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Journal articles on the topic 'Visual culture of personality'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Dontsov, A. I., A. V. Drozdova, and Y. V. Gritskov. "Visual Culture and Personality Psychological Security." Procedia - Social and Behavioral Sciences 86 (October 2013): 70–75. http://dx.doi.org/10.1016/j.sbspro.2013.08.527.

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2

Gavran, Iryna, Svitlana Stoian, Maria Rohozha, Iryna Vilchynska, and Khrystyna Pletsan. "Visual practices of human creation in postmodern culture." Herança 6, no. 2 (2023): 243–52. http://dx.doi.org/10.52152/heranca.v6i2.721.

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The relevance of the study is due to the transformation of views on the processes of human creative activity in visual practices in postmodern culture. Changing views on the key elements of the individual characteristics of representatives of a particular type of culture allows us to talk about a new character of a person, passing through numerous stages of formation in the process of socialization. The purpose of the article is to form the basic principles of postmodern human creativity in the context of demonstrating this process within the framework of visual cultural and artistic practices

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3

Lazarev, Maxim, and Ekaterina Kononova. "Visual culture in the modern world." Initiatives of the XXI century, no. 3 (October 1, 2014): 102–3. https://doi.org/10.5281/zenodo.6580874.

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This article substantiates the urgency of studying visual culture. It shows that visual culture is associated with the reflection of surrounding visual environment, creation of new visual images and transformation of visual reality. The authors make some attempts to examine a number of theoretical and methodological problems associated with this phenomenon. They demonstrate the connection of social experience and personal visual culture. This paper also considers the structure and functions of the visual environment.

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Wang, Shu. "The Construction of Campus Visual Culture." Journal of Contemporary Educational Research 6, no. 8 (2022): 40–45. http://dx.doi.org/10.26689/jcer.v6i8.4215.

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At present, with the development of information technology, visual culture has greatly influenced all aspects of life. Therefore, schools at all levels and types should focus on the construction of campus visual culture, which is a conducive way to actively and effectively carry out moral education, at the same time play its irreplaceable role. Campus visual culture may function as ear fumigating and eye staining. It can not only promote all-round development of students, but also improve their independent personality and ingenuity. This paper is mainly discussing the visual culture, the const

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5

Tsareva, Nadezhda A. "The Dialectics of the Visual and the Book Culture in the Postmodern Era." ICONI, no. 2 (2019): 8–19. http://dx.doi.org/10.33779/2658-4824.2019.2.008-019.

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The object of research in the present work is the issue of the coexistence of the book and the visual cultures. Contemporary culture, having become informational, has transformed into a society of visual culture. The phenomenon of visual culture of post-industrial society is examined as a specific type of information and as a process. The processes of virtualization of life are becoming the distinctive feature of contemporary informational technologies. Information in the present era is exerting its influence on the user of technologies to a much greater degree as it was the case earlier. But

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6

Shilmanskaya, A. E. "Visual Methods in Qualitative Psychological Research of Personality." Cultural-Historical Psychology 16, no. 4 (2020): 49–55. http://dx.doi.org/10.17759/chp.2020160405.

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The article is focused on advantages of using visual methods in qualitative psychological research of personality. The visual turn is not new for the social sciences. Still, this trend is relatively new for psychology. Currently, visual forms of communication have significantly expanded their influence in all areas of culture. This change has led to a rethinking of the strategy of using various visual data in psychological research. In modern qualitative research, visual data is represented by a variety of cultural instruments, from maps, diagrams and matrices, to photographs, videos, collages

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7

Solomatova, Victoria. "Visual Culture in Social Networks." Culture and Arts in the Modern World, no. 20 (May 30, 2019): 200–208. https://doi.org/10.31866/2410-1915.20.2019.172436.

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The aim of the research is to determine the specificity of visual culture in social networks in the context of social identity of the users. Research methods. Scientific provisions of the study are argued at the level of a set of general scientific methods of knowledge (analytical, source study, historical) and cultural approaches. Scientific novelty. The specificity of visual culture in popular social networks and mobile applications “MySpace”, “Instagram”, “Webrity”, “YouTube”, “Facebook”, “Snapchat”, “Tinder&rdquo

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8

Chyrva, O. Ch. "ARTISTIC IMAGE AS A REFLECTION THE PROCESS OF SOCIALIZATION OF PERSONALITY." Educational Dimension 14 (May 26, 2022): 197–204. http://dx.doi.org/10.31812/educdim.5696.

