Relevant bibliographies by topics / Visual and filmic sociology

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Visual and filmic sociology'

Author: Grafiati
Published: 11 January 2025

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Journal articles on the topic "Visual and filmic sociology"

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Kowsar, K. S. Shahanaaz, and Sangeeta Mukherjee. "RECREATING HAMLET: CREATIVITY OF VISHAL BHARDWAJ IN HAIDER." Creativity Studies 14, no. 1 (2021): 90–98. http://dx.doi.org/10.3846/cs.2021.11556.

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William Shakespeare’s plays are universal in human character, which have raised him to be the exemplar in film industry. Shakespeare’s works stand to the test of time due to their intrinsic quality of life-likeness as Arthur Koestler comments that life-likeness is regarded as the supreme criterion of art. Shakespeare’s works and films project the reality of human life. The universality of his works has motivated the film producers to adapt Shakespeare extensively in their films in different regions, nations and contexts. The adaptation of the literary text into filmic interface involves major
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Matz, Jesse. "Montage Diversity." Representations 161, no. 1 (2023): 41–69. http://dx.doi.org/10.1525/rep.2023.161.3.41.

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Montage diversity divides even as it unites the people it represents, making it a telling register of possibilities for social inclusion in American visual culture. Montage effects in Mr. Smith Goes to Washington (1939) and Pepsi-Cola’s 1969 campaign “You’ve Got a Lot to Live” demonstrate the problems that arise in the combination of social diversity and filmic montage, and, because one was the work of avant-garde film artist Slavko Vorkapich and the other of his son Ed Vorkapich, compose a critical genealogy of montage diversity and its implications for social inclusion.
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McDonough, Tom. "Calling from the Inside: Filmic Topologies of the Everyday." Grey Room 26 (January 2007): 6–29. http://dx.doi.org/10.1162/grey.2007.1.26.6.

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Maitra, Sritama, and Sangeeta Mukherjee. "INDIAN DECENTRINGS OF MACBETH: POSTMODERN CREATIVITY IN FILMIC ADAPTATIONS BY VISHAL BHARDWAJ AND JAYARAJ." Creativity Studies 13, no. 2 (2020): 585–99. http://dx.doi.org/10.3846/cs.2020.12787.

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The never-ending contemporaneity of William Shakespeare’s Macbeth is established by the experimental adaptations of the play that have transcended time and space. The filmic adaptations, in particular, have recontextualized the original dramatic text in several innovative ways. This paper sets out to analyse from certain postmodern angles the creative and innovative adaptation of a classic literary text from a Scottish setting to two completely different Indian settings (geographically, culturally and politically) and also from 16th century Scotland, United Kingdom to two different time period
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Sinka, Margit. "When the Son Is Older than the Father: Dominik Graf's 'Denk ich an Deutschland' Television Film." German Politics and Society 26, no. 2 (2008): 56–75. http://dx.doi.org/10.3167/gps.2008.260204.

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Dominik Graf's Wispern im Berg der Dinge (A Whispering in the Mountain of Things) was the second film televised in the twelve-part Denk ich an Deutschland-documentary series launched on the eve of Germany's eighth Day of Unity (October 1998). Though Graf does not refer directly to Heinrich Heine, he clearly takes Heine's mode of thinking about Germany seriously—that is, he resolutely focuses on ruptures, which characterize Heine and his writings, and on the tensions provoked by the interplay of opposites evident in Heine's poem Nachtgedanken (1843), the source of the Denk ich an Deutschland-ph
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Lennon, J. John. "Dark tourism sites: visualization, evidence and visitation." Worldwide Hospitality and Tourism Themes 9, no. 2 (2017): 216–27. http://dx.doi.org/10.1108/whatt-09-2016-0042.

