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Relevant bibliographies by topics / Virgem de pompeia

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Academic literature on the topic 'Virgem de pompeia'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Virgem de pompeia"

1

Aloj, Eugenia, and Anna Zollo. "El culto mariano del Rosario de Pompeya." ROTUR. Revista de Ocio y Turismo 3, no. 1 (2010): 169–80. http://dx.doi.org/10.17979/rotur.2010.3.1.1248.

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El trabajo enfrenta diferentes aspectos del nacimiento y evolución del turismo religioso en Pompeya. Son tomados en consideración los diferentes aspectos de la tipología de culto mariano de Pompeya, las varias expresiones de fe y la característica dominante de la devoción respecto a la Virgen del Rosario, definida por sus aspectos devocionales justamente “sacro popular”.

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Hunink, Vincent. "Poëzie in Pompeii." Lampas 50, no. 2 (2017): 156–72. http://dx.doi.org/10.5117/lam2017.2.004.huni.

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Summary Among the numerous graffiti found at Pompeii, there are a number of metrical texts, either quotations from famous ancient poets such as Virgil, or lines from unknown sources. Both categories offer interesting reading for classicists. Poetical texts from Pompeii may also be profitably used in teaching Latin.

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Cortese, Flora, Ida D’Ambrosio, and Miriam Petracca. "A Possible Synergy between Culture and Religion for the Sustainability of Tourism of Pompeii." Sustainability 11, no. 8 (2019): 2231. http://dx.doi.org/10.3390/su11082231.

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Tourism scholars and players of the sector alike are very interested in the motivations for the tourist’s journey, as they influence the demand—with regard to the choice of the destination and the organization of the trip—and the offer—with regard to the definition of the tourism product. Religious tourism is an important area of the scientific debate on the motivation to travel; part of the literature clearly distinguishes the cultural and laical motivation of tourists (which can be considered religious tourism) from the desire to live an experience of faith (pilgrimage), while today, the ori

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4

Matas Musso, Josefina. "El templo de San Francisco de Tarija en Bolivia y la obra de Helvecio (fray Angélico) Camponovo: fraile y pintor." Archivo Ibero-Americano 80, no. 291 (2020): 599–619. http://dx.doi.org/10.48030/aia.v80i291.206.

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El objetivo de este artículo es narrar la historia del templo del convento franciscano de Tarija, resaltando la figura del fraile franciscano Helvecio Camponovo como una persona callada, pero eficiente que contribuye al engalanamiento del templo. Para ello, primero se realiza la historia de la construcción del templo y convento, tomando el hito de su nombramiento como Colegio de Propaganda Fide en 1755, hecho que contribuye mediante modificaciones y sustituciones a acciones de mejora entre los años 1866 y 1896, siendo declarado Basílica Menor en 1871 por iniciativa del Arzobispo de Sucre. En t

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González, Eduardo. "La producción de lugares en el trabajo misional de los Hermanos Maristas en Nueva Pompeya (Chaco, Argentina)." Antropología Experimental, no. 25 (March 16, 2025): 229–49. https://doi.org/10.17561/rae.v25.9278.

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In this work we account for the production of places that are related, dialogue and interweave with the missionary work of the Marist Brothers, a religious agency that has been working since 1979 in the town of Misión Nueva Pompeya (Chaco). We start from a notion of "place" as socially produced and endowed with memories and representations that give them a specific historical density. The work of the Marists is related to and spatialized in specific places that are also constructed and link historical and contemporary cleavages, certain representations of the indigenous people and that, in tur

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6

Berry, D. H. "The Criminals in Virgil's Tartarus: Contemporary Allusions in Aeneid 6.621–4." Classical Quarterly 42, no. 2 (1992): 416–20. http://dx.doi.org/10.1017/s0009838800016037.

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At Aen. 6.562–627 the Sibyl gives Aeneas a description of the criminals in Tartarus and the punishments to which they are condemned. The criminals are presented to us in several groups. The first consists of mythical figures, the Titans (580–1), the sons of Aloeus (582–4), Salmoneus (585–94), Tityos (595–600) and Ixion and Pirithous (601–7). Next Virgil turns away from mythical figures to particular categories of criminal. He mentions those who hated their brothers, who assaulted a parent, who cheated a cliens, who gloated over wealth they had acquired without setting aside a part for their fa

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Vergatti, Radu Ștefan. "DIMITRIE CANTEMIR ŞI CHIRURGIA." Arhivele Olteniei 37 (December 21, 2023): 81–94. http://dx.doi.org/10.59277/ao.37.06.

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One of the most important works left by Dimitrie Cantemir, among his rich writings, was "INCREMENTORVM ET DECREMENTORVM AVLAE OTHOMANICAE SIVE ALIOTHMANICAE HISTORIAE A PRIMA GENTIS ORIGINE AD NOSTRA VSQVE TEMPORA DEDVCTATE LIBRI TRES", translated nowadays under the title "HISTORY OF THE INCREASE AND THE DECAY OF THE OTTHMAN OR ALIOTHMAN COURT (FROM THE BEGINNINGS OF THE NATION TO OUR TIME), IN THREE BOOKS". Among other information, it also contains a description of the land and the city of Avlonia - i.e. Vlora (dominated then by the Sublime Porta), as well as the Albanians from that region wh

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Hudson, Jared M. "THE EMPIRE IN THE EPITOME: FLORUS AND THE CONQUEST OF HISTORIOGRAPHY." Ramus 48, no. 01 (2019): 54–81. http://dx.doi.org/10.1017/rmu.2019.9.

