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1

Suryajaya, Pamela, and Dyah Gayatri Puspitasari. "Perancangan Komunikasi Visual Film Animasi Pendek “Dewi Yang Kesepian”." Humaniora 2, no. 1 (2011): 608. http://dx.doi.org/10.21512/humaniora.v2i1.3074.

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This research is to gain, collecting, and analyze data needed to design short movie animation in 3 dimension technique about gods and goddesses myth in visually attractive so it could attract teenage audiences to send the message. The research method is direct survey to the location, i.e. Pura Merthasari, Wihara Dharma Bhakti (Klenteng Petak Sembilan), National Museum, and library. Besides, it is supported by literature media like books, magazines, and journals and internet references related to topic. The expected result is to reissue the cultural richness of myth in Indonesia so that it coul
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Wijaya, Fenny, and Dyah Gayatri Puspitasari. "Perancangan Komunikasi Visual Film Animasi Pendek “Sitiha dan Sisiti”." Humaniora 1, no. 2 (2010): 489. http://dx.doi.org/10.21512/humaniora.v1i2.2890.

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The purpose of this research is to acquire, collect and analyze data needed to realize the design of short animated 3D films with a folklore theme which is presented with a visually appeal to interest spectators, especially children, so the moral message can be conveyed. The research method is to survey directly to the field, namely the cultural center of Indonesia TMII, playground and library. In addition to the literature media such as books, magazines and journals and supported with references from the internet media relating to the topic. Results to be achieved are for the moral message co
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António, Rui, Bruno Mendes da Silva, João M. F. Rodrigues, and Mirian Nogueira Tavares. "Experimenting on Film." International Journal of Creative Interfaces and Computer Graphics 8, no. 1 (2017): 54–66. http://dx.doi.org/10.4018/ijcicg.2017010104.

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Interactive films depend on the participation of viewers. This participation usually translates into making decisions that determine the sequence of the narrative. Many interactive films make use of an interaction design that reduces the viewer's immersiveness by interrupting the narrative to allow choices and the use of graphics to alert about decision points. This article describes how “Dialectical Polyptych” focuses on the possibility of creating an interactive aesthetic experience of filmic visualization without the interference of visual elements, allowing immersive participation with a t
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Witteveen, Loes, and Rico Lie. "Learning about “wicked” problems in the Global South. Creating a film-based learning environment with “Visual Problem Appraisal”." MedieKultur: Journal of media and communication research 28, no. 52 (2012): 18. http://dx.doi.org/10.7146/mediekultur.v28i52.5482.

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The current complexity of sustainable development in the Global South calls for the design of learning strategies that can deal with this complexity. One such innovative learning strategy, called Visual Problem Appraisal (VPA), is highlighted in this article. The strategy is termed visual as it creates a learning environment that is film-based. VPA enhances the analysis of complex issues, and facilitates stakeholder dialogue and action planning. The strategy is used in workshops dealing with problem analysis and policy design, and involves the participants “meeting” stakeholders through filmed
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Mirza, Romana. "Contemporizing Modesty." Fashion Studies 1, no. 2 (2019): 1–17. http://dx.doi.org/10.38055/fs010204.

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Contemporary Muslim Fashions, September 22, 2018 – January 6, 2019 was organized by the Fine Arts Museums of San Francisco, shown in the de Young Museum and curated by Jill D’Alessandro and Laura Camerlengo, both curators at the museum, and consulting curator Reina Lewis, a scholar at the London College of Fashion, University of the Arts London. The aim was to represent contemporary Muslim fashions. To this end, they assembled and exhibited a collection of garments from the most popular fashion designers of the day, chosen from a series of shows at modest fashion weeks around the world. Supple
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Stasch, Rupert. "The Camera and the House: The Semiotics of New Guinea “Treehouses” in Global Visual Culture." Comparative Studies in Society and History 53, no. 1 (2011): 75–112. http://dx.doi.org/10.1017/s0010417510000630.

