Relevant bibliographies by topics / Virginia Museum of Fine Arts Richmond

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Virginia Museum of Fine Arts Richmond'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Virginia Museum of Fine Arts Richmond"

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Christison, Muriel B. "Le muséobus du Virginia Museum of Fine Arts, Richmond, Virginia." Museum International (Edition Francaise) 8, no. 2 (April 24, 2009): 125–31. http://dx.doi.org/10.1111/j.1755-5825.1955.tb00204.x.

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Pokorny, Lukas. "Terracotta Army: Legacy of the First Emperor of China. By Li Jian and Hou-mei Sung with an Essay by Zhang Weixing and Contributions by William Neer. Richmond and Cincinnati: Virginia Museum of Fine Arts and Cincinnati Art Museum, 2017. Pp. xviii + 114. Ha." Religious Studies Review 44, no. 4 (December 2018): 495–96. http://dx.doi.org/10.1111/rsr.13770.

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CLOWES, LINDSAY. "SOUTH AFRICAN UNDERSTANDINGS OF CONTINUITY AND CHANGE - Darkroom: Photography and New Media in South Africa Since 1950. Edited by Tosha Grantham. Charlottesville, VA and London: Virginia Museum of Fine Arts/Richmond: University of Virginia Press, 2009. Pp. vi+150. £31.50/$35, paperback (ISBN 978-0-917024-89-6)." Journal of African History 51, no. 2 (July 2010): 269–70. http://dx.doi.org/10.1017/s002185371000040x.

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Rusak, Sandra. "Instructional Resources: African Art: Virginia Museum of Fine Arts." Art Education 49, no. 5 (September 1996): 25. http://dx.doi.org/10.2307/3193610.

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Woodward, Richard B. "African Art at the Virginia Museum of Fine Arts." African Arts 20, no. 2 (February 1987): 28. http://dx.doi.org/10.2307/3336599.

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Kondoleon, Christine. "A Gold Pendant in the Virginia Museum of Fine Arts." Dumbarton Oaks Papers 41 (1987): 307. http://dx.doi.org/10.2307/1291568.

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Harwood, Buie. "A Grand Opening: The New Improved Virginia Museum of Fine Arts." Interiors 1, no. 3 (November 2010): 283–87. http://dx.doi.org/10.2752/204191210x12875837764219.

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O'Connor, Maureen Sarah. "Education in Motion: The Virginia Museum of Fine Arts Artmobile, 1953 – 1994." Museum and Society 17, no. 1 (March 10, 2019): 19–36. http://dx.doi.org/10.29311/mas.v17i1.2780.

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This essay explores five exhibitions created for the Virginia Museum of Fine Arts Artmobile, the first mobile art museum in the United States. The mission of the Artmobile was to bring works of art directly to citizens throughout the state of Virginia from 1953 to 1994. In analyzing educational and exhibition materials, such as exhibition booklets, audio guide recordings, press releases, and speeches, this research examines the educational philosophies of each exhibition in relation to contemporaneous museum education literature. Applying Tony Bennett’s analysis of the impact of culture on the social to the creation of educational philosophies, this essay argues that while the mission of the Artmobile remained constant, there was a shift in the educational objective from the development of cultured citizens through art appreciation and the improvement of public taste to fostering individual visual literacy and encouraging visitors to make art historical and personal connections.
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Barber, R. L. N. "Early Cycladic Art and Artists - Pat Getz-Preziosi: Sculptors of the Cyclades: Individual and Tradition in the Third Millennium b.c. Pp. xxii + 254; 11 colour plates, 50 b/w plates, 53 text-figures. Ann Arbor, MI: University of Michigan Press, 1987. $65. - Pat Getz-Preziosi: Early Cycladic Art in North American Collections. Pp. xx + 345; 16 colour plates, 47 text-figures, fully illustrated catalogue. Richmond, VA and Seattle: Virginia Museum of Fine Arts and University of Washington Press, 1987. $55 (paper, $29.95)." Classical Review 39, no. 2 (October 1989): 331–34. http://dx.doi.org/10.1017/s0009840x00272077.

