Relevant bibliographies by topics / Virgile Hugo

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Academic literature on the topic 'Virgile Hugo'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Virgile Hugo"

1

Vignest, Romain. "La latinité dans la poésie de Victor Hugo pendant l'exil Virgile, Horace, Lucrèce, Juvénal." L'information littéraire Vol. 59, no. 1 (March 1, 2007): 42–45. http://dx.doi.org/10.3917/inli.591.0042.

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Bills, Charles E., and Daniel C. Whiting. "Major Oil Spills Caused by Hurricane Hugo, St. Croix, U.S. Virgin Islands1." International Oil Spill Conference Proceedings 1991, no. 1 (March 1, 1991): 247–51. http://dx.doi.org/10.7901/2169-3358-1991-1-247.

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ABSTRACT The destruction caused by Hurricane Hugo in September 1989 resulted in two major oil spills on the island of St. Croix, U.S. Virgin Islands. Roughly 10,000 barrels of oil were discharged from damaged storage tanks at the Hess Oil Virgin Islands Corporation (HOVIC), and 14,000 barrels of oil were discharged from the Virgin Islands Water and Power Authority (VIWAPA) facility in Christiansted. Pollution responders overcame the lack of power, water, food, lodging, communications, and transportation to perform an effective cleanup of these spills. This paper presents details of the pollution response effort as coordinated by the federal on-scene coordinator.
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Riffaterre, Michael. "Virgil's Romantic Muse: Rewrites of a Classic in Chateaubriand and Hugo." MLN 110, no. 5 (1995): 1165–87. http://dx.doi.org/10.1353/mln.1995.0091.

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Houghton, L. B. T. "Hugh Last Fellowship: Virgil's fourth Eclogue: a cultural history." Papers of the British School at Rome 80 (September 24, 2012): 337–38. http://dx.doi.org/10.1017/s0068246212000268.

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Askins, Robert A., and David N. Ewert. "Impact of Hurricane Hugo on Bird Populations on St. John, U.S. Virgin Islands." Biotropica 23, no. 4 (December 1991): 481. http://dx.doi.org/10.2307/2388270.

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Reilly, Anne E. "The Effects of Hurricane Hugo in Three Tropical Forests in the U.S. Virgin Islands." Biotropica 23, no. 4 (December 1991): 414. http://dx.doi.org/10.2307/2388260.

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Gasti, Helen. "Three notes on Virgil,Aeneid2." Cambridge Classical Journal 52 (2006): 128–33. http://dx.doi.org/10.1017/s1750270500000506.

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Aeneas begins his narrative with the story of the Trojan Horse. The Greeks, after constructing a huge wooden horse, within which they hide a great many armed soldiers, flee the land. The Trojans rejoice, thinking that they have driven off their opponents. Lines 27–8 express the joy of the Trojans as they visit the Greek camp:iuuat ire et Dorica castradesertosqueuidere locos litusquerelictumIt is disputed whetherdesertosandrelictumare used with an attributive or predicative function. The repeateddesertus(24huc se prouecti deserto in litore condunt, i.e. the Greeks) directs the reader's attention to its earlier use in an attributive function (‘they hid on thevacant shoreof Tenedos’). The image of the deserted shore of Tenedos is clearly meant to suggest the potential destructiveness of the Doric camp and shore deserted now. Such an interpretation seems to be further supported by the predicative use ofdesertosandrelictum, since we see the Greek camp through the eyes both of Aeneas and of his countrymen.
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Hovasse, Jean-Marc. "Virginie Geisler, Victor Hugo, chiffonnier de la littérature, «Je ne sais pas écrire avec une épingle»." Studi Francesi, no. 178 (LX | I) (April 1, 2016): 138. http://dx.doi.org/10.4000/studifrancesi.2511.

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Eörsi, Anna. "“Imaige A La Vierge Marie” The Hours of Mary Of Burgundy, Her Marriage, and Her Painter, Hugo Van Der Goes." Acta Historiae Artium 61, no. 1 (December 18, 2020): 19–53. http://dx.doi.org/10.1556/170.2020.00002.

