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1

Christian, Kravagna, ed. Privileg Blick: Kritik der visuellen Kultur. Edition ID-Archiv, 1997.

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2

Chris, Jenks, ed. Visual culture. Routledge, 1995.

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3

Joaquim, Negreiros, ed. Visual culture. 2nd ed. Polity, 2012.

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4

Chris, Jenks, ed. Visual culture. Routledge, 1995.

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5

Joanne, Morra, and Smith Marquard, eds. Visual culture. Routledge, 2006.

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6

Barnouw, Victor. Culture and personality. 4th ed. Dorsey Press, 1985.

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7

Keifer-Boyd, Karen T. Engaging visual culture. Davis Publications, Inc., 2007.

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8

Fiona, Carson, and Pajaczkowska Claire, eds. Feminist visual culture. Edinburgh University Press, 2000.

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9

Fiona, Carson, and Pajaczkowska Claire, eds. Feminist visual culture. Routledge, 2001.

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10

Murphy, Graham J., and Lars Schmeink, eds. Cyberpunk and Visual Culture. Routledge, 2017. http://dx.doi.org/10.4324/9781315161372.

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11

Roach, Rebecca. Personality, Celebrity, and Modernism’s ‘Impossible Interviews’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198825418.003.0004.

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This chapter examines the impact of an emergent promotional culture on interviews in the early years of the twentieth century. Enthusiastically adopted by self-help proponents, who encouraged ‘instrumental’ reading habits, and by Hollywood fan magazines, which emphasized the interview’s ties to spectatorship and visuality, the interview became a means of promoting surface-based reading. Meanwhile, most modernist writers (Djuna Barnes excepted) and little magazines such as Close Up and The New Age reacted negatively to interviews; where they did use them, they favoured the ‘impersonal’ intervie
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12

Literary and Visual Cultures of Human Rights: Embodiment, Vulnerability, and Security. Taylor & Francis Group, 2015.

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13

Jenks, Chris, ed. Visual Culture. Routledge, 2017. http://dx.doi.org/10.4324/9781315084244.

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14

Howells, Richard, and Joaquim Negreiros. Visual Culture. Polity Press, 2019.

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15

Howells, Richard. Visual Culture. Polity Press, 2003.

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16

Jenks, Chris. Visual Culture. Routledge, 2002. http://dx.doi.org/10.4324/9780203426449.

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17

Visual Culture. Polity Press, 2019.

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18

Visual Culture. Polity Press, 2018.

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19

Jenks, Chris. Visual Culture. Taylor & Francis Group, 2017.

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20

Jenks, Chris. Visual Culture. Taylor & Francis Group, 2014.

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21

Howells, Richard. Visual Culture. Polity Press, 2003.

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22

Jenks, Chris. Visual Culture. Taylor & Francis Group, 2013.

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23

Jenks, Chris. Visual Culture. Taylor & Francis Group, 2015.

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24

Jenks, Chris. Visual Culture. Taylor & Francis Group, 2017.

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25

Visual Culture. Routledge, 2002.

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26

Visual Culture. Routledge, 1995.

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27

Visual Culture. MIT Press, 2020.

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28

Wanzo, Rebecca. Pop Culture/Visual Culture. Edited by Lisa Disch and Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.34.

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Feminist scholars in fields as varied as art history, film studies, cultural studies, literary studies, sociology, communications, and performance studies have made important contributions to discussions about representations of gender and sexuality in everyday life. This chapter examines themes and issues in the feminist study of popular culture and visual culture, including: the history of sexist representation; the gendered nature of the “gaze” and the instability of that concept; the question of whether or not representation has effects; the anxieties surrounding consumption of “women’s te
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29

Randall, John Herman. Culture Of Personality. Arkose Press, 2015.

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30

4D Personality: A Visual Guide to Personality Types. Sullivan, Francis, 2023.

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31

4D Personality: A Visual Guide to Personality Types. Sullivan, Francis, 2024.

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32

Lippert, Amy K. DeFalco. Awful Magnificence: Infamy, Mortality, and Armchair Spectacles. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190268978.003.0007.

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The emergence of the infamous celebrity—the famous criminal—coincided with the development of modern criminology, print culture, rapid urbanization, and visual technologies that provided authorities with novel means of surveillance and control. The popular notion that one could read personality characteristics into a portrait of a lover or a friend carried powerful implications for how the public approached mug shots and other images of criminals. In this context, Americans were relearning how to see—and San Franciscans were at the forefront of this change. They devised a new system of visual
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33

Rai, N. K. Visual Handicaps and Personality Dynamics. Academic Excellence Publishers & Distributors, 2005.

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34

Pajaczkowska, Claire, and Fiona Carson. Feminist Visual Culture. Taylor & Francis Group, 2016.

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35

Darley, Andrew. Visual Digital Culture. Routledge, 2002. http://dx.doi.org/10.4324/9780203135204.

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36

MacWilliams, Mark W. Japanese Visual Culture. Routledge, 2014. http://dx.doi.org/10.4324/9781315703152.

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37

Carson, Fiona. Feminist Visual Culture. Routledge, 2016. http://dx.doi.org/10.4324/9781315023663.

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38

Revisualizing visual culture. Ashgate, 2010.

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39

Rampley, Matthew. Exploring Visual Culture. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474471879.

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40

Heywood, Ian. Interpreting Visual Culture. Routledge, 2005. http://dx.doi.org/10.4324/9780203984598.

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41

Visual culture studies. SAGE, 2008.

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42

Timalsina, Sthaneshwar. Tantric Visual Culture. Routledge, 2015. http://dx.doi.org/10.4324/9781315748528.

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43

Bailey, Chris. Revisualizing Visual Culture. Routledge, 2016. http://dx.doi.org/10.4324/9781315606286.

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44

Victorian visual culture. Universitätsverlag Winter, 2008.

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45

American visual culture. Berg, 2009.

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46

Weimar visual culture. Telos Press, 1999.

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47

Darley, Andrew. Visual Digital Culture. Routledge, 2000.

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48

(Editor), Fiona Carson, and Claire Pajaczkowska (Editor), eds. Feminist Visual Culture. Edinburgh University Press, 2000.

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49

Japanese Visual Culture. Routledge, 2008.

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50

Pajaczkowska, Claire, and Fiona Carson. Feminist Visual Culture. Taylor & Francis Group, 2016.

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