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Atkinson, Jeanette, Tracy Buck, Simon Jean, Alan Wallach, Peter Davis, Ewa Klekot, Philipp Schorch, et al. "Exhibition Reviews." Museum Worlds 1, no. 1 (July 1, 2013): 206–40. http://dx.doi.org/10.3167/armw.2013.010114.

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Steampunk (Bradford Industrial Museum, UK)Framing India: Paris-Delhi-Bombay . . . (Centre Pompidou, Paris)E Tū Ake: Māori Standing Strong/Māori: leurs trésors ont une âme (Te Papa, Wellington, and Musée du quai Branly, Paris)The New American Art Galleries, Virginia Museum of Fine Arts, RichmondScott's Last Expedition (Natural History Museum, London)Left-Wing Art, Right-Wing Art, Pure Art: New National Art (Museum of Modern Art, Warsaw)Focus on Strangers: Photo Albums of World War II (Stadtmuseum, Jena)A Museum That Is Not: A Fanatical Narrative of What a Museum Can Be (Guandong Times Museum, Guandong)21st Century: Art in the First Decade (QAGOMA, Brisbane)James Cook and the Exploration of the Pacific (Art and Exhibition Hall of the Federal Republic of Germany, Bonn)Land, Sea and Sky: Contemporary Art of the Torres Strait Islands (QAGOMA, Brisbane) and Awakening: Stories from the Torres Strait (Queensland Museum, Brisbane)
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Dissertations / Theses on the topic "Virginia Museum of Fine Arts Richmond"

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Kline, Joshua. "A Tiffany Window In the Virginia Museum of Fine Arts and the Patronage of The Saunders Family of Richmond." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2890.

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The aim of this research is to present an important but forgotten Tiffany interior, that of All Saints Episcopal Church, and focuses on the source for the Saunders memorial window, Christ Resurrection. After portraying the Saunders Family and the context of the window and church interior as an important part of Richmond’s history, this thesis sets up a number of inquiries regarding Christ Resurrection. What are the literary sources; what are the formal sources, from the Renaissance to the late nineteenth century; and what is the meaning of the composition? This thesis utilizes an art historical method of archival, connoisseurial, and iconological research. The analysis of the third chapter illustrates that Frederick Wilson’s composition of Christ Resurrection does not follow any one of the Evangelists. Rather it comes from an extensive pictorial tradition from Resurrection scenes of the 14th century leading into the 17th.
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Holmes, Elizabeth Geesey. "The Virginia Museum of Fine Arts: its Founding, 1930-1936." W&M ScholarWorks, 1993. https://scholarworks.wm.edu/etd/1539625838.

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Reilly-Brown, Elizabeth. "Dialogue in the Galleries: Developing a Tour about Contemporary Art for the Virginia Museum of Fine Arts." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/198.

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This museum thesis project considers the challenges involved in developing engaging museum tours. The purpose of this project was to develop a fifty-minute, guided gallery tour that uses inquiry-based instruction to engage participants in dialogue and critical thinking about artworks. The tour was designed specifically for the Virginia Museum of Fine Arts (VMFA) in Richmond, Virginia, using artworks selected from the museum’s twenty-first-century art collection that relate to the theme hybridity. This project contributes to the museum studies field by exemplifying how gallery tours can stimulate active learning, encourage visitors to find meaning in artworks, and form their own conclusions about objects in the museum. The project provides a model for integrating inquiry-generated dialogue within the gallery tour structure. Finally, it demonstrates that dialogue-based teaching can be used with teens and adults, audiences that some educators perceive as more reticent than younger learners to engage with this style of education.
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McIlvaine, Sarah. "Little Buildings: A Study of Aedicular Furniture from the Virginia Museum of Fine Arts (1500 - 1900)." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2397.

