Relevant bibliographies by topics / Virginia Woolf

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Virginia Woolf'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 September 2024

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Journal articles on the topic "Virginia Woolf"

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Pinho, Davi. "O CONTO DE VIRGINIA WOOLF – OU FICÇÃO, UMA CASA ASSOMBRADA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (December 4, 2019): 03–17. http://dx.doi.org/10.34019/1982-0836.2019.v23.29176.

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O presente artigo se debruça sobre o conto “Casa Assombrada”, coletado no único volume de contos que Virginia Woolf publicou em vida, Monday or Tuesday (1921), para investigar de que maneira seus contos intensificam a crise dos gêneros literários que seus romances encenam, por um lado; e para entender como tal crise é análoga à questão política que assombra toda sua obra, por outro lado: o gênero enquanto questão identitária. Em diálogo com a filosofia e com a crítica woolfiana, este estudo articula essa “crise dos gêneros” (gender x genre) e, ao mesmo tempo, produz uma contextualização histórico-cultural dos contos de Virginia Woolf. Palavras-chave: Virginia Woolf. Conto. Gênero literário. Questões de gênero. Referências AGAMBEN, Giorgio. Elogio da profanação. In: AGAMBEN, Giorgio. Profanações. Tradução Selvino Assman. São Paulo: Boitempo, 2007. p. 65-81 BENJAMIN, Walter. Sobre a linguagem em geral e sobre a linguagem humana. In: Linguagem, tradução, literatura. Tradução João Barrento. Belo Horizonte: Autêntica, 2018 [1916]. p. 9-27. BENZEL, Kathryn N.; HOBERMAN, Ruth. Trespassing boundaries: Virginia Woolf’s Short Fiction. New York: Palgrave MacMillan, 2004. BRAIDOTTI, Rosi. Nomadic theory: The portable Rosi Braidotti. New York: Columbia University, 2011. BRIGGS, Julia. Virginia Woolf, an Inner Life. Londres: Harcourt Brace, 2005. CIXOUS, Hélène. First names of no one. In: SELLERS, Susan (org.). The Hélène Cixous Reader. Londres: Routledge, 1994 [1974]. p. 25-35. DELEUZE, Gilles; GUATTARI, Félix. 28 de novembro de 1947 – Como criar para si um corpo sem órgãos?. Tradução Aurélio Guerra Neto. In: DELEUZE, Gilles; GUATTARI, Félix. Mil Platôs. São Paulo: 34, 1996 [1980]. v. 3. p. 11-34. FOUCAULT, Michel. Docile bodies. In: FOUCAULT, Michel; RABINOW, Paul (ed.). The Foucault reader. Toronto: Penguin, 1984a. p. 179-187. FOUCAULT, Michel. The body of the condemned. In: FOUCAULT, Michel; RABINOW, Paul (ed.). The Foucault reader. Toronto: Penguin, 1984b. p. 170-178. GOLDMAN, Jane. Modernism, 1910-1945, Image to apocalypse. Basingstoke: Palgrave Macmillan, 2004. GOLDMAN, Jane. The Cambridge introduction to Virginia Woolf. Cambridge: Cambridge University, 2006. HARRIS, Wendell. Vision and form: the English novel and the emergence of the story. In: MAY, Charles (ed.). The new short story theories. Athens, Ohio: Ohio University, 1994. p. 181-191. KRISTEVA, Julia. Stabat mater. Tradução A. Goldhammer. In: MOI, Toril (ed.). The Kristeva reader. Oxford: Blackwell, 1986 [1977]. p. 160-187. MATTHEWS, Brander. The philosophy of the short-story. Londres: Forgotten, 2015. [1901]. PEREIRA, Lucia Miguel. Dualidade de Virginia Woolf. In: ______. Escritos da maturidade. Rio de Janeiro: Graphia, 2005. [1944] p. 106-110. SELLERS, Susan (ed.). The Cambridge Companion to Virginia Woolf. 