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Books on the topic 'Virtual technology Digital Artifacts'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Oscarsson, Jan. Enhanced virtual manufacturing: Advanced digital mock-up technology with simulation of variances. De Montfort University, 2000.

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2

Peter, Bentley. Digital biology: How nature is transforming our technology. Headline, 2001.

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3

Thomas, Michael. Technologies, innovation, and change in personal and virtual learning environments. Information Science Reference, 2013.

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4

CoFHE Study Conference (1997 University of Exeter). Exeter '97: Virtual libraries, virtual librarians : proceedings of the CoFHE annual Study Conference held at the University of Exeter, 24-27 March 1997. Edited by Warrington S. R and Library Association. Colleges of Further and Higher Education Group. CoFHE, 1998.

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5

Virtual inequality : beyond the digital divide / Karen Mossberger, Caroline J. Tolbert, Mary Stansbury. Georgetown University Press, 2003.

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6

Digital biology: How nature is transforming our technology and our lives. Simon & Schuster, 2001.

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7

Parry, Ross. Recoding the museum: Digital heritage and the technologies of change. Routledge, 2008.

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8

eCulture: Cultural content in the digital age. Springer, 2008.

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9

Virtual combat: A guide to distributed interactive simulation. Stackpole Books, 1997.

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10

Petsche, Hans-Joachim, Julius Erdmann, and Antje Zapf. Virtualisierung und Mediatisierung kultureller Räume: Die Neuen Medien - Gewinne - Verluste - Gefahren : mit einem Anhang zum 65. Geburtstag von Hans-Ulrich Schilf und einer Beigabe zum 80. Geburtstag von Siegfried Wollgast. Trafo, 2015.

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11

Markov, Vasil Elenov. Vreme i videoobraz: Transformat︠s︡ii na vremeto v digitalnoto videoizkustvo. Akademichno izdatelstvo "Prof. Marin Drinov", 2012.

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12

der, Linden Gert van, ed. Virtual corporate universities: A matrix of knowledge and learning for the new digital dawn. Kluwer Academic Publishers, 2003.

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13

Digital mosaics: The aesthetics of cyberspace. Simon & Schuster, 1997.

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14

Navigating technomedia: Caught in the Web. Rowman & Littlefield, 2008.

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15

Gant, Ma Luisa Bellido. Arte, museos y nuevas tecnologías. Trea, 2001.

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16

Imiji munhwa wa sidae chaengchŏm: Yŏngsang munhwa ŭi segye nŭn ŏttŏk'e palchŏn hae wannŭn'ga. Munhak kwa Chisŏngsa, 2013.

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17

International Conference on Web-Based Modeling & Simulation (1st 1998 San Diego, Calif.). Proceedings of the 1998 International Conference on Web-Based Modeling & Simulation: Simulation and modeling technology for the twenty-first century : [held as part of] 1998 Western Multiconference, San Diego, California, January 11-14, 1998, Catamaran Resort Hotel. The Society, 1998.

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18

1950-, Ahuja Narendra, ed. Face detection and gesture recognition for human-computer interaction. Kluwer Academic, 2001.

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19

Cappellini, Vito, and Enrico Del Re, eds. Electronic Imaging & the Visual Arts. EVA 2016 Florence. Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6655-974-0.

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Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Science and Culture Developments & Applications; New Technical Developments and Applications; Museums - Virtual Galleries and Related Initiatives; Access

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20

Delogu, Cristina, ed. Tecnologia per il web learning. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-571-9.

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This book maps out a course through the methodological and technological innovations of internet-based training, setting the emphasis on the collaborative character of experiences of learning and on the interactivity of the virtual workshops. On the one hand, this underscores the possibilities offered by the net to make available educational modes centred on the social process that enables learning in an active manner, rather than on the centrality of contents to be passively transferred to the students. On the other hand, it also shows how in the virtual workshops it is possible to develop on

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21

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2013 Florence. Firenze University Press, 2013. http://dx.doi.org/10.36253/978-88-6655-372-4.

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Important Information Technology topics are presented: multimedia systems, data-bases, protection of data, access to the content. Particular reference is reserved to digital images (2D, 3D) regarding Cultural Institutions (Museums, Libraries, Palace – Monuments, Archaeological Sites). The main parts of the Conference Proceedings regard: Strategic Issues, EC Projects and Related Networks & Initiatives, International Forum on “Culture & Technology”, 2D – 3D Technologies & Applications, Virtual Galleries – Museums and Related Initiatives, Access to the Culture Information. Three Works

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22

Engineers, Society of Automotive, and SAE World Congress (2006 : Detroit, Mich.), eds. Virtual engineering, virtual/digital technology and rapid prototyping. Society of Automotive Engineers, Inc., 2006.

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23

Sanders, Donald H. Virtual Reconstruction of Maritime Sites and Artifacts. Edited by Ben Ford, Donny L. Hamilton, and Alexis Catsambis. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199336005.013.0014.

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The integration of virtual reality into archaeological research began in the early 1990s. The use of computer-based methods in maritime archaeology is recent. Before exploring a real-time virtual, a 3D computer model is created from drawings, general sketches, raw dimensions, 3D scanned data, or photographs, or by using simple primitives and “drawing” on the computer. Virtual reality is a simulation of physical reality offering the viewer real-time movement through a true 3D space and interactivity with the objects, which can be further enhanced with 3D sound, lighting, and touch. This article

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24

R, Warrington S., and Colleges of Further and Higher Education Group. Study Conference., eds. Exeter '97: Virtual libraries virtual librarians. CoFHE, 1998.

