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Journal articles on the topic 'Virgil reception in the 20th Century'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Кусенко, Ольга Игоревна. "CURRENT RECEPTION OF VLADIMIR ZABUGINN’S WORKS IN ITALY." Вестник Тверского государственного университета. Серия: Философия, no. 3(53) (October 30, 2020): 248–56. http://dx.doi.org/10.26456/vtphilos/2020.3.248.

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В начале 2000-х гг. в Италии были переизданы два ключевых труда русского филолога, мыслителя Владимира Николаевича Забугина: «Вергилий в итальянском Возрождении: от Данте до Торквато Тассо» и «История христианского Возрождения в Италии». Переиздание этих работ повлекло за собой новую волну интереса к наследию русского автора первой четверти XX в., жившего и работавшего в Италии. После долгих лет забвения труды Забугина о Вергилии, Помпонии Лете, Данте, истории итальянского Возрождения признаны классикой итальянской науки и переоценена его роль в герменевтическом обновлении истории искусств, гл

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2

García Jurado, Francisco. "Claves y documentos para un Virgilio posmoderno: los años ochenta del siglo XX en España." Nova Tellus 39, no. 1 (2021): 171–203. http://dx.doi.org/10.19130/iifl.nt.2021.39.1.27548.

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In the eighties of 20th century, Vergil was interpreted from a precise and particular approach inspired by Nietzsche. This new vision could be categorized, basically, as the idea of death (Broch), the sickness of poetry (García Calvo), the commemoration (remembrance) of the bimillennium of his death (Colinas), his poetic rereading from a new aesthetics (Borges and Bernhard), the boom of verse translation (Fontán Barreiro) and, finally, the remarkable pictorial rereading of his Eneida (Carlos Franco). Therefore, this essay tries to give an account of a specific decade in Vergil´s historical rec

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3

Demchuk, Stefaniia, та Yuliia Kizyma. "Between the sacred and the decorative: Сhristian iconography in the sketches for "Lily" decorative panel by Mykhailo Zhuk". Text and Image: Essential Problems in Art History, № 1 (2020): 102–13. http://dx.doi.org/10.17721/2519-4801.2020.1.07.

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Mykailo Zhuk was a graphic artist and a writer who is among the most famous and influential figures in the history of the early 20th century Ukrainian art. His artworks bear the mark of the in-depth reception of the Art Nouveau style. Although art historians who studied Zhuk’s early period (1904 - 1918) did mention the complex symbolism of his works (including that of the sketches for the floral panels which we shall examine), they avoided plunging deeper in the semantic interweaving he indulged himself in. Thus, this essay shall examine the two panels titled “Lilies”, which were treated mostl

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4

Cullhed, Sigrid Schottenius. "IN BED WITH VIRGIL: AUSONIUS’WEDDING CENTOAND ITS RECEPTION." Greece and Rome 63, no. 2 (2016): 237–50. http://dx.doi.org/10.1017/s0017383516000115.

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Judging from its history of effect, theWedding Centoproduced by the fourth-century poet Ausonius is in fact not a poem about a wedding at all. It is a work about the ethics of textual recycling; about the impact of political power and patronage on literary production; about smut, or rather about where the responsibility lies when a reader sees smut when none was intended. It is also a poem about sexual violence, but this aspect of the text has been largely missing in its scholarly reception. Such an absence is perhaps to be expected. Sexual assault is a notoriously under-reported offence, and

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La Bua, Giuseppe. "LATE CICERONIAN SCHOLARSHIP AND VIRGILIAN EXEGESIS: SERVIUS AND PS.-ASCONIUS." Classical Quarterly 68, no. 2 (2018): 667–80. http://dx.doi.org/10.1017/s0009838818000551.

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Late Antiquity witnessed intense scholarly activity on Virgil's poems. Aelius Donatus’ commentary, the twelve-bookInterpretationes Vergilianaecomposed by the fourth-century or fifth-century rhetorician Tiberius Claudius Donatus and other sets of scholia testify to the richness of late ‘Virgilian literature’. Servius’ full-scale commentary on Virgil's poetry (early fifth century) marked a watershed in the history of the reception of Virgil and in Latin criticism in general. Primarily ‘the instrument of a teacher’, Servius’ commentary was intended to teach students and readers to read and write

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6

Kuzina, N. "Reception of the Manifestations of the Culture of Egypt in Russian Literature." Bulletin of Science and Practice 5, no. 11 (2019): 395–403. http://dx.doi.org/10.33619/2414-2948/48/49.

