistic approaches, and do not make

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PAEK, Kyong-Mi. "THE CREATIVE CULTURAL PRACT ICE OF SHARING ECOTOPIAN VISIONS THROUGH A COLLABORATIVE ART PROJECT / KŪRYBINĖ KULTŪRINĖ EKOTOPINIŲ VIZIJŲ DALIJIMOSI PRAKTIKA KOLABORACINIAME MENO PROJEKTE." Creativity Studies 10, no. 1 (2017): 43–58. http://dx.doi.org/10.3846/23450479.2017.1337049.

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Today’s environmental challenges have prompted educators to explore ways to promote environmental sustainability. Contemporary artists working in ecological realms have presented distinct ways of understanding ecological concerns and proposed creative solutions to environmental challenges through ingenious means that reach people beyond scientific realms. Despite recognition of those creative cultural practices as invaluable educational resources, such efforts have not been a significant part of art curricula. This article aims to expand art’s potential role via reports on a recent curriculum

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Mahmutova, Dar'ya, and Dar'ya Gerasimova. "Digital Illustration Marketing via Blogs in the VKontakte Social Network." Virtual Communication and Social Networks 2023, no. 3 (2023): 160–66. http://dx.doi.org/10.21603/2782-4799-2023-2-3-160-166.

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Social networks provide a convenient platform for art dealing and marketing. Many digital illustrators have art blogs where they post and promote their work, which they may also exhibit at traditional offline galleries. The sphere of digital art is highly competitive and open to new effective promotion tools, which makes it a prospective research subject. This study featured an online community of digital artists in the VKontakte social network, as well as the methods they use to attract potential buyers and increase their fandom. The research relied on the information and communication method

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Kanngieser, Anja. "… And … and … and … The Transversal Politics of Performative Encounters." Deleuze Studies 6, no. 2 (2012): 265–90. http://dx.doi.org/10.3366/dls.2012.0062.

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This paper examines Guattari's notion of transversality through a creative and ambiguous form of political intervention, the performative encounter. Drawing from Guattari's work on subject groups, in combination with Deleuze's conjunctive ‘and’, via contemporary theorisations of creative activism and affect, it maps out a movement that destabilises categorical dualisms between activists and non-activists, artists and non-artists. It proposes that transversals such as those enacted by the performative encounter open spaces for the emergence of new subjectivities, relations and worlds. In doing

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Boersma, Petra, Tjeerd van der Ploeg, and Robbert J. J. Gobbens. "The Added Value of Art for the Well-Being of Older People with Chronic Psychiatric Illnesses and Dementia Living in Long-Term Care Facilities, and on the Collaboration between Their Caregivers and Artists." Healthcare 9, no. 11 (2021): 1489. http://dx.doi.org/10.3390/healthcare9111489.

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This study sought to provide insight into how art activities influence the well-being of long-term care residents, and how artists and caregivers collaborate in offering these activities. In two long-term care facilities for people with dementia and one for older people with chronic psychiatric disorders, an uncontrolled pre- and post-test study was conducted using a mixed-method design. Forty-six residents participated in the study. Three art activities—(a) dance, (b) music and movement, and (c) visual arts—were studied and co-created with the residents and executed by artists and caregivers

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Mucha, Janusz. "Integration of Migrants in a Major Polish City. Kraków’s Public Cultural Institutions and the “New Ukrainians”." Studia Migracyjne – Przegląd Polonijny 47, no. 3 (181) (2021): 269–92. http://dx.doi.org/10.4467/25444972smpp.21.041.14461.

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The article deals with the integration processes of Polish native inhabitants of Kraków and the newest (since 2014) migrants from Ukraine (70–100,000 in a city of about 800,000). One of the main actors in these processes are municipal public cultural institutions. Using a number of methods, the needs of the Ukrainian population in Kraków were assessed and the offer of the local public institutions was studied. A focus group, IDIs, analysis of websites, Facebook profiles, and participatory observation were used. A basic problem for migrants is finding information on the local cultural offer pre

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Schmidt, Christopher. "Vik Muniz's Pictures of Garbage and the Aesthetics of Poverty." ARTMargins 6, no. 3 (2017): 8–27. http://dx.doi.org/10.1162/artm_a_00187.

