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Relevant bibliographies by topics / Virsky Ukrainian National Dance Company

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Academic literature on the topic 'Virsky Ukrainian National Dance Company'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Virsky Ukrainian National Dance Company"

1

Shumilova, Viktoriia. "The Virsky Ukrainian National Dance Company in the scope of the art research (between 2010–2020 years)." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 211–16. http://dx.doi.org/10.32461/2226-3209.2.2021.240067.

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The purpose of the article has been to learn new historical, cultural and art sources have been posted between 2010–2020 years, related to the Virsky Ukrainian National Dance Company occupation that. The methodology includes the researching methods usage such as: overall historical, comparative-historical, dialectical, analytical, systemic, etc. The scientific novelty implies the novice in the researched historiographical sources made up between 2010–2020 years that have significantly boosted the scientific projection to learn the historical and art facts related to the Virsky Ukrainian Nation

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2

Shumilova, Viktoriia. "THE PAVLO VIRSKY UKRAINIAN NATIONAL DANCE COMPANY IN SOVIET PERIODICALS IN 1950S–1980S." Knowledge, Education, Law, Management 2, no. 8 (2021): 36–40. http://dx.doi.org/10.51647/kelm.2021.8.2.7.

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3

Blagova, T. "Dynamics of the Concepts Formation of the Profession of Choreographer in Ukraine (on the Material of Creativity of P. Virsky)." Zhytomyr Ivan Franko state university journal. Рedagogical sciences, no. 4(86) (December 21, 2016): 24–29. http://dx.doi.org/10.35433/pedagogy.4(86).2016.24-29.

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The article substantiates the importance of artistic and pedagogical heritage of outstanding Ukrainian choreographer P. Virsky in the development of the choreographic education in Ukraine. Content analysis of the creative legacy of choreographer has compiled the dominant direction of his professional activities which provided the formation and development of folk-stage choreography. Based on personal studio, biographical and bibliographical methods the article clarified the essence of the reform choreography of P. Virsky, its importance in the formation of the concept of Ukrainian choreographe

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4

Vernyhor, Dmytro. "Ukrainian Dance – Global Hallmark (Dedicated to the Anniversary of the National Honoured Dance Ensemble of Pavlo Virsky)." Diplomatic Ukraine, no. XIX (2018): 757–66. http://dx.doi.org/10.37837/2707-7683-2018-47.

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The article is concerned with life and creative path of P. Virskyi and the ensemble he leads in the context of cultural diplomacy. The author analyses that the aspiration to create realistic and folk plays by nature has influenced the artist in his exploring and further developing the folk dance. Therefore, applying the experience of folk talents, Virskyi was committed to create characters of Ukrainian stage dance, expanded and enriched its expressiveness. Pavlo Virskyi directed some choreographic performances already in the first days of his activity as choreographer, but his actual work on t

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5

Roy, Yevhenii, and Viacheslav Roy. "State Dance Ensemble of Ukraine as a Cultural Phenomenon and Its Role in the Development of National Folk Choreography." Bulletin of Kyiv National University of Culture and Arts. Series in Arts, no. 46 (May 22, 2022): 181–90. https://doi.org/10.31866/2410-1176.46.2022.258642.

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The purpose of the article is to trace the historical and cultural prerequisites for the creation and functioning of one of the first state dance ensembles in Ukraine, which was supposed to collect and popularise folk dances and stage in public. The article aims to analyse the management and creative process in the first years of its existence and identify the role of choreographer P. Virsky in determining the course of the ensemble to popularise and preserve national cultural values as an inexhaustible renew source for national choreography. Methods. There are the following methods to achieve

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6

Hutnyk, Iryna. "Ballet Master's Work of Oleksii Homon in the Context of Folk Stage Choreography of Ukraine." Dance Studies 4, no. 2 (2021): 117–25. https://doi.org/10.31866/2616-7646.4.2.2021.249287.

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The purpose of the article is to identify the personal contribution of choreographer Oleksii Homon to the development of folk and stage choreographic art of Ukraine. Research methodology. To achieve the goal, general scientific methods of theoretical and empirical levels are used: analysis and generalization of scientific and theoretical bases of research, chronological method. Conclusions on the peculiarities of O. Homon’s choreography were made on the basis of the analysis of the revealed complex of sources: choreographic works of the artist, interviews with him, memoirs

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7

Pidlypskyi, Andrii, and Oleksandr Aksonov. "Festival and Competition Movement in the Sphere of Folk-Stage Dance in Ukraine Through the Prism of Contemporary Art Studies Thought." Dance Studies 5, no. 1 (2022): 68–77. https://doi.org/10.31866/2616-7646.5.1.2022.261613.

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The purpose of the research is to analyze the current trends in the art-historical understanding of the folk-choreographic festival and competition movement in Ukraine. Research methodology. Methods of analysis and synthesis, comparison, and theoretical generalization are applied. Scientific novelty. The main aspects of consideration of the festival and competition movement in the field of folk-stage choreography of Ukraine in modern Art Studies are revealed. Conclusions. Among the numerous scientific works of domestic theoreticians and practitioners on the problems of

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8

Berest, Roman, and Oleksandr Plakhotniuk. "Choreographic Phenomenon of Roma Pryima-Bohachevska." Dance Studies 7, no. 1 (2024): 8–18. https://doi.org/10.31866/2616-7646.7.1.2024.306998.

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<strong>The purpose of the article </strong>is to identify the main factors influencing the formation of Roma Pryima’s creative personality and to highlight the most important stages of her artistic and educational activities. <strong>The research methodology </strong>is based on an integrated approach that combines cultural and typological, historical and comparative, descriptive methods and elements of cultural, educational, and socio-political retrospective reconstruction. <strong>The scientific novelty </strong>lies in highlighting the little-known pages of R

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9

Bilash, Olha. "Ballet Artists' Performing Art of the State Children's Musical Theater in the Second Half of the 1980s." Dance Studies 6, no. 1 (2023): 20–26. https://doi.org/10.31866/2616-7646.6.1.2023.283722.

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The purpose of the article is to analyze the stage performance of the dancers of the Kyiv State Children’s Musical Theater during the second half of the 1980s (A. Kucheruk, Ye. Kostylova, L. Safronchyk, M. Krasnova, O. Storozhuk, A. Vdovychenko). Research methodology. The following research methods were applied: typology, general historical, historical-chronological, comparative-historical, systemic-structural, etc. The scientific novelty of the publication lies in the fact that it is the first to analyze the creative activity of the leading artists of the State

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10

Karpenko, Diana. "Archetypes in Ukrainian Choreographic Culture and Folk-Stage Dances." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 4 (December 20, 2023). http://dx.doi.org/10.32461/2226-3209.4.2023.293715.

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The purpose of the article is to analyse archetypes in the choreographic works of Ukrainian folk stage dance as elements of choreographic culture. The research methodology is based on the use of a combination of the source method, which is applied to the study of scientific literature and periodicals regarding archetypes; cultural analysis to reveal the peculiarities of archetypes in P. Virskyi's choreographic works, in particular “Hopak”, “What the Willow Weeps about”, “Hops” and the national ballet “Forest Song” by S. Sergeev); as well as generalising method to update and specify basic infor

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Books on the topic "Virsky Ukrainian National Dance Company"

1

Vernyhor, I︠U︡ V., та I︠E︡ I. Dosenko. Pavlo Virsʹkyĭ. Nova Knyha, 2012.

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