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The paper presents analysis of historiosophical themes, images and motifs reflecting the Egyptian culture in Russian literature of the 19th–20th centuries. They were popular among the authors of the early 20th century not only because of interest in artifacts found in the 19th century but also — and first of all — as part of a significant metaphor ‘Pre-revolutionary / Post-revolutionary Russia VS. Egypt’. There is shown the process of creating this comparison being much later than the ‘Russia VS. Europe’ paradigm in the context of the ‘Myth of St. Petersburg’, which included elements of the Eg

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7

Terekhova, M. V. "Semiotics of formal menswear of early 20th century." Vestnik of Saint Petersburg State University of Culture, no. 1 (30) (March 2017): 71–74. http://dx.doi.org/10.30725/2619-0303-2020-3-71-74.

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The complex of problems accompanying a process of modern-day reception of historical costume is analyzed. Formal menswear is researched as a hierarchically organized communicational system of semantic elements only conceivable by actors, familiarized with particular semiotic code of the culture. The case of modern-day museum reconstruction of formal menswear of the early XX century is used to illustrate the reasons behind the retrospective semantic misinterpretation of historical costume. In the particular case, a waiter’s uniform was mistakenly perceived by researcher as a typical urban mensw

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8

Trupej, Janko. "Ideological Influences on the Reception of Mark Twain among Slovenians across the Atlantic." Acta Neophilologica 52, no. 1-2 (2019): 141–52. http://dx.doi.org/10.4312/an.52.1-2.141-152.

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The article discusses the reception of Mark Twain and his works in serial publications by Slovenian immigrants in the United States of America. The analysis encompassed writings published in newspapers and magazines with different ideological orientations, from the beginning of the 20th century to mid-century. The article compares Twain’s reception in left-wing and right-wing publications and furthermore discusses the extent to which the reception was affected by the contemporary political situation in the United States.

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9

Do, Hieu Van. "Reception aesthetics in Vietnam." Science and Technology Development Journal 16, no. 2 (2013): 47–57. http://dx.doi.org/10.32508/stdj.v16i2.1462.

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Reception aesthetics is a theory of literature which has exerted major impacts throughout the world from the late 1960s to the late 1980s in the West, espacially dymanically in China from the 1980s of the 20th century to the first decade of the 21st century. In Vietnam, although this theory was born quite early (1985), its mark is still not deeply engraved; thus a lot of potentials not having been discovered and utilized. Recreating the complete appearance of reception aesthetics in Vietnam and explaining the cause of that appearance is an important basis for discussion about the reception of

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Sachkova, Natalya M. "CULTURAL RECEPTION OF YOGA ANTHROPOLOGY IN RUSSIA IN THE EARLY 20TH CENTURY." Studia Religiosa Rossica: Russian Journal of Religion, no. 4 (2020): 82–99. http://dx.doi.org/10.28995/2658-4158-2020-4-82-99.

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The research examines the specifics of reception of Yoga anthropology in Russia and its dissemination paths. The end of 19th – early 20th century was marked by the appearance of Russian translations of the academic research, in which Yoga was viewed as one of the Indian philosophical schools. In the same time, the West was witnessing an onset of popularization of Yoga by representatives of Neo-Vedanta, whose writings were also translated into Russian. Those writings were of a popular nature, since their authors sought to make Yoga understandable for Western readers. For the Occult community, t

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Deogsu Kim. "Roman Reception of Hellenism and the ‘Romanization’ from the 3rd Century B.C. to 1st Century B.C. - Terence to Virgil." Journal of Mediterranean Area Studies 18, no. 1 (2016): 61–83. http://dx.doi.org/10.18218/jmas.2016.18.1.61.

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12

Stuart, Akvilė. "A sick genius? The critical reception of Alexei Stanchinsky." Muzikologija, no. 30 (2021): 19–33. http://dx.doi.org/10.2298/muz2130019s.