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AbstractThe Vienna Hours, illuminated by the artist known as the “Master of Mary of Burgundy”, was originally commissioned by Margaret of York. The later parts of the manuscript commemorate the love and marriage between Mary of Burgundy and Maximilian of Habsburg, and their (newborn or expected) child.The miniatures and texts in question convey the same idea expressed on several occasions by the official historian, Jean Molinet: in the Burgundian court, the duchess was venerated as the Virgin Mary (and in consequence of this, Maximilian – and Philip – came to be revered as the Saviour, and Frederick III, Holy Roman Emperor, as the Father). Underlying the tendency to identify Mary of Burgundy with the Virgin Mary was the situation of Burgundy and its heiress, which was understood by means of salvation-historical analogies. In the book of hours, the figures of the two Marys are conflated several times in a variety of ways (fols. 14v, 19v, 43v, 94v, 99v). The hymn in praise of the heavenly joys of the Virgin Mary, which is organically related to the frontispiece image, is thus (also) a chanted sequence for the eternal beatitude of the young bride. The painter conjured up the imaginary figure of Maximilian in the foreground of the two miniatures with window scenes, while the jewels in the border around the image of the Crucifixion scene allude to Margaret of York. These miniatures have a playful tone (as evidenced by the role-swapping between the Marys, the book-within-a-book, picture-within-a-picture, vision-within-a-vision, trompe l’oeil solutions, and the complex dialogue between objects, materials and locations).There are a number of factors supporting the argument that the miniatures, hitherto attributed to the Master of Mary of Burgundy, were illuminated by Hugo van der Goes, who was a resident of the Red Cloister at the time, and that he was commissioned by the Austrian Archduke. The date of 1478 is rendered likely by stylistic and biographical factors (the paintings Hugo made in the cloister, both before and after, his later illness, the visit of Maximilian, the birth of Philip the Handsome). It was also at this time that Jean Molinet wrote Le Chappellet des dames, which makes multiple comparisons between the duchess and the Virgin Mary, and whose imagery is often echoed in the folios of the Vienna Hours. It is possible that the first (co-)owner of the manuscript was Maximilian of Habsburg.
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Miller, Arnold I., Ghislaine Llewellyn, Karla M. Parsons, Hays Cummins, Mark R. Boardman, Benjamin J. Greenstein, and David K. Jacobs. "Effect of Hurricane Hugo on molluscan skeletal distributions,Salt River Bay, St. Croix, U.S. Virgin Islands." Geology 20, no. 1 (1992): 23. http://dx.doi.org/10.1130/0091-7613(1992)020<0023:eohhom>2.3.co;2.

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Dissertations / Theses on the topic "Virgile Hugo"

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Vignest, Romain Marchal Bertrand. "La latinité dans la poésie de Victor Hugo pendant l'exil Virgile, Horace, Lucrèce, Juvénal /." Paris : Université Paris Sorbonne - Paris IV, 2007. http://www.theses.paris4.sorbonne.fr/vignest/paris4/2006/vignest/html/index-frames.html.

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Vignest, Romain. "La latinité dans la poésie de Victor Hugo pendant l'exil : Virgile, Horace, Lucrèce, Juvénal." Paris 4, 2006. http://www.theses.paris-sorbonne.fr/vignest/paris4/2006/vignest/html/index-frames.html.