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One of the most frequently encountered representations of West Papuan people internationally today is a photographic or video image of a Korowai or Kombai treehouse (Figure 1). Circulation of these images first exploded in the mid-1990s. In 1994, anArts & Entertainment Channelfilm about Korowai was broadcast in the United States under the titleTreehouse People: Cannibal Justice, and in 1996National Geographicpublished a photo essay titled “Irian Jaya's People of the Trees.” Korowai and Kombai treehouses have since been depicted in dozens of magazine and newspaper articles and twenty televi
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Dursin, Arzu Gurdal, and Aysegul Gurdal Pamuklu. "Tactile communication design for visually impaired people: Tactile magazine page." Global Journal of Arts Education 5, no. 2 (2015): 61. http://dx.doi.org/10.18844/gjae.v5i2.247.

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This study was designed tactile communication design products for the visually impaired. In this study, it is aimed to enable visually impaired people to be aware of the animate, moving and changing life. As a method, the visually impaired were interviewed about problems. Answers were sought for the following open-ended questions. 1. Are there any advertising posters and brochures designed for you around where you live?2. Through which tools are you informed by the advertisements and notifications?3. If there were tactile advertisement and bulletin boards designed for you outdoors, would you u
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Hasirci, Deniz, and Zeynep Tuna Ultav. "The Multiple Stories Behind the Modern Ceramic Coffee Tables of the Grand National Assembly of Turkey." Journal of Design History 33, no. 3 (2020): 225–42. http://dx.doi.org/10.1093/jdh/epaa022.

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Abstract At the end of the 1950s, 200 coffee tables and other furniture and fittings were created by interior designers who won a design competition organized by the Grand National Assembly of Turkey (GNAT) in Ankara. The tables were envisioned to be made by modern ceramic artists and designers of the time. Despite never meeting, they created joint works that were celebrated at the time for their artistic quality. The coffee tables, which were used by government ministers, were useful for introducing ceramics into government interiors while informing the leaders of a modernizing Turkish nation
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DEWANTO, INKO SAKTI, and DAFFA VIDI MULYADI. "Efektivitas Flat Design dalam Motion Graphic “Pentingnya Rating Usia Film Bagi Anak”." MIND Journal 5, no. 2 (2021): 149–59. http://dx.doi.org/10.26760/mindjournal.v5i2.149-159.

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AbstrakAktivitas menonton film adalah salah satu bentuk hiburan bagi masyarakat, baik di bioskop maupun melalui kanal streaming online. Saat ke bioskop kadang kita melihat orang tua yang membawa anaknya menonton film yang tidak sesuai rating usianya. Hal tersebut tentu saja dapat memberikan dampak buruk bagi anak. Meskipun rating usia penonton film selalu tertera di tiap media promosinya, namun tetap saja masih sering ditemui orang tua yang acuh akan hal tersebut. Maka dari itu penelitian ini bertujuan untuk mendukung rancangan motion graphic tentang sosialisasi pentingnya rating film, khususn
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Lorents, Albert, and Alfiansyah Zulkarnain. "Animation Design in an Animated 3-Dimensional Film Adapted from a Children's Story by Monica Wihardja." IMOVICCON Conference Proceeding 2, no. 1 (2021): 177–81. http://dx.doi.org/10.37312/imoviccon.v2i1.83.

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Discrimination is an issue that often occurs in Indonesia. It is undeniable that religious discrimination is one form of such discrimination. Marapu religion, is a traditional religion adhered to by the people of Sumba. Discrimination against followers of the Marapu religion is one form of discrimination that occurs in the Sumba region. Adherents of the Marapu religion in Sumba experience different treatment, especially in the field of education. Therefore the short 3D animation project raises this issue, aiming to raise public awareness about religious discrimination that still often occurs i
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Kift, Roy. "Comedy in the Holocaust: the Theresienstadt Cabaret." New Theatre Quarterly 12, no. 48 (1996): 299–308. http://dx.doi.org/10.1017/s0266464x00010496.