2. ed. Cambridge: Cambridge University, 2010. WOOLF, Leonard. Beginning again: an autobiography of the years 1911 to 1918. New York: Harvest, 1975. [1964] WOOLF, Leonard. Editorial Preface. In: WOOLF, Virginia; WOOLF, Leonard (eds.). Granite and rainbow. Londres: Harcourt, 1958. p. 7-8. WOOLF, Leonard. Foreword. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944. p. v-vi. WOOLF, Virginia. A haunted house. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1921]. p. 3-5. WOOLF, Virginia. A room of one’s own & Three guineas. Londres: Oxford University, 1992 [1929] [1938]. WOOLF, Virginia. A sketch of the past. In: WOOLF, Virginia; SCHULKIND, Jeanne (eds.). Moments of being. London: Harcourt Brace, 1985 [1976]. p. 64-159. WOOLF, Virginia. Casa assombrada. In: WOOLF, Virginia. Contos completos. Tradução Leonardo Fróes. São Paulo: Cosac Naify, 2005 [1921]. p. 162-165. WOOLF, Virginia. Granite and rainbow, ed. Leonard Woolf. Londres: Harcourt, 1958. WOOLF, Virginia. Jacob’s room. Oxford: Oxford University, 2008 [1922]. WOOLF, Virginia. Kew gardens. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1919]. p. 28-36. WOOLF, Virginia. Men and women. In: WOOLF, Virginia; BARRETT, Michele (eds.). Women and writing. Londres: Harcourt, 1979 [1920]. p. 64-68. WOOLF, Virginia. Modern fiction. In: WOOLF, Virginia. The common reader: first series. Londres: Vintage, 2003 [1925]. p. 146-154. WOOLF, Virginia. Monday or Tuesday. Londres: The Hogarth, 1921. WOOLF, Virginia. Night and day. ed. Michael Whitworth. Cambridge: Cambridge University, 2018. WOOLF, Virginia. Professions for women. In: WOOLF, Virginia; WOOLF, Leonard (eds.). The death of the moth and other essays. Londres: Harcourt, 1942 [1931]. WOOLF, Virginia. The complete shorter fiction of Virginia Woolf. ed. Susan Dick. Orlando: Harcourt, 2006 [1985]. WOOLF, Virginia. The diary of Virginia Woolf, ed. Anne Olivier Bell, 5 vols. New York: Penguin, 1979-1985 [1977-1984]. WOOLF, Virginia. The letters of Virginia Woolf, ed. Nigel Nicolson, 6 vols. Londres: The Hogarth, 1975-1980. WOOLF, Virginia. The mark on the wall. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1921]. p. 37-47. WOOLF, Virginia. Thoughts on peace in an air raid. In: ______. The death of the moth and other essays, ed. Leonard Woolf. Londres: Harcourt Brace Jovanovich, 1942. [1940] WOOLF, Virginia. The voyage out. Oxford: Oxford University, 2009 [1915]. WOOLF, Virginia. The waves. Oxford: Oxford University, 1992 [1931].
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Kord, Catherine, and Hermione Lee. "Virginia Woolf." Antioch Review 56, no. 2 (1998): 242. http://dx.doi.org/10.2307/4613689.