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Victor Hugo a découvert la poésie en lisant et en traduisant les poètes latins et n’a cessé de les inscrire dans son œuvre. L’exil voit cette pratique prendre sa pleine ampleur, alors que Hugo adopte un système métaphysique extrêmement proche de celui de Virgile, conciliant notamment immanence et transcendance. L’intertextualité, bucolique et visionnaire avec Virgile, cosmique avec Lucrèce, apparaît dès lors comme la continuation dans l’histoire et la fusion dans l’éternité d’une même œuvre de spiritualisation du monde, consistant à en exprimer l’âme divine pour faire advenir la nouvelle Arcadie. L’art d’Horace, coupable d’insouciance mais artiste impeccable, incarne à cet égard la puissance toujours purificatrice de la beauté poétique et sa capacité à restituer l’innocence originelle. Parallèlement, en intégrant intimement Juvénal à ses luttes, Hugo affirme, dans le domaine de l’histoire, la transcendance de l’acte poétique, conçu là aussi comme une prise en charge du réel sur l’idéal. Ainsi, l’intertextualité apparaît comme un projet humaniste et idéaliste, travaillant à l’accomplissement d’une tradition, dont la latinité est à la fois matricielle et emblématique, dans l’hypertexte absolu de Victor Hugo.
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Books on the topic "Virgile Hugo"

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Christian, Cora L. E. Hurricane Hugo's impact on the Virgin Islands. [Boulder, Colo.] (Campus Box 482, University of Colorado, Boulder 80309-0482): Natural Hazards Research and Applications Information Center, Institute of Behavioral Science, University of Colorado, 1992.

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Christian, Cora L. E. Hurricane Hugo's impact on the Virgin Islands. [Boulder, Colo.]: Universityof Colorado, Natural Hazards Research and Applications Information Center, 1992.

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3

Torres-Sierra, Heriberto. Storm-tide elevations caused by Hurricane Hugo on the U.S. Virgin Islands and Puerto Rico, September 18, 1989. San Juan, P.R: U.S. Geological Survey, 1996.

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4

H, Golden Joseph, Baker Earl J, and National Research Council (U.S.). Committee on Natural Disasters., eds. Hurricane Hugo: Puerto Rico, the U.S. Virgin Islands, and South Carolina, September 17-22, 1989. Washington, D.C: National Academy Press, 1994.

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5

National Research Council (Corporate Author), Joseph H. Golden (Editor), Riley M. Chung (Editor), and Earl J. Baker (Editor), eds. Hurricane Hugo: Puerto Rico, the U.S. Virgin Islands, and South Carolina : September 17-22, 1989 (Natural Disaster Studies). National Academy Press, 1994.

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6

Hurricane Hugo, Puerto Rico, the Virgin Islands, and Charleston, South Carolina, September 17-22, 1989. Washington, D.C.: National Academies Press, 1994. http://dx.doi.org/10.17226/1993.

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Book chapters on the topic "Virgile Hugo"

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Horsfall, Nicholas. "The structure and purpose of Virgil’s parade of heroes." In Fifty Years at the Sibyl's Heels, 164–70. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863861.003.0013.

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The parade of heroes at Aeneid 6.756ff. has attracted a huge bibliography but little attention has been paid elsewhere to its elaborate and elusive network of themes and links which the poet draws between the heroes portrayed and the Golden Age of Augustus. This is a detailed and scholarly examination of the parallels and possible links and of the purpose of the parade, both for Aeneas and for the contemporary Roman reader. Virgil must be considered as having the disturbances of 23 BC in mind, with his veiled warning to Caesar and Pompey against civil discord.
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2

Uncu Aki, Sedef, Cevza Candan, Banu Nergis, and Neslihan Sebla Önder. "An Evaluation of Recycled Polymeric Materials Usage in Denim with Lifecycle Assesment Methodology." In Current Topics in Recycling [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.99446.

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Today, World economy is only 8.6% circular, which creates a huge potential in materials reuse. To close the Emission Gap by 2032, this percentage needs to be doubled. The circular economy ensures that with less virgin material input and fewer emissions. With the help of effective recycling technologies, virgin material use can be decreased and especially petroleum based materials impact can fall within planetary boundaries. This book chapter analyzes different chemical and biological recycling technologies, their advantages and challenges in denim production. Moreover, Life Cycle Assessment (LCA) analysis will be used to evaluate the environmental impact of recycled polymeric materials usage in denim fabrics. Finally, it concludes by challenges and the future of chemically recycled materials in denim production and opportunities to evaluate waste as a raw material to design circular systems.
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Morgan, Llewelyn. "1. Introduction." In Ovid: A Very Short Introduction, 1–17. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198837688.003.0001.

