Relevant bibliographies by topics / Virgil. Virgil. Pastoral poetry, Latin

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Academic literature on the topic 'Virgil. Virgil. Pastoral poetry, Latin'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Virgil. Virgil. Pastoral poetry, Latin"

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Putnam, Michael C. J. "Virgil and Sannazaro's Ekphrastic Vision." Ramus 40, no. 1 (2011): 73–86. http://dx.doi.org/10.1017/s0048671x00000205.

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If the Neapolitan humanist Jacopo Sannazaro (1458-1530) receives any recognition in scholarly circles these days, it is usually for his Arcadia, an elaborate pastoral in twelve books, each combining prose and verse, that forms one of the most important links between the work of Petrarch, its inspiration, and that of Sir Philip Sidney. The Arcadia, published first authoritatively in 1504, is written in Italian, as are the hundred or so surviving Rime (songs and sonnets), largely products of the last decade of the fifteenth century. But Sannazaro was also a prolific writer in Latin. It is a ques
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Jenkyns, Richard. "Virgil and Arcadia." Journal of Roman Studies 79 (November 1989): 26–39. http://dx.doi.org/10.2307/301178.

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There is an obstacle to our natural appreciation of Virgil'sEclogueswhich looms as large in their case as in that of any poetry whatever. TheEcloguesform probably the most influential group of short poems ever written: though they themselves take Theocritus as a model, they were to become the fountainhead from which the vast and diverse tradition of pastoral in many European literatures was to spring. To use them as a model was in itself to distort their character: it is one of the greatest ironies of literary history that these elusive, various, eccentric poems should have become the pattern
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Thompson, Rupert, and Nicholas Zair. "‘Irrational Lengthening’ in Virgil." Mnemosyne 73, no. 4 (2020): 577–608. http://dx.doi.org/10.1163/1568525x-12342696.

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Abstract Word-final syllables consisting of a short vowel or a short vowel followed by a single consonant sometimes scan as heavy in Latin hexameter poetry, a feature known as ‘irrational lengthening’, lengthening in arsis, diastole etc. We examine the contexts in which this occurs in the poetry of Virgil. It is widely acknowledged that this phenomenon is based on a similar licence in earlier Greek and Roman models for Virgil, but it has also been argued that other, metrical or phonological, aspects may have been relevant to the use of lengthening. We examine these environments, and, where pos
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Gowers, Emily. "Vegetable Love: Virgil, Columella, and Garden Poetry." Ramus 29, no. 2 (2000): 127–48. http://dx.doi.org/10.1017/s0048671x00001624.

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In 65 CE, a Spanish writer appointed himself Virgil's heir and stepped into a breach that did not really exist. L. Iunius Moderatus Columella chose to attach to his self-styled prose ‘monument’ of agricultural instruction an ornamental didactic poem on gardening, to fill the gap apparently left by Virgil at the start of Georgic 4. The result has been regarded for the most part as a misguided experiment, an uninspired pastiche of clippings and half-lines from a greater poet. Yet in recent years, as part of the wholescale rehabilitation of ‘second-rate’ Latin literature, it has begun to be consi
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La Bua, Giuseppe. "LATE CICERONIAN SCHOLARSHIP AND VIRGILIAN EXEGESIS: SERVIUS AND PS.-ASCONIUS." Classical Quarterly 68, no. 2 (2018): 667–80. http://dx.doi.org/10.1017/s0009838818000551.

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Late Antiquity witnessed intense scholarly activity on Virgil's poems. Aelius Donatus’ commentary, the twelve-bookInterpretationes Vergilianaecomposed by the fourth-century or fifth-century rhetorician Tiberius Claudius Donatus and other sets of scholia testify to the richness of late ‘Virgilian literature’. Servius’ full-scale commentary on Virgil's poetry (early fifth century) marked a watershed in the history of the reception of Virgil and in Latin criticism in general. Primarily ‘the instrument of a teacher’, Servius’ commentary was intended to teach students and readers to read and write
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Whitaker, Richard. "Did Gallus Write ‘Pastoral’ Elegies?" Classical Quarterly 38, no. 2 (1988): 454–58. http://dx.doi.org/10.1017/s000983880003706x.

