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Relevant bibliographies by topics / Visual/concrete poetry / Dissertations / Theses

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Dissertations / Theses on the topic 'Visual/concrete poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Tosin, Giuliano. "Do papel aos suportes eletronicos : o percurso da poesia experimental e sua tradução para as novas tecnologias." [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284845.

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Orientador: Fernando Cury de Tacca<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-03T21:19:17Z (GMT). No. of bitstreams: 1 Tosin_Giuliano_M.pdf: 8654138 bytes, checksum: 452fd5c864b8c74c43bde384b55379e4 (MD5) Previous issue date: 2003<br>Resumo: Esta dissertação de mestrado apresenta um percurso histórico da poesia experimental que vai desde a Grécia Antiga até os dias de hoje, dando destaque aos principais movimentos artísticos e poéticos do século XX, entre eles os mais recentes, que utilizam meios de realização vinc

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2

Nogueira, Fernanda Ferreira Marcondes. "Políticas estéticas e ocupações poéticas: uma genealogia (im)possível a partir do concretismo brasileiro." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-06052010-134321/.

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Que potencialidade ainda mantém a poesia concreta? O que pode permitir que essa poética continue intervindo no presente? Restabelecendo o vínculo com as tendências construtivas que surgem no Brasil da metade do século XX e tomando a poesia concreta como referência multidimensional, evidenciamos alguns conflitos inscritos nas políticas estéticas e no seu projeto político para propor outra genealogia que não se baseia somente na sua análise formal, mas que busca entender como essa estética radical penetra no social, na rua, no cotidiano, nos meios de comunicação e reverbera nas redes artísticas

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3

Leduc, Natalie. "Dissensus and Poetry: The Poet as Activist in Experimental English-Canadian Poetry." Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/38773.

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Many of us believe that poetry, specifically activist and experimental poetry, is capable of intervening in our society, as though the right words will call people to action, give the voiceless a voice, and reorder the systems that perpetuate oppression, even if there are few examples of such instances. Nevertheless, my project looks at these very moments, when poetry alters the fabric of our real, to explore the ways these poetical interventions are, in effect, instances of what I have come to call “dissensual” poetry. Using Jacques Rancière’s concept of dissensus and the distribution of the

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4

Yoo, Sirah. "Ineffable: Latency in Symbolic Languages." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4814.

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The design process demands comprehensive knowledge of visual signs and symbols with a focus on visual literacy; it is related to visual syntax, semantics, and the pragmatics of contexts. My work is an interdisciplinary investigation into how designers integrate polysemantic signs into their design process for particular and highly individualized audiences. By analyzing the role of signs in specific contexts across the spectrum of arts, society, literature, and semiotics, a designer's understanding of the cyclical nature of interpretation and reinterpretation in complex environments creates an

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5

Marques, Marcelo Ferreira. "Tipografia expressiva : Augusto de Campos e os desenhos da poesia." Universidade Federal de Alagoas, 2008. http://repositorio.ufal.br/handle/riufal/476.

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This research aims to map some of the ways letters design become structural constituent, by means of an expressive use of printing configuration, that is, through a skillful arrangement of printing elements, and, sometimes, by the determiners from Augusto de Campos s expressiveness of poems. To accomplish this study, it is relevant to do, before the analysis, a historical-conceptual contextualized path of printing as well as its implications with the ideogram conception, understood according to Ernest Fenollosa, via Ezra Pound. This printing route is found in Augusto s work from his first book

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6

Damjanovich-Napoleon, Natalie. "The Commonwealth of Amnesia: A collection of erasure and cut-up poems exploring the forgotten histories of Croatian and Yugoslav peoples in Australia and an exegesis examining the wreck of history through whiteout, blackout and cut-up erasure poetry." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2821.

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This thesis consists of two parts, a collection of poems, “The Commonwealth of Amnesia”, and an accompanying exegesis. The collection explores the forgotten histories of Croatian and Yugoslav immigrants in Australia from 1901 to 1957 through the medium of erasure and cut-up poetry, re-arranging words found in nonfiction documents to posit that forgetting can be metaphorically and visually represented through erasure while also re-narrativising a text. Erasure poetry takes a textual document and using whiteout or blackout erases portions of a text, transforming that text into a poem; cut-up poe

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7

Thiers, Bettina. "Poétiques expérimentales et engagement : Poésie concrète, visuelle, sonore et pièces radiophoniques expérimentales dans l'espace germanophone de 1945 à 1970." Thesis, Tours, 2014. http://www.theses.fr/2014TOUR2018.