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Purpose This paper aims to consider dark tourism sites and their pivotal role as evidence of atrocity and evil. How they are interpreted and the role of visual imagery, most particularly photography, are considered from the perspective of the locations as heritage and learning sites. The complex arguments in relation to conservation and maintenance are juxtaposed with the behaviour of visitors in recording and uploading imagery of such material. This phenomenon allows us to consider the enormity of witnessing such events and viewing such sites as part of contemporary tourist behaviour. Design/
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Kayır, Oğuz. "Reconfiguring Senegalese filmmakers as Griots: Identity, migration and authorship practice." International Journal of Francophone Studies 25, no. 1 (2022): 119–39. http://dx.doi.org/10.1386/ijfs_00047_1.

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This article aims to designate the notion of ‘Griot’ ‐ the oral transmitter of history in West African cultures to the eclectic filmmakers from the post-independence period of Francophone Senegal who utilized film as an instrument to reassemble their nation’s lost image and carve an independent national identity that seeks liberation from the remnants of French imperial rule. Figuratively performing as Griots in the postcolonial film corpus, directors Ousmane Sembéne, Djibril Diop Mambéty and Mati Diop fabricated an original filmic language that represents the cultural milieu of Senegal after
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Csesznek, Codrina. "PHOTOVOICE AS A TOOL FOR INCREASING AWARENESS AND PARTICIPATION IN LOCAL-BASED ENVIRONMENTAL EDUCATION." SERIES VII - SOCIAL SCIENCES AND LAW 14(63), no. 1 (2021): 55–66. http://dx.doi.org/10.31926/but.ssl.2021.14.63.1.6.

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Photovoice is a participatory technique used in sociology for presenting research results in form of visual stories. It can be a valuable tool to increase awareness and participation of citizens in local-based processes related to environmental education. This paper highlights some advantages of using photovoice as a visual participatory technique in improving environmental education, exploring some evidences from recent literature and presenting a case study conducted in Brasov, Romania. The case study is an example of how photovoice can be successfully used in working with social science stu
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MACKINTOSH, JONATHAN D. "Bruce Lee: A visual poetics of postwar Japanese manliness." Modern Asian Studies 48, no. 6 (2013): 1477–518. http://dx.doi.org/10.1017/s0026749x13000437.

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AbstractFist of Fury, starring Bruce Lee, debuted in Japan in 1974. Whilst its critical reception reflected its box-office success, a complex emotional reaction is nevertheless detectable towards the film's unsympathetic portrayal of the Japanese. This paper will explore this reaction and suggest that a post-colonial angst was piqued, one that betrayed fundamental shifts in current racial, erotic, cultural, moral, and historical understandings of Japanese manliness. At one level, the response to Lee is a hermeneutic cue into the manifold ways that this angst was constructed through contesting
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Lievois, Katrien, and Aline Remael. "Audio-describing visual filmic allusions." Perspectives 25, no. 2 (2016): 323–39. http://dx.doi.org/10.1080/0907676x.2016.1213303.

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Dissertations / Theses on the topic "Visual and filmic sociology"

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SALVADOR, OTTAVIA. "Deaths and migration. An ethnographic, visual, filmic research." Doctoral thesis, Università degli studi di Genova, 2018. http://hdl.handle.net/11567/929109.

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Cuny, Guillaume. "Le choix des autres : construction et appropriation de l'orientation de jeunes femmes scolarisées en Bac Pro accompagnement, soin, service à la personne." Electronic Thesis or Diss., université Paris-Saclay, 2024. http://www.theses.fr/2024UPASU008.

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Alors que la plupart des orientations dans la voie professionnelle en France sont des orientations contraintes, le Bac Pro ASSP semble faire figure d'exception. Cette filière attire de nombreux candidats et l'intégralité des élèves dont nous avons étudié le parcours dans cette recherche l'a choisie en tant que premier vœu en fin de 3ème. Lors des entretiens menés avec les élèves, ces dernières revendiquent un rapport vocationnel à cette orientation, expliquant qu'elles ont toujours aimé s'occuper des autres dans la sphère domestique et qu'elles ont développé par ce biais des dispositions à la
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Geller, Peter G. (Peter Geoffrey) Carleton University Dissertation History. "Northern exposures; photographic and filmic representations of the Canadian North, 1920-1945." Ottawa, 1995.

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Wood, Dennis. "Imagineering the community: The vagrant spaces of the malls, enclave estates, the filmic and the televisual." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1029.