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Schenk, Leslie, and Hermione Lee. "Virginia Woolf." World Literature Today 71, no. 4 (1997): 797. http://dx.doi.org/10.2307/40153385.

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Parke, Catherine N. "Virginia Woolf." Thought 63, no. 4 (1988): 358–77. http://dx.doi.org/10.5840/thought198863427.

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Rivkin, Julie, and Jane Marcus. "Virginia Woolf." Contemporary Literature 26, no. 2 (1985): 232. http://dx.doi.org/10.2307/1207936.

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Humm, Maggie. "Virginia Woolf and photography." Comunicação e Sociedade 32 (December 29, 2017): 387–96. http://dx.doi.org/10.17231/comsoc.32(2017).2768.

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From 2000, criticism on Woolf and the visual has quadrupled in volume. The research work about a photographic Woolf – which include other photographers’ interaction with Woolf such as Gisèle Freund or my own analysis of Woolf and Bell’s personal photo albums – shows how these newer issues of Woolf and photography are now absolutely central in any consideration of Virginia Woolf studies, gaining a noticeable importance when we consider the interdisciplinary issue of photography and gender.
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Rasheed, Gulnaz. "The Impact of Psychoanalytical Theory on the Character of Mrs. Ramsay in Virginia Woolf’s Novel ‘To the Lighthouse’." Journal of Peace, Development & Communication 07, no. 01 (January 25, 2023): 11–18. http://dx.doi.org/10.36968/jpdc-v07-i01-02.

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This article is written keeping in mind with the novel ‘To the Lighthouse’ written by Virginia Woolf. She is the modern novelist of the twentieth century. She wrote, ‘To the Lighthouse’ in 1927, which uses rudiments taken for Virginia’s own life. This novel contains deeper exploration of the human mind. Virginia Woolf sets this novel in the ‘Isle of Skye’ in Scotland. The main purpose of this article is to see the novel of Virginia Woolf with the lens of Sigmund Freud’s theory ‘Psychoanalysis’. This theory which deals with the unconscious mind of human. This article is dig out that how human behaviours and cognition effect the personality of persons which are settled in the mind of human. Virginia drifts the characters mind’s inner emotions especially the protagonist Mrs Ramsay who has the central figure of the story. By analysing of the theory of Psychoanalysis, the character of Mrs. Ramsay is explored in this article.
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Harker. "Misperceiving Virginia Woolf." Journal of Modern Literature 34, no. 2 (2011): 1. http://dx.doi.org/10.2979/jmodelite.34.2.1.

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Mercier, Christophe. "Virginia Woolf romancière." Commentaire Numéro 138, no. 2 (June 1, 2012): 590–92. http://dx.doi.org/10.3917/comm.138.0590.

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Fowler, Rowena. "Virginia Woolf: Lexicographer." English Language Notes 39, no. 3 (March 1, 2002): 54–70. http://dx.doi.org/10.1215/00138282-39.3.54.

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Dissertations / Theses on the topic "Virginia Woolf"

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Frotscher, Mirjam M. "Virginia Woolf." Technische Universität Dresden, 2015. https://ul.qucosa.de/id/qucosa%3A15358.

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Virginia Woolf (1882–1941) war eine englische Schriftstellerin, Verlegerin, Essayistin, Tagebuchverfasserin, sowie Literatur- und Kulturkritikerin, die als Wegbereiterin der literarischen Moderne gilt. In zahlreichen kritischen Essays und Romanen reflektiert sie die geteilten Lebens- und Bildungssphären der Geschlechter und kritisiert die materiellen Umstände der durch das Geschlecht determinierten sozialen Rolle. Eine genderfokussierte kritische Rezeption von Woolfs Texten, welche sich mit weiblichem Schreiben und Lesen, Frauengeschichtsschreibung und weiblicher Ästhetik befassen, findet seit Mitte der 1970er Jahre statt.
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Frotscher, Mirjam M. "Virginia Woolf." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219530.

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Virginia Woolf (1882–1941) war eine englische Schriftstellerin, Verlegerin, Essayistin, Tagebuchverfasserin, sowie Literatur- und Kulturkritikerin, die als Wegbereiterin der literarischen Moderne gilt. In zahlreichen kritischen Essays und Romanen reflektiert sie die geteilten Lebens- und Bildungssphären der Geschlechter und kritisiert die materiellen Umstände der durch das Geschlecht determinierten sozialen Rolle. Eine genderfokussierte kritische Rezeption von Woolfs Texten, welche sich mit weiblichem Schreiben und Lesen, Frauengeschichtsschreibung und weiblicher Ästhetik befassen, findet seit Mitte der 1970er Jahre statt.
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Adams, Kat Russell Richard Rankin. ""More attachment to life & larger" Orlando and Woolf's theories of fiction /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5282.

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Guest, Dorinda. "Virginia Woolf : Embracing Death." Thesis, University of Kent, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499842.

