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1

Gelin, Chrystel. A High-Rate Virtual Instrument of Marine Vehicle Motions for Underwater Navigation and Ocean Remote Sensing. Springer Berlin Heidelberg, 2013.

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2

Gelin, Chrystel. A High-Rate Virtual Instrument of Marine Vehicle Motions for Underwater Navigation and Ocean Remote Sensing. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-32015-6.

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3

Baican, R. Applied virtual instrumentation. WIT, 2000.

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4

Bulmer, Russell K. Gestural interfaces to virtual reality musical instruments. University of Manchester, Department of Computer Science, 1996.

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5

Barbosa, Lúcio de Oliveira. Duplicata virtual: Aspectos controvertidos. Memória Jurídica Editora, 2004.

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6

Serbinski, Theodore Joseph. Design of electronic experiments using computer generated virtual instruments. Naval Postgraduate School, 1994.

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7

IEEE International Symposium on Virtual and Intelligent Measurement Systems (7th 2002 Girdwood, Anchorage, Alaska). VIMS 2002: 2002 IEEE International Symposium on Virtual and Intelligent Measurement Systems : Distributed intelligent sensing for advanced integrated virtual environments : Alyeska resort, Girdwood, Alaska, USA, 19-20 May 2002. IEEE, 2002.

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8

IEEE Instrumentation and Measurement Society. and ISA--The Instrumentation, Systems, and Automation Society., eds. VIMS 2001: 2001 IEEE International Workshop on Virtual and Intelligent Measurement Systems : Hotel Gellért, Budapest, Hungary, 19-20 May 2001 : integrating heterogeneous components into composite systems for quantitative intelligent virtual reality. IEEE, 2001.

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9

Xul Solar, un músico virtual: La música en su vida y obra. Gourmet Musical Ediciones, 2007.

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10

Roth, Don J. The new Cloud Absorption Radiometer (CAR) software: One model for NASA remote sensing virtual instruments. National Aeronautics and Space Administration, Glenn Research Center, 2001.

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11

How do we want the past to be?: On methods and instruments of visualizing ancient reality. Gorgias Press, 2015.

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12

Verbeek, Bruno. Instrumental rationality and moral philosophy: An essay on the virtues of cooperation. Kluwer Academic, 2001.

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13

Verbeek, Bruno. Instrumental rationality and moral philosophy: An essay on the virtues of cooperation. Kluwer Academic Publishers, 2002.

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14

Virtual Haydn: Paradox of a Twenty-First Century Keyboardist. University of Chicago Press, 2014.

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15

Jurgen, Ronald, ed. Electronic Instrument Panel Displays. SAE International, 1998. http://dx.doi.org/10.4271/9780768002270.

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Electronic instrument panel displays systems covers the many technical considerations of instrument panel display systems including brightness, contrast, temperature sensitivity, space requirements, color capabilities and human factors concepts. As part of the Progress in Technology Electronics Series, this book contains 40 technical papers written in the last eleven years on the progress of instrument panel displays and their corresponding electronic systems. Papers are grouped according to display technology and present the most recent advances in that area plus several of historical interes
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16

A Highrate Virtual Instrument Of Marine Vehicle Motions For Underwater Navigation And Ocean Remote Sensing. Springer, 2012.

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17

Gelin, Chrystel. A High-Rate Virtual Instrument of Marine Vehicle Motions for Underwater Navigation and Ocean Remote Sensing. Springer, 2012.

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18

Emagic Logic Virtual Instruments. PC Publishing, 2003.

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19

Applied Virtual Instrumentation. WIT Press, 2000.

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20

Using Reason's Virtual Instruments: Skill Pack. Thomson Course Technology, 2006.

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21

De Souza, Jonathan. Horns To Be Heard. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190271114.003.0007.

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How do listeners relate to musial instruments that they do not play? This chapter investigates technically mediated modes of listening in the context of Haydn’s horn music. The valveless horns in Haydn’s orchestra had distinctive pitch affordances, which gave rise to several idiomatic figures. This instrumental invariance can shape tonal expectations, affecting how the music appears to listeners. Haydn (and other composers) also used horn calls in compositions for other instrumental forces. If situated listeners are attuned to schematic instrumental textures—if, for example, they can hear virt
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22

Interfacing laboratory instruments to multiuser, virtual memory computers. National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Division, 1989.