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It has long been noticed that Virgil's Eclogue 10, in which Gal I us plays so prominent a rôle, contains a combination of pastoral and elegiac elements. But this prompts the question: who was responsible for this combination? Was the fusion of pastoral and erotic-elegiac detail Virgil's own, or did Gallus himself write love-elegies with a strong pastoral colouring, a type of poetry which Virgil then echoed in Eclogue 10?
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O'Hogan, Cillian. "Thirty Years of the ‘Jeweled Style’." Journal of Roman Studies 109 (May 27, 2019): 305–14. http://dx.doi.org/10.1017/s0075435819000480.

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In seventh-century Wiltshire, a scholar-monk began to write classicising Latin poetry. In bold terms he describes himself as the first of the Germanic peoples to write Latin poetry (‘neminem nostrae stirpis prosapia genitum et Germanicae gentis cunabulis confotum in huiuscemodi negotio [i.e. poetry] ante nostram mediocritatem tantopere desudasse’). His programmatic statements cite Virgil explicitly, and allude to Prudentius and Sedulius. His is a poetry that sets out a stall for the beginning of something new, but does so by making clear his predecessors. For Aldhelm, as for much of the Middle
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Skerratt, Brian. "Born Orphans of the Earth: Pastoral Utopia in Contemporary Taiwanese Poetry." International Journal of Taiwan Studies 4, no. 1 (2021): 101–20. http://dx.doi.org/10.1163/24688800-20201152.

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Abstract In 2011, amid a string of controversies in the Taiwanese countryside surrounding industrial pollution, urban expansion, the unsustainable exploitation of natural resources, and the destruction of the natural and rural environments, poet and editor Hong Hong announced ‘the last pastoral poem’, suggesting that the representation of the countryside as bucolic landscape was an out-of-date and politically impotent trope. This paper argues, contrary to Hong Hong’s polemic, that depictions of pastoral utopia remain a vital and powerful alternative to the forces of urbanisation and industrial
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Roberts, Michael. "The Description of Landscape in the Poetry of Venantius Fortunatus: The Moselle Poems." Traditio 49 (1994): 1–22. http://dx.doi.org/10.1017/s0362152900012976.

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Venantius Fortunatus is the last major Latin poet of late antiquity. Born near Treviso in northern Italy, he studied grammar and rhetoric in the still thriving schools of Ravenna before moving in 566 to Gaul, where he sought to employ his literary education and talents in the service of Merovingian and Gallo-Roman patrons. Fortunatus's poetry gives ample evidence of his early studies: he shows familiarity with classical poetry, especially Virgil, Ovid, Lucan, and Statius, and with the main Christian poets of late antiquity. In a passage at the beginning of his verse Life of St. Martin, Fortuna
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Jackson, Peter. "A New Order of the Ages: Eschatological Vision in Virgil and Beyond." Numen 59, no. 5-6 (2012): 533–44. http://dx.doi.org/10.1163/15685276-12341238.

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Abstract Proceeding from the Latin mottoes for the Great Seal of the United States, this paper explores the use and repercussions of eschatological themes in Virgil’s poetry. A hitherto unnoticed datum in the history of the Great Seal’s final design exemplifies how comparatively recent readings of the myth of Aeneas and the Cumaean Sibyl could inform our understanding of how the same myth was conceived in the Augustan Age. The discussion revolves around topics such as ekphrasis, the conflation of memoir and myth, and the eschatological significance of spatial and temporal transmission. The fin
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Dissertations / Theses on the topic "Virgil. Virgil. Pastoral poetry, Latin"

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Quartarone, Lorina N. "Locus ambiguus : from otium to labor in Vergil's Eclogues and Georgics /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/11478.

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Steenkamp, Johan Virgil. "Die goueverhouding in die struktuur van Vergilius se Ecloga-boek." Pretoria : [s.n.], 2002. http://upetd.up.ac.za/thesis/available/etd-07242003-164104.