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This article examines the critical reception of the Russian composer Alexei Stanchinsky (1888-1914). It focuses on the critical reviews published in Russian newspapers and musical periodicals during Stanchinsky?s lifetime. Its findings are a result of original archival research conducted in Moscow in 2019. This study shows that Stanchinsky?s work received a more mixed reception during his lifetime than previously claimed. As such, it provides a more nuanced insight into Stanchinsky?s reception, as well as the views and prejudices of early 20th century Russian music critics.

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Kašparová, Jaroslava. "Personal Libraries in the National Museum – a Valuable Source of Information on the History of Book Culture in the 19th Century and the Early 20th Century." Acta Musei Nationalis Pragae – Historia litterarum 63, no. 3-4 (2019): 105–13. http://dx.doi.org/10.2478/amnpsc-2018-0014.

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Book collections from the 19th century and the first half of the 20th century preserved in the NM are among the richest and most interesting book collections of the Czech Republic. Research into personal book collections of the NM within the NAKI project (2012–2015), including besides the historical book collection also books from the 19th and 20th centuries, has provided valuable information on the history of the entire book culture. The PROVENIO database is an important source of information and knowledge in terms of book owners and ownership provenance, library history, bibliophilia and the

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Fenyő, Imre. "The Reception of John Dewey in Hungary." Espacio, Tiempo y Educación 3, no. 2 (2016): 183. http://dx.doi.org/10.14516/ete.2016.003.002.008.

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The 20th century is the century of discontinuity in Hungary. Therefore, the image of the reception of John Dewey’s work can be a mosaic only and sometimes incomplete, where the gaps are no less meaningful than in other cases the elements abundance. Despite this fragmentation is still worth to keep tracking of the formations in which a science constantly re-evaluates and re-interprets its own classics, as sources of legitimacy. In this paper we would like to demonstrate the dual (political and scientific) determinism of Dewey’s Hungarian reception, with presenting Dewey’s works published in Hun

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Relebogilwe Kleinhempel, Ullrich. "Africa’s influence on European culture: conditions, impact and pathways of reception and Placide Tempels’ Bantu Philosophy." Numen 22, no. 1 (2020): 125–46. http://dx.doi.org/10.34019/2236-6296.2019.v22.29624.

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Placide Tempels was a pioneer in presenting Bantu philosophy in the mid-20th century as a serious ontological and metaphysical system. His book stands in the context of Europe’s discovery of African art and of its aesthetics. In this article the conditions for this reception and the resonance of key motifs of Bantu philosophy with developments in European culture are discussed. Fields of cultural and epistemic difference which persist are identified for further consideration and suggestions for further reception are indicated.

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Sedláčková, Lucie. "Circulatie van Nederlandstalig toneel in Tsjechië, 1898–1989." Neerlandica Wratislaviensia 28 (June 26, 2019): 165–81. http://dx.doi.org/10.19195/0860-0716.28.13.

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Circulation of Dutch plays in Czech, 1898–1989 This article deals with the circulation of Dutch and Flemish dramatic texts in the Czech lands between 1898 – when the first translation of a Dutch theatre play was probably published – and 1989 – the year of the Velvet Revolution, after which the cultural field changed radically. It is a fact that relatively few Dutch and Flemish plays have been translated into Czech. The same is true of the actual production of the plays in Czech translation: these were rather sporadic throughout the whole 20th century, except for several plays by Herman Heijerm

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17

Masnikosa, Marija. "The reception of minimalist composition techniques in Serbian music of the late 20th century." New Sound, no. 40-2 (2012): 181–90. http://dx.doi.org/10.5937/newso1202181m.

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18

Rzepecki, Karol. "Recepcja twórczości Józefa Wieniawskiego w świetle XIX-wiecznego piśmiennictwa – przegląd źródeł." Kwartalnik Młodych Muzykologów UJ, no. 47 (4) (2020): 105–39. http://dx.doi.org/10.4467/23537094kmmuj.20.019.13205.

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Reception of Joseph Wieniawski’s work in the light of nineteenthcentury literature – a review of sources The work of Polish composers active at the turn of the 20th century has largely been forgotten, awaiting to be researched nowadays. Józef Wieniawski and his output, which used to attract the attention of Polish and foreign critics, is the case in point. This article seeks to provide a synthetic study of this issue on the basis of 19th century literature.

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Hutchinson Miller, Carmen. "‘El trabajo dignifica’ Twentieth Century Afro-Costa Rican Women and Informal Work in Port Limon, Costa Rica." Revista Nuevo Humanismo 6, no. 2 (2019): 39. http://dx.doi.org/10.15359/rnh.6-2.1.