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For millennia, furniture design has emulated architecture. In Western design, furniture has taken the structural conventions suggestive of a "little building" or an aedicule. This thesis will present close examination of the development of aedicular design through the ages with a chronological study of exemplary case pieces in the permanent collection at the Virginia Museum of Fine Arts.
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Lenhardt, Amy. "Research and Interpretive Plan for the First Permanent Exhibition of Ancient American Art at the Virginia Museum of Fine Arts." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2097.

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The Virginia Museum of Fine Arts (VMFA) of Richmond, Virginia, is completing its largest expansion and reinstalling over 6000 artworks, including the Ancient American art collection, to be displayed in the museum’s first permanent gallery space for Ancient American art. In preparation for expansion, the VMFA issued its “Interpretive Plan Guiding Principles,” identifying visitor motivations for viewing the collections. As collection accessibility is central to the museum’s mission statement, all galleries are to provide visitors with the tools to engage with artworks. This thesis project presents a comprehensive history of Pre-Columbian collecting in museums and the history of the VMFA including its Pre-Columbian collection, which will be displayed in the Ancient American Gallery. It includes a summary of research conducted on objects designated for installation. Finally, this project addresses how the Ancient American Gallery will serve as an environment adapting to the principle experiences established by the VMFA.
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Pack, Crista Anne. "Ancient West Mexican Sculpture: A Formal and Stylistic Analysis of Eleven Figures in the Virginia Museum of Fine Arts." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1338.

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The Virginia Museum of Fine Arts (VMFA) has in its collection eleven ancient West Mexican ceramic sculptures. Given that the VMFA's West Mexican Ceramic figure collection has not been included in any extensive study, this thesis serves to provide a critical analysis of these figures through a formal and stylistic approach. These analyses are preceded by a brief history of the West Mexican cultures and highlight the artistic similarities and differences between each region. The primary regions under discussion are Colima, Nayarit, and Jalisco which correspond to modern geopolitical boundaries. Primary sources for these discussions are the figures themselves, while various published catalogues serve as comparative sources. Where applicable, iconographical theories are introduced and discussed in conjunction with the formal and stylistic analysis.
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Holdsworth, Ashley. "Liaising Between Visible and Invisible Realities: A Ritual Gourd in the African Collection of the Virginia Museum of Fine Arts." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3432.

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In 2010, the Virginia Museum of Fine Arts accessioned a ritual gourd from Mambila peoples of Nigeria and Cameroon into their collection. Although ritual containers with similar configurations abound in different parts of the Cameroon Grasslands in Central Africa, the VMFA gourd presents particular difficulties due to the nature of its accumulation and the lack of scholarship on the Mambila peoples. Therefore, in this thesis, all the aspects of its accumulation have been considered in relation to the culture and belief system of the Mambila and their neighbors. Special attention has been paid to the interconnectedness of form, function, and meaning throughout the thesis in order to shed some light on the social, cosmic, and ritual significance of the gourd and its attachments.
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Bielak, Britta. "Second Skin." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3583.

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Reason for writing. The space of confusion and possibility where the practices of art and design collide seems to be in a constant amoebic state. This place of shared influence and growth seems to pervade not only the intersection of these two disciplines, but within interior design, the intersection of people and space. How can the boundaries between an interior space and it’s inhabitants be as richly embedded with tension and opportunity as the edges where art and design meet? Like art and design, how can a space and it’s visitors interact to affect one another? Problem + Methodology: This project explores these questions in a context mindful of their origin: The Virginia Museum of Fine Arts. The design proposal of inserting a fashion wing into the VMFA’s existing context evolves from research and process work across art, design, and architecture, from the scale of the building to the scale of a seat. Results + Implications: The challenge of creating public space that can be just as responsive to and influential over it’s inhabitants as private space seems resolved through the navigation of movement and moment. Finding value in an unscripted discovery of a space and the ownership of private experiences, offers a way to feel engaged with and connected to a space that doesn’t rely on object ownership or territorial comfort. This solution does rely, however, on inhabitants capable of being present and responsive to their environment, allowing other visitor’s interactions with the space and their individual path through the exhibits to affect their perceptions of and connectedness with the design.
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Pack, Crista Anne. "Ancient West Mexican sculpture : a formalistic and stylistic analysis of eleven figures in the Virginia Museum of Fine Arts /." 2006. http://hdl.handle.net/10156/1998.