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Rupprecht, Kai. "Cinis omnia fiat : zum poetologischen Verhältnis der pseudo-vergilischen "Dirae" zu den Bucolica Vergils." Göttingen Vandenhoeck & Ruprecht, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=015492366&linen̲umber=0002&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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Lipka, Michael. "Four studies in the language of Vergil's Eclogues." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313113.

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Ntanou, Eleni. "Ovid and Virgil's pastoral poetry." Thesis, University of Manchester, 2018. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.748040.

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This thesis explores the generic interaction between Virgilian pastoral and Ovidian epic. My primary goal is to bring pastoral, substantially enriched by important critical work thereupon in recent decades, more energetically into the scholarly discussion of the Metamorphoses, whose multifaceted generic interplay is often limited to the study of its interaction with elegy. Secondarily, I hope to show how the Metamorphoses plays a pivotal role in the re-reading of the Eclogues. The fact that both epic and pastoral are written in hexameters facilitates the interaction between the two and enables
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Platt, Mary Hartley. "Epic reduction : receptions of Homer and Virgil in modern American poetry." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:9d1045f5-3134-432b-8654-868c3ef9b7de.

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The aim of this project is to account for the widespread reception of the epics of Homer and Virgil by American poets of the twentieth century. Since 1914, an unprecedented number of new poems interpreting the Iliad, Odyssey and Aeneid have appeared in the United States. The vast majority of these modern versions are short, combining epic and lyric impulses in a dialectical form of genre that is shaped, I propose, by two cultural movements of the twentieth century: Modernism, and American humanism. Modernist poetics created a focus on the fragmentary and imagistic aspects of Homer and Virgil;
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Kendal, Gordon McGregor. "Translation as creative retelling : constituents, patterning and shift in Gavin Douglas' 'Eneados' /." St Andrews, 2008. http://hdl.handle.net/10023/554.

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Flint, Angela. "The influence of contemporary events and circumstances on Virgil's characterization of Aeneas." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019/1540.

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Vaananen, Katrina Victoria. "Renaissance Reception of Classical Poetry in Fracastoro’s Morbus Gallicus." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1506444910819066.

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Bunni, Adam. "Springtime for Caesar : Vergil's Georgics and the defence of Octavian." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/998.

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Vergil’s Georgics was published in 29 BCE, at a critical point in the political life of Octavian-Augustus. Although his position at the head of state had been confirmed by victory at Actium in 31, his longevity was threatened by his reputation for causing bloodshed during the civil wars. This thesis argues that Vergil, in the Georgics, presents a defence of Octavian against criticism of his past, in order to safeguard his future, and the future of Rome. Through a complex of metaphor and allusion, Vergil engages with the weaknesses in Octavian’s public image in order to diminish their damaging
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Books on the topic "Virgil. Virgil. Pastoral poetry, Latin"

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Virgil. Published for the Classical Association [by] Oxford University Press, 1998.

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Harold, Bloom. Virgil. Chelsea House, 1986.

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Virgil. Virgil in English. Penguin, 1996.

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Slavitt, David R. Eclogues and Georgics of Virgil. Johns Hopkins University Press, 1990.

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Virgil. Virgil. Harvard University Press, 1986.

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Virgil. Virgil. Harvard University Press, 1999.

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Virgil. Virgil. Harvard University Press, 2000.

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Otis, Brooks. Virgil, a study in civilized poetry. University of Oklahoma Press, 1995.

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Virgil. The eclogues of Virgil: A translation. Farrar, Straus, and Giroux, 1999.

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Virgil, ed. A commentary on Virgil, Eclogues. Clarendon Press, 1994.

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Book chapters on the topic "Virgil. Virgil. Pastoral poetry, Latin"

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Harrison, Stephen. "Heaney as Translator." In Seamus Heaney and the Classics. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198805656.003.0015.