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This essay focuses on Brazilian–American artist Vik Muniz's 2008 Pictures of Garbage and the pendant 2010 documentary on their making, Waste Land, directed by Lucy Walker. Muniz enlists a group of Brazilian garbage pickers as subjects and participants in the construction of their own portraits, using garbage picked from a landfill outside of Rio de Janeiro. The use of garbage as a material draws attention to global patterns of exploitation that produce both the waste itself and the poverty of the garbage pickers. However, this essay argues that Muniz's social aims are undermined by formal inco

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Głuchowska, Lidia. "The multifaced image of the Polish idiom(s) of Cubism and links of the ‘Poznań Expressionists’ to the Czech artistic scene." Umění 72, no. 3 (2024): 223–43. https://doi.org/10.54759/art-2024-0303.

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Until recent times international researchers perceived Polish art as practically untouched by Cubism. In fact, the affinity towards this style in Poland was remarkable. It is apparent not only among the members of École de Paris and the future members of the Formists group, who until 1919 called themselves Polish Expressionists, but also among more radical future members of Bunt (Rebellion) as well as for example Yung Yiddish circle, some of whom early became directly familiar with this style in Paris. There were also post-Cubist emanation in Polish arts, such as Purism and Art Déco, which bec

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Guo, Zhenni, and Thanyalak Moonsuwan. "Educational Processes in the Creation of Youth Fitness Dance Among the Northern Sichuan Qiang Ethnic Group in Chengdu." Journal of Posthumanism 5, no. 5 (2025): 3438–53. https://doi.org/10.63332/joph.v5i5.1753.

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This study investigates the educational processes involved in developing a culturally integrated youth fitness dance inspired by the traditional motions of the Northern Sichuan Qiang ethnic group. The initiative, based on exercise physiology, human anatomy, and ethnographic study, aims to combine the expressive features of Qiang dance with the regimented style of modern aerobics. To assure cultural authenticity and pedagogical appropriateness, the creative team undertook extensive fieldwork in Qiang communities, spoke with local folk artists, and worked with educational institutions. It compri

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Liu, Weina. "Prediction of martial arts impact effect and training effect evaluation based on biomechanical model." Molecular & Cellular Biomechanics 22, no. 5 (2025): 1505. https://doi.org/10.62617/mcb1505.

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Martial arts training involves high-impact motions, which can have both beneficial and negative consequences. Understanding these consequences via a biomechanical perspective is critical for improving performance and reducing injury risk. The purpose is to use a biomechanical model to predict impact effects and evaluate martial arts training outcomes. It involved two separate groups of martial artists to evaluate the impact and training effects at different skill levels. The professional martial artists group had at least 5 years of martial arts training experience, and the beginner group had

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Machado, João Carlos. "Operatividade: uma possibilidade para a transdisciplinaridade." Revista Interfaces 33, no. 1 (2024): 80–103. http://dx.doi.org/10.60001/ricla.v33.n1.5.

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O texto trata de possibilidades de relação entre as artes e outras disciplinas a partir da noção de operatividade proposta pelo autor, influenciada pela noção de imaginação material de Gaston Bachelard e pelas pesquisas práticas do autor em diversas linguagens artísticas. Para tanto, são analisadas algumas concepções históricas sobre as noções de composição, de processos criativos e de relação entre as artes, principalmente a partir do modernismo, de Kandinsky até integrantes do grupo Fluxus, considerando desde as abordagens de correspondências sensoriais até a intersecção das artes via os pro

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Singhal, Samarth. "From Painting to Picturebook: Bhajju Shyam’s Insider Indigenous Art." IAFOR Journal of Arts & Humanities 11, no. 2 (2024): 93–105. https://doi.org/10.22492/ijah.11.2.07.

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An outsider’s perspective has historically dominated representation of Indian Indigenous communities. Adivasi individuals have borne the brunt of primitivism encouraged by anthropologists, artists, writers, and administrators. An insider’s perspective is missing. Bhajju Shyam, a traditional Pardhan singer-storyteller, from the larger Gond tribe, negotiates with primitivism via “Gond painting” in the contemporary Anglophone picturebook. An insider, bearer of a ritual bardic cultural function, narrates the story of his work and his community using the medium at hand. This is a powerful reversal

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Ozcelik, Huseyin. "Ceramic wall panels in architecture: The case of the work of art titled “Freedom”." Global Journal of Arts Education 7, no. 1 (2017): 12–18. http://dx.doi.org/10.18844/gjae.v7i1.1830.