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The patriarchal system has convinced most that women’s respectable place and function are exclusively within the private space of the home. When women ‘transgress’ and venture out into the public sphere by choice or by force, the reception is far from welcoming both by individuals and institutions. The analysis seeks to enquire, based on women of African descent history, how this ideology affects their participation in the public sphere. The main objective is to unearth and make visible some of the informal financial activities women were involved in during the 20th century in Port of Limon, C

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20

Lozinskaya, Evgeniia. "AFTER WEINBERG. BOOK REVIEW: THE RECEPTION OF ARISTOTLE’S POETICS IN THE ITALIAN RENAISSANCE AND BEYOND. NEW DIRECTIONS IN CRITICISM / ED. BY BRAZEAU B." RZ-Literaturovedenie, no. 1 (2021): 23–52. http://dx.doi.org/10.31249/lit/2021.01.02.

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The book written by an international team of scholars and edited by B. Brazeau explores literary criticism and reception of Aristotle's «Poetics» in early modern Italy. Revisiting the «intellectual history» of Renaissance poetic studies written by Bernard Weinberg in 1960-s, the contributors find its own place whithin the 2000-years long tradition of translations, commentaries and polemic treatises. The authors apply new methods from book history, translation studies, history of emotions and classical reception to early modern Italian texts, placing them in dialogue with 20th-century literary

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21

Mikhailovsky, Alexander. "Max Scheler on Fyodor Dostoevsky's Political Orthodoxy and Russian Love for Suffering." Philosophy. Journal of the Higher School of Economics V, no. 1 (2021): 201–15. http://dx.doi.org/10.17323/2587-8719-2021-1-201-215.

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The article is an introduction to the first Russian translation of Max Scheler's essay “On Eastern and Western Christianity”, which was published in the collection of articles “War and Reconstruction” (1916) and thus forms part of Scheler's war philosophy. The article presents the polemical context of this essay and establishes a connection with Scheler's axiology and phenomenology as well. Particular attention is paid to the reception of F.M. Dostoevsky among German intellectuals of the early 20th century and the influence of this reception on Scheler's understanding of the ideas of salvation

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Gaszyńska-Magiera, Małgorzata. "Literatura y política. Notas sobre la recepción de las traducciones de la poesía hispano-americana en Polonia en la segunda mitad del siglo XX." Estudios Hispánicos 24 (March 31, 2017): 49–62. http://dx.doi.org/10.19195/2084-2546.24.4.

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Literature and politics. Notes on the reception of translations of Hispano-American poetry in Poland in the second half of the 20th centuryThe main objective of the article is to describe the main trends in the reception of the Hispano-American poetry in Poland in the second half of the 20th century. The analysis carried out on the basis of the bibliographical data demonstrated that political factors were more important than artistic ones when the decisions concerning the choice of works to be published were made. Therefore, the most well-known Hispano-American poet in Poland was Pablo Neruda,

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Kopcha, Nataliya A. "Political Reception of Fyodor Dostoevsky in Germany in the First Third of the 20th Century." Vestnik of Northern (Arctic) Federal University. Series "Humanitarian and Social Sciences", no. 5 (September 20, 2018): 63–72. http://dx.doi.org/10.17238/issn2227-6564.2018.5.63.

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24

Nguyen, Kelly. "Phạm Duy Khiêm, classical reception, and colonial subversion in early 20th century Vietnam and France." Classical Receptions Journal 12, no. 3 (2020): 340–56. http://dx.doi.org/10.1093/crj/claa003.

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Abstract The tradition of the Vietnamese reception of classical literature has not yet been examined, and this article is the first to venture into this intersection between Classics and Vietnamese studies. In this article, I focus on Phạm Duy Khiêm (1908–74) and his use of Classics to translate and mediate his Vietnamese heritage to his French audience. Phạm lived during a particularly turbulent time in Vietnamese history: he experienced Vietnam as a French protectorate called Annam, he witnessed his compatriots defy French rule and win independence for Vietnam, and he saw the civil war tha

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Gyimesi, Julia. "Hypnotherapies in 20th-century Hungary: The extraordinary career of Ferenc Völgyesi." History of the Human Sciences 31, no. 4 (2018): 58–82. http://dx.doi.org/10.1177/0952695118790414.