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This chapter looks in detail at Heaney’s considerable competence in Latin as shown in his translations of Virgil and Horace. It moves from some early Horatian versions through the versions of Virgilian pastoral in Electric Light (2001), exploring the full range of verbal engagement with a Latin text, through the Horace version of ‘Anything Can Happen’ in District and Circle (2006) to the posthumous version of the whole of Virgil’s Aeneid VI (2016). Where the evidence is available, it scrutinises the detailed choices made by Heaney in consecutive drafts, and assesses his considerable gifts in rendering formal and elevated Latin poetry readable for a modern audience in a form which is both dignified and natural.
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Haskell, Yasmin Annabel. "Gentle Labour: Jesuit Georgic in the Age of Louis XIV." In Loyola's Bees. British Academy, 2003. http://dx.doi.org/10.5871/bacad/9780197262849.003.0002.

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René Rapin, the father of Jesuit georgic poetry, manoeuvred his intellectual life between the ancients and the moderns with an instinct for conciliation and compromise that made him an effective apostle to the world. He is best remembered for his Horti, a classical-style didactic poem in four books that celebrated the victory of the moderns over the ancients in horticultural art. His poem, which is secular in appearance, is motivated by (mildly concealed) religion and Jesuito-political impulses, and cultural and literary impulses, particularly those of Virgil. This chapter discusses some of the developments in the Italian Renaissance georgic poetry to better understand Rapin's contribution to the early modern Latin georgic. It considers the latter Latin poems on horticulture and sericulture, which bear resemblance to the ancient model yet are considerably shorter than Virgil's. These latter georgic poems predicated on a Nature that is mild and marvellous, and centred on the artistic manipulation of Nature. In the Italian Renaissance, the ‘recreational georgics’ were dominated by pastoral ease, which is ironic, given the prominent thematic of labour in the original georgics. While the georgics were poems that celebrated nature and labour in gardens, by the turn of the eighteenth century, French Jesuits had identified the didactic genre of georgics as a flexible medium for exhibiting their modern Latinity and advertising their honnêteté.
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"Latin Pastoral after Virgil." In Brill's Companion to Greek and Latin Pastoral. BRILL, 2006. http://dx.doi.org/10.1163/9789047408536_019.

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"Virgil and Early High-Style Poetry." In Asyndeton and its Interpretation in Latin Literature. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108943284.025.

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"Virgil and the Achilles of Catullus." In Wordplay and Powerplay in Latin Poetry. De Gruyter, 2016. http://dx.doi.org/10.1515/9783110475876-008.

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"Virgil, Longus, and the Pipes of Pan." In Brill's Companion to Greek and Latin Pastoral. BRILL, 2006. http://dx.doi.org/10.1163/9789047408536_022.

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"Freedom of Speech in Virgil and Ovid." In Wordplay and Powerplay in Latin Poetry. De Gruyter, 2016. http://dx.doi.org/10.1515/9783110475876-010.

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Keith, Alison. "The good king according to Virgil in the Aeneid." In Latin Poetry and Its Reception. Routledge, 2021. http://dx.doi.org/10.4324/9781003092698-3.

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"Continuity and Change in Greek Bucolic Between Theocritus and Virgil." In Brill's Companion to Greek and Latin Pastoral. BRILL, 2006. http://dx.doi.org/10.1163/9789047408536_010.

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Frampton, Stephanie Ann. "The Roman Poetry Book." In Empire of Letters. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190915407.003.0006.

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After discussing the now famous papyrus fragment discovered in 1979 in Lower Nubia and covered with lines of poetry identified with the elegist Cornelius Gallus, this chapter focuses on reconstructing the material habitus of Latin poetry within the Roman bookroll. Reviewing programmatic passages in Ennius, Plautus, Catullus, Ovid, and especially Horace and Virgil, the chapter shows many of the ways that Roman authors made reference to writing and textual materiality within their work to signal and often to resist intimacy with readers in the world outside of their poems. Focusing on the symbolic importance of the special copies that authors may have had prepared for friends and patrons, known now as “presentation copies,” these readings ultimately help to illuminate the surprising rarity of explicit references to writing in Virgil, an author, like others, exquisitely concerned with managing relationships with elite readers by way of his texts.
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