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Abstract Looking at its historical process, the ceramic tile technique that appears in religious, military and administrative buildings as a wall cladding method, has nowadays given way to ceramic wall panels that contribute to the aesthetic values of contemporary architectural structures. This contribution made by the coordinated effort of the architect and the artist via ceramic wall panels, which started to be installed at specifically reserved spots within such contemporary architectural structures, also adds a positive impression on the identity of the structure. These panels, which

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McDonnell, Ben. "Teaching Photography via Photography." International Journal of Management and Applied Research 7, no. 3 (2020): 267–82. http://dx.doi.org/10.18646/2056.73.20-019.

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This reflective paper draws on an evaluation of current online pedagogy but also the authors practice as an artist that revolves around forming a relationship between image and sound. As such ‘Listening’ and ‘Looking’ are used as a broad structure for six short essays that draw on experiences of moving to online delivery to consider the virtual classroom as an amorphous, fluid space that can be both problematic but also present opportunities for innovative teaching and learning. In addition to the six reflective essays; Latency, Volume, Spaces to Speak, Lebenswelt, Screenshare and The Thingnes

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McDonnell, Ben. "Teaching Photography via Photography." International Journal of Management and Applied Research 7, no. 3 (2020): 267–82. https://doi.org/10.18646/2056.73.20-019.

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This reflective paper draws on an evaluation of current online pedagogy but also the authors practice as an artist that revolves around forming a relationship between image and sound. As such ‘Listening’ and ‘Looking’ are used as a broad structure for six short essays that draw on experiences of moving to online delivery to consider the virtual classroom as an amorphous, fluid space that can be both problematic but also present opportunities for innovative teaching and learning. In addition to the six reflective essays; Latency, Volume, Spaces to Speak, Lebenswelt, Scre

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Lenkevich, Alexander, and Alina Latypova. "Interface as a Thorn in the Flesh: Game Controllers and Radical Body Engineering." Philosophical Literary Journal Logos 34, no. 6 (2024): 157–76. https://doi.org/10.17323/0869-5377-2024-6-157-176.

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The article considers new ways of interaction, non-typical interfaces and controllers based on the deconstruction of classical game design systems of control and on the deconstruction of the gamer’s body. Already in the middle of 1960s Marshall McLuhan, anticipating the critique of technologies and virtual capitalism that unfolded later in cyberpunk novels, noticed that our bodies and central nervous system belonged to big corporations. The organisation of sensibility via interfaces and controllers, different apparatuses, and technical devices ceased to be a dream of futurologists and science

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Ivashkevich, Olga, and Oscar Keyes. "Youth Policing, Surveillance, and Digital Media Performances of In/Visibility." Visual Arts Research 48, no. 1 (2022): 29–43. http://dx.doi.org/10.5406/21518009.48.1.03.

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Abstract The article unpacks the history and function of hypervisibility via surveillance mechanisms used to monitor and classify subjects within the criminal justice system, using social theories proposed by Michel Foucault and Allan Sekula; offers examples of digital media artists who experiment with techniques designed to evade bodily monitoring and surveillance; and discusses a digital media project with a group of adolescent girls in a juvenile arbitration program who video-recorded their slam poetry performances and then deliberately masked/obscured their bodily appearances while editing

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Mehta, Maahi A. "Contribution to Informal Economy; Voice of Women Artisans of India." Integrated Journal for Research in Arts and Humanities 4, no. 2 (2024): 142–44. http://dx.doi.org/10.55544/ijrah.4.2.23.

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Art is not just a part of life; for some, it’s life itself! and this life is being lived to the fullest by the women artisans who not only nourish the art like their own kin but also help in promoting the GDP and shaping the economy of the country. According to the International Trade Centre, women make up for 70% of the global handicraft workforce. Here, through this exhaustive research, we shall analyze the contributions, challenges, solutions and outcomes of the voice of women artisans in India and how In- dia’s GDP has got a boost indirectly with women artisans taking the center stage. A K

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Sabilla, Noviana, and Maya Purnama Sari. "Maintaining the Existence of Wayang Golek Punakawan Sunda through Photography." Gelar : Jurnal Seni Budaya 19, no. 2 (2021): 121–28. http://dx.doi.org/10.33153/glr.v19i2.3647.

