Academic literature on the topic 'Virgil reception in the 20th Century'

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Journal articles on the topic "Virgil reception in the 20th Century"

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Кусенко, Ольга Игоревна. "CURRENT RECEPTION OF VLADIMIR ZABUGINN’S WORKS IN ITALY." Вестник Тверского государственного университета. Серия: Философия, no. 3(53) (October 30, 2020): 248–56. http://dx.doi.org/10.26456/vtphilos/2020.3.248.

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В начале 2000-х гг. в Италии были переизданы два ключевых труда русского филолога, мыслителя Владимира Николаевича Забугина: «Вергилий в итальянском Возрождении: от Данте до Торквато Тассо» и «История христианского Возрождения в Италии». Переиздание этих работ повлекло за собой новую волну интереса к наследию русского автора первой четверти XX в., жившего и работавшего в Италии. После долгих лет забвения труды Забугина о Вергилии, Помпонии Лете, Данте, истории итальянского Возрождения признаны классикой итальянской науки и переоценена его роль в герменевтическом обновлении истории искусств, гл
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García Jurado, Francisco. "Claves y documentos para un Virgilio posmoderno: los años ochenta del siglo XX en España." Nova Tellus 39, no. 1 (2021): 171–203. http://dx.doi.org/10.19130/iifl.nt.2021.39.1.27548.

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In the eighties of 20th century, Vergil was interpreted from a precise and particular approach inspired by Nietzsche. This new vision could be categorized, basically, as the idea of death (Broch), the sickness of poetry (García Calvo), the commemoration (remembrance) of the bimillennium of his death (Colinas), his poetic rereading from a new aesthetics (Borges and Bernhard), the boom of verse translation (Fontán Barreiro) and, finally, the remarkable pictorial rereading of his Eneida (Carlos Franco). Therefore, this essay tries to give an account of a specific decade in Vergil´s historical rec
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Demchuk, Stefaniia, та Yuliia Kizyma. "Between the sacred and the decorative: Сhristian iconography in the sketches for "Lily" decorative panel by Mykhailo Zhuk". Text and Image: Essential Problems in Art History, № 1 (2020): 102–13. http://dx.doi.org/10.17721/2519-4801.2020.1.07.

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Mykailo Zhuk was a graphic artist and a writer who is among the most famous and influential figures in the history of the early 20th century Ukrainian art. His artworks bear the mark of the in-depth reception of the Art Nouveau style. Although art historians who studied Zhuk’s early period (1904 - 1918) did mention the complex symbolism of his works (including that of the sketches for the floral panels which we shall examine), they avoided plunging deeper in the semantic interweaving he indulged himself in. Thus, this essay shall examine the two panels titled “Lilies”, which were treated mostl
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Cullhed, Sigrid Schottenius. "IN BED WITH VIRGIL: AUSONIUS’WEDDING CENTOAND ITS RECEPTION." Greece and Rome 63, no. 2 (2016): 237–50. http://dx.doi.org/10.1017/s0017383516000115.

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Judging from its history of effect, theWedding Centoproduced by the fourth-century poet Ausonius is in fact not a poem about a wedding at all. It is a work about the ethics of textual recycling; about the impact of political power and patronage on literary production; about smut, or rather about where the responsibility lies when a reader sees smut when none was intended. It is also a poem about sexual violence, but this aspect of the text has been largely missing in its scholarly reception. Such an absence is perhaps to be expected. Sexual assault is a notoriously under-reported offence, and
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La Bua, Giuseppe. "LATE CICERONIAN SCHOLARSHIP AND VIRGILIAN EXEGESIS: SERVIUS AND PS.-ASCONIUS." Classical Quarterly 68, no. 2 (2018): 667–80. http://dx.doi.org/10.1017/s0009838818000551.

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Late Antiquity witnessed intense scholarly activity on Virgil's poems. Aelius Donatus’ commentary, the twelve-bookInterpretationes Vergilianaecomposed by the fourth-century or fifth-century rhetorician Tiberius Claudius Donatus and other sets of scholia testify to the richness of late ‘Virgilian literature’. Servius’ full-scale commentary on Virgil's poetry (early fifth century) marked a watershed in the history of the reception of Virgil and in Latin criticism in general. Primarily ‘the instrument of a teacher’, Servius’ commentary was intended to teach students and readers to read and write
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Kuzina, N. "Reception of the Manifestations of the Culture of Egypt in Russian Literature." Bulletin of Science and Practice 5, no. 11 (2019): 395–403. http://dx.doi.org/10.33619/2414-2948/48/49.

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The paper presents analysis of historiosophical themes, images and motifs reflecting the Egyptian culture in Russian literature of the 19th–20th centuries. They were popular among the authors of the early 20th century not only because of interest in artifacts found in the 19th century but also — and first of all — as part of a significant metaphor ‘Pre-revolutionary / Post-revolutionary Russia VS. Egypt’. There is shown the process of creating this comparison being much later than the ‘Russia VS. Europe’ paradigm in the context of the ‘Myth of St. Petersburg’, which included elements of the Eg
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Terekhova, M. V. "Semiotics of formal menswear of early 20th century." Vestnik of Saint Petersburg State University of Culture, no. 1 (30) (March 2017): 71–74. http://dx.doi.org/10.30725/2619-0303-2020-3-71-74.

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The complex of problems accompanying a process of modern-day reception of historical costume is analyzed. Formal menswear is researched as a hierarchically organized communicational system of semantic elements only conceivable by actors, familiarized with particular semiotic code of the culture. The case of modern-day museum reconstruction of formal menswear of the early XX century is used to illustrate the reasons behind the retrospective semantic misinterpretation of historical costume. In the particular case, a waiter’s uniform was mistakenly perceived by researcher as a typical urban mensw
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Trupej, Janko. "Ideological Influences on the Reception of Mark Twain among Slovenians across the Atlantic." Acta Neophilologica 52, no. 1-2 (2019): 141–52. http://dx.doi.org/10.4312/an.52.1-2.141-152.

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The article discusses the reception of Mark Twain and his works in serial publications by Slovenian immigrants in the United States of America. The analysis encompassed writings published in newspapers and magazines with different ideological orientations, from the beginning of the 20th century to mid-century. The article compares Twain’s reception in left-wing and right-wing publications and furthermore discusses the extent to which the reception was affected by the contemporary political situation in the United States.
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Do, Hieu Van. "Reception aesthetics in Vietnam." Science and Technology Development Journal 16, no. 2 (2013): 47–57. http://dx.doi.org/10.32508/stdj.v16i2.1462.

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Reception aesthetics is a theory of literature which has exerted major impacts throughout the world from the late 1960s to the late 1980s in the West, espacially dymanically in China from the 1980s of the 20th century to the first decade of the 21st century. In Vietnam, although this theory was born quite early (1985), its mark is still not deeply engraved; thus a lot of potentials not having been discovered and utilized. Recreating the complete appearance of reception aesthetics in Vietnam and explaining the cause of that appearance is an important basis for discussion about the reception of
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Sachkova, Natalya M. "CULTURAL RECEPTION OF YOGA ANTHROPOLOGY IN RUSSIA IN THE EARLY 20TH CENTURY." Studia Religiosa Rossica: Russian Journal of Religion, no. 4 (2020): 82–99. http://dx.doi.org/10.28995/2658-4158-2020-4-82-99.

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The research examines the specifics of reception of Yoga anthropology in Russia and its dissemination paths. The end of 19th – early 20th century was marked by the appearance of Russian translations of the academic research, in which Yoga was viewed as one of the Indian philosophical schools. In the same time, the West was witnessing an onset of popularization of Yoga by representatives of Neo-Vedanta, whose writings were also translated into Russian. Those writings were of a popular nature, since their authors sought to make Yoga understandable for Western readers. For the Occult community, t
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Dissertations / Theses on the topic "Virgil reception in the 20th Century"

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Matters, Emily Helene. "AENEAS IN THE ANTIPODES The teaching of Virgil in New South Wales schools from 1900 to the start of the 21st century." University of Sydney. Classics and Ancient History, 2005. http://hdl.handle.net/2123/716.

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Aeneas in the Antipodes offers an Australian perspective on the teaching of Virgil�s poetry in the secondary school. The study examines practices in the State of New South Wales from 1900 to the early years of the twenty-first century. The changing role of Latin in the curriculum is traced through a historical account showing the factors which caused a decline in the status and popularity of the subject from the beginning of the century to the 1970s. This decline, not confined to Australia, stimulated the introduction of new teaching methods with different emphases which were, to some exten
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Grabovskiy, Aleksandr. "Reception of Marxism in 20th Century Russia." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/211.

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In my thesis I will study how the revolutionary philosophy of Karl Marx and Friedrich Engels was received and interpreted by early 20th century Russian intellectuals in an attempt to reconcile orthodoxy with the real conditions present in Russia. Through analysis of documents spanning several decades of debate, I will trace the evolution of this discussion to unlock the logic that led to philosophy put to action in the form of revolution. Finally, I will evaluate how this logic fits into the historic trajectory described by Marxism.
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Feng, Huanian, and 馮華年. "The reception of western art history in Republican China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227326.

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Tao, Wenjia, and 陶文佳. "The Chinese reception of Rousseau's political philosophy in the 20th century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hdl.handle.net/10722/195979.

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The present thesis explores the history of interpretations of Rousseau’s political philosophy in the last one hundred years in China. Ever since the introduction of Of the Social Contract into China at the beginning of the twentieth century, Rousseau became one of the few western thinkers who greatly influenced how the Chinese perceive modern society and politics. Rousseau’s political ideas first generated a growing number of interpretations from 1898 to 1920. In these interpretations, his work was portrayed as the epitome of modern democracy, and his teachings were considered the cure for soc
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Diazzi, Alessandra. "The reception of psychoanalysis in Italian literature and culture, 1945-1977 : Ottiero Ottietri, Edoardo Sanguineti, Giorgio Manganelli, Andrea Zanzotto." Thesis, University of Cambridge, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709511.

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Platt, Mary Hartley. "Epic reduction : receptions of Homer and Virgil in modern American poetry." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:9d1045f5-3134-432b-8654-868c3ef9b7de.

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The aim of this project is to account for the widespread reception of the epics of Homer and Virgil by American poets of the twentieth century. Since 1914, an unprecedented number of new poems interpreting the Iliad, Odyssey and Aeneid have appeared in the United States. The vast majority of these modern versions are short, combining epic and lyric impulses in a dialectical form of genre that is shaped, I propose, by two cultural movements of the twentieth century: Modernism, and American humanism. Modernist poetics created a focus on the fragmentary and imagistic aspects of Homer and Virgil;
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Rockhill, Paul Hunter. "The Reception Theory of Hans Robert Jauss: Theory and Application." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5153.

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Hans Robert Jauss is a professor of literary criticism and romance philology at the University of Constance in Germany. Jauss co-founded the University of Constance and the Constance group of literary studies. Hans Robert Jauss's version of reception theory was introduced in the late 1960s, a period of social, political, and intellectual instability in West Germany. Jauss's reception theory focused on the reader rather than the author or text. The original reception of a text was compared to a later reception, revealing different literary receptions and their evolution. Jauss's Rezeptionsgesch
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Piantanida, Cecilia. "Classical lyricism in Italian and North American 20th-century poetry." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4422c01a-ba88-4fe0-a21f-4804e4c610ce.

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This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyric whereby a poet may develop a wider discourse on poetry. Assuming classical lyricism as an internal category of enquiry, my thesis investigates the presence of Sappho and Catullus as lyric archetypes in Italian and North American poetry of the 20th century. The analysis concentrates on translations and appropriations of Sappho and Catullus in four case studies: Giovanni Pascoli (1855-1912) and Salvatore Quasimodo (1901-1968) in Italy; Ezra Pound (1885-1972) and Anne Carson (b. 1950) in North A
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Nettelbladt, Anders. "Reception av Helena Munktells kompositioner : Konserter och musikrecensioner 1885-1921." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-190539.

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In this essay the reception of Helena Munktell’s 1885 1921 compositions are mapped andanalysed. The term reception is used to express to what extent Munktell’s compositions wereperformed, and also how they were received in newspaper reviews. The reception is studiedholistically. This means that all identifiable concerts and all accessible newspaper reviews havebeen taken into consideration, and that the mapping and analysis aims to demonstrate how thereception differs between genres and countries, as wel l as how it changes over time.Helena Munktell (1852 1919) was a Swedish composer, pianist,
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Coll-Vinent, Sílvia. "The reception of English fictional and non-fictional prose in Catalonia (1916-38), with particular reference to Edwardian literary culture and associated debates concerning the novel in England, France and Catalonia." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:e715592b-063c-4a02-9bbb-d89078ec1719.

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The present study opens up the field of Catalan connections with English literature. The importance of Edwardian influences on the general transmission of English authors and works is demonstrated. Original data on the reception of G.K. Chesterton, the Edwardian figure with a most remarkable impact in Catalonia, is brought to light (Chapter 1, Appendix 1), followed by discussion of the presence of H.G. Wells and G.B. Shaw and an account of the reception of Well's early fiction (Chapter 2); their influence sheds new light on the aspiration of an élite to modernise Catalan culture. Catalan trans
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Books on the topic "Virgil reception in the 20th Century"

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Nihon bijutsu no 20-seiki: The reception of Japanese art in the 20th century. Shōbunsha, 2003.

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The critical reception of Hemingway's The sun also rises. Camden House, 2011.

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Creativity and reception: Toward a theory of Third World criticism. P. Lang, 1988.

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Iris Murdoch's paradoxical novels: Thirty years of critical reception. Camden House, 2001.

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Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell. Palgrave Macmillan, 2010.

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Baines, Patrick A. A historical biography of Peter J. Schmal and his family: A successful early 20th century German-American farming family from Virgil Township, Kane County, Illinois. P.A. Baines, 2005.

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Readers, reading and reception of translated fiction in Chinese novel encounters. St. Jerome Pub., 2010.

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20 Shi ji xi fang fan yi li lun zai Zhongguo de jie shou shi: The reception history of the 20th century western translation theories in China. Shanghai wai yu jiao yu chu ban she, 2009.

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Harris, Peter James. From stage to page: Critical reception of Irish plays in the London theatre, 1925-1996. Peter Lang, 2011.

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R, Hammond J. Lost horizon companion: A guide to the James Hilton novel and its characters, critical reception, film adaptations and place in popular culture. McFarland & Co., 2008.

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Book chapters on the topic "Virgil reception in the 20th Century"

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Roca Ricart, Rafael. "The reception of Tirant lo Blancin Valencia in the second half of the 19th century and the beginning of the 20th century." In IVITRA Research in Linguistics and Literature. John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ivitra.10.09roc.

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Söllner, Alfons. "Re-reading Rousseau in the 20th Century – The Reception by Franz L. Neumann, Jacob L. Talmon and Ernst Fraenkel." In Der lange Schatten des Contrat social. Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-19162-1_9.

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"THOMSON, VIRGIL." In Music in the 20th Century (3 Vol Set). Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-468.

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Pollard, Tanya. "Encountering Homer through Greek Plays in Sixteenth-Century Europe." In Epic Performances from the Middle Ages into the Twenty-First Century. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198804215.003.0005.

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Originally received as oral performances, Homer’s epics circulated in sixteenth-century Europe not only as printed literary texts, but also through performances of a different sort. This chapter argues that fifth-century Greek plays on Homeric material played a crucial role in shaping the epics’ early modern reception. In a phrase widely circulated in the sixteenth century, Aeschylus reportedly claimed that all of his tragedies were ‘slices from the great banquets of Homer’. Although Virgil and Ovid were more familiar vehicles for Homeric material, Greek plays made distinctive contributions to perceptions of Troy and its aftermath through their links with performance, and their status as models for dramatic genres. It is proposed that the versions of Homer transmitted through Greek plays had an important role in shaping not only early modern understandings of Homer, but also the development of the early modern popular stage.
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Pedde, Brigitte. "Reception of Ancient Near Eastern Architecture in Europe and North America in the 20th Century." In Time and History in the Ancient Near East. Penn State University Press, 2013. http://dx.doi.org/10.5325/j.ctv1bxgzf2.38.

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Pedde, Brigitte. "Reception of Ancient Near Eastern Architecture in Europe and North America in the 20th Century." In Time and History in the Ancient Near East. Penn State University Press, 2013. http://dx.doi.org/10.1515/9781575068565-036.

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Berry, D. H. "Catiline in the Underworld and Afterwards." In Cicero's Catilinarians. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780195326468.003.0006.

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This chapter reviews the reception of Cicero’s Catilinarians over the two millennia from Sallust’s Bellum Catilinae until the present day. Particular attention is paid to Virgil’s Aeneid, to Ben Jonson’s Catiline His Conspiracy (1611), and to Ibsen’s Catiline (1850). The chapter also surveys the influence of the Catilinarians on Roman poetry after Virgil, on Roman historiography after Sallust, and on Christian writers. The late antique, medieval, and renaissance declamations that draw on the Catilinarians (including two speeches each known as the Fifth Catilinarian) are discussed, as is the influence of Catiline on Florentine historiography. Plays and operas about Catiline by Voltaire, Salieri, Dumas, and others are included. Mention is made of the study of the Catilinarians undertaken by two American presidents, John Adams and John Quincy Adams. The chapter ends by showing how in the twentieth century these speeches first started the young Bill Clinton on his path toward the White House.
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Barberio, Michele Gabriele, and Donata Ippolito. "La letteratura spagnola nelle riviste italiane del secondo Novecento Verso un primo censimento." In Biblioteca di Rassegna iberistica. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-459-2/008.

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This article examines the results of a research conducted within Italian literary journals of the second half of the 20th century, with the aim of verifying the presence of Spanish-speaking literature in the Italian literary field of journals. The presence of Spanish and Spanish-American literature in this cultural field could be, in fact, indicative of a greater or lesser reception of such authors by the Italian public and cultural agents. After a brief presentation of the applied methodology, the results of the research will be discussed.
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O'Donoghue, Bernard. "5. Poets and readers." In Poetry: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199229116.003.0005.

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‘Poets and readers’ is concerned with the respective roles of poets and readers in the creation of meaning as well as the function of critics and readers: a function that has attained increasing prominence in the 20th century and since, with the emergence of theories of reader response and the reception of poetry. Is the term poet reserved for a kind of elect or is it a name anyone can aspire to? The whole question of authorship and authority is also considered: whether the poem generally—or ever—speaks in the voice of the poet, and how that voice may relate to its audience.
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Mitter, Rana. "6. Is Chinese culture modern?" In Modern China: A Very Short Introduction. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780198753704.003.0006.

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The idea that China’s culture is tied up with its place in the modern world has persisted since the Opium Wars. Chinese culture is highly valued around the world in terms of literature, films, artists, and ideas. The desire to find a culture that is both modern and derived from Chinese inspirations continues to drive Chinese artists’ ambitions. ‘Is Chinese culture modern?’ considers cultural progress and the international reception of China’s writers, artists, architects, and film-makers. During the 20th century, China tended to absorb cultural norms from around the world. To some extent, this trend is being reversed and China is beginning to project out cultural influence (or ‘soft power’).
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Conference papers on the topic "Virgil reception in the 20th Century"

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Kosorukova, Alexandra. "On Reception of Nietzschers Idea of God in the Russian Philosophy (Late 19th-Early 20th Century)." In 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.9.

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Kryshtop, Ludmila, and Ruzana Pskhu. "The Reception of the Indian Thought by the Culture and Art of Europe of the 20th Century." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.2.

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Rek-Lipczynska, Agnieszka. "PATTERNS AND HISTORICAL COSTUMES IN PRUSSIAN RESIDENTIAL ARCHITECTURE IN THE 19TH AND THE FIRST DECADES OF THE 20TH CENTURY AND THE RECEPTION OF THESE DESIGNS IN THE ARCHITECTURE OF RURAL HOUSES." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/5.3/s21.084.

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