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Books on the topic "Virginia Museum of Fine Arts Richmond"

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Virginia Museum of Fine Arts. Selections: Virginia Museum of Fine Arts. Richmond, Va: The Museum, 1997.

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Park, Curry David, Smith Caroline Doswell, and Sprinkle Mark, eds. Fabergé: Virginia Museum of Fine Arts. Richmond, Va: The Museum, 1995.

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Selections from the Virginia Museum of Fine Arts. Richmond, VA: Virginia Museum of Fine Arts, 2007.

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1936-, Brandt Frederick R., ed. Late 19th and early 20th century decorative arts: The Sydney and Frances Lewis collection in the Virginia Museum of Fine Arts. Richmond, Va: Virginia Museum of Fine Arts, 1985.

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Virginia Museum of Fine Arts: Visitor guide. Richmond: Virginia Museum of Fine Arts, 2015.

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1950-, Woodward Richard B., ed. African art: Virginia Museum of Fine Arts. Richmond, Va: The Museum, 2000.

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1944-, Mayo Margaret Ellen, and Russell Heather S, eds. Ancient art: Virginia Museum of Fine Arts. Richmond, Va: Virginia Museum of Fine Arts, 1998.

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1950-, Woodward Richard B., ed. African art: Virginia Museum of Fine Arts. Richmond, VA: The Museum, 1994.

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Woodward, Richard B. African art: Virginia Museum of Fine Arts. Richmond, VA: Virginia Museum of Fine Arts, 1994.

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L, O'Leary Elizabeth, ed. American art at the Virginia Museum of Fine Arts. Richmond [Va.]: Virginia Museum of Fine Arts, 2010.

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Book chapters on the topic "Virginia Museum of Fine Arts Richmond"

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"Discovery and Modern History of the Richmond Caligula." In New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, 31–43. BRILL, 2020. http://dx.doi.org/10.1163/9789004417366_005.

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"Reflections on the Typology and Context of the Richmond Caligula." In New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, 50–54. BRILL, 2020. http://dx.doi.org/10.1163/9789004417366_007.

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"Beyond Damnatio Memoriae : Memory Sanctions, Caligula’s Portraits and the Richmond Togatus." In New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, 55–69. BRILL, 2020. http://dx.doi.org/10.1163/9789004417366_008.

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"Introduction with Remarks on the Methodological Implications of the Digital Restoration of the Richmond Caligula." In New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, 9–16. BRILL, 2020. http://dx.doi.org/10.1163/9789004417366_003.

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"The Togatus Statue of Caligula in the Virginia Museum of Fine Arts: an Archaeological Description." In New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, 17–30. BRILL, 2020. http://dx.doi.org/10.1163/9789004417366_004.

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"Caligula: Notes and a Hypothesis about the Ancient Context." In New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, 44–49. BRILL, 2020. http://dx.doi.org/10.1163/9789004417366_006.

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"The Image of Caligula: Myth and Reality." In New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, 70–90. BRILL, 2020. http://dx.doi.org/10.1163/9789004417366_009.

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"On the Reputation of Little-Boots." In New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, 91–99. BRILL, 2020. http://dx.doi.org/10.1163/9789004417366_010.

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"Caligula and the Jews: Some Historiographic Reflections Occasioned by Gaius in Polychrome." In New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, 100–104. BRILL, 2020. http://dx.doi.org/10.1163/9789004417366_011.

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"Caligula Now: Displaying Caligula to a 21st-Century Audience." In New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts, 105–10. BRILL, 2020. http://dx.doi.org/10.1163/9789004417366_012.

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