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'Introduction: P. Ovidius Naso' provides a background to the poetry of Publius Ovidius Naso, known as Ovid, describing the political circumstances of his life, a momentous shift from civil war to autocracy, and his own elevated social origins in the Italian elite. Ovid inherited a rich literary tradition and the conventions of genre and metre of Roman poetry. Contemporary poets such as Propertius, Horace, and Virgil, had a huge influence on Ovid, as did the earlier Greek poet Callimachus. There are many important themes in the story of Ovid’s life and poetry, his restless commitment to innovation, complex relationship with the emperor Augustus, and his irrepressible wit to be studied. In poetry and in life, Ovid courted controversy, which both brought him celebrity and contributed to the banishment from Rome that he suffered at the height of his popularity.
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Hough, Susan Elizabeth, and Roger G. Bilham. "Hazards of the Caribbean." In After the Earth Quakes. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780195179132.003.0011.

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The Caribbean is a place of romance. Idyllic beaches, buoyant cultures, lush tropical flora; even the Caribbean pirates of yore often find themselves romanticized in modern eyes, and on modern movie screens. Yet it requires barely a moment’s reflection to appreciate the enormous resilience that must exist in a place that is so routinely battered by storms of enormous ferocity. News stories tend to focus on large storms that reach the United States, but many large hurricanes arrive in the United States by way of the Caribbean. Before it slammed into South Carolina in 1989, Hurricane Hugo brushed the Caribbean islands, skimming Puerto Rico and devastating many small islands to its east. Other hurricanes have hit the islands more directly. These include Inez, which claimed some 1,500 lives in 1966, and the powerful Luis, which caused $2.5 billion in property damage and 17 deaths when it pummeled the Leeward Islands and parts of Puerto Rico and the Virgin Islands in 1995. Hurricanes also figure prominently in the pre-20th-century history of the Caribbean—storms that had no names, the sometimes lethal fury of which arrived unheralded by modern forecasts. Most people know that the Caribbean is hurricane country; probably few realize that it is earthquake country as well. After all, the western edge of North America is the active plate boundary; earthquakes occur in the more staid midcontinent and Atlantic seaboard, but far less commonly. What can be overlooked, however, is North America’s other active plate boundary. To understand the general framework of this other boundary, it is useful to return briefly to basic tenets of plate tectonics theory. As discussed in earlier chapters, the eastern edge of North America is known as a passive margin. Because the North American continent is not moving relative to the adjacent Atlantic oceanic crust, in plate tectonics terms, scientists do not differentiate between the North American continent and the western half of the Atlantic ocean.
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"A maverick producer inspired by US indie lmmakers of the late 1980s and early 1990s, Andrew Macdonald gave British cinema a huge jolt with Shallow Grave (1994) and Trainspotting (1996). Born in Glasgow in 1966, Macdonald was from lmmaking stock. His grandfather was the mercurial Hungarian screenwriter Emeric Pressburger, who combined with Michael Powell to make such gilt-edged British movie classics as A Matter of Life and Death (1946) and The Red Shoes (1948). His uncle is James Lee, the boss of Goldcrest during the 1980s. Macdonald emerged as a producer in Scotland in the mid-1990s. He found important backers in Channel 4 and PolyGram Filmed Entertainment, who were both upping their commitment to lm just as his career was starting to blossom. After beginning to collaborate with doctor-turned-writer John Hodge, Macdonald hired Danny Boyle—then best known for TV work like Mr. Wroe’s Virgins (1993)—to direct Shallow Grave. With its style, morbidity and wit, the Edinburgh-set lm was as close as British cinema had come to the world of the Coen brothers. It was a minor box-ofce sensation in the UK. Irvine Welsh adaptation Trainspotting, a scabrous tale about heroin addicts in Leith, was even more successful. Both lms starred Ewan McGregor. From these beginnings, Macdonald began to strike outward. His rst American lm A Life Less Ordinary (1997) wasn’t as successful as its predecessors; The Beach (2000) was notable as Leonardo DiCaprio’s rst screen outing after Titanic had conrmed him as the biggest movie star in the world. The Beach made money, but was also mired in controversy. In 1997, Macdonald and Duncan Kenworthy formed DNA, a new British production company buttressed by around $46 million of national lottery funding. By now, the Macdonald/Hodge/Boyle axis had begun to slip apart. Macdonald was working with other lmmakers. After rocky beginnings and an eventual break with Kenworthy, DNA produced and co-produced some extraordinary lms, among them 28 Days Later (2002), The Last King of Scotland (2006) (directed by Andrew’s younger brother, Kevin Macdonald), The History Boys (2006), and Notes on a Scandal (2006)." In FilmCraft: Producing, 127–28. Routledge, 2013. http://dx.doi.org/10.4324/9780240823881-48.