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The concentration camp in Theresienstadt in the Czech Republic was unique, in that it was used by the Nazis as a ‘flagship’ ghetto to deceive the world about the real fate of the Jews. It contained an extraordinarily high proportion of VIPs – so-called Prominenten, well-known international personalities from the worlds of academia, medicine, politics, and the military, as well as leading composers, musicians, opera singers, actors, and cabarettists, most of whom were eventually murdered in Auschwitz. The author, Roy Kift, who first presented this paper at a conference on ‘The Shoah and Perform
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Fauzyah, Resty, and Elda Franzia. "MOTION GRAPHIC PROMOSI PASAR PAPRINGAN DI TEMANGGUNG, JAWA TENGAH." Jurnal Dimensi DKV Seni Rupa dan Desain 3, no. 2 (2018): 159. http://dx.doi.org/10.25105/jdd.v3i2.3602.

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<p><strong>Abstract</strong><br />Motion Graphic of Papringan Market Promotion at Temanggung, Central Java. Motion graphic is an infographic designed to move like audio-visual media in the form of film, video and animation in computer. Motion graphic promotion for Papringan Market is one of many steps to promote Papringan Market. Papringan Market is a unique tourist place held under the bamboo plants. Some visual elements of design found in motion<br />graphics can give influence to audience. The visual elements of the design used in motion graphics should be in a
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Benson-Allott, Caetlin. "Listening to Metal." Film Quarterly 74, no. 4 (2021): 62–67. http://dx.doi.org/10.1525/fq.2021.74.4.62.

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Darius Marder’s Sound of Metal (2020) is a film about many things: severe hearing loss, grief, community, and sound itself. These themes cohere through its narrative but find even fuller expression in the film’s sound design, as FQ columnist Benson-Allott argues in this article. Unlike most films with Deaf or deafened protagonists, Sound of Metal makes frequent use of subjective sound mixes that represent the protagonist’s sonic perceptions. By contrasting subjective and hearing-normative sound in their design, Marder and sound supervisor Nicolas Becker demonstrate how sound’s power exceeds it
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Nugraini, Siti Hadiati. "Dampak Model Pembelajaran Produksi Film Pendek tentang Energi Terbarukan pada Mata Kuliah Audio Visual terhadap Mahasiswa." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 4, no. 02 (2018): 196–206. http://dx.doi.org/10.33633/andharupa.v4i02.1979.

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AbstrakPenelitian ini menguji dampak desain dan pengembangan produksi film pendek renewable energy terhadap pengetahuan, minat dan atensi atau kepedulian mahasiswa terhadap renewable energy. Model pembelajaran, yaitu produksi film pendek, dikembangkan dengan fitur-fitur utama dari pelajaran video dan fitur lain dalam mendukung proses belajar mahasiswa. Beberapa film pendek menggambarkan proses produksi biodiesel atau energi terbarukan, yang merupakan salah satu permasalahan krusial saat ini tentang berkurangnya energi fosil yang harus segera diatasi. Mahasiswa sebagai generasi muda penerus ban
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Chawla-Duggan, Rita, Susan Milner, and Jill Porter. "Reflexivity and visual technology in research: young children’s perspectives of paternal engagement in the home environment." Qualitative Research 18, no. 4 (2017): 471–91. http://dx.doi.org/10.1177/1468794117728412.

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Although existing notions of reflexivity address the positionality of researchers, they rarely consider the processes through which methods and methodologies can come about. This study builds children’s reflexivity into the research design. Drawing on footage from a pilot visual ethnography of paternal engagement in home environments, we show first, that at one level, building children’s reflexivity into data collection and analysis, allows us to look at the relationship between the child, technology and the subject of their images; thereby establishing a position from which their perspective
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Walz, Markus, Patrizia Hoyer, and Matt Statler. "After Herzog: blurring fact and fiction in visual organizational ethnography." Journal of Organizational Ethnography 5, no. 3 (2016): 202–18. http://dx.doi.org/10.1108/joe-07-2016-0017.

