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Books on the topic 'Visitas virtuales'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Visitor from the beyond. Troll, 1997.

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2

Phillip, Judkins, ed. Glimpses of heaven, visions of hell: Virtual reality and its implications. Coronet Books, 1993.

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3

Sherman, Barrie. Glimpses of heaven, visions of hell: Virtual reality and its implications. Coronet, 1993.

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4

Sherman, Barrie. Glimpses of heaven, visions of hell: Virtual reality and its implications. Hodder & Stoughton, 1992.

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5

Apocalyptic AI: Visions of heaven in robotics, artificial intelligence, and virtual reality. Oxford University Press, 2010.

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6

Geraci, Robert M. Apocalyptic AI: Visions of heaven in robotics, artificial intelligence, and virtual reality. Oxford University Press, 2010.

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7

Dipasquale, Letizia, Saverio Mecca, and Mariana Correia, eds. From Vernacular to World Heritage. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-293-5.

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This publication brings together the results of the project 3DPAST: Living and virtual visiting European World Heritage, co-funded by the Creative Europe EU programme. The research highlighted the exceptional character and quality of living in vernacular dwellings found in World Heritage sites. This was possible by seizing the cultural space of European vernacular heritage, located in Pico island (Portugal), Cuenca town (Spain), Pienza (Italy), Old Rauma (Finland), Transylvania (Romania), Berat & Gjirokastra (Albania), Pátmos (Greece), and Upper Svaneti (Georgia). New digital realities gra

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8

Pellant, Chris, and Helen Pellant. Virtual Visits: Geography Visit 1. Pearson Publishing, 2002.

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9

Grogan, Andy. Virtual Visits to the Cities of Europe. Netgate Publishing, 1998.

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10

M, Saunders Laverna, ed. The Virtual library: Visions and realities. Meckler, 1993.

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11

D. C.) Computers in Libraries Conference 1993 (Washington. The Evolving Virtual Library: Visions and Case Studies. Information Today, 1996.

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12

M, Saunders Laverna, and Computers in Libraries Conference (8th : 1993 : Washington, D.C.), eds. The evolving virtual library: Visions and case studies. Information Today, 1996.

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13

Judkins, Phillip, and Barrie Sherman. Glimpses of Heaven, Visions of Hell. Hodder & Stoughton Ltd, 1992.

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14

Judkins, Phillip, and Barrie Sherman. Glimpses of Heaven, Visions of Hell. Coronet Books, 1993.

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15

(Editor), Philip Hayward, Arts Council of Great Britain (Corporate Author), and Tana Wollen (Editor), eds. Future Visions: New Technologies of the Screen. British Film Inst, 1993.

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16

Philip, Hayward, Wollen Tana 1957-, and Arts Council of Great Britain., eds. Future visions: New technologies of the screen. BFI Pub., 1993.

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17

Saunders, Laverna M. The Virtual Library: Visions and Realities (Supplements to Computers in Libraries). Meckler Books, 1993.

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18

Geraci, Robert M. Apocalyptic AI: Visions of Heaven in Robotics, Artificial Intelligence, and Virtual Reality. Oxford University Press, 2012.

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19

The Evolving Virtual Library: Visions and Case Studies (Supplements to Computers in Libraries, No 74). Mecklermedia Corporation, 1996.

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20

Tramway and Bluecoat Gallery, eds. V-Topia, visions of a virtual world: Interactive video and computer works by nine artists. Tramway Visual Arts, 1994.

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21

Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media (Parallax: Re-visions of Culture and Society). The Johns Hopkins University Press, 2003.

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22

Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media (Parallax: Re-visions of Culture and Society). The Johns Hopkins University Press, 2000.

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23

Westfahl, Gary. Finding his Own Uses for Things. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037801.003.0004.

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This chapter discusses William Gibson's short fiction. Among Gibson's early short stories are “Fragments of a Hologram Rose” (1977), which introduces the theme of virtual reality; “The Gernsback Continuum” (1981), his first metafictional consideration of science fiction and its effects; “Johnny Mnemonic” (1981), which first involves the underworld of the Sprawl, the vast megalopolis stretching down America's East Coast; and “Burning Chrome” (1982), which adds the ingredient of cyberspace. “The Gernsback Continuum” pays fond tribute to the prophecies of science fiction writers and futurists of

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24

Vivian, Bradford. Habituation. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190611088.003.0005.

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Chapter 4 demonstrates the commonplace nature of witnessing in the symbolic language and embodied habitudes of witnessing at contemporary memorials. The premise that liberal-democratic citizens should bear witness to national crimes and traumas by visiting celebrated memorials has become a commonplace form of civic obligation. The chapter examines the specific forms of witnessing that the National September 11 Memorial encourages visitors to enact. Prolonged and contentious controversies over its design—in effect, its symbolic rhetoric—provide insight into normative assumptions about how such

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25

Vivian, Bradford. Regret. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190611088.003.0004.

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Chapter 3 explores the rhetoric of witnessing that contemporary Western officials regularly employ as an instrument of national and international statecraft. The idea that civic leaders may improve political affairs and enhance their political legitimacy by encouraging the public to bear witness to past injustice and tragedy is a now-commonplace feature of national as well as international politics. Chapter 3 demonstrates how politicians and political institutions have, in recent decades, adopted the rhetoric of witnessing in political address, particularly in order to demonstrate regret, enga

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26

Lippert, Amy DeFalco. Consuming Identities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190268978.001.0001.

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Along with the rapid expansion of the market economy and industrial production methods, innovations including photography, lithography, and steam printing created a pictorial revolution in the nineteenth century. Consuming Identities: Visual Culture in Nineteenth-Century San Francisco explores the significance of that revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush and the hub of Pacific migration and trade. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as sig

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27

Knaack, Ulrich, and Jens Schneider. POWERSKIN CONFERENCE PROCEEDINGS. Edited by Thomas Auer. TU Delft Open, 2021. http://dx.doi.org/10.47982/bookrxiv.27.

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The building skin has evolved enormously over the past decades. The energy performance and environmental quality of both the interior and exterior of buildings are primarily determined by the building envelope. The façade has experienced a change in its role as an adaptive climate control system that leverages the synergies between form, material, mechanical and energy systems towards an architectural integration of energy generation. The PowerSKIN Conference aims to address the role of building skins to accomplish a carbonneutral building stock. The focus of the PowerSKIN issue 2021 deals wit

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