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Wayang Golek is one of the nation's cultural heritage that grows and develops in West Java, and its existence still exists today but is starting to decline. Photography is one part of the technology that can bridge the Punakawan Sundanese Wayang Golek Culture in maintaining its existence. The purpose of the research is to maintain the existence of the Punakawan Sundanese Wayang Golek Culture through the media of Photography. The research method uses a qualitative descriptive approach obtained through interviews, observations and is equipped with photographic works. The results of this study in

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Abet, Madzlan, Nur Khalida Binti Khalid, and Noorfathehah Binti Abdullah Sani. "Enhancing Undergraduate Student’s Understanding of Cultural Heritage Studies Through Digital Storytelling Software." Malaysian Journal of Social Sciences and Humanities (MJSSH) 7, no. 3 (2022): e001362. http://dx.doi.org/10.47405/mjssh.v7i3.1362.

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The young generation that grew up after the 21st century is under the influence of digital data, smart gadgets, as well as tools that allow them to process information differently. To date, digital storytelling has been studied as a platform for communicating with students in developing information literacy and cultural understanding. Therefore, this study investigated whether DST can help students increase their knowledge of arts and cultural heritage and improve their engagement in developing technological and scientific skills. A purposive sample of 60 (Group 1 and Group 2) first-year stude

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Ackermann, Taren-Ida, and Julia Merrill. "Rationales and functions of disliked music: An in-depth interview study." PLOS ONE 17, no. 2 (2022): e0263384. http://dx.doi.org/10.1371/journal.pone.0263384.

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Background and objectives With a few exceptions, musical taste has been researched via likes or preferences of certain types of music. The present study focuses on disliked music and takes a broad approach to cover explanatory strategies related to personal dislikes. Methods In-depth interviews were conducted with 21 participants in five age groups. Interviewees were asked to prepare a list of their disliked music, and for each item they were asked about the reasons for the dislike. To ensure that the complexity and range of the participants’ dislikes and rationales were captured in the analys

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Huusko, Timo. "Transnationality and stylistic ideology in semi-cubist Finnish art between 1914 and 1923." Quart, no. 2(72) (October 7, 2024): 46–65. http://dx.doi.org/10.19195/2449-9285.72.5.

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The article focuses on the changes in Finnish modern art and artistic discourse caused by World War I and Finnish Independence in 1917–1918. World War I changed artistic networks radically, because travel to France was no more possible, and Independence of Finland changed the art world with the ideas of national modernism. These changes centred in Finland around the role of cubism – seen as a logical continuation of Paul Cézanne’s art – and were expressed in both formal language and artistic discourse. Questions of “primitive” in art and its connection to cubism and to what is national in art

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Abramkin, Ivan Aleksandrovich. "The role of the accessory in a female interior portrait by E. Vigée Le Brun." Человек и культура, no. 6 (June 2023): 153–63. http://dx.doi.org/10.25136/2409-8744.2023.6.69108.

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The article is devoted to the consideration of female interior portraits created by E. Vig&#233;e Le Brun in Russia. The purpose of the study is to reveal the role of the accessory in the portrait concept of the French artist, which is characterized by close attention to the subject matter of painting. The relevance of the work is conditioned by the fact that a careful study of this group of works, which represent the model in a waist type, contributes both to the comparison with portraits that show the figure in a knee-high or full-length image and emphasize three-dimensional aspects in i

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Sinner, Carsten. "La influencia de la lengua por los medios de comunicación y la difusión de regionalismos en castellano." Spanish in Context 1, no. 1 (2004): 95–111. http://dx.doi.org/10.1075/sic.1.1.07sin.

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Generally, there are no doubts felt that the media influence the language and contribute to the expansion of individual linguistic creations, of group-specific linguistic devices or regionalisms. Yet, proof is lacking that the apparently ‘obvious’ influence of the media does really exist or that it is as strong as commonly maintained, and it is widely admitted that it is almost impossible to gather statistically significant proof of any influence of the media on the language. This contribution gives evidence from Spanish, showing that the regional Spanish words chafardear and chafardero, from

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Sobkovych, Olha. "Folk poetics in creative work of Petro Kholodnyi Senior." Bulletin of Lviv National Academy of Arts, no. 42 (December 27, 2019): 66–78. http://dx.doi.org/10.37131/2524-0943-2019-42-10.