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9

Simyan, Tigran S. "Feodosia as a city and a visual text (Aivazovsky Project)." Slovo.ru: Baltic accent 13, no. 4 (2022): 59–70. http://dx.doi.org/10.5922/2225-5346-2022-4-4.

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The article describes the personality of Ivan K. Aivazovsky, a man of 'frontiers' who lived in a polyphonic city where Russian, Armenian and Turkic were spoken. The message of the article is the following: Aivazovsky was not only a gifted artist but also a diplomat, a responsible and upstanding citizen who appreciated the values of the city and was concerned about its problems, Armenian community and people. Aivazovsky changed the social space of the city, the (infra)structure and the image of Feodosia. The marinist was a man of culture, for whom money was important only as a form of donation

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10

Danilova, Anna G. "QUANTITATIVE METHODS IN THE HISTORICAL AND PSYCHOLOGICAL STUDY INTO THE CATEGORICAL STRUCTURE OF VALUES AND IMAGES IN DIFFERENT CULTURES." Moscow University Psychology Bulletin, no. 1 (2023): 221–46. http://dx.doi.org/10.11621/vsp.2023.01.10.

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Background. X e growing interest in the historical development of social systems requires an assessment of the possibilities for a quantitative comparison of psychological characteristics in a person and society of diY erent eras. Objective.X e study aims to reveal the structure of social values and features of contemporary images according to verbal and visual texts of the cultures in the past.Methods. Behavior characteristics describing G. Hofstede’s basic cultural dimensions (Hofstede, 1980) were used to encode texts. Psychosemantic assessment of the works of art perception was carried out

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11

Hu, Xue, Eakachat Joneurairatana, and Sone Simatrang. "Decoding the Visual Characteristics of Chinese Painting Strokes-A Study on Gao Gu You Si Stroke." E3S Web of Conferences 236 (2021): 05093. http://dx.doi.org/10.1051/e3sconf/202123605093.

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The architect Le Corbusier once said this theory: Design has local characteristics and universal characteristics. Local characteristics are greatly influenced by culture. The strokes are the one essence of Chinese painting that characteristics of the strokes are unique to Chinese visual culture. Among Chinese painting strokes, Eighteen Strokes are the typical representative of the aesthetics of Chinese visual culture. However, the current research on the cultural characteristics of Eighteen Strokes is insufficient. The objective of this article is taking Xie He’s Six Canons as the theory to de

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12

Chmielecki, Konrad. "The Visual Culture of the Selfie from the Perspective of ‘Visual Identity’." Perspektywy Kultury 42, no. 3 (2023): 201–26. http://dx.doi.org/10.35765/pk.2023.4203.16.

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The essay attempts to outline the issues of the visual culture of the selfie from the perspective of “visual identity” that has referred to contemporary art. In this paper, I analyze examples of the following artworks: The Reincarnation of Saint ORLAN by the French artist ORLAN, the Bodies© INCorporated website, designed by Victoria Vesna, The Little Revenge from the Periphery by José Bedia Valdés, The Chief: He Who Sold Africa to the Colonists and Autoportraits by Samuel Fosso. In addition, this paper is focused on an analysis of the “biopower” concept which refers to Michel Foucault’s “docil

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Jumayeva, Nargiza Bakhtiorovna. "METHODOLOGY OF FORMATION OF STUDENTS' COMPOSITIONAL THINKING SKILLS IN SCHOOL VISUAL ARTS CLASSES." Multidisciplinary Journal of Science and Technology 4, no. 5 (2024): 91–94. https://doi.org/10.5281/zenodo.11170632.

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Art is a component of human spiritual culture. It includes other types such as music, theater, cinema, fiction, choreography, visual and applied decorative arts. Fine art is one of the types of art that quickly affects the human mind, awakens good feelings in it, inspires a person and enriches his spiritual world. At the same time, visual art is also an educator that helps in the formation and perfection of human personality.

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14

Nsagha, Sarah Mboshi. "The Impact of Self Perception on the Personality Development of Persons with Visual Impairment in Fako Division of South West Region, Cameroon." RA JOURNAL OF APPLIED RESEARCH 08, no. 01 (2022): 53–63. https://doi.org/10.5281/zenodo.6007143.