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Les poésies concrète, visuelle, sonore, apparues au début des années 1950 dans une vingtaine de pays du monde, dont l’Allemagne, la Suisse et l’Autriche, et les pièces radiophoniques expérimentales ont, jusqu’à présent, été perçues comme jeux formels avec le matériau verbal épargnant à leurs auteurs une prise de position politique par rapport au réel. Face à la réception réductrice du concept sartrien de « littérature engagée », les poétiques expérimentales apparaissent comme « désengagées ». Or, les auteurs invoquent la portée politique de leur déconstruction de poétiques traditionnelles, de

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8

Freitas, Mônica Cristina de Paula [UNESP]. "A poesia visual de Miguel de Frias: o universo da visualidade na poesia." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/86927.

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Made available in DSpace on 2014-06-11T19:22:28Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-08-28Bitstream added on 2014-06-13T19:27:50Z : No. of bitstreams: 1 freitas_mcp_me_ia_parcial.pdf: 171092 bytes, checksum: 28dce4c6dda142a9023fdc6a2f458fa6 (MD5) Bitstreams deleted on 2015-06-22T12:53:52Z: freitas_mcp_me_ia_parcial.pdf,. Added 1 bitstream(s) on 2015-06-22T12:54:46Z : No. of bitstreams: 1 000627117_20150927.pdf: 165430 bytes, checksum: e462b34e8e1820015133f243fe8758aa (MD5) Bitstreams deleted on 2015-09-28T16:43:00Z: 000627117_20150927.pdf,. Added 1 bitstream(s) on 2015-09

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Freitas, Mônica Cristina de Paula. "A poesia visual de Miguel de Frias: o universo da visualidade na poesia /." São Paulo : [s.n.], 2010. http://hdl.handle.net/11449/86927.

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Orientador: Omar Khouri<br>Banca: Milton Terumitsu<br>Banca: Lóris Graldi Rampazzo<br>Resumo: Esta pesquisa discute a trajetória da visualidade na poesia, tendo como foco principal as obras do artista Miguel de Frias. O trabalho buscou fontes de visualidade poética desde a Grécia Antiga, passando pelo movimento da Poesia Concreta, até a poesia visual da atualidade. Aborda com brevidade a história do design e como trabalha o profissional designer. Relaciona a construção do projeto de design gráfico e da poesia visual, mostrando até que ponto eles se aproximam e o que os distancia. Traz o conhec

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10

Buoro, Thiago [UNESP]. "O texto pluricódigo da poesia visual." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/115608.

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Made available in DSpace on 2015-03-03T11:52:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-04-26Bitstream added on 2015-03-03T12:07:24Z : No. of bitstreams: 1 000810174.pdf: 3335900 bytes, checksum: 3f5a6040039cff2dfe74c36d3d2ad1f4 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Le but de notre recherche est d’étudier le discours pluricode de la poésie visuelle. Au début, nous considérons qu’il est important discuter sur la difficulté à classifier cette poésie dans le système de genre puisqu’elle occupe un lieu intermédiaire entre la Littérature

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11

Buoro, Thiago. "O texto pluricódigo da poesia visual /." Araraquara, 2014. http://hdl.handle.net/11449/115608.

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Orientador: Fabiane Renata Borsato<br>Banca: Omar Khouri<br>Banca: Maria de Lourdes Ortiz Gandini Baldan<br>Resumo: Nossa pesquisa tem o objetivo de refletir sobre o texto pluricódigo da poesia visual. Partimos, como nos parece necessário, da discussão acerca das dificuldades de situar essa poesia entre os gêneros estabelecidos, uma vez que ocupa um lugar intermediário entre a Literatura e as Artes Visuais. E decidimos pela defesa do estabelecimento de um gênero particular, o que parece evitar a infundada e desnecessária cisão entre verso e pós-verso. Depois investigamos as possibilidades de e

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12

Oliveira, Daniele Gomes de. "Dissertação readymadenemtanto da aluna de poesia Rrosé Selavy Duchampignon (work in progress) - ideograma mental /." São Paulo : [s.n.], 2007. http://hdl.handle.net/11449/86988.