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Summary. The defined issue is the new angle to study Petro Kholodnyi Sr. heritage, that allows to research the thematic interest features and style synthesis specific to artist`s original language, where we can trace the modernist style, symbolism, byzantine style and impressionism echoes. It was observed an important group of artwork by Kholodnyi Sr. in the article. Together with the sacral heritage, they have played a significant role in the reviving of the Ukrainian national art in the first part of XX century - the compositions on the folk themes. The comprehensive review of the folk poeti

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Ifeyinwa, Agwah Eunice. "Awareness of Occupational Hazards and Safety and Health Practices Among Wood Artisans in Imo State." Journal of Clinical Case Reports and Studies 6, no. 4 (2025): 01–09. https://doi.org/10.31579/2690-8808/253.

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Wood occupation is a gainful job, and has contributed immensely to socioeconomic development of many developed and developing countries of the world, including Nigeria. However, activities involved in wood processing often expose artisans to various occupational hazards. This study is aimed at assessing awareness of occupational hazards, safety and health practices among wood artisans in Imo State, Nigeria. A descriptive cross-sectional design was adopted for the study. Two hundred and sixteen (216) wood artisans (saw millers, wood carvers and carpenters), who consented and met inclusion crite

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Garfield, Rachel. "Peggy Ahwesh, Steve McQueen and Russell T. Davis: Reflections on the 1980s under lockdown." Moving Image Review & Art Journal (MIRAJ) 9, no. 2 (2020): 270–75. http://dx.doi.org/10.1386/miraj_00052_1.

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In lockdown as I finished my five-year project, on women experimental filmmakers from the 1970s and 1980s, I have been focusing on this past time that formed me. Watching films by artist/filmmakers that I love has helped to keep my anger at the present at bay. A parallel journey back in time has been playing out on TV via the high-profile voices of Steve McQueen and Russell T. Davis. Steve McQueen’s series, Small Axe pays tribute to the Black communities’ struggles, as the postwar era waned and the aggressively neo-liberal individualist world waxed. The anger and activism from an earlier perio

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Duggleby, Beth. "Lullabies in Lockdown illustration exhibition." Journal of Illustration 12, no. 1 (2025): 37–59. https://doi.org/10.1386/jill_00108_1.

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From 2020 onwards, the COVID-19 pandemic disrupted and significantly altered our familiar way of life. For those experiencing parenthood for the first time, they found themselves adjusting to two new realities. This article asks the question, ‘What can illustrated stories within the gallery offer to uncover, support and unite those with shared but unspoken lived experience?’ More broadly, it looks, via a group exhibition case study, at the opportunities of the gallery space for purposing illustration and its unique qualities, as a gentle invite to engage audiences with hidden and emotionally c

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Paull, John. "Ileen Macpherson: Life and tragedy of a pioneer of biodynamic farming at Demeter Farm and a benefactor of Anthroposophy in Australia." Journal of Organics 4, no. 1 (2017): 29–56. https://doi.org/10.5281/zenodo.5211334.

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Edith Ileen Macpherson (1898-1984) was a co-founder of Australia’s original Demeter Farm (c.1934-1954) along with her partner Ernesto Genoni (1885-1974). Ileen was a member of Rudolf Steiner’s Experimental Circle of Anthroposophic Farmers and Gardeners (from 1936). Ernesto was the first Australian member (from 1928). At their Demeter Farm in Dandenong, Victoria, they practiced biodynamic agriculture on over 40 acres (16 ha) through the years of the Great Depression, through World War II, and for the first decade of the post-war years, producing milk, f

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Sharma, Natasha, and Sandra Alexander. "Towards Hope As Practice." Journal of Public Space 9, no. 2 (2024): 233–44. http://dx.doi.org/10.32891/jps.v9i2.1788.