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The idea of 'community' is an all pervasive and persuasive notion within society. But it is an elastic concept used by diverse groups and institutions to rally people to a cause or to reassure the public in times of (perceived) calamity. Of late the various forms of the media and certain elements of society have been focussing their attention on the 'breakdown of community' values citing the (perceived) rise in crime, the (supposed) fragmentation of the family and the (hypothetical) loss of respect for authority and authority figures as contributing to an ailing communal sensibility. However,
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Rowbury, Claire S. J. "Parenting and visual disability : a study of mothers and infants with differing combinations of visual status." Thesis, University of Nottingham, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334851.

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Campion, Britta Maree Art College of Fine Arts UNSW. "Photography as a method of visual sociology: An investigation of the potential of still photography as a method of visual sociology." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42059.

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Ever since the camera was invented people have been using it as a tool to reflect and record the world around them. Photographic images have great potential to investigate different social practices and phenomena in the world. Photography, in its own right, is an extremely large area of study. Despite its relatively short history, photography has undergone a broad and complex evolution since it was invented in 1840. This paper does not aim to cover the comprehensive history of the development of photography in its many facets, it aims however to concentrate on a specific area of what has come
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Payling, David. "Visual music composition with electronic sound and video." Thesis, Staffordshire University, 2014. http://eprints.staffs.ac.uk/2047/.

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This research project investigated techniques for composing visual music and achieving balance in the relationship between sound and image. It comprises this thesis and a portfolio of compositions. The investigation began with an interest in the relationships between colour and sound and later expanded to include form and motion, the remaining factors of Thomas Wilfred’s lumia (1947). Working with a cohesive theme, such as lumia, proved to be an effective way of creating a coherent aesthetic in portfolio pieces. Other themes were therefore investigated including composing with visual and audio
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Bates, Charlotte. "Vital bodies : a visual sociology of health and illness in everyday life." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/6373/.

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This thesis addresses theoretical and methodological concerns to embody sociology. It offers an account of the body, health and illness in everyday life that uses a sensorially attentive research practice to take the body seriously and make it audibly, visibly and viscerally present. The thesis is based on empirical research conducted over a year using a multi-method approach to unlock everyday bodily experiences. Thirteen participants aged between twenty-three and forty-three were interviewed about their experiences of living with a long-term physical or mental health condition (asthma, bi-po
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Nixon, Sean. "Hard looks : masculinities, the visual and practices of consumption in the 1980s." Thesis, Open University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251482.

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Wecker, Danièle Anne Irène. "What do you mean you lost the past? : agency, expression and spectacle in amateur filmmaking." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC135.

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La thèse ci-après présente une étude de films amateurs, fournis par le Centre National d'Audiovisuel au Luxembourg, dit CNA. Elle examine certaines notions de sens et d’interprétation en l’absence de métadonnées et du contexte d'origine. Plutôt que de prendre le film amateur comme genre ou pratique à part, cette étude porte sur le seul langage cinématographique. La première partie de ce travail identifie ainsi des modes filmiques hautement différenciés et interprétés à partir des images. Sans contexte original, ces films perdent leur principale source de signification, à savoir les commentaire
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Books on the topic "Visual and filmic sociology"

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Sebag, Joyce, and Jean-Pierre Durand. Filmic Sociology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33696-6.

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Dwyer, Rachel. Cinema India: The visual culture of Hindi film. Oxford University Press, 2002.

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Dwyer, Rachel. Cinema India: The visual culture of Hindi film. Reaktion Books, 2002.

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Divia, Patel, ed. Cinema India: The visual culture of Hindi film. Rutgers University Press, 2002.

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Zuev, Dennis, and Gary Bratchford. Visual Sociology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54510-9.

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Harper, Douglas. Visual Sociology. 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003251835.

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Lucien, Taylor, ed. Visualizing theory: Selected essays from V.A.R., 1990-1994. Routledge, 1994.

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Marcus, Banks, and Morphy Howard, eds. Rethinking visual anthropology. Yale University Press, 1997.