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This article traces the history of hypnotherapies in Hungary by exploring and interpreting the work of Ferenc (András) Völgyesi, a controversial physician, psychiatrist and forensic expert who gained remarkable fame in and beyond Hungary. It explores his work and its reception in the context of the complex, changing trends in European psychology between the 1920s and 1950s, drawing on published sources in a range of languages, and the archives of the Hungarian State Security. It uncovers experiments in human and animal hypnosis; Völgyesi’s engagement with the Hungarian psychoanalytic community

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Ming, Li, and Anna Boiko. "Recipes of the Russian opera tradition in the Chinese opera art of the 20th century." OOO "Zhurnal "Voprosy Istorii" 2020, no. 11-1 (2020): 170–78. http://dx.doi.org/10.31166/voprosyistorii202011statyi07.

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The publication is devoted to the consideration of the peculiarities of the reception of Russian opera tradition in the Chinese opera of 20th century. The significant role of the historical and the cultural events that affected the spread Russian opera in China is analyzed. Particular attention is paid to the study of the activities of representatives the Russian emigration in the field of opera art. It was emphasized that the influence of Russian and foreign opera contributed to the formation of the genre the Chinese opera of the European type.

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Nikolarea, Ekaterini. "Oedipus the King: A Greek Tragedy, Philosophy, Politics and Philology." TTR : traduction, terminologie, rédaction 7, no. 1 (2007): 219–67. http://dx.doi.org/10.7202/037174ar.

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Abstract Oedipus the King: A Greek Tragedy, Philosophy, Politics and Philology — This study tries to show that the abundance of translations, imitations and radical re-interpretations of a genre like tragedy is due to various social discourses of target societies. Taking as an example Sophocles' Oedipus the King, the acclaimed tragedy par excellence, this essay discusses how the discourses of philosophy, politics and philology influenced the reception of this classical Greek tragedy by the French and British target systems (TSs) during the late 17th and early 18th century and the late 19th and

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Borozan, Igor. "Simbolistički opus Mihe Marinkovića i njegova recepcija u srpskoj sredini." Ars Adriatica 9 (February 28, 2020): 133–50. http://dx.doi.org/10.15291/ars.2928.

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The paper analyses the symbolist works in the under-researched opus of painter Miho Marinković. Trained at the Munich Academy of Fine Arts, he is primarily known as a painter of intricate themes that can be categorized as late 19th-century symbolism. In 1904, he settled in Belgrade and became an active participant in the cultural scene of the Serbian capital. In 1911, Marinković’s paintings were exhibited in the Pavilion of the Kingdom of Serbia at the International Exhibition in Rome. His symbolist oeuvre covers the standard themes of symbolist painting, such as Medusa, Lucifer, or The Sinner

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Petracek, Tomas. "Przesłanie moralne papieża Jana Pawła II i Benedykta XVI do czeskich ateistów. Historyczne uwarunkowania i możliwości." Teologia i Moralność 8, no. 1(13) (2013): 69–85. http://dx.doi.org/10.14746/tim.2013.13.1.5.

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The author deals with the reception of the moral teachings of Pope John Paul II and Pope Benedict XVI by the Czech agnostic and atheist public. He puts this dialogue in the historical context of the Czech history of the 20th century and demonstrates its limits and possibilities. Although there is a common dialogue and interest space, currently, however, on the atheistic part of the public prevails a rather confrontational stance.

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Dimitrova, N. I. "Types of philosophical reception of Dostoevsky in Bulgaria from the first half of the 20th century." Solov’evskie issledovaniya, no. 1 (2020): 123–36. http://dx.doi.org/10.17588/2076-9210.2020.1.123-136.

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The article is devoted to the philosophical interpretations of Dostoevsky's work in Bulgaria in the first half of the twentieth century. Dostoevsky's initial presence in Bulgaria was investigated as well the response of the Bulgarian intelligentsia to his ideas compared to those of Tolstoy. The beneficial influence on the image of the writer as a thinker, philosopher, exerted by the Russian emigration in Bulgaria since the beginning of the 1920s is noted. Particular emphasis is placed on the work of Petr Bitsill, one of the best experts in the field of Dostoevsky studies. The types of interpre

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Ritoók, Pál, and Ágnes Anna Sebestyén. "Communicating “space and form?”: The history and impact of the journal Tér és Forma as the Hungarian pipeline of Modernism." An Eastern Europe Vision, no. 59 (2018): 18–25. http://dx.doi.org/10.52200/59.a.yxtyk1q6.