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Low-income neighbourhoods in our cities are often poorly-planned spaces that exacerbate socioeconomic disparities their residents face. These inequities also impact their health, especially communities in the Global South who are vulnerable to the impacts of climate change. One such example of an inadequately planned rehabilitation neighbourhood is Natwar Parekh in Mumbai’s Govandi. Over 25, 000 former slum dwellers - the population of a tier 3 city - have been crammed into 61 seven-storey buildings, with 80% homes having little to no access to sunlight or ventilation. The area is flanked by A

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Satria, Abie Wirawan, Ishak Husin, Adhitya Ilham Ramdhani, HS Sulistyowati, and Zaenal Mutaqin Subekti. "APPLICATION OF SIMPLE ADDITIVE WEIGHTING (SAW) METHOD FOR DETERMINING SUITABLE COLLEGE FOR STUDENTS OF NATIONAL ALIYAH SCHOOLS." Antivirus : Jurnal Ilmiah Teknik Informatika 18, no. 2 (2024): 294–302. https://doi.org/10.35457/antivirus.v18i2.3935.

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One in the field of services and services. Make-up services exist to meet the make- up needs of various events, helping women to be more confident and special on their special days. In Bekasi, there is one facial makeup artist who offers her services, namely Syifa Beauty. However, in terms of marketing, this service still uses manual methods, so promotions and information obtained by potential customers are limited. The information system for make-up service providers is designed as a meeting medium for make-up service providers and potential customers with the help of technology. The purpose

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Kombui, Babaaradio, Eric Appau Asante, Dickson Adom, and Eugene Padditey. "Animistic Practices in the Production of Indigenous Visual Arts in the Bussie Traditional Area, Ghana." International Journal of Creative and Arts Studies 11, no. 2 (2024): 78–94. https://doi.org/10.24821/ijcas.v11i2.12725.

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The concept of the supreme deity delegating power to lesser spirits and quasi-mythological deities has been part of the esteemed worldview of the Sissala ethnic society. As such, animistic practices and strict observance of taboo systems permeate in the production of indigenous visual artefacts that served as receptacles and offerings for the deities and spirits believed to rule the cosmos and human affairs among the Sissala of the Bussie traditional area. The indigenous arts were practiced by specialized village guilds and the skills are passed on to the younger generation through hereditary

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Amir Sharji, Elyna, Ah Choo Koo, and Dendi Permadi. "Understanding the Process of Designing Multimedia Gallery using Multimedia Gallery Framework." International Journal of Creative Multimedia 4, no. 2 (2023): 88–104. http://dx.doi.org/10.33093/ijcm.2023.4.2.6.

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Designing spatial layout environment for multimedia galleries involves understanding of the design process, and the implementation of design concepts into architectural design sketches and 3-dimensional visualizations. Consideration for visitors’ experience significantly improves the space treatment and usage. This research focuses on designing multimedia galleries based on the six basic spatial layouts, inclusive of gallery affordance component in the multimedia gallery framework. The objectives of this research are; i). To establish the preliminary design process and expression of ideas via

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Monteiro, Ana Karine da Costa, Maria do Carmo Campos Pereira, José Diego Marques Santos, Raylane da Silva Machado, Lidya Tolstenko Nogueira, and Elaine Maria Leite Rangel Andrade. "Efeito da intervenção educativa no pós-operatório de pessoas com estomias intestinais de eliminação: revisão sistemática." Enfermería Global 19, no. 1 (2019): 648–90. http://dx.doi.org/10.6018/eglobal.19.1.368501.

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Objetivo: Identificar la efectividad de la intervención educativa em el postoperatorio de personas con estomias intestinales de eliminación. Método: Revisión sistemática de la literatura registrada en el PRÓSPERO: 42018094601 y realizada en abril de 2018, en las bases MEDLINE, Web of Science, CINAHL, SCOPUS, Cochrane, LILACS y BDENF vía Biblioteca Virtual em Salud (BVS), además de las listas de referencia de los artículos seleccionados para encontrar literatura relevante adicional. Se incluyen artículos con diseño experimental (por ejemplo, estudios no controlados, estudios controlados y ensay

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Mallet, Julien. "Insularity and Musical Horizons in Madagascar. Local Networks, Global Connection and Vice Versa." Youth and Globalization 4, no. 2 (2023): 178–94. http://dx.doi.org/10.1163/25895745-04020010.