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Conference papers on the topic "Virgile Hugo"

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Gkouti, Elli, Burak Yenigun, Krystof Jankowski, and Aleksander Czekanski. "Experimental Study of Mullins Effect in Natural Rubber for Different Stretch Conditions." In ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22565.

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Abstract We subjected rubber coupons to cyclical uniaxial tension to investigate the softening effect, where the primary loading at its initial position was followed by additional unloading and reloading. Less stress was required upon reloading than that required in the previous loading for the same degree of stretch, reached on the first loading. This stress softening is significant when reloading follows virgin loading. The magnitude of stress softening is related to the maximum stretch elastomers can achieve in each cycle. To investigate this phenomenon, rubber coupons were subjected to four cycles of simple tension until the desired stretch was reached. We expected that several tests under the same conditions would provide almost identical results. However, we observed different stress requirements for different degrees of stretch when multiple cycles of the same stretch were performed. For three different experimental tests of the same amount of stretch, we saw huge differences in each cycle of loading-relaxation-reloading, a phenomenon that was more obvious during stress relaxation.
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Reports on the topic "Virgile Hugo"

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Saadeh, Shadi, and Pritam Katawał. Performance Testing of Hot Mix Asphalt Modified with Recycled Waste Plastic. Mineta Transportation Institute, July 2021. http://dx.doi.org/10.31979/mti.2021.2045.

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Plastic pollution has become one of the major concerns in the world. Plastic waste is not biodegradable, which makes it difficult to manage waste plastic pollution. Recycling and reusing waste plastic is an effective way to manage plastic pollution. Because of the huge quantity of waste plastic released into the world, industries requiring a large amount of material, like the pavement industry, can reuse some of this mammoth volume of waste plastics. Similarly, the use of reclaimed asphalt pavement (RAP) has also become common practice to ensure sustainability. The use of recycled waste plastics and RAP in HMA mix can save material costs and conserve many pavement industries’ resources. To successfully modify HMA with RAP and waste plastic, the modified HMA should exhibit similar or better performance compared to conventional HMA. In this study, recycled waste plastic, linear low-density polyethylene (LLDPE), and RAP were added to conventional HMA, separately and together. The mechanical properties of conventional and modified HMA were examined and compared. The fatigue cracking resistance was measured with the IDEAL Cracking (IDEAL CT) test, and the Hamburg Wheel Tracking (HWT) test was conducted to investigate the rutting resistance of compacted HMA samples. The IDEAL CT test results showed that the cracking resistance was similar across plastic modified HMA and conventional HMA containing virgin aggregates. However, when 20% RAP aggregates were used in the HMA mix, the fatigue cracking resistance was found to be significantly lower in plastic modified HMA compared to conventional HMA. The rutting resistance from the HWT test at 20,000 passes was found to be similar in all conventional and modified HMA.
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