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In the interwar era, architectural journals were at the forefront of professional attention and had the power to disseminate the Modern Movement in architecture globally. The Hungarian journal Tér és Forma (1928-1948) took the lead to introduce international modern architecture to the Hungarian public, while continually reporting on the newest building projects in interwar Hungary. Virgil Bierbauer, the periodical’s long-time editor (1928-1942), presented the broad panorama of contemporary architecture and his followers from 1943 intended to continue his legacy even in wartime. The impact of t

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Liu, Miaowen, and Natalia Z. Koltsova. "Perception of works of V. Shklovsky in China." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (2019): 462–76. http://dx.doi.org/10.22363/2312-9220-2019-24-3-462-476.

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The article is devoted to studying the long-term dissemination and perception of Viktor Shklovsky's works and ideas in China from the 1930s to 2010s, while providing a brief overview of the scientific articles of Chinese Russianists, who played a key role in studying the heritage of Shklovsky conceptual apparatus in Chinese literary criticism. Particular attention is paid to the category of estrangement, firmly included in Chinese literary studies and widely used in the analysis of works of Chinese literature and cinema, have been considered such concepts of Russian formalism as literary chara

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33

Blagojevic, Gordana. "On reception of the church Byzantine music in Belgrade at the end of 20th century and beginning of 21st century." Glasnik Etnografskog instituta, no. 53 (2005): 153–70. http://dx.doi.org/10.2298/gei0553153b.

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Vorozhikhina, Ksenia V. "Lev Shestov in France: Reception of the Russian Philosopher’s Ideas (First Half of the 20th Century)." Voprosy Filosofii, no. 6 (2021): 45–53. http://dx.doi.org/10.21146/0042-8744-2021-6-45-53.

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The article is devoted to the acquaintance of French critics with the philosophy of Lev Shestov, who emigrated from Russia in 1919. Shestov’s ideas almost immediately resonate with French readers and over the course of several years the philosopher gains some fame; he is perceived as one of the most important figures of modern original Russian thought, comparable in importance to M. de Unamuno in Spain and J. de Gaultier in France. Shestov makes acquaintances with French and European intellectuals (J. Rivière, J. de Gaultier, L. Levy-Bruhl and others), collaborates with reputable French mag

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Pastushenko, Luidmila. "FORMATION OF HIGHER EDUCATION IN UKRAINЕ: RECEPTION OF KYIV ACADEMIC HISTORIANS OF 19tH – EARLY 20th CENTURY". Knowledge, Education, Law, Management 1, № 3 (2020): 62–67. http://dx.doi.org/10.51647/kelm.2020.3.1.12.

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Gultyaeva, Galina S. "Realistic Painting of the 20th Century China in the Context of Cultural Visualization." Observatory of Culture 18, no. 1 (2021): 32–43. http://dx.doi.org/10.25281/2072-3156-2021-18-1-32-43.

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This article examines the phenomenon of Chinese realism, as well as the prerequisites and factors that influenced the processes of reception in modern Chinese art. At the beginning of the 20th century, under the influence of Western academic realism and the artistic system of social realism, a new direction and artistic method was formed — realism, which became mainstream in the art of China of the mid-20th century. According to its aesthetic and ideological motifs, Chinese realism is an object of social realism reception, which was determined by cultural and historical factors, and the develo

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Mihkelev, Anneli. "The image of neighbours: Latvian and Lithuanian literature in Estonia." Sign Systems Studies 40, no. 3/4 (2012): 432–46. http://dx.doi.org/10.12697/sss.2012.3-4.09.

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The translated text has a specific value in the new culture: it can be a translation of a literary text, and it can be a translation of culture, i.e. a synchronic text of a cultural system. There are two principal concepts which are used in the present article: 'translation' and 'reception'. Reception begins with the selection of the author, literary or historical epoch, literary style, or ideology. So, every translation and reception begins with reading, and every reading creates meanings. At the same time, reception is also translation: it is a moment when two distinct cultures mix, and this

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Lubardic, Bogdan. "Serbia and Russia mirroring obtainment in philosophy 1920-2020: Synoptic reflexion." Zbornik Matice srpske za drustvene nauke, no. 173 (2020): 1–13. http://dx.doi.org/10.2298/zmsdn2073001l.