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23

Buthiau, Didier, and David Khayat. Virtual Endoscopy. Springer, 2002.

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24

1953-, Buthiau Didier, and Khayat David, eds. Virtual endoscopy. Springer, 2003.

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25

Software Synthesizers: The Definitive Guide to Virtual Musical Instruments. Backbeat Books, 2003.

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26

Blume, Peter A. The LabVIEW Style Book (National Instruments Virtual Instrumentation Series). Prentice Hall PTR, 2007.

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27

Professional Guide to Audio Plug-ins and Virtual Instruments. Focal Press, 2003.

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28

The LabVIEW Style Book (National Instruments Virtual Instrumentation Series). Prentice Hall PTR, 2007.

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29

Travis, Jeffrey. LabVIEW for Everyone (2nd Edition) (National Instruments Virtual Instrumentation Series). Prentice Hall PTR, 2001.

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30

Travis, Jeffrey. LabVIEW for Everyone (2nd Edition) (National Instruments Virtual Instrumentation Series). 2nd ed. Prentice Hall PTR, 2001.

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31

Collins, Mike. A Professional Guide to Audio Plug-ins and Virtual Instruments. Routledge, 2012. http://dx.doi.org/10.4324/9780080497846.

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32

Trevor C, Hartley. Part III Recognition and Enforcement, 19 Brussels and Lugano: Authentic Instruments and Court Settlements. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198729006.003.0019.

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This chapter deals with the enforcement of two special kinds of legal instruments: authentic instruments and court settlements. Both are contracts and derive their validity from the consent of the parties. They normally acknowledge the indebtedness of one party to the other. Court settlements are usually concluded to put an end to a dispute. The special feature of both instruments is the way in which they are concluded, and it is this which gives them a special status in the country of origin, often equivalent to <i>res judicata</i>. What is striking about the provisions on these i
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33

Di Paolo, Ezequiel A., Thomas Buhrmann, and Xabier E. Barandiaran. Virtual actions and abstract attitudes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198786849.003.0008.

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This chapter discusses the claim that enactivism cannot account for “representation-hungry” cognitive performance. Clusters of sensorimotor schemes suggest a way in which the virtual sensitivities inherent in every act of sense-making can be extended beyond the immediate situation by means of virtual actions. These are regulations performed by the agent that alter the functional relations between potential acts in a given activity. The chapter also reconsiders the question of object perception. Evidence suggests that adopting an abstract perceptual attitude toward an object (seeing it beyond i
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34

Virtual Bio-Instrumentation: Biomedical, Clinical, and Healthcare Applications in LabVIEW. Prentice Hall PTR, 2001.

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35

LabVIEW interface concepts used in NASA scientific investigations and virtual instruments. National Aeronautics and Space Administration, Glenn Research Center, 2001.

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36

J, Roth Don, and NASA Glenn Research Center, eds. LabVIEW interface concepts used in NASA scientific investigations and virtual instruments. National Aeronautics and Space Administration, Glenn Research Center, 2001.

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37

Vivian, Bradford. Regret. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190611088.003.0004.

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Chapter 3 explores the rhetoric of witnessing that contemporary Western officials regularly employ as an instrument of national and international statecraft. The idea that civic leaders may improve political affairs and enhance their political legitimacy by encouraging the public to bear witness to past injustice and tragedy is a now-commonplace feature of national as well as international politics. Chapter 3 demonstrates how politicians and political institutions have, in recent decades, adopted the rhetoric of witnessing in political address, particularly in order to demonstrate regret, enga
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38

PERES, C. S. As Moedas Virtuais como Instrumento de Redução de Desigualdades. Dialética, 2021. http://dx.doi.org/10.48021/978-65-5956-204-6.

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39

Vims 2002: 2002 IEEE International Symposium on Virtual and Intelligent Measurement Systems : Alyeska Resort Girdwood, Alaska USA 19-20 May 2002. Ieee, 2002.

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40

Giuliani, Luca. Lessing’s Laocoon as Analytical Instrument. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802228.003.0004.

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Luca Giuliani evaluates Laocoon as an ‘analytical tool’ for twenty-first-century classical archaeology. In doing so, he returns to some of the same literary case studies that so engrossed Lessing 250 years ago—and none more so than Homer’s Iliad. By probing Lessing’s theories of the respective workings of art and text, and exploring them in the context of ancient depictions of the Iliad (especially seventh- and sixth-century BC vase-paintings), the chapter explores both the virtues and the problems of Lessing’s account. As Giuliani argues, this historical perspective can help us formulate the
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41

Travis, Jeffrey, and Jim Kring. LabVIEW for Everyone: Graphical Programming Made Easy and Fun (3rd Edition) (National Instruments Virtual Instrumentation Series). Prentice Hall PTR, 2006.

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42

Travis, Jeffrey, and Jim Kring. LabVIEW for Everyone: Graphical Programming Made Easy and Fun (3rd Edition) (National Instruments Virtual Instrumentation Series). 3rd ed. Prentice Hall PTR, 2006.

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43

A, Rapchun David, Jones Hollis H, and NASA Glenn Research Center, eds. The new Cloud Absorption Radiometer (CAR) software: One model for NASA remote sensing virtual instruments. National Aeronautics and Space Administration, Glenn Research Center, 2001.

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44

Commission, International Joint, ed. Economic instruments for the virtual elimination of persistent toxic substances in the Great Lakes Basin. International Joint Commission, 1994.

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45

La empresa virtual : la estructura cosmos. soluciones e instrumentos de transformación de la empresa. McGraw-Hill Interamericana, 1998.

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46

Trevor C, Hartley. Part I General and Introductory, 2 International and Territorial Application. Oxford University Press, 2017. http://dx.doi.org/10.1093/law/9780198729006.003.0002.

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This chapter discusses the scope of the Brussels 2012, Lugano 2007, and the Hague Convention. This is an important issue because if a case is outside their scope, they will not apply. It considers the international and territorial aspects: the rule that the instruments apply only in situations with an international element; and the fact that they apply only to particular territories. All three instruments apply in the European Union as part of EU law. Their territorial scope is, first and foremost, to be determined by looking at the EU Treaties. In the non-EU Parties to Lugano and Hague, the p
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47

Pettigrove, Glen. Alternatives to Neo-Aristotelian Virtue Ethics. Edited by Nancy E. Snow. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199385195.013.31.

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Most contemporary variants of virtue ethics have a neo-Aristotelian timbre. However, standing alongside the neo-Aristotelians are a number of others playing similar tunes on different instruments. This chapter highlights the four most important virtue ethical alternatives to the dominant neo-Aristotelian chorus. These are Michael Slote’s agent-based approach, Linda Zagzebski’s exemplarism, Christine Swanton’s target-centered theory, and Robert Merrihew Adams’s neo-Platonic account. What these four approaches showcase is the range of possible theoretical structures available to virtue ethicists
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48

Oleskiewicz, Mary. Keyboards, Music Rooms, and the Bach Family at the Court of Frederick the Great. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041488.003.0002.

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Using historical architectural plans, inventories, and images, this study locates and describes the musical spaces and the keyboard instruments upon which Johann Sebastian, Carl Philipp Emanuel, and Wilhelm Friedemann Bach would have performed at the Prussian court. King Frederick II’s many palaces—and those of the king’s close family members—featured from one to five music rooms, in addition to small palace theaters and orangeries. Oleskiewicz takes the reader on a virtual tour of each palace (with help of an illustrated web companion) and solves many long-standing puzzles about enigmatic fea
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49

Costley White, Khadijah. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190879310.003.0005.

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I conclude that the press played much more than an instrumental role in relaying the Tea Party brand and that this study highlights the specific ways in which the distinctions between campaigners, political strategists, and news media professionals are becoming increasingly irrelevant. At its core, the Tea Party news story was a narrative that questioned authenticity in a branding environment, a cultural text indicative of a period marked by skepticism, terrorism, anxiety, and doubt about both the virtual and physical worlds (and their interplay). These news narratives provide insight into Ame
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50

Christanus Campililiensis, Opera poetica: Instrumenta lexicologica latina. Brepols, 1993.

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