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Orientador: Omar Khouri<br>Resumo: Trabalho crítico-criativo sobre poesia visual. O elástico conceito de ideograma norteou este trabalho. Estrutura. Movimento. Seleção e crítica. Ordenação. Justaposição. de fragmentos. Redes de associações. Conexões. Processos e não produtos acabados. Crescimento sígnico. Universo diagramático. Método heurístico. Poesia e linguagem. O texto é um diagrama, icônico. Aprofundamento. Poesia Concreta. Criou-se a personagem Rrosé Selavy Duchampignon, que relaciona poesia e Duchamp. Síntese criativa. Recorte. Colagem. Montagem. Trabalho com apropriações. Nesta disser

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13

Oliveira, Daniele Gomes de. "Tudo ou tudo : a concretude e o luminoso na poética de Arnaldo Antunes /." São Paulo, 2015. http://hdl.handle.net/11449/132238.

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Orientador: Omar Khouri<br>Banca: Júlio César Mendonça<br>Banca: Neiva Pitta Kadota<br>Banca: Agnaldo Germano Valente<br>Banca: Rita Luciana Berti Bredariolli<br>Resumo: Nesta Tese abordamos o trabalho de Arnaldo Antunes de f orma crítico-criativa. Foram estudados trabalhos do autor nas diversas linguagens artísticas praticadas por ele, como a caligrafia, a performance, a música, e a escrita. Apresentamos a obra de Arnaldo Antunes, em um context o em que se abre a Transemiose<br>Abstract: In t his thesis we discusst he work of Arnaldo Antunes critically creatively. Author 's works were studied

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14

Oliveira, Daniele Gomes de [UNESP]. "Dissertação readymadenemtanto da aluna de poesia Rrosé Selavy Duchampignon (work in progress) -: ideograma mental." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/86988.

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Made available in DSpace on 2014-06-11T19:22:30Z (GMT). No. of bitstreams: 0 Previous issue date: 2007Bitstream added on 2014-06-13T19:08:02Z : No. of bitstreams: 1 oliveira_dg_me_ia.pdf: 962417 bytes, checksum: 517fb2982a917fb012d217514abff806 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Trabalho crítico-criativo sobre poesia visual. O elástico conceito de ideograma norteou este trabalho. Estrutura. Movimento. Seleção e crítica. Ordenação. Justaposição. de fragmentos. Redes de associações. Conexões. Processos e não produtos acabados. Crescimento sígnico. U

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15

Oliveira, Daniele Gomes de [UNESP]. "Tudo ou tudo: a concretude e o luminoso na poética de Arnaldo Antunes." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/132238.

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Made available in DSpace on 2015-12-10T14:24:50Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-07-17. Added 1 bitstream(s) on 2015-12-10T14:31:08Z : No. of bitstreams: 1 000853406.pdf: 5072826 bytes, checksum: 5bb9e3816a41110f977f66dbc30775f5 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Nesta Tese abordamos o trabalho de Arnaldo Antunes de f orma crítico-criativa. Foram estudados trabalhos do autor nas diversas linguagens artísticas praticadas por ele, como a caligrafia, a performance, a música, e a escrita. Apresentamos a obra de Arnaldo Antunes, e

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16

"Birth Cage: Poems." Thesis, 2015. http://hdl.handle.net/10388/ETD-2015-06-2108.

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Birth Cage is a trilingual and genre-bending approach to poetry. It is a postmodernist blend of visual and concrete poetry inspired by Deconstructivist architecture. Through different languages and voices, Birth Cage investigates the evolution of an individual. The transformation of a body, the search for home and the need to communicate are themes in the journey of a fragmented self towards unity. With a visual and linguistic emphasis on the idea of borders and access, various possible reading paths are related to the immigrant experience of a new culture. Language is treated as a cultural co

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17

Marková, Lucie. "Josef Hiršal - monografická studie." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313692.

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This monographical work describes the life and work of the poet and translator Josef Hiršal in a chronological way. It is a reason why the work has two main part A, B. The first part A. Life and work of Josef Hiršal maps the importatnt bibliography moments, which had main influent on forming Hiršal's personality and work. Part two B. Bibliography of Josef Hiršal contains multi-layered bibliography of Josef Hiršal. This part try to catch and segment in a several sections Hiršal's literary produciton in all area.

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18

Krátká, Eva. "Vizuální poezie v síti mezinárodní komunikace. Pojmy, kategorie, typologie." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-322525.

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The doctoral thesis is concerned diachronically with the term "visual poetry". The focus is on its progress during the period after the Second World War in the context of the extensively advanced movement, as substantially defined in international expert discussion. The use of the term, which is supported by the arguments of many theoreticians and artists of the period, is studied in the thesis from the viewpoint of the inspirational sources and specific contacts between art and literature. The focus is on the specific positions and strategies of visual perception. Visual poetry is studied - c

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