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The author endeavours to reconstruct the ways in which the relations between Russia and Serbia in the 20th and 21st century are reflected through the philosophies of both, respectively. Reasons are given for the importance of institutional reception of Russian philosophy into Serbian cultural space, and vice versa. It is demonstrated that the relating of Russia and Serbia in philosophy is important theoretically and spiritually, and equally as a form of identity politics in culture.

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Benigni, Elisabetta. "Dante and the Construction of a Mediterranean Literary Space." Philological Encounters 2, no. 1-2 (2017): 111–38. http://dx.doi.org/10.1163/24519197-00000017.

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This article examines the ideological implications of the literary debate about the Arab-Islamic influences on Dante’sDivina Commediaand the emergence of the idea of Mediterranean literature. It traces the question of “influences” back to 16th century Italy, casts the modern controversy about Dante and the Arabs in the broader context of borders, and questions the definition of European and Romance literatures in relation to Arabic literature. It then focuses on the 20th century debate about the Arabic roots of theCommediain Italy, Spain and the Arab world in order to account for the reception

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Kachorovskaya, A. E. "On the Reception of the Myth of Prometheus in Austrian Literature of 19th-20th Centuries." Nauchnyi dialog, no. 3 (March 30, 2020): 221–35. http://dx.doi.org/10.24224/2227-1295-2020-3-221-235.

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This article focuses its attention on the motive of resistance characteristic of Austrian literature of the 19th - 20th centuries, which is considered from the point of view of the historical and literary relationship with the myth of Prometheus. The history of the issue is reviewed. A selective analysis of the versions of the Promethean myth in the Austrian historical and literary context of the 19th-20th centuries, which is part of the pan-European literary and philosophical heritage, is given. The stylistic and genre originality of Austrian interpretations of the myth of Prometheus is prove

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Draganová, Andrea, and Luybica Babotova. "Ukrainian Topics in Slovak Periodicals at Turn of the 20th Century." Академічний журнал "Слово і Час", no. 4 (April 24, 2019): 74–80. http://dx.doi.org/10.33608/0236-1477.2019.04.74-80.

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The article focuses on the representation of Ukrainian topics in Slovak journals, mainly in “Hlas” (‘Voice’). This periodical had a subtitle “Mesačník pre literatúru, politika a sociálne otázky” (Monthly on literature, politics and social issues) and appeared in 1898–1904. “Hlas” is considered to be the publishing platform of liberally oriented Slovak youth, who opposed the conservative policy of the Center of National Life in Martin, led by S. H. Vajanský. Just as with other key ideological issues (Czechoslovakism, Russophilism, political activity), Vajanský’s reception and understanding of U

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Rusu-Persic, Dalia. "Critical reception of late 19th century Iași-based music. Alexandru Flechtenmacher." Artes. Journal of Musicology 18, no. 1 (2018): 190–206. http://dx.doi.org/10.2478/ajm-2018-0012.

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Abstract In late 19th-century periodicals, music criticism captured only a few details on the composition techniques, the structural organization, the rhythmic-melodic or vocal and stage interpretation of various performances. The press shed light on these pieces only at an informative level, mentioning titles, composers, and interpreters and even omitting some details due to, on the one hand, the authorities’ indifference to the musical phenomenon and, on the other hand, the editors’ sheer ignorance of particular stylistic or musical language features. However, the attempts made by the person

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Choudhury, Ria Roy. "The Voyage Of WitchCraft: From The Crucible To Harry Potter." International Journal of English Learning & Teaching Skills 3, no. 2 (2021): 2123–32. http://dx.doi.org/10.15864/ijelts.3216.

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In this paper, I have attempted to draw a line of comparison between two iconic works of literature namely, The Crucible by Arthur Miller and J.K. Rowling’s Harry Potter series. Composed in 1692 and conceived in 1997 respectively, witchcraft is the fulcrum upon which both of these masterpieces rest. The texts reiterate references of the historical event of witch hunt in New England and colonial America, which ranged from 14th century to 17th century. However, the journey of witchcraft from the 17th to the 20th century, and its reception, has not been without alterations. From being a taboo, to

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Palenzuela, Nilo. "Agustín Espinosa. El movimiento de una recepción." Revista de Filología de la Universidad de La Laguna, no. 42 (2021): 19–34. http://dx.doi.org/10.25145/j.refiull.2021.42.02.

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This article studies the reception of Agustín Espinosa’s work after the 1974 reissue of Lancelot, 28°-7° (1929), Media hora jugando a los dados (1933) and Crimen (1934). The most important contributions and the critical perspectives adopted are shown. The peculiar adoption by Espinosa of cubist and surrealist aesthetics and positions is also dealt with. The basic perspective of this work is Henri Bergson’s conception of durée, also readapted by scholars such as Vladimir Jankélévitch and, especially, by Georges Sebbag in the field of surrealism and philosophy. For Espinosa, analogy, duration an

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Terentowicz-Fotyga, Urszula. "Zagubione w Austen: Duma i uprzedzenie w postmodernistycznej odsłonie – między parodią a nostalgią." Przegląd Humanistyczny 63, no. 2 (465) (2019): 151–60. http://dx.doi.org/10.5604/01.3001.0013.5520.

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The article analyses an ITV series Lost in Austen (2008), directed by Dan Zeff, as an example of postmodern play with Pride and Prejudice. Moving the contemporary heroine to the imaginary, textual sphere, the movie compares the reality of the 19th and the 21st century, emphasizing the visibly different positions of women. It not only “rewrites” the course of events, but also makes the tensions (which were previously silenced by the romance convention) more dynamic. Oscillating between the parody and nostalgia, Lost in Austen both continues and enriches Pride and Prejudice. Playful engagement w

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Zavgorodnii, Aleksei M. "RECEPTION OF N.V. GOGOL’S DEAD SOULS IN FRANCE: BETWEEN THE TWO WORLD WARS OF THE 20TH CENTURY." Vestnik Tomskogo gosudarstvennogo universiteta, no. 426 (January 1, 2018): 14–26. http://dx.doi.org/10.17223/15617793/426/2.

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Bernyukevich, Tatyana. "The Reception of Buddhism in Russia and the “Russian Asiaphiles” in the Late 19th — early 20th Century." State Religion and Church in Russia and Worldwide 38, no. 1 (2020): 37–61. http://dx.doi.org/10.22394/2073-7203-2020-38-1-37-61.

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On Thi My, Linh. "Reception of the 20th Century German Novels in Vietnam in terms of Research and Criticism since 1986." Journal of Science Social Science 65, no. 2 (2020): 10–17. http://dx.doi.org/10.18173/2354-1067.2020-0002.

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Dyadyk, N., and O. Konfederat. "RUSSIAN COSMISM AND ILLUSTRATION OF COSMIC SPACE IN THE RUSSIAN CINEMATOGRAPH OF THE XXI CENTURY." Technical Aesthetics and Design Research 2, no. 4 (2021): 33–41. http://dx.doi.org/10.34031/2687-0878-2020-2-4-33-41.

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The object of the research is the illustration of cosmic space in Russian cinema of the XXI century as a reflection of the traditions of Russian thinking, as well as a plastic model of the Russian reception of globalism in the new century. Research methods: general scientific methods of analysis and synthesis; a phenomenological method for identifying the intentions of a visual image; semiotic approach, allowing to analyze the structural and semiotic integer of a movie. As a result of the study, the authors conclude that the Russian screen model of cosmic space as organically rational integrit

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Cardoso, Eduardo Wright. "From Art as a Science to the Death of Poetry." Aletria: Revista de Estudos de Literatura 30, no. 2 (2020): 147–66. http://dx.doi.org/10.35699/2317-2096.2020.22090.

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This article reflects on the contacts and dialogues between literature and scientific thought in the works of Austrian writer Hermann Broch in the first half of the 20th century. His first novel, The Sleepwalkers [Die Schlafwandler] (1931-1932), points to certain interpretations, allusions and similarities in connection with thinkers such as Max Weber, Walter Benjamin and Hannah Arendt, which suggest the incorporation of literature to scientific and philosophical knowledge. Conversely, in his last fiction work, The Death of Virgil [Der Tod des Vergil] (1945), Broch seems to question and even t

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