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ABSTRACT: Perceived as an overwhelming tragedy, severe visual impairment relegated its victims to lives of hopelessness, questionable behaviour and dependence. In most cultures of the ancient world, blind people were either revered as having mystical powers or reviled as beggars and misfits. In ancient Israel, blind men were tellers of sacred stories. This study was aimed at investigating “The Impact of Visual Impairment on the Personality Development of Persons with Visual Impairment in Fako Division”. Three research objectives guided the study which were: to find out the eff

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15

Zenkin, Sergey N. "FUGITIVE IMAGES (VISUAL CULTURE IN MICHEL TOURNIER’S NOVEL THE GOLDEN DROP)." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2021): 256–79. http://dx.doi.org/10.28995/2686-7249-2021-1-256-279.

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In the work of the French writer Michel Tournier, the novel The Golden Drop (1985) stands out for the massive presence within its plot of various visual images – photographs, drawings, mannequins, etc.; the hero, a young Algerian immigrant in France, develops in relation to those images. Their interaction can be described ideologically in the sense of postcolonial theory or through the opposition of the “symbolic” Islamic culture and the “figurative” European one; however, the author of the novel outlines his own, original concept of a visual image associated with the personality of the subjec

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16

Kao, Henry S. R., Min Xu, and Tin Tin Kao. "Calligraphy, Psychology and the Confucian Literati Personality." Psychology and Developing Societies 33, no. 1 (2021): 54–72. http://dx.doi.org/10.1177/0971333621990449.

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Our research in the past 40 years has identified beneficial effects of Chinese calligraphy handwriting (CCH) practice on visual attention, cognitive activation, physiological slowdown, emotional relaxation and behavioural change. We hypothesised that these outcomes may constitute a compressive set of foundations which could impact several traits of Chinese personality within the context of Confucian culture and values. Here, we give a brief overview of the background of CCH and its effect in the cognitive, physiological and bio-emotional domains. We then provide empirical evidence showing stro

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17

Dewanto, Inko Sakti. "HUMANISM PERSPECTIVE OF INDONESIAN POP MUSIC ALBUM COVERS IN THE 1980S ERA." International Journal of Humanity Studies (IJHS) 8, no. 2 (2025): 275–88. https://doi.org/10.24071/ijhs.v8i2.9693.

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This study investigates the visual representation of Indonesian pop musicians on album covers from the 1980s and examines how these visual artifacts reflect and reinforce deeper humanistic values. During this period, pop culture in Indonesia experienced a significant transformation, with musicians gaining popularity through their music and the symbolic construction of their public image, especially via album covers. These covers functioned as powerful cultural texts, shaping public perception, constructing idealized identities, and influencing the emotional and aspirational relationships betwe

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18

Vīgnere, Aija. "State Culture Capital Foundation Importance Work Strategy for Support of Education and Professional Qualification Development of Creative Personality of Visual Arts." SOCIETY, INTEGRATION, EDUCATION. Proceedings of the International Scientific Conference 2 (July 24, 2015): 519. http://dx.doi.org/10.17770/sie2014vol2.646.

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In national culture politics, one of the most urgent issues in provision of creative process, creative activity and professional development of artists is the insufficient funding for culture. State budget resources via the State Culture Capital Foundation are diverted for the needs of culture and arts with the aim – provide such environment of arts and culture in Latvia that would strengthen and increase the value of creative capital of culture and facilitate participation of as large part of society as possible in the cultural processes so that to help everyone to understand and analyse the

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19

Konopleva, Nina A. "The Gender Foundations of Artistry and the Artistic Personality in the Russian Culture of Transitional Eras." IKONI / ICONI, no. 4 (2021): 59–76. http://dx.doi.org/10.33779/2658-4824.2021.4.059-076.

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The article presents materials from the author’s research for her doctoral dissertation devoted to analysis of the visual arts and the artistic personality in Russian culture of transitional periods: the turns of the 19th and 20th centuries and of the 20th and 21st centuries. These temporal periods have been defined as unstable, transitory and stipulating the intensification of the conflict between the tendency towards preserving the stability in art, on the one hand, and the emergence of new artistic styles, on the other hand. Particularly these time periods have been characterized by a chang

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20

Oltiboyeva, Mehribonu Baxrom qizi. "THE ROLE OF VISUAL ARTS IN THE DEVELOPMENT OF ARTISTIC AND AESTHETIC CULTURE AND SPIRITUALITY OF CHILDREN AS INDIVIDUALS." "Science and innovation"international scientific journal 1, no. 2 (2022): 15–18. https://doi.org/10.5281/zenodo.6545270.

