Books on the topic 'Vision in literature. Visual perception in literature. American literature'

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1

Word sightings: Poetry and visual media in Stevens, Bishop, and O'Hara. Routledge, 2002.

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2

How poets see the world: The art of description in contemporary poetry. Oxford University Press, 2005.

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3

Das Auge liest mit: Zur Visualität der Literatur. Hanser, 2010.

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4

Vision, science and literature, 1870-1920: Ocular horizons. Pickering & Chatto, 2011.

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5

Willis, Martin. Vision, science and literature, 1870-1920: Ocular horizons. Pickering & Chatto, 2011.

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6

Das optische Wissen: Mediologische Studien zu einer Geschichte des Sehens. Wilhelm Fink, 2009.

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7

The visual dominant in eighteenth-century Russia. Northern Illinois University Press, 2011.

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8

Seeing. Evans, 2011.

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9

Thomas, Lehmann. Augen zeugen: Zur Artikulation von Blickbezügen in der Fiktion : Mit Analysen zum Sehen in J.W. Goethes Roman "Die Wahlverwandtschaften" (1809) und in Peter Greenaways Film "The Draughtsman's Contract" (1982). Francke, 2003.

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10

Lehmann, Thomas. Augen zeugen: Zur Artikulation von Blickbezügen in der Fiktion ; mit Analysen zum Sehen in J.W. Goethes Roman "Die Wahlverwandtschaften" (1809) und in Peter Greenaways Film "The draughtsman's contract" (1982). A. Francke, 2003.

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11

Zambon, Francesco, and Fabio Rosa. L'occhio, il volto: Per un'antropologia dello sguardo. Dipartimento di scienze filologiche e storiche, 1999.

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12

Vision and the visual arts in Galdos: A study of the novels and newspaper articles. F. Cairns, 1986.

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13

The primacy of vision in Virgil's Aeneid. University of Texas Press, 2005.

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14

Deep skin: Elizabeth Bishop and visual art. Cornell University, 2010.

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15

A familiar strangeness: American fiction and the language of photography, 1840-1940. University of Georgia Press, 2008.

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16

Eichbauer, Mary E. Poetry's self-portrait: The visual arts as mirror and muse in René Char and John Ashbery. P. Lang, 1992.

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17

The language of the eyes: Science, sexuality, and female vision in English literature and culture, 1690-1927. State University of New York Press, 2005.

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18

Vision and narrative in Achilles Tatius' Leucippe and Clitophon. Cambridge University Press, 2004.

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19

Smajic, Srdjan. Ghost-seers, detectives, and spiritualists: Theories of vision in Victorian literature and science. Cambridge University Press, 2010.

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20

Species, phantasms, and images: Vision and medieval psychology in The Canterbury tales. University of Michigan Press, 2001.

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21

ill, Stadtlander Becca, ed. Look! what do you see?: An art puzzle book of American & Chinese songs. Viking, 2017.

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22

Picturing a different West: Vision, illustration, and the tradition of Austin and Cather. Texas Tech University Press, 2007.

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23

Beschreibungs-Kunst: Zur intermedialen Poetik angloamerikanischer Ikontexte (1880-2000). Wilhelm Fink, 2005.

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24

Images of Black modernism: Verbal and visual strategies of the Harlem Renaissance. University of Massachusetts Press, 2010.

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25

The historical eye: The texture of the visual in late James. Northeastern University Press, 1991.

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26

Mediating American autobiography: Photography in Emerson, Thoreau, Douglass, and Whitman. University of Missouri Press, 2008.

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27

Ghost-seers, detectives, and spiritualists: Theories of vision in Victorian literature and science. Cambridge University Press, 2010.

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28

Williams, Megan Rowley. Through the negative: The photographic image and the written word in nineteenth-century American literature / Megan Rowley Williams. Routledge, 2004.

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29

Through the negative: The photographic image and the written word in nineteenth-century American literature / Megan Rowley Williams. Routledge, 2003.

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30

13 ways of looking at images: The logic of visualization in literature and society. Red Heifer Press, 2003.

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31

Ordering the facade: Photography and contemporary southern women's writing. University of North Carolina Press, 2007.

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32

Hovey, Jaime. A thousand words: Portraiture, style, and queer modernism. Ohio State University Press, 2005.

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33

The line's eye: Poetic experience, American sight. Harvard University Press, 1998.

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34

Thorne, Alison. Vision and rhetoric in Shakespeare: Looking through language. St. Martin's Press, 2000.

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35

Auslander, Philip. The New York school poets as playwrights: O'Hara, Ashbery, Koch, Schuyler, and the visual arts. P. Lang, 1989.

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36

Richardson, Donna. Visual paraphrasing of poetry: A sourcebook for teachers and readers. University Press of America, 1993.

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37

Sensational modernism: Experimental fiction and photography in thirties America. University of North Carolina Press, 2007.

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38

Vescia, Monique. Depression glass: Documentary photography and the medium of the camera-eye in Charles Reznikoff, George Oppen, and William Carlos Williams. Routledge, 2006.

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39

Depression glass: Documentary photography and the medium of the camera-eye in Charles Reznikoff, George Oppen, and William Carlos Williams. Routledge, 2005.

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40

You won't believe your eyes! National Geographic Society, 1987.

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41

Chaney, Michael A. Fugitive Vision: Slave Image and Black Identity in Antebellum Narrative. Indiana University Press, 2009.

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42

Fugitive Vision: Slave Image and Black Identity in Antebellum Narrative (Blacks in the Diaspora). Indiana University Press, 2007.

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43

Stout, Janis P. Picturing a Different West: Vision, Illustration and the Tradition of Cather and Austin (Grover E. Murray Studies in the American Southwest) (Grover E. Murray Studies in the American Southwest). Texas Tech University Press, 2007.

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44

Matthews, Gill, and Claire Llewellyn. Seeing (I Know That!). Franklin Watts Ltd, 2004.

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45

Moore, Gareth. Seeing Is Believing. Hungry Tomato Limited, 2015.

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46

Gifford, Clive. Eye benders: The science of seeing & believing. 2014.

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47

Michael, Neumann, ed. Anblick / Augenblick: Ein interdisziplinäres Symposion. Königshausen & Neumann, 2005.

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48

Look Closer! Scholastic Inc., 1994.

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49

Henry James and the Visual. Cambridge University Press, 2007.

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50

1956-, Blake Andrew, Troscianko Tom, and European Conference on Visual Perception (11th : 1988 : Bristol, England), eds. AI and the eye. Wiley, 1990.

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