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Purpose The purpose of this paper is to introduce the unique artistic approach of film-maker Werner Herzog as an inspiration to rethink ethnographic studies in general and the notion of reflexivity in particular. Design/methodology/approach This paper reviews the particularities of Werner Herzog’s approach to filmmaking, linking them to the methodological tradition of visual ethnography and especially the debate about the role of reflexivity and performativity in research. Findings Herzog’s conceptualization of meaning as “ecstatic truth” offers an avenue for visual organizational ethnographer
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Zulkarnain, Alfiansyah, Nita Virena Nathania, Putu Widyayana Putra, and Priscilla Agatha. "Applying Balinese Philosophy "Rwa Bineda" Concept on Character & Environment Design in 3D Animated VR Short Film "Gede"." IMOVICCON Conference Proceeding 1, no. 1 (2019): 167–74. http://dx.doi.org/10.37312/imoviccon.v1i1.18.

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A distincitve and unique conceptual character and environtment design, especially in animated films, is important as to seperate itself from plaethora of generic animated films out there. A deep understanding of local culture and how the philosophy shaped its culture could create a new way to visualize its world, and a more faithful representative of its world. In this modern era, concept about the dichotomy of positive and negative aspects is often overshadowed by western thinking of dominance, that one must defeat the other. Eastern thinking about this issue is somewhat different, whereas th
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Malovic, Gojko. "Serbian perception of Hungarian cultural achievements between two World Wars." Zbornik Matice srpske za drustvene nauke, no. 149 (2014): 875–900. http://dx.doi.org/10.2298/zmsdn1449875m.

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Because of the conflict between the Hungarians and the Serbs in the World War I, several years after its end Serbian public did not put much effort into perceiving and forming impressions of Hungarian cultural achievements. Nonetheless, Yugoslav state institutions, primarily the Ministry of Education (also in charge of cultural affairs), paid close attention to developments in the domain of Hungarian cultural achievements. Serbian public gradually became more interested in Hungarian cultural achievements and contents. It was informed about Hungarian cultural achievements largely through articl
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Riyadi, Tunjung, and Satrya Mahardhika. "Pendekatan Kreatif Produksi Iklan Layanan Masyarakat Bertema Anti Korupsi." Humaniora 2, no. 2 (2011): 1388. http://dx.doi.org/10.21512/humaniora.v2i2.3205.

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Corruption in Indonesia is such a life culture that is hardly to be eradicated. In order to solve it, there must be serious and strong will. Campaigning through public service advertising is one part of good moral message disseminating efforts. In producing PSA about corruption, it needs special strategy so the disseminated message could be transferred easily by target audience. One method is creative approach in advertising strategy. To make the production easier, there are stages: pre-production, production and post-production. Production method is through photographic and motion graphic. Mo
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Hadiwiardjo, Yanti Harjiono, Mila Citrawati Asiyanto, and Citra Ayu Aprilia. "Efektivitas Media Leaflet dan Film dalam Peningkatan Pengetahuan Pubertas di SMP N 226 Pondok Labu." Disease Prevention and Public Health Journal 14, no. 1 (2020): 46. http://dx.doi.org/10.12928/dpphj.v14i1.1812.

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Background: Adolescent is a trantition phase from childhood to adulthood. Knowledge about puberty is important during this phase. If there is no sufficient information about it, it could cause several problems such as adolescence growth and development failure and healt problems. Health promotion to increase awareness of puberty is definitely needed by junior high students aged around 8 to 14 years old. Puberty health promotion could be delivered through visual media such as leaflet or audiovisual media such as animation film. The aim of this study was to discover effectivity of leaflet and an
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SIAN, SAUD AMERROUF, and TERRY LUCAS. "Implementation of Retro-Futurism Style in Architectural Building Design for 3D Animation." Trends in Undergraduate Research 1, no. 1 (2018): d1–8. http://dx.doi.org/10.33736/tur.1165.2018.