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Marcus, Banks, and Morphy Howard, eds. Rethinking visual anthropology. Yale University Press, 1999.

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Diana, Papademas, ed. Visual sociology: Teaching with film/video, photography, and visual media. 5th ed. American Sociological Association, 2002.

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Book chapters on the topic "Visual and filmic sociology"

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Desille, Amandine, and Karolina Nikielska-Sekula. "Introduction." In IMISCOE Research Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_1.

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AbstractA significant effort in theorising and conceptualising the visual has been made within various disciplines. To mention only a few, Howard Becker (Art as collective action. Am Sociol Rev 767–776, 1974) in visual sociology, Lucien Taylor (Visualising theory. Routledge, 1994), Marcus Banks and Howard Morphy ((eds): Rethinking visual anthropology. Yale University Press, London, 1999) and Jay Ruby (Picturing culture: explorations of film and anthropology. University of Chicago Press, Chicago, 2000) in visual anthropology, Chris Jenk ((ed): Visual culture. Routledge, 1995) in cultural studies, Gillian Rose (Visual methodologies: an introduction to the interpretation of visual methods. Sage, 2001) in geography and Sarah Pink (Doing visual ethnography. Sage, London, 2001) in visual ethnography, all produced fundamental works focusing on the visual in social sciences. This book, however, without diminishing the disciplinary work within the subject, proposes to approach visual methodologies in the specific context of a field of study, adopting an interdisciplinary approach that brings together geography, sociology, anthropology and communication studies. As Adrian Favell (Rebooting migration theory: interdisciplinarity, globality and postdisciplinarity in migration studies. In: Brettell C, Hollifield J (eds) Migration theory: talking across disciplines. Routledge, pp 259–278, 2007, p. 1988) has suggested: “On the face of it, there could hardly be a topic in the contemporary social sciences more naturally ripe for interdisciplinary thinking than migration studies.” In this piece we will attempt to explain why the adoption of visual methodologies in the field of migration studies is of particular interest.
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Sebag, Joyce, and Jean-Pierre Durand. "Introduction." In Filmic Sociology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33696-6_1.

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Sebag, Joyce, and Jean-Pierre Durand. "The Approach of Filmic Sociology." In Filmic Sociology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33696-6_2.

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Sebag, Joyce, and Jean-Pierre Durand. "From Ethnologist Photography to Filmic Sociology." In Filmic Sociology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33696-6_3.

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Sebag, Joyce, and Jean-Pierre Durand. "Conclusion." In Filmic Sociology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33696-6_7.

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Sebag, Joyce, and Jean-Pierre Durand. "Showing the Invisible in the Sociological Documentary." In Filmic Sociology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33696-6_6.

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Sebag, Joyce, and Jean-Pierre Durand. "Cinema Enhances Sociological Questions." In Filmic Sociology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33696-6_5.

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Sebag, Joyce, and Jean-Pierre Durand. "Cinema and Sociology: A Promising Hybridization." In Filmic Sociology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33696-6_4.

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Cambre, Carolina. "Visual Sociology." In The Palgrave Handbook of Image Studies. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71830-5_45.

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Harper, Douglas. "Visual ethnography." In Visual Sociology, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003251835-3.

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Conference papers on the topic "Visual and filmic sociology"

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Popova, Anna. "Understanding of Visual Sociology as an Independent Discipline." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.455.

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Wirasari, Ira, and Eka Darma Sinta. "The Visual Analysis and Perception’s of Social Media Users in Indonesia to Telkomsel Advertisement." In The 2nd International Conference on Sociology Education. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007105507580762.

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Regec, Vojtech, and Lucia Pastierikova. "Impaired Visual Perception and Selected Aspects of e-Accessibility at Universities and Colleges." In International Conference on Political Science, International Relations and Sociology. Cognitive-crcs, 2016. http://dx.doi.org/10.15405/epsbs.2016.05.03.1.