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<em>This article provides information on the basics of the concept of visual activity, the content of the types of visual activities, the views of well-known pedagogical psychologists in the formation of children as individuals, the role of visual activities in raising the artistic and aesthetic culture and spirituality of preschool children. </em>

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21

Бхат and S. Bkhat. "Visual Communication in the Social Cultural Context of Reality." Modern Communication Studies 5, no. 3 (2016): 19–23. http://dx.doi.org/10.12737/19822.

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This article presents visual communication, its types and tools as a dynamic creative process with cognitive base. Modern society of consumption tends to engender positive emotional response, create a mood, thus it needs to be emotional message through visual communication by images, movies, comics. Identified various forms of representation visual information and its fragmentation, which means «clip thinking» which leads to both positive aspects, such as the ability to work in multitasking mode and negative in an inability to perceive the long linear

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22

Ochkovskaya, Marina S., Sergey V. Mkhitaryan, and Ekaterina P. Indichekova. "Influence of collaborations with visual art on luxury brand identity: Pilot study." Vestnik of Saint Petersburg University. Management 20, no. 1 (2021): 3–29. http://dx.doi.org/10.21638/11701/spbu08.2021.101.

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The article examines the collaborations of luxury brands with visual arts and its impact on the ingredients of brand identity using the example of Louis Vuitton. The purpose of this research is to investigate the impact of collaborations with visual art on luxury brand identity and find out what elements of identity are enhanced by collaborations. An online survey was conducted among luxury brand consumers. Both closed and open questions were included in the questionnaire. Totally 443 responses were received, and 295 of them were included in a representative sample of the study. The Louis Vuit

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Shahnoza, A. Kasimova. "MUSEUM COMMUNICATION AS A METHODOLOGICAL BASIS FOR ARTISTIC AND AESTHETIC DEVELOPMENT." Look to the past 6, no. 2 (2023): 4. https://doi.org/10.5281/zenodo.7680646.

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This article discusses the introduction of the concept of communication into the general complex of museum science and museum practice, the style of a communicative approach to this field, the development of communicative perceptions in museum science, the role of social communication in the aesthetic formation of personality in the field of artistic culture, modern museum pedagogy. The museum staff scientifically illuminate, on the basis of visual evidence, ways of forming a target audience, forms of communication with visitors, constantly working with them, depending on the level of preparat

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Shevchuk, Veronika Gennadiyevna. "Creative personality as the synthesis of various texts in Russian cultural space of the early XX century." Культура и искусство, no. 12 (December 2020): 99–115. http://dx.doi.org/10.7256/2454-0625.2020.12.34650.

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This article conducts culturological analysis of the diversity of intercultural communications in Russian culture of the early XX century. Cultural space as the text of culture of that time is characterized by a transitional state, synthetic and dialogical focus. The phenomenon of Russian culture consist in the intelligentsia represented by the cultural figures of the Silver Age and avant-garde, who have creative way of thinking and propensity for new achievements in art. The object of this research is the &ldquo;textuality"&rdquo;of Russian cultural space of the early XX century, whic

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Taylor, Jeremy E. "The Production of the Chiang Kai-shek Personality Cult, 1929–1975." China Quarterly 185 (March 2006): 96–110. http://dx.doi.org/10.1017/s0305741006000063.

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One of the most visible features of Nationalist rule on Taiwan throughout the period of martial law (1948–87) was the promotion of a personality cult focused on the figure of Chiang Kai-shek. This article is an examination of the ways in which the disparate elements which made up this cult were produced. It considers how the cult reflected a political culture which originated in the Nanjing decade and the subsequent war years, yet which adapted to the realities of post-war exile in Taiwan. This study suggests that whilst the Chiang personality cult was promoted by the central government (and b

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Ryabova, M. "Visual Communication in the Social and Cultural Internet Reality." Scientific Research and Development. Modern Communication Studies 8, no. 6 (2019): 9–13. http://dx.doi.org/10.12737/2587-9103-2019-9-13.

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The article touches interrelated complex of problems characterizing visual communication in the digital space of modern society. The idea of forming of visual culture with a special mental constitution is being actualized. It is revealed that visual communication is a key phenomenon of the social and cultural reality of the Internet. The collision of verbal and visual that is exposed to changes in perception between the subject and the other is considered taking into account its specific qualities. If you look at the representational turn as a phenomenon of cultural consciousness opening in th

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Danilko, Elena. "A Review of Ilya Utekhin, Chto takoe vizualnaya antropologiya: putevoditel po klassike etnograficheskogo kino [What Is Visual Anthropology: А Guidebook on the Classics of Ethnographic Cinema]. St Petersburg: Poryadok slov, 2018, 352 pp." Antropologicheskij forum 16, № 45 (2020): 228–40. http://dx.doi.org/10.31250/1815-8870-2020-16-45-228-240.

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This is a review of anthropologist Ilya Utekhin’s What Is Visual Anthropology: A Guidebook on the Classic of Ethnographic Cinema. On the example of classical ethnographic films of the 20th century, the monograph considers the phenomenon of ethnographic cinema as an important part of visual anthropology. The book’s main intent is to show how outstanding projects that shaped visual anthropology as a discipline posed key questions for anthropology as a whole. These include nonverbal communication, the socialization and association of personality types with the dominant ethos of culture, the form

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Lachyn, Yusupovna Gurdova, and Mamutniyazova Dilnoza. "INNOVATIVE METHODS OF SELF-STUDYING FOREIGN LANGUAGES THROUGH A MULTILINGUAL VISUAL DICTIONARY." International Journal of Multidisciplinary Research Transactions 5, no. 4 (2023): 40–41. https://doi.org/10.5281/zenodo.7779035.

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Language is the most direct connection to other cultures. Being able to communicate in another language exposes us to and fosters an appreciation for the traditions, arts, history of the people associated with that language. The many cognitive benefits of learning languages are undeniable. People who speak more than one language have improved memory, problem-solving and critical-thinking skills, enhanced concentration, ability to multitask, and better listening skills. Nowadays, Multilingualism has become more than just “important”. Knowing a foreign language has evolved to be extr

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Repšienė, Rita. "Vizualumo komunikacija, arba Vydūno pasaulis XXI amžiuje." SPHAIROS 12 (2020): 69–95. https://doi.org/10.53630/sphairos.2020.5.

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In the current oculacentric culture, famous, significant and memorable historical figures, testimonies and fixed moments of the past are valued from the visual perspective of modernity. By focusing on the dominant hierarchy of images, we become peculiar time-hunters, certain visionaries, time travellers who see the past as an expanding universe of images, photographs, and decorative illustrations lurking in the fog of the present. Feedback-driven communication takes on a different meaning in terms of history, looking back at the past; we are surrounded by explorations and discoveries that offe

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Қурбонали, Сулаймонов. "THE INFLUENCE OF OBJECTIVE AND SUBJECTIVE FACTORS ON THE FORMATION OF THE INTELLECTUAL CULTURE OF YOUTH." "Science and innovation" international scientific journal. ISSN: 2181-3337 1, no. 3 (2022): 688–96. https://doi.org/10.5281/zenodo.6792387.

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<em>The article describes the concept of visual culture, its forms of manifestation in a person, its purpose and functions. Also, the main attention in the article is paid to the study of the factors of the formation of components of intellectual culture in young people, the socio-philosophical problems of the alignment of its organizational, methodological, psychological and social factors with social progress.</em>

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Miklaszewska, Joanna. "Literature and visual arts as a source of inspiration." Musicology Today 16, no. 1 (2019): 113–21. http://dx.doi.org/10.2478/muso-2019-0006.

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Abstract This article is a contribution to scientific research on this aspect of Krystyna Moszumańska-Nazar’s musical output which concerns the connections between her music and other arts, primarily literature and the visual arts, as well as inspirations flowing from nature, religion, philosophy, and broadly understood culture. The article applies structuralist methodology. The starting point for the analysis of the phenomena in question is the musical work itself, its title and its structure, and in the case of vocal-instrumental works - the content and message of the literary text and the p

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Sa'adiah, Syifa, and Oman Farhurohman. "PENGGUNAAN MEDIA PEMBELAJARAN DALAM PROSES PEMBELAJARAN SEJARAH KEBUDAYAAN ISLAM (SKI) di MADRASAH IBTIDAIYAH (MI)." Ibtida’i : Jurnal Kependidikan Dasar 7, no. 01 (2020): 36. http://dx.doi.org/10.32678/ibtidai.v7i01.3363.

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Islamic cultural history lessons (SKI) are lessons related to past events. From the SKI material, students are expected to be able to recognize, understand, live the history of Islamic culture, which contains the values of wisdom to be used to train intelligence, shape the attitudes, character and personality of students. In fact SKI is often considered a boring subject, it is due to various reasons one of which is in the SKI learning process the lack of use of learning media. Therefore, a teacher is required to be more creative and innovative in providing lessons to students so as to create

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Kirichek, P. N. "Media Time in the Optics of Social Culture." Communicology 12, no. 4 (2024): 121–32. https://doi.org/10.21453/2311-3065-2024-12-4-121-132.

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The article examines challenges of the formation of social culture and human personality in society within the framework of work, everyday life, and leisure; a new category of everyday communication is identified – media time, associated with regular consumption of social information in the media. Using functional analysis, the author separates verbal and visual modes of assimilation of information received in the media in terms of content and format: “reading – thinking” and “watching – experiencing”, and classifies social information consumed by people in the total volume of media time by me

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Ikonne, Ugochi Happiness. "The influence of cultural constraints on comprehension among second language (L₂) learners: Implications for language teaching and learning." AFRREV LALIGENS: An International Journal of Language, Literature and Gender Studies 9, no. 1 (2020): 135–41. http://dx.doi.org/10.4314/laligens.v9i1.12.

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Very many factors have been found to influence second language learning. For instance, affective factors such as attitude, motivation and personality have usually been acknowledged to play important role in second language learning. Other factors include environmental factors which could be geographical and/or cultural. This discourse reviewed the various ways in which cultural constraints and cultural differences impede comprehension among second language (L2) learners. Emphasis was on listening, reading, pragmatics and viewing comprehension. It was recommended that language teacher apply str

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Upitis, Alise. "Personality, consumption and architectural pedagogy in the UK, 1958–1968." Architectural Research Quarterly 12, no. 3-4 (2008): 325–35. http://dx.doi.org/10.1017/s1359135508001243.

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The Pop-Art doyens of the Independent Group (IG) and the British design establishment were in two minds about burgeoning British consumerism during the 1950s. Members of IG were busy collaging images appropriated from American consumer culture while members of the British design establishment were fiercely opposed to adopting principles of capitalist consumerism, such as expendability of goods and planning for obsolescence. Protests against consumerist values were voiced by figures of the Modernist design establishment such as historian Nikolaus Pevsner and Michael Farr, then editor of the Cou

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Sitong, Zhang. "Construction of Personality and Temperament of Chinese Male Homosexuality in the Social Media Environment." Advances in Social Science and Culture 5, no. 1 (2023): p11. http://dx.doi.org/10.22158/assc.v5n1p11.

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Social media is a double-edged sword. It shapes a universal standard, which can be used to encourage or eliminate “beauty” through traffic. With the standard of “beauty”, guiding the public to make efforts towards the standard to generate motivation and behavior. Under the influence of social media, the character and temperament of Chinese male homosexuality mainly tend to be masculine. This paper analyzes the construction of their gender temperament from the visual and psychological perspectives, reflecting the top and bottom in the character and temperament of Chinese male homosexuality. At

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Malcoci, Vitalie. "Ion Puiu - outstanding personality in decorative theatrical art from Republic of Moldova." Arta 32, no. 1 (2023): 64–68. http://dx.doi.org/10.52603/arta.2023.32-1.09.

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One of the most representative personalities in the field of decorative theatrical art from Republic of Moldova was Ion Puiu. The artist has been working since the beginning of the 70s of the 20th century and until the first decades of the 21th century. The artist brought his contribution to the national culture as an actor, director, playwright and scenographer. Ever since his student years, I. Puiu has been passionate about scenographic art and, after graduating from the Art Institute, the young man works as an actor at the Academic Theater ”A. S. Puşkin” from Chişinău. In 1971, I. Puiu bega

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Poplavskaya, Irina A., and Maria P. Uryadova. "The problem of studying and translating multilingual texts: Shakespeare’s tragedy Hamlet from Counts Stroganoffs’ book collection in the Research Library of Tomsk University." Imagologiya i komparativistika, no. 21 (2024): 75–94. https://doi.org/10.17223/24099554/21/4.

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The article discusses the problems of translating multilingual texts on the basis of Shakespeare’s tragedy Hamlet (1828) from Grigory Stroganoff’s book collection. The authors focus on role of this edition in the formation of translation strategies and critical reception of Hamlet in German and French literature of the late 18th – first third of the 19th centuries. The engravings of the German artist Moritz Retzsch for this edition and the creation of visual “Hamlet” text are analyzed in terms of intermedial poetics. The authors emphasize Shakespeare’s influence on the formation of Shakespeare

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Sokolova, E. T., and A. I. Chetverikova. "Deep hermeneutics in visual analysis (on an example of W. Allen’s movie Zelig)." Social Psychology and Society 9, no. 3 (2018): 118–26. http://dx.doi.org/10.17759/sps.2018090312.

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By the example of analysis of the Woody Allen’s movie Zelig the ego-states phenomenology of borderline personality with split identity is presented, of a person with inclination to various transfigurations (chameleonization), who deeply feels his foreignness in the social context, in the diversity of false facades and absurd conformism, which are designed to compensate the inner feeling of emptiness and emotional hunger with the help of manipulations. The clinical phenomenon resonates with the contemporary sociocultural trends of the society of transitivity and designates the risks of clinical

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Toșu, Ioana Ruxandra. "The Linguistic Landscape of Popular Culture: Analyzing Military Speech in Manga." Linguaculture 15, no. 2 (2024): 71–92. https://doi.org/10.47743/lincu-2024-2-0376.

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This study investigates Japanese popular culture, focusing on manga as a central cultural product that offers rich narrative and visual content that reflects both universal and culturally specific themes. One key concept explored in this study is yakuwarigo, or “role language”, a linguistic phenomenon where specific speech patterns convey a character’s social role, age, gender, or personality. Yakuwarigo serves as a tool for character development, allowing readers to infer traits through language. The research includes a pragma-linguistic analysis of yakuwarigo in manga, focusing on the speech

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Teles Filho, Ricardo Vieira. "Hermann Rorschach: From klecksography to psychiatry." Dementia & Neuropsychologia 14, no. 1 (2020): 80–82. http://dx.doi.org/10.1590/1980-57642020dn14-010013.

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ABSTRACT Hermann Rorschach was a Swiss psychiatrist and psychoanalyst, best known for developing a projective test known as the Rorschach inkblot test, a test designed to reflect unconscious parts of the personality that project into the visual stimuli generated by the inkblots, allowing a psychodiagnosis to be established. The technique he developed has been applied since 1921 in a number of countries. Although it has long remained controversial and divided opinions, this did not prevent it from overcoming the barriers of science to have a major influence on pop culture, resulting in an unden

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AlSaleh, Mashael, and Daniela Romano. "Culturally Appropriate Behavior in Virtual Agents: A Review." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 11, no. 4 (2021): 69–74. http://dx.doi.org/10.1609/aiide.v11i4.12843.

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Social behavior cannot be considered without the culture in which it is expressed. The following is a concise state of the art review of intelligent virtual agents displaying culturally appropriate behavior in games and serious games. In particular, it focuses on agents displaying personality and emotion, and their ability to engage in social interactions with others. The relationship between the characters’ external representation and the cultural believability is highlighted; and the internal and visual aspects of the current state of the art agents are discussed. A schematic view of the lit

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Kusahara, Machiko. "The Art of Creating Subjective Reality: An Analysis of Japanese Digital Pets." Leonardo 34, no. 4 (2001): 299–302. http://dx.doi.org/10.1162/00240940152549203.

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A variety of digital pets can be found in Japan, from virtual pets on palm-top game screens to physical entertainment robots. They are successful because they succeed in promoting a sense of reality in users' minds. While visual reality is a familiar element of realism, a subjective sense of reality can also prove effective. By designing interaction in a mode that takes users' psychology into account, such a sense of reality can be enhanced, especially when a user perceives an independent personality in his/her digital pet. Japanese traditional culture, which allows treating animals on an equa

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Zaki, Rania G. E., Reham F. Elshinawy, and Karim M. Naguib. "Awareness of childhood visual impairment." Journal of the Egyptian Ophthalmological Society 116, no. 1 (2023): 60–67. http://dx.doi.org/10.4103/ejos.ejos_88_22.

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Aim of the study The aim was to evaluate the level of awareness among parents and caregivers of visually impaired children. Methods This was a prospective cross-sectional study that was conducted on parents/caregivers of visually disabled children to assess their realization of visual impairment through a structured questionnaire. Results The respondents included 604 parents/caregivers of visually impaired children. The results revealed that 48% were mothers, 82.1% were college graduates, 26.4% were aware of the availability of visual impairment rehabilitation, 66.9% believed that early detect

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Monleón, Vicente. "“El malo de la película” Estudio de las principales figuras malvadas en la colección cinematográfica clásicos Disney." eari. educación artística. revista de investigación, no. 9 (December 2, 2018): 131. http://dx.doi.org/10.7203/eari.9.12212.

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Resumen: La Cultura Visual es un potente elemento transmisor de ideas, valores y prejuicios que van ahondando en las personas, en muchas ocasiones de manera inconsciente. Un ejemplo de ello son los filmes que la población infantil consume y que son un componente definitorio de la construcción de su identidad y personalidad, sobre todo en el tramo de la Educación Infantil, 3-5 años. Por ello, en este estudio mediante una metodología mixta de investigación se propone analizar las principales figuras malvadas de la colección de películas clásicos Disney (1937-2016). Esta colección tiene un alcanc

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Haleta, Olena. "Instead of a Novel." Aspasia 14, no. 1 (2020): 78–103. http://dx.doi.org/10.3167/asp.2020.140107.

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This article focuses on the life and literary strategies of Sophia Yablonska (1907–1971), a self-identified Ukrainian camerawoman, photographer, and writer. While working for a French documentary production company, traveling around the world, and living in Morocco and China, Yablonska published three books of travelogues supported by hundreds of photos (The Charm of Morocco, 1932; From the Country of Rice and Opium, 1936; and Distant Horizons, 1939) that combine autobiographical and anthropological approaches and transgress poetic and narrative conventions. In her travelogues, Yablonska exami

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Redkina, Olga, and Andrey Selyutin. "TEXTOCENTRICITY OF RUSSIAN CULTURE AND ITS REFLECTION IN THE LANGUAGE CONSCIOUSNESS OF THE YOUTH." Bulletin of Chelyabinsk State University 475, no. 5 (2023): 108–13. http://dx.doi.org/10.47475/1994-2796-2023-475-5-108-113.

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The article is devoted to the problem of national and cultural self-identification and its criteria in the view of young people. The results of a survey of one and a half thousand respondents aged 15 to 21 — students of schools, institutions of secondary vocational education and higher educational institutions — were analyzed, who were asked to name the most cited and recognizable Russian films and cartoons. The results of the verification of the received data are characterized. It has been revealed that knowledge of mass Soviet (1960–1980s) and post-Soviet (1990s) culture plays an important r

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Florea, Maria-Magdalena. "Considerații privind teatrul târgumureșean în perioada comunistă." Cercetări teatrale 2, no. 2 (2021): 65–82. http://dx.doi.org/10.46522/ct.2021.02.03.

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There is a multitude of artistic directions that manifested themselves in the twentieth century in Romanian culture. This study presents, in short, the social and political framework in which the Târgumureș theater evolved during the Ceaușescu dictatorship. Thus, the period 1965-1971 is known as the period of cultural openness and political liberalization. The national veins of culture are rediscovered and revalued; art and cultural activities claim and gain relative autonomy from official policy directives, and ideological censorship becomes more permissive. Literature, theater, cinematograph

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Sotska, Galyna. "Forming Future Teachers’ Aesthetic Culture in Foreign Educational Practice." Comparative Professional Pedagogy 6, no. 4 (2016): 20–26. http://dx.doi.org/10.1515/rpp-2016-0043.

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Abstract The article deals with a theoretical analysis of foreign educational experience in solving scientific problems of forming future teachers’ aesthetic culture. Given the current socio-cultural situation, it has been noted that a teacher who developed his/her aesthetic culture can make a direct contribution to the social and cultural challenges of a changing world. Based on the study of scientific and pedagogical literature, normative and legal support and the content of practical courses, the author has revealed the peculiarities of forming future specialists’ aesthetic culture in forei

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LAPIN, ANDREY V., and ELENA D. AGANINA. "NEW HEROES OF MASS CULTURE (CASE STUDY OF THE MAIN CHARACTER OF THE COMPUTER GAME CYCLE “GOD OF WAR”)." Study of Religion, no. 3 (2020): 106–11. http://dx.doi.org/10.22250/2072-8662.2020.3.106-111.

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The concept of “mass culture” and its content are becoming the subject of reflection of philosophers, religious scholars, culturologists and sociologists. Taking into account the fact that mass culture is a specific type of spiritual production, one of its main features is the possibility of widespread replication of the product. Popular culture is extremely dynamic, influencing the basic feelings of the consumer, it can generate new cultural constants that change the norms and values that have developed over centuries. The constituent elements of mass culture are usually called the media, cin

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