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25

CAD/CAM/CAE technology, digital modeling, virtual development and engineering. SAE International, 2007.

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26

Engineers, Society of Automotive, and SAE World Congress (2007 : Detroit, Mich.), eds. CAD/CAM/CAE technology, digital modeling, virtual development and engineering. Society of Automotive Engineers, 2007.

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27

Digital Innovation: Innovation Processes in Virtual Clusters and Digital Regions (Series on Technology Management). Imperial College Press, 2003.

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28

Susan, Broadhurst, and Machon Josephine 1979-, eds. Performance and technology: Practices of virtual embodiment and interactivity. Palgrave Macmillan, 2006.

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29

Sawicki, Mark, and Juniko Moody. Filming the Fantastic with Virtual Technology: Filmmaking on the Digital Backlot. Taylor & Francis Group, 2020.

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30

Sawicki, Mark, and Juniko Moody. Filming the Fantastic with Virtual Technology: Filmmaking on the Digital Backlot. Taylor & Francis Group, 2020.

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31

Sawicki, Mark, and Juniko Moody. Filming the Fantastic with Virtual Technology: Filmmaking on the Digital Backlot. Taylor & Francis Group, 2020.

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32

Sawicki, Mark, and Juniko Moody. Filming the Fantastic with Virtual Technology: Filmmaking on the Digital Backlot. Taylor & Francis Group, 2020.

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33

1950-, Grimm Rüdiger, Hass Berthold H, and International Workshop for Technical, Economic and Legal Aspects of Business Models for Virtual Goods (5th : 2007 : University of Koblenz), eds. Virtual goods: Technology, economy, and legal aspects. Nova Science Publishers, 2008.

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34

Digital Sensations: Space, Identity, and Embodiment in Virtual Reality. University of Minnesota Press, 1999.

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35

Digital Sensations: Space, Identity, and Embodiment in Virtual Reality. University of Minnesota Press, 1999.

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36

Banks, Jaime. Avatar, Assembled: The Social and Technical Anatomy of Digital Bodies. Lang AG International Academic Publishers, Peter, 2015.

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37

Avatar, Assembled: The Social and Technical Anatomy of Digital Bodies. Lang AG International Academic Publishers, Peter, 2017.

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38

Digital Preservation Technology for Cultural Heritage. Springer, 2012.

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39

(Editor), Susan Broadhurst, and Josephine Machon (Editor), eds. Performance and Technology: Practices of Virtual Embodiment and Interactivity. Palgrave Macmillan, 2007.

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40

Mossberger, Karen, Caroline J. Tolbert, and Mary Stansbury. Virtual Inequality: Beyond the Digital Divide (American Governance and Public Policy). Georgetown University Press, 2003.

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41

Church, Audrey P. Your Library Goes Virtual. Linworth Publishing, 2006.

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42

Oshiro, Thomas, and Lawrence W. Bassett. An Overview of Digital Mammography Technology and MQSA Requirements. Edited by Christoph I. Lee, Constance D. Lehman, and Lawrence W. Bassett. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190270261.003.0006.

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Understanding the fundamentals of mammographic imaging is essential for any practicing physician. The elements described in this section should serve as a brief review of how digital mammography systems acquire and generate images. Equipment including digital receptor design and technical factors to optimize the radiographic contrast and spatial resolution while reducing breast doses to lower levels are outlined. General image processing features as well as commonly encountered clinical artifacts will be reviewed. MQSA (Mammography Quality Standards Act) and ACR standards that define qualifica

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43

Damian, Sutton, Brind Susan, and McKenzie Ray, eds. The state of the real: Aesthetics in the digital age. I.B. Tauris, 2007.

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44

(Editor), Damian Sutton, Susan Brind (Editor), and Ray McKenzie (Editor), eds. The State of the Real: Aesthetics in the Digital Age. I. B. Tauris, 2007.

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45

Rosenfeld, K. Digital Online Culture, Identity, and Schooling in the Twenty-First Century. Palgrave Macmillan, 2015.

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46

Digital Online Culture, Identity, and Schooling in the Twenty-First Century. Palgrave Macmillan, 2015.

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47

Glăveanu, Vlad P., Ingunn Johanne Ness, and Constance de Saint Laurent. Creative Learning in Digital and Virtual Environments: Opportunities and Challenges of Technology-Enabled Learning and Creativity. Taylor & Francis Group, 2020.

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48

Glăveanu, Vlad P., Ingunn Johanne Ness, and Constance de Saint Laurent. Creative Learning in Digital and Virtual Environments: Opportunities and Challenges of Technology-Enabled Learning and Creativity. Taylor & Francis Group, 2020.

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49

Glăveanu, Vlad P., Ingunn Johanne Ness, and Constance de Saint Laurent. Creative Learning in Digital and Virtual Environments: Opportunities and Challenges of Technology-Enabled Learning and Creativity. Taylor & Francis Group, 2020.

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50

Glăveanu, Vlad P., Ingunn Johanne Ness, and Constance de Saint Laurent. Creative Learning in Digital and Virtual Environments: Opportunities and Challenges of Technology-Enabled Learning and Creativity. Taylor & Francis Group, 2020.

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