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Regec, Vojtech. "THE DEVELOPMENT OF E-ACCESSIBILITY IN SLOVAK PUBLIC ADMINISTRATION FOR PERSONS WITH VISUAL IMPAIRMENTS." In SGEM 2014 Scientific SubConference on PSYCHOLOGY AND PSYCHIATRY, SOCIOLOGY AND HEALTHCARE, EDUCATION. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b12/s2.117.

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Finkova, Dita. "INSTRUCTOR OF SPATIAL ORIENTATION AS ONE OF THE DETERMINANTS OF SUCCESSFUL INCLUSION OF PEOPLE WITH VISUAL IMPAIRMENT IN THE CZECH REPUBLIC." In SGEM 2014 Scientific SubConference on PSYCHOLOGY AND PSYCHIATRY, SOCIOLOGY AND HEALTHCARE, EDUCATION. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b13/s3.057.

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Makar, Mariia, and Viktor Savka. "Social constructions in Ukrposhta stamps during the Russian-Ukrainian war." In Sociology – Social Work and Social Welfare: Regulation of Social Problems. Видавець ФОП Марченко Т.В., 2023. http://dx.doi.org/10.23939/sosrsw2023.060.

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Background: The period of the Russo-Ukrainian war is rich in visual symbols. We can observe the emergence and creation of new symbols that contain important cultural and social codes. People create one social construct and reject another, forming their opinion about the war and their participation in it, demonstrating the state of society. Purpose: To determine citizens' perceptions and how they form a social construct during the Russian-Ukrainian war, a study of Ukraine Post stamps (visual symbols) can be conducted. Methods: Through the paradigm of social constructivism, we examine this resea
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Salter, Chris, Timothy Thomasson, and Pierrick Uro. "Animate: A Theatrical Exploration of Climate Transformation through the Medium of Extended Reality (XR)." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-83-full-salter-et-al-animate.

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This paper presents a critical account of the development of a large-scale theater work using emerging Extended Reality (XR) technologies. Detailing three aspects of the project and set against theoretical frameworks from STS (Science and Technology Studies) and the sociology of innovation around ideas of the future embedded in technologies, we examine the conceptual, aesthetic, organizational and social-technical underpinnings of the project. The paper’s goal is thus to give a sense of the challenges and opportunities in the emerging integration of XR into new artistic morphologies that hybri
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Bohrmann, Dominique, Moritz Gobbert, Ericson Hoelzchen, et al. "FlexiTeams – An Interactive Visual Representation of AI-based Knowledge to Reorganize Operational Teams in Crises." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004192.

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Crises, such as the COVID-19 pandemic, pose unprecedented challenges for governmental or healthcare organizations as well as for the entire industry and the service sector. For instance, shifts in business areas due to increased infection control regulations led to overburdened or underchallenged units within the organizations. Thus, the flexible and highly dynamic adaptation of work processes and team organizations to the changed conditions are essential for maintaining the economic and social infrastructure. The requirements for such a reorganization are constantly changing due to the parall
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Manuel Figueiredo, Carlos, Ana Rafaela Diogo, and Joana André Leite. "Adapting Jane Austen to the screen: fashion and costume in Autumn de Wilde’s movie "Emma"." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001538.

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The visual and behavioral codes prevalent in society at any given moment are part of its social conventions and constitute a framework that rules everyone´s image, dress and the attitudes that society not only tolerates but expects from them. However, it is unquestionable that despite the rigidity and formality imposed on personal appearance and manners, it is still possible to find some room to play with the possibilities afforded to people, albeit conditioned by their social status, so as to manage to express their inner self, mood, and even outlook on life, at any point in time. What is mor
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Regis Brasil, Priscilla. "Film as part of the thesis and mounting as a method for the social sciences." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.112.

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My argument is that the history of space can be built by montage. I'm a documentary filmmaker and editor. I understand film as a support for writing in fragments. I think that the filmic form, capable of carrying movements and times, testimonies and texts, past and present, is a suitable support for the history of space. There is a visual form of knowledge and a wisdom of the gaze, as in Warburg's Atlas, largely disregarded by the academy as a way of producing knowledge. If montage is a polyphonic device that uses forgotten remains and heterogeneous narrations to dismantle the official story a
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