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Books on the topic 'Visual analisy'

Author: Grafiati
Published: 10 March 2023

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1

Linn), Andrews Sandra (Sandra, ed. A visual analogy guide to chemistry. Englewood, CO: Morton Publishing, 2012.

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2

A visual analogy guide to human physiology. Englewood, CO: Morton Publishing, 2008.

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3

A visual analogy guide to human anatomy. 3rd ed. Englewood, Col: Morton Pub., 2013.

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4

Visual analogy: Consciousness as the art of connecting. Cambridge, Mass: MIT Press, 1999.

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5

Tinarbuko, Sumbo. Semiotika komunikasi visual: Metode analisis tanda dan makna pada karya desain komunikasi visual. Yogyakarta: Jalasutra, 2008.

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6

Rauch, Andrea. L'immagine complessa: Segno, simbolo, forma, colore : analisi e progetto di immagini coordinate. 2nd ed. Siena [Italy]: Protagon, 2001.

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7

Visual methodologies: An introduction to the interpretation of visual materials. 2nd ed. London: SAGE, 2007.

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8

Ida, Rachmah. Analisis visual kampanye politik 2009 di Indonesia: Visual political culture di era demokrasi kontemporer Indonesia. Surabaya: Departemen Komunikasi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Airlangga, 2009.

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9

Ranzato, Irene. La traduzione audiovisiva: Analisi degli elementi culturospecifici. Roma: Bulzoni, 2010.

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10

La traduzione audiovisiva: Analisi degli elementi culturospecifici. Roma: Bulzoni, 2010.

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11

The anthropomorphic lens: Anthropomorphism, microcosmism, and analogy in early modern thought and visual arts. Boston: Brill, 2014.

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12

Bloomberg visual guide to candlestick charting. Hoboken, N.J: Wiley, 2012.

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13

Visual complex analysis. Oxford [England]: Clarendon Press, 1998.

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14

Arzamasov, A. A. Fenomen vizualʹnogo v sovremennoĭ udmurtskoĭ poėzii: Opyt analiza tvorchestva P.M. Zakharova. Izhkara: Izd-vo "Udmurtskiĭ universitet", 2010.

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15

Shipelʹskiĭ, M. I. Poėtika stankovogo peĭzazha: Opyt kulʹturologicheskogo analiza : monografii︠a︡. Krasnodar: Krasnodarskiĭ gosudarstvennyĭ universitet kulʹtury i iskusstv, 2008.

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16

Ballestracci, Sabrina, and Serena Grazzini, eds. Punti di vista – Punti di contatto. Studi di letteratura e linguistica tedesca. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-769-2.

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L’interrogativo sui possibili punti di contatto tra linguistica e studi letterari torna a più riprese nella discussione internazionale di ambito germanistico. Il volume si inserisce in questo dibattito e, valorizzando le specificità di entrambi i settori di studio, intende contribuire alla ricerca di nuove vie di confronto e di scambio scientifico. Gli otto saggi raccolti in questa miscellanea si caratterizzano per la compenetrazione del punto di vista letterario e linguistico e sviluppano percorsi di analisi nei seguenti campi di ricerca: teoria del comico letterario e dei generi letterari; studi linguistici del testo letterario; lingua come oggetto di analisi letteraria; didattica del tedesco L2 (DaF).
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17

Hansson, Karl. Det figurala och den rörliga bilden: Om estetik, materialitet och medieteknologi hos Jean Epstein, Bill Viola och Artintact. Stockholm: Acta Universitatis Stockholmiensis, 2006.

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18

Carol Geronès, Lídia. Un bric-à-brac de la Belle Époque. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-434-9.

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Fortuny (1983) by Pere Gimferrer is the only novel (at least to date) that the author has written in Catalan and it represents one of the most unique novels of contemporary Hispanic narrative. The aims of the present study are mainly two: to shed light on one of the most important, but least studied, works by Pere Gimferrer, the greatest representative of Hispanic creativity for the Post-War Generation, and to analyse critical reception of the work and show how the novel has evolved from the time of publication in 1983 until today. This essay consists of three major parts: the study of critical reception, the narratological analysis of the text and the unveiling of the textual, but above all visual, references that make up the novel. The latter allows us to explain two essential elements of the novel: the imaginary Fortuny on the one hand and, on the other, the novel’s intertextual concrete figure of speech, its ekphrasis. The study of this intentionally visual character of the novel not only wanted to highlight the importance of two arts to which Gimferrer has always paid special attention – we refer to cinema and painting – but has also demonstrated the desire of the writer to innovate the Catalan narrative scene, using different literary devices to push the limits of the genre novel.
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19

Bamberger, Jeanne Shapiro. The art of listening: Developing musical perception. 5th ed. New York: Harper & Row, 1988.

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20

Jorge, Pozo, ed. Niños, medios de comunicación y su conocimiento. Barcelona: Herder, 1994.

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21

J, White V., Australia. Department of Employment, Education and Training., and Evaluations and Investigations Program, eds. The evaluation of the cost effectiveness of multi-media mixed-role teaching and learning. Canberra: Australian Government Publishing Service, 1991.

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22

Voir, comprendre, analyser les images. 4th ed. Paris: Éd. la Découverte, 2004.

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23

Krieger, Paul A. Visual Analogy Guide to Human Physiology. Morton Publishing Company, 2020.

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24

A Visual Analogy Guide to Human Anatomy. Morton Publishing Company, 2021.

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25

Visual Analogy Guide to Human Anatomy & Physiology. Ingram, 2017.

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26

A Visual Analogy Guide to Human Physiology. Morton Publishing Company, 2014.

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27

Nakamura, Shoichiro. Analisis Numerico y Visual - Grafica Con MATLAB. Pearson Publications Company, 2000.

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28

A Visual Analogy Guide to Human Anatomy. Not Avail, 2005.

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29

Stafford, Barbara Maria. Visual Analogy: Consciousness as the Art of Connecting. The MIT Press, 2001.

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30

Visual Analogy Guide to Human Anatomy, Second Edition. Morton Publishing Company, 2009.

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31

A Visual Analogy Guide to Human Anatomy and Physiology. Morton Publishing Company, 2013.

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32

Maccormick, John. Stochastic Algorithms for Visual Tracking. Springer, 2002.

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33

Visual Analytics with Tableau. Wiley & Sons, Incorporated, John, 2019.

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34

Melion, Walter, Bret Rothstein, and Michel Weemans, eds. The Anthropomorphic Lens: Anthropomorphism, Microcosmism and Analogy in Early Modern Thought and Visual Arts. BRILL, 2015. http://dx.doi.org/10.1163/9789004275034.

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35

Visual Complex Analysis: 25th Anniversary Edition. Oxford University Press, 2023.

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36

Visual Complex Analysis: 25th Anniversary Edition. Oxford University Press, 2023.

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37

Bystydzieńska, Grażyna, and Magdalena Pypeć, eds. Landscapes and Townscapes. University of Warsaw Press, 2021. http://dx.doi.org/10.31338/uw.9788323548737.

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The essays in this volume discuss various aspects of urbanscapes and landscapes, and analyse their depiction and significance in selected literary and visual works, exploring various approaches to the city, urban spaces, landscape, countryside and topography in the British literature and culture of the long 18th and 19th centuries.
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38

Inselberg, Alfred. Parallel Coordinates: Visual Multidimensional Geometry and Its Applications. Springer New York, 2017.

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39

Parallel Coordinates: Visual Multidimensional Geometry and Its Applications. Springer, 2008.

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40

Inselberg, Alfred. Parallel Coordinates: Visual Multidimensional Geometry and Its Applications. Springer London, Limited, 2009.

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41

Rueda, María de los Ángeles de, Fabiana Di Luca, and Inés Fernández Harari, eds. Reescrituras y detalles. Editorial de la Universidad Nacional de La Plata (EDULP), 2021. http://dx.doi.org/10.35537/10915/128876.

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El libro propone un anclaje: las artes plásticas y la cultura visual, o bien las imágenes en general, con sus diferentes dispositivos. Se analiza un repertorio diverso y se estudian algunos casos en siglo XIX. Se profundiza en una selección de temas de Historia del Arte 6 y 7 de la Facultad de Artes (UNLP) para la carrera de Historia del Arte, con orientación en artes plásticas.
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42

McDonald, Russ. ‘Pretty Rooms’. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0017.

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I first propose a new context for examining the sonnets and then scrutinize some verbal features of the poems with that context in mind. The context is visual design in the second half of the 16th century: the cultural commitment to arrangement in Tudor England is visible in furniture, textiles, gardening, and to a certain degree in painting, but especially in architecture, particularly Elizabethan domestic architecture. The feature I analyse is a species of poetic ornament: literal and lexical forms of repetition. My aim is to identify the increasing devotion to order in Elizabethan visual culture with the manifest delight in patterning exhibited in Shakespeare’s sonnets and shared by all the imaginative writers of the period.
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43

Thornicroft, G. J. Measuring Mental Health Needs (CV/Visual Arts Research). 2nd ed. Gaskell, 2001.

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44

Smigel, Eric. Sights and Sounds of the Moving Mind. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0006.

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American experimental filmmaker Stan Brakhage revolutionised independent cinema by cultivating a new poetic idiom designed to document the subjective vision of the eye behind the camera. Committed to an inclusive account of the lived visual experience, he augmented the cinematic vocabulary by including components such as hallucination, dreams, closed-eye images and optical feedback, capturing these ephemeral elements using a wide variety of ‘home-made’ modifications to the filming process, including erratic hand-held camera movement, distortion of focus and changing camera speeds. Although most of his projects are silent, he corresponded with composer James Tenney to explore intersections between cinema (“moving visual thinking”) and music (“sound equivalent of the mind’s moving”). When employing a soundtrack, Brakhage gravitated towards musique concrète, which he regarded as an audio analogy for cinematic montage, and he devised a unique brand of audiovisual counterpoint based on the rhythmic interplay of the psychophysiological processes of sight and sound.
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45

Kleege, Georgina. The Tenacious Life of the Hypothetical Blind Man. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190604356.003.0002.

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The chapter provides a survey of the history of the figure of the “man born blind” or what the author calls the hypothetical blind man in the theories of such thinkers as Descartes, Locke, and Diderot. These representations rely on an over-determined, one-to-one analogy between the eyes of the sighted man and the hands of the blind man. If the sighted theorists are assumed to be “all eyes,” the hypothetical blind man is “all hands.” The chapter goes on to put representations in conversation with biographical and autobiographical accounts of actual blind people from the eighteenth century until the present, with particular attention to their treatment of their own conceptualization of visual phenomena, imagination, and dreams.
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46

Kleege, Georgina. Visible Braille, Invisible Blindness. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190604356.003.0004.

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The chapter analyzes the use of Braille and other tactile features in public spaces, such as elevators, and in such sites as the Franklin D. Roosevelt Memorial in Washington DC, and in the work of such artists as Ann Hamilton and Robert Graham. The chapter also does some close readings of tactile books that are intended to explain visual art to blind children and adults. The over-determined analogy that links the eyes of the sighted to the hands of the blind makes Braille in these sites more of a signifier of blindness than a true access tool. The chapter also includes some works by blind artists that seem to comment on how Braille is typically understood.
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47

Engel, William E., Rory Loughnane, and Grant Williams, eds. Memory and Mortality in Renaissance England. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108918565.

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Drawing together leading scholars of early modern memory studies and death studies, Memory and Mortality in Renaissance England explores and illuminates the interrelationships of these categories of Renaissance knowing and doing, theory and praxis. The collection features an extended Introduction that establishes the rich vein connecting these two fields of study and investigation. Thereafter, the collection is arranged into three subsections, 'The Arts of Remembering Death', 'Grounding the Remembrance of the Dead', and 'The Ends of Commemoration', where contributors analyse how memory and mortality intersected in writings, devotional practice, and visual culture. The book will appeal to scholars of early modern literature and culture, book history, art history, and the history of mnemonics and thanatology, and will prove an indispensable guide for researchers, instructors, and students alike.
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48

Baele, Stephane J., Katharine A. Boyd, and Travis G. Coan, eds. ISIS Propaganda. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190932459.001.0001.

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ISIS Propaganda offers a comprehensive overview and analysis of the Islamic State’s (IS) propaganda. Combining a range of different theoretical perspectives from across the social sciences and using rigorous methods, the authors pursue several interconnected tasks. They trace the origins of IS’s message, they lay bare the strategic logic guiding its evolution, they examine each of its many components (magazines, videos, music, social media, etc.) and show how they work together to radicalize audiences’ worldviews, and they highlight the challenges such a “full-spectrum propaganda” raises in terms of counterterrorism. The volume hence not only represents a one-stop point for any analyst of IS and Salafi-jihadism, but also a rich contribution to the study of text and visual propaganda, radicalization and political violence, and international security.
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49

Bamberger, Jeanne Shapiro. Art of Listening: Developing Musical Perception. 5th ed. Addison Wesley Longman, 1998.

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50

Eitan, Zohar, Renee Timmers, and Mordechai Adler. Cross-modal correspondences and affect in a Schubert song. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199351411.003.0006.

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Light, distance and motion are prominent features in Heine’s ‘Am fernen Horizonten’. A city is veiled in dusk, the sun rises from the earth and the boatman rows with sad strokes. Using empirical findings on cross-modal and affective associations with sounds, we examine Schubert’s interpretation and illustration of these metaphorical dimensions in ‘Die Stadt’. Focusing on local variations in tempo and dynamics, we analyse how the emotional and cross-modal connotations of the song are modified in three performances, provindinginsight into the interrelationship between cross-modal and affective connotations of musical sound. Such interrelationships may suggest complex and often equivocal musical meanings. For example, emotional ‘distance’ is associated with physical distance, as modulated by loudness; visual brightness, as modulated by pitch and timbre, can be painful when unveiling a ‘dark’ memory. Thus, our analysis indicates how musical structures and contours may suggest and interact with perceptual and metaphorical shape in multiple dimensions.
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