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Murrie, Greg. "The death of Rachel Vinrace : a psychological and sociological study of Virginia Woolf's The voyage out /." Title page, contents and abstract only, 1990. http://web4.library.adelaide.edu.au/theses/09ARM/09armm984.pdf.

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Hastings, Sarah. "Sex, gender, and androgyny in Virginia Woolf's mock-biographies "Friendships Gallery" and Orlando." Cleveland, Ohio : Cleveland State University, 2008.

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Thesis (M.A.)--Cleveland State University, 2008.
Abstract. Title from PDF t.p. (Mar. 17, 2009). Includes bibliographical references (p. 48-49). Available online via the OhioLINK ETD Center. Also available in print.
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Cheng, Oi-yee. "Marriage and women's identity in the novels of Virginia Woolf." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161471.

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Scaramuzza, Filho Mauro. "Kew Gardens, de Virginia Woolf." reponame:Repositório Institucional da UFPR, 2009. http://hdl.handle.net/1884/20251.

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Veyna, Alejandra. "Virginia Woolf and Literary Impressionism." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/440.

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Roe, Sue. "Virginia Woolf, writing and gender." Thesis, University of Kent, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383896.

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Books on the topic "Virginia Woolf"

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Hanson, Clare. Virginia Woolf. New York: St. Martin's Press, 1994.

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Haule, James M., and J. H. Stape, eds. Virginia Woolf. Basingstoke: Palgrave Macmillan, 2002. http://dx.doi.org/10.1057/9780230523326.

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Peach, Linden. Virginia Woolf. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1057/978-1-137-15294-7.

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Acheson, James. Virginia Woolf. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-43083-0.

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Fernald, Anne E. Virginia Woolf. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230600874.

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Mepham, John. Virginia Woolf. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-14145-6.

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Hanson, Clare. Virginia Woolf. London: Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-23381-6.

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Stape, J. H., ed. Virginia Woolf. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23807-1.

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Bishop, Edward. Virginia Woolf. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21223-1.

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Peach, Linden. Virginia Woolf. Basingstoke: Macmillan, 2000.

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Book chapters on the topic "Virginia Woolf"

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Bagnold, Enid. "Virginia." In Virginia Woolf, 20–21. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23807-1_7.

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Corbett, Mary Jean. "Woolf, Virginia." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–8. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_85-1.

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Nünning, Vera. "Woolf, Virginia." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17425-1.

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Corbett, Mary Jean. "Woolf, Virginia." In The Palgrave Encyclopedia of Victorian Women’s Writing, 1718–26. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_85.

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Hargreaves, Tracy. "Virginia Woolf." In Androgyny in Modern Literature, 68–96. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230510579_4.

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Nünning, Vera. "Virginia Woolf." In Kindler Kompakt Englische Literatur 20. Jahrhundert, 50–55. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_7.

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Howard, Douglas L. "Virginia Woolf." In The Blackwell Companion to the Bible in English Literature, 629–41. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch45.

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Valentine, Kylie. "Virginia Woolf." In Psychoanalysis, Psychiatry and Modernist Literature, 113–48. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403919366_5.

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Evans, B. Ifor. "Virginia Woolf." In English Literature Between the Wars, 68–74. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003251057-7.

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Wolf, Werner. "Woolf, Virginia." In Englischsprachige Autoren, 301–5. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_111.

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Conference papers on the topic "Virginia Woolf"

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Liu, BO. "Virginia Woolf and a Room of One's Own." In 3d International Conference on Applied Social Science Research (ICASSR 2015). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icassr-15.2016.144.

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Kabirova, Ekaterina. "THE PROBLEM OF TRADITION AND INNOVATION IN THE CREATIVITY CONCEPT OF VIRGINIA WOOLF." In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.10.

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Boci, Flutura. "Differences and Similarities of Style, Values, Challenges and Achievements between Doris Lessing and Virginia Woolf." In 3rd International Conference on Social Science, Humanities and Education. Acavent, 2020. http://dx.doi.org/10.33422/3rd.icshe.2020.03.16.