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Sorting out just what Florus’ condensed work of history is has proved a significant impediment to an understanding of what it might mean. F.R.D. Goodyear's terse précis of Florus ‘The historian’—carefully decoupled from ‘The orator’ and ‘The poet’—in the Cambridge History of Classical Literature begins tellingly: ‘Florus’ outline of Roman history, ending with Augustus, was in late antiquity inaccurately described as an epitome of Livy.’ This is accurate enough. Despite the transmitted title, Epitoma(e) de Tito Liuio (also Bellorum omnium annorum septingentorum libri n. duo), Florus’ work is no

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9

Teixeira, Átila Silva Arruda. "O poema em prosa: a amorfia de uma modalidade lírica subutilizada no modernismo brasileiro." Revista de Letras 18, no. 23 (2017). http://dx.doi.org/10.3895/rl.v18n23.3238.

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Nos textos críticos fundadores, a poesia lírica não é portadora de um estatuto que a iguala aos demais gêneros. Mesmo em períodos com maior normatização estética, não há como desconsiderar seu caráter proteiforme, ampliado desmesuradamente a partir da modernidade. Reverberando tal ampliação, surge o poema em prosa, modalidade da poesia lírica que ultrapassa a linha de delimitação que a distingue dos demais gêneros, encerrando já em seu nome um oximoro que se reflete nas tentativas críticas de sistematização. Consolidado em outras literaturas, essa modalidade é subutilizada no cânone poético br

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"74 The Mission of the Blessed Virgin of Pompei in New York." International Migration Review 28, no. 1_suppl (1994): 249. http://dx.doi.org/10.1177/019791839402801s75.

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Dissertations / Theses on the topic "Virgem de pompeia"

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Durand, Eric. "Modelisation et realisation du prototype du laser de puissance de l'interferometre virgo : plaque pompee transversalement par diodes laser." Paris 11, 1993. http://www.theses.fr/1993PA112390.

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L'objet de cette these est l'etude et la realisation du prototype d'un laser de puissance, continu, pompe par diodes laser, destine a illuminer une antenne interferometrique gravitationnelle comme celle de l'experience franco-italienne virgo. Dans ce but, l'auteur a tout d'abord developpe un code numerique permettant de simuler une cavite laser. Ce code, base sur la propagation d'une onde lumineuse, tient egalement compte du milieu a gain qui se sature et des effets thermiques pouvant apparaitre lorsqu'il est soumis a forte charge thermique. Le cas bien connu du barreau uniformement pompe perm

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Books on the topic "Virgem de pompeia"

1

Novena em Honra da Ss. Virgem do Rosário de Pompéia. Editora Triregnum, 2020.

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2

History of the Sanctuary of Pompei: Dedicated to the Most Blessed Virgin of the Rosary. Creative Media Partners, LLC, 2023.

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Longo, Bartolo. History of the Sanctuary of Pompei: Dedicated to the Most Blessed Virgin of the Rosary. Creative Media Partners, LLC, 2018.

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Longo, Bartolo 1841-1927. History of the Sanctuary of Pompei, Dedicated to the Most Blessed Virgin of the Rosary. Creative Media Partners, LLC, 2021.

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5

Longo, Bartolo. History Of The Sanctuary Of Pompei: Dedicated To The Most Blessed Virgin Of The Rosary. Franklin Classics, 2018.

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6

Longo, Bartolo. History of the Sanctuary of Pompei: Dedicated to the Most Blessed Virgin of the Rosary. Franklin Classics Trade Press, 2018.

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7

Miano, Daniele. To Each His Own. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198786566.003.0006.

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This chapter studies Fortuna connected with age and gender groups or with individuals in the late Republican period. The first part focuses on Fortuna associated with age and gender groups through epithets including Muliebris, Virgo, Virilis, Barbata. The worship of these deities was not reserved to the relevant age or gender groups, and the complexity of rituals and representations implies that they were used for the social, political, and cultural construction of these age and gender categories. The second part studies the evidence pointing at a connection between late Republican dynasts and

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Book chapters on the topic "Virgem de pompeia"

1

Milnor, Kristina. "A Culture of Quotation: Virgil, Education, and Literary Ownership." In Graffiti and the Literary Landscape in Roman Pompeii. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780199684618.003.0006.

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2

Marincola, John. "Virgil, Pompey, and the Histories of Asinius Pollio." In The Collected Papers of J. L. Moles - Volume 2. BRILL, 2023. http://dx.doi.org/10.1163/9789004538726_017.

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3

Horsfall, Nicholas. "The structure and purpose of Virgil’s parade of heroes." In Fifty Years at the Sibyl's Heels. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863861.003.0013.

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The parade of heroes at Aeneid 6.756ff. has attracted a huge bibliography but little attention has been paid elsewhere to its elaborate and elusive network of themes and links which the poet draws between the heroes portrayed and the Golden Age of Augustus. This is a detailed and scholarly examination of the parallels and possible links and of the purpose of the parade, both for Aeneas and for the contemporary Roman reader. Virgil must be considered as having the disturbances of 23 BC in mind, with his veiled warning to Caesar and Pompey against civil discord.

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4

García-Bedoya Maguiña, Carlos. "Letras coloniales : los marcos culturales e institucionales." In Literatura y cultura en el Virreinato del Perú: apropiación y diferencia. Pontificia Universidad Católica del Perú, 2023. http://dx.doi.org/10.18800/9786123172503.001.

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El Perú colonial formaba parte del más vasto imperio europeo de la modernidad temprana, el Imperio español. La Corona española agrupó a sus posesiones del nuevo mundo en dos grandes virreinatos, los de Nueva España (México) y del Perú. Casi la totalidad de las posesiones españolas de Sudamérica (a excepción de la actual Venezuela) dependían del Virreinato del Perú. Será recién en el transcurso del siglo XVIII, como consecuencia de las reformas impulsadas por la dinastía borbónica, que se desmembrará esa unidad administrativa con la conformación de los virreinatos de Nueva Granada (establecido

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