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Abstract In Madagascar, musical genres that were previously exclusively regional have been broadcast nationwide for a few years. One of the notable changes concerning representations lies in the transition from identity referents linked to regional and/or ethnic affiliations to referents (assigned by the capital’s media) belonging to a globalizing register: mafana music (“hot music”). Artists, taken in this category, have migrated to the capital and are building new musical forms combining regional or ethnic repertoires and international modern forms, in particular by affirming and claiming a

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Jávor, Anna. "Johann Lucas Kracker: új kutatási eredmények." Művészettörténeti Értesítő 70, no. 1 (2022): 5–46. http://dx.doi.org/10.1556/080.2021.00001.

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The study surveys the investigations carried out since the publication of the author’s Kracker monograph (Budapest, 2004, in German 2005), and rectifies certain data and the oeuvre catalogue in the book at several loci. New findings are mainly contributed by the Czech Republic: Václav Mílek and Tomáš Valeš explored archival data in Nová Riše and Znojmo, which add to the currently elaborated register entries studied in Vienna and to a lesser extent in Jászó (Jasov, SK). The latter shed light on the network of social relations of the known family of artists, and lead – by virtue of Johann Lucas

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Maiste, Juhan. "Miks kõneleb Laokoon kirjasõnas ja ei kõnele marmoris?" Baltic Journal of Art History 11 (November 30, 2016): 9. http://dx.doi.org/10.12697/bjah.2016.11.02.

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In this article, the author focuses on the work called Laocoön, which was one of the most popular subjects for 18th century art writers. The first description of the work was provided by Pliny the Elder who, in the 36th volume of his Naturalis historia, calls it the best work of the art in the world – be it painting or sculpture. Pliny identifies three artists from Rhodes – Hagesandros, Polydoros and Athenedorus – as the authors of the Laocoön Group. After the sculpture was found in the vicinity of the Basilica of Santa Maria Maggiore, the Laocoön has repeatedly aroused the interest of art his

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Silva, Michele da Conceição Barros, and Fátima Helena do Espírito Santo. "O autocuidado da pessoa idosa com cardiopatia: revisão integrativa." Revista Recien - Revista Científica de Enfermagem 12, no. 38 (2022): 51–59. http://dx.doi.org/10.24276/rrecien2022.12.38.51-59.

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Trata-se de um estudo de revisão integrativa sobre o autocuidado de pacientes idosos com cardiopatia. Tendo como objetivo geral conhecer as possibilidades de atuação do enfermeiro gerontólogo para apoio ao autocuidado de idosos com cardiopatias. Foram pesquisados artigos científicos na plataforma BVS, sendo encontrados 68 estudos, após refinar a pesquisa de acordo com o tema, restaram 4 pesquisas que compuseram o escopo do estudo. Sendo 3 estudos realizados em 2015 e 1 em 2017, 2 qualitativos e 2 ensaios clínico. Foram utilizadas várias de estratégias para autocuidado: cuidado em grupo, indivi

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Spies, Eduarda Kessler, Gabriela Tedeschi Zonatto, Gabriéli Da Rosa Debus, Myllena Marcela Ganzer Fernandes, Miriam Cabrera Corvelo Delboni, and Kátine Marchezan Estivalet. "Grupo de estudo remoto em órtese: descrição de um projeto de extensão como apoio à formação de terapeutas ocupacionais/Potentials of the remote study group in theoretical knowledge about orthoses with support training of occupational therapists." Revista Interinstitucional Brasileira de Terapia Ocupacional - REVISBRATO 6, no. 3 (2022): 1101–13. http://dx.doi.org/10.47222/2526-3544.rbto52162.

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Introdução: O grupo de estudos remoto como ação do projeto de extensão surge a partir do isolamento social, causado pela pandemia, e da necessidade de complementação do conhecimento sobre um recurso de tecnologia assistiva desenvolvido por terapeutas ocupacionais – as órteses. Objetivo: Descrever as potencialidades de uma ação remota de extensão em órteses na formação discente em Terapia Ocupacional. Métodos: Trata-se de uma pesquisa de abordagem quantitativa, de cunho exploratório-descritivo. Os dados foram coletados via questionário, com perguntas fechadas de múltipla escolha e enviado para

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Толмачева, Екатерина Борисовна. "CONSTRUCTING AN ETHNIC IMAGE: APPROACHES TO VISU-ALIZATION OF HISTORICAL AND CULTURAL FACTS (ON THE EXAMPLE OF PHOTO DOCUMENTS FROM IVAN POLYAKOV’S COLLECTION)." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 1(27) (April 2, 2021): 180–200. http://dx.doi.org/10.23951/2312-7899-2021-1-180-200.

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Статья посвящена анализу архивных фотодокументов 1860–1870-х годов, находящихся в коллекции Музея антропологии и этнографии им. Петра Великого (Кунсткамера) РАН, и изобразительных материалов, созданных на их основе. Комплекс этих изображений отражает тенденции второй половины XIX в. в визуализации этнических черт, когда нужный эффект достигался как с помощью различных выразительных средств, так и манипуляциями с зафиксированной информацией через компиляцию, ретушь и текстовое сопровождение. Анализ содержания при сравнении оригинальных и вторичных данных показывает, как искусственное насыщение

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Lima, Joana D’Arc de Sousa. "José de Barros: a vida, a arte, o estilo, a transgressão." Cartema 5, no. 5 (2016). http://dx.doi.org/10.52583/cartema.v5i5.246788.

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Neste artigo procuro apresentar a trajetória do artista José de Barros nascido na cidade deRecife em Pernambuco nordeste do Brasil em 1943 e falecido, na mesma cidade, em 1994 doséculo vinte. Sua incursão no campo das artes se deu, sobretudo, em meados dos anos 1970à década de 1990 marcando sua inserção no meio artístico via participação em exposições,sendo assunto da escrita critica de arte na imprensa, se vinculando a algumas instituiçõesformativas em arte e via relações de amizade e trabalho com artistas já consagrados. Nesseartigo defendo a idéia que o contexto cultural, político e social

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Hadley, Steven. "Artists as cultural intermediaries? Remediating practices of production and consumption." Arts and the Market ahead-of-print, ahead-of-print (2021). http://dx.doi.org/10.1108/aam-01-2021-0001.

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PurposeThe purpose of this paper is to discuss findings from an Arts and Humanities Research Council (AHRC)-funded research project into the heritage culture of British folk tales. The project investigated how such archival source material might be made relevant to contemporary audience via processes of artistic remediation. The research considered artists as “cultural intermediaries”, i.e. as actors occupying the conceptual space between production and consumption in an artistic process.Design/methodology/approachInterview data is drawn from a range of 1‐2‐1 and group interviews with the arti

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Zickar, Michael John, and Brent Stevenor. "An Evaluation of Reputation Using Online Auction Data for a Group of American Watercolorists." Empirical Studies of the Arts, December 5, 2022, 027623742211437. http://dx.doi.org/10.1177/02762374221143712.

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To understand the relation between artistic reputation and sales prices from popular online auction sites, we analyzed over 3,000 online auction sales of 87 American artists who had expertise in watercolor using the websites eBay, LiveAuctioneers, and EBTH. Traditional indexes of reputation were measured by museum placements, as well as archival holdings, and book references and we also included the number of Instagram mentions. We used hierarchical linear modeling to investigate the relation of reputation with average prices as well as price trends over time, controlling for individual painti

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Tran, N. Han, Šimon Kucharský, Timothy M. Waring, Silke Atmaca, and Bret A. Beheim. "Limited Scope for Group Coordination in Stylistic Variations of Kolam Art." Frontiers in Psychology 12 (October 28, 2021). http://dx.doi.org/10.3389/fpsyg.2021.742577.

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In large, complex societies, assorting with others with similar social norms or behaviors can facilitate successful coordination and cooperation. The ability to recognize others with shared norms or behaviors is thus assumed to be under selection. As a medium of communication, human art might reflect fitness-relevant information on shared norms and behaviors of other individuals thus facilitating successful coordination and cooperation. Distinctive styles or patterns of artistic design could signify migration history, different groups with a shared interaction history due to spatial proximity,

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Williams, Graeme Henry. "Australian Artists Abroad." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1154.

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At the start of the twentieth century, many young Australian artists travelled abroad to expand their art education and to gain exposure to the modern art movements of Europe. Most of these artists were active members of artist associations such as the Victorian Artists Society or the New South Wales Society of Artists. Male artists from Victoria were generally also members of the Melbourne Savage Club, a club with a strong association with the arts.This paper investigates the dual function of the club, as a space where the artists felt “at home” in the familiar environment that the club offer

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