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Boci, Flutura. "Differences and Similarities of Style, Values, Challenges and Achievements between Doris Lessing and Virginia Woolf." In 3rd International Conference on Social Science, Humanities and Education. Acavent, 2020. http://dx.doi.org/10.33422/3rd.icshe.2020.03.16.

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Maruggi, Maria. "L'eau comme élément symbolique dans La Chartreuse de Parme de Stendhal, Les Années de Virginia Woolf et dans Le Guépard de Tomasi di Lampedusa." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3132.

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Dans La Chartreuse de Parme de Stendhal, Les Années de Virginia Woolf et dans Le Guépard de Tomasi di Lampedusa, l'eau est présente en tant qu'élément symbolique et se charge de significations profondes. Dans La Chartreuse de Parme l'eau renvoie à la nostalgie de la patrie idéalisée, l'Italie. En particulier le souvenir de la vue du lac de Côme, avant que l'écrivain quitte l'Italie en 1821, revient dans le texte à plusieurs reprises. Ce lac est « sublime » aux yeux de Fabrice, pour qui « rien d'aussi beau ne peut se voir au monde ». L'eau, dans La Chartreuse, se manifeste ainsi sous forme de larmes ; les personnages pleurent sans cesse, exprimant les sentiments les plus profonds de leur âme, voire la joie ou le malheur. Comme l’a montré Gaston Bachelard, l'eau, peut assumer un double caractère, maternel et de rêverie. L’œuvre de Stendhal en est la parfaite illustration. Dans Les Années, les personnages, en regardant l'eau, semblent revivre les mêmes expériences intérieures que l'écrivaine avait vécues et décrites dans son journal intime. De l'eau émergent les images du passé de Rose. Il s'agit d'un passé désormais enseveli mais douloureux. Ainsi, l'eau fascine les personnages qui s’arrêtent et contemplent, comme hypnotisés, cet élément naturel. Dans Le Guépard, l'eau se charge de fonctions symboliques mais elle est ainsi présente au niveau du style. Lorsque le prince Salina meurt dans sa chambre d’hôtel située au bord de la mer, la description intérieure de sa mort se fait par des images aquatiques : « Ce n'était plus un fleuve qui déferlait de lui, mais un océan, en tempête, hérissé d'écume et de grosses vagues déchaînées... ». À travers une lecture comparée, nous verrons comment Stendhal, Tomasi di Lampedusa et Virginia Woolf, ont représenté dans leurs romans la nostalgie, la profondeur de l’âme ainsi que le binôme vie-mort à travers l'eau. DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3132
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Block, Philippe. "Digital Master Builders: Disruptive construction technologies." In International Conference on the 4th Game Set and Match (GSM4Q-2019). Qatar University Press, 2019. http://dx.doi.org/10.29117/gsm4q.2019.0027.

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The United Nations Department of Economic and Social Affairs estimates that by 2050 the world's population will have increased by over 2.1 billion people (UN DESA, 2019). Providing housing and infrastructure for them would essentially require building an amount equivalent to what currently exists. It is simply not possible to build in the future the way we do today. To appropriately confront the urgency of the environmental crisis, the building industry faces three immediate challenges: 1) reducing pollution, particularly embodied carbon emissions; 2) slowing the depletion of natural resources; and 3) minimizing waste production. The first challenge refers foremost to embodied emissions (De Wolf et al., 2013, 2016, 2017). The second challenge asks for a reduction in the demand of material used by the building sector, since currently 40% of global resource consumption results in the disappearance of essential virgin materials (OECD, 2018). The third challenge centers on what is wasted during and after construction. In the European Union, 25-30% of all waste produced by humans comes from construction and demolition (EC, 2018).
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Reports on the topic "Virginia Woolf"

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Flood discharges and hydraulics near the mouths of Wolf Creek, Craig Branch, Manns Creek, Dunloup Creek, and Mill Creek in the New River Gorge National River, West Virginia. US Geological Survey, 1994. http://dx.doi.org/10.3133/wri934133.

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