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When we heard Retro design, people will think about the fashion, music, poster, style and trend of the 1940s to1980s. The trend retro-futurism, however, is entirely different. It is a trend that was created by writers, artists and film directors in the past and is closely related to science fiction. This research concentrates on investigating the characteristics of retro-futurism and how it can be used to incorporate its features into building design for 3D animation. An exploratory method was used to analyse the architectural design of the past. The gathered information could give some insigh
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Romanska, Magda. "BETWEEN HISTORY AND MEMORY: AUSCHWITZ IN AKROPOLIS, AKROPOLIS IN AUSCHWITZ." Theatre Survey 50, no. 2 (2009): 223–50. http://dx.doi.org/10.1017/s0040557409990056.

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In 1962, Polish director Jerzy Grotowski mounted an adaptation of playwright Stanisław Wyspiański's 1904 play Akropolis. When James MacTaggart filmed it in 1968, the production gained immediate cult status among American theatre critics, scholars, and practitioners. Although Grotowski's production had already been seen internationally (though by a very limited audience), the film made it available to those outside major theatre centers. Notwithstanding the buzz that surrounded the film's release, most of the interest was focused on the acting and the set design; the fact that the show was base
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Marsh, Tim. "Presence as Experience: Film Informing Ways of Staying There." Presence: Teleoperators and Virtual Environments 12, no. 5 (2003): 538–49. http://dx.doi.org/10.1162/105474603322761324.

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Experience and the activities that provide it are associated with the virtual places where they were encountered, and this may instill in our imagination an illusion of an environment other than where an interactive mediated environment 1 (a virtual environment, virtual reality, or computer game) resides (home, work, or on the move). Appropriate and/or stimulating experience may encourage users to continue, or become engaged in, pursing activities in a mediated environment. The termstaying there is used to describe this situation of engagement. Conversely, if experience from use does not match
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Feizabadi, Azin. "Chronicles from Majnun until Layla." ARTMargins 3, no. 1 (2014): 81–86. http://dx.doi.org/10.1162/artm_a_00072.

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Chronicles from Majnun until Layla is a film project structured in three stages: 1.) The Museum of Modern Iranian History (2011–2013), 2.) Layla and Majnun (in preparation), and 3.) The Film (in preparation). Each stage bears its own approach, format, and mode of presentation. The first two stages are conceived as preparation for the third and final stage: the merging moment, which will be in the form of a feature-length, hybrid fiction/documentary film. The film depicts a couple, lovers, visiting a virtual museum of modern Iranian history. The lovers appear both as themselves and as “Layla an
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Mehmood, Sohail. "PRIORITIES, CONCERNS AND EXPECTATIONS OF LOCAL YOUNG SPECTATORS REGARDING 21ST CENTURY FILM AND CINEMA." Advanced Humanities & Social Sciences 5 (2020): 5.8. http://dx.doi.org/10.21065/25205986.5.8.

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This paper investigates the impulses, motives and conditions that are positively associated and problems, hurdles and concerns that are the obstacles in the resurgence of 21st century Pakistani film industry. It also gauges the priorities and concerns of young moviegoers and compares with the priorities and concerns of our young generation of filmmakers. To achieve this end we employed both qualitative and quantitative research methodologies and came up with following results that Pakistan’s screen to film production ratio is one of the best in the world. It is vehemently in search of its dist
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Joan Kelly, Elizabeth. "Andy Warhol: documentaries and biographical films." Collection Building 33, no. 3 (2014): 81–85. http://dx.doi.org/10.1108/cb-04-2014-0021.

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Purpose – This paper aims to compile an annotated list of films about or pertaining to the artist Andy Warhol. Design/methodology/approach – Films were located using library catalogs, databases and online searches. Selections were evaluated through inspection and both academic and popular film reviews. Inclusion was predicated not only on subject matter and merit but also on availability either on home media or online. Findings – Warhol’s many artistic creations can be introduced and evaluated using a combination of visual and auditory representation. Movies and television (TV) depicting Warho
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Mohd Azharuddin, Theivendren Panner Selvam, Maya Sharma, and Jayesh Dwivedi. "Design development and evaluation of novel ophthalmic nano lipid in situ gel-forming solution using timolol hydrochloride." International Journal of Research in Pharmaceutical Sciences 11, no. 4 (2020): 6837–44. http://dx.doi.org/10.26452/ijrps.v11i4.3654.

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The present research work was aimed to design, develop and evaluate the nano lipid-based drug delivery system by incorporating timolol hydrochloride drug for ocular therapy and improve the release of the drug through the ocular route. Nanolipids in situ gels were prepared by film hydration method involving two steps. First nano lipids were formulated with the help of organic solvents, and then they were incorporated into a gel by using gelling agents. FTIR spectrum studies were carried out for drug and the formulations which reveal that there was no interaction between the drug and excipients
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Purnomo, Fendi Aji, Eko Harry Pratisto, Agus Purnomo, Ahzan Saiful Huda, and Ady Setyo Nugroho. "Digital Animasi 2 Dimensi Dengan Metode Cell Shadding Dan Rigging Bone Studi Kasus : Legenda Gunung Tugel." Indonesian Journal of Applied Informatics 2, no. 1 (2017): 33. http://dx.doi.org/10.20961/ijai.v2i1.15248.

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<p><em>Mature Indonesian culture is now diminishing. Indonesian society, increasingly popular by the outside culture through the development of increasingly sophisticated technology. One is the story of a growing legend in their respective regions, so it becomes ironic as children today are uncertain of not caring about their own culture. One of the growing legend stories is "Gunung Tugel" which originated from Boyolali area, which tells about wisdom and culture.</em></p><p><em>Media education currently popular by the public one of them is the animated film.
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Podmaková Ú, Dagmar. "From a Single Presentation of Poetry Up to Its Stylized Stage Image in the Form of Theatre Performance." Slovenske divadlo /The Slovak Theatre 65, no. 2 (2017): 172–95. http://dx.doi.org/10.1515/sd-2017-0011.

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Abstract In the 1940s the Drama Company of the Slovak National Theatre introduced four poetry productions, which demonstrated the stage potential of the symbiosis of verse and a music-accompanied recitation in an original stage design solution. The single presentation of poetry of Poézia revolúcie a boja [The Poetry of Revolution and Fight, 1945] directed by Ján Jamnický and Pásmo poézie Janka Jesenského [The Show of Poetry by Janko Jesenský, 1946] directed by Jozef Budský were the first independent attempts at staging selected poetry. Besides recitation, they were dominated by the visual sign
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Maddock, Sarah, and Beverley Hill. "“Bagels and doughnuts … round food for every mood” food advertising discourses." British Food Journal 118, no. 2 (2016): 327–42. http://dx.doi.org/10.1108/bfj-04-2015-0136.

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Purpose – The relationship between food and mood has been discussed for many years. The purpose of this paper is to extend that debate by exploring how food advertising, a key source of consumer information about food, utilises and implies varied associations between food and mood. Design/methodology/approach – The research combines a textually oriented analysis with an analysis of the visual images in a sample of typical food advertisements drawn from women’s magazines. Findings – Although healthy foods have the potential to enhance mood this is not often used as a key advertising message. Co
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Toth, Leah. "“Beautiful, If You See It the Right Way”." Resonance 2, no. 1 (2021): 52–65. http://dx.doi.org/10.1525/res.2021.2.1.52.

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David Lynch’s first feature film, Eraserhead, is considered by many to be his strangest, due to its dark industrial imagery and dissonant sound design. This essay examines the function of audible noise in Eraserhead within the context of 1970s deindustrialization and argues that noise is a key but overlooked element of the film’s overall aesthetic design—an homage to the sounds and imagery of a fading and faded industrialized United States. Listening closely firmly establishes this impression: The sound design contributes substantially to the film’s synchretic surrealism, and its ambiguity thr
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Laviosa, Flavia. "Six continents at the Centro Sperimentale di Cinematografia in Rome: Flavia Laviosa in conversation with Alfredo Baldi." Journal of Italian Cinema & Media Studies 9, no. 2 (2021): 261–70. http://dx.doi.org/10.1386/jicms_00065_7.

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In this interview Alfredo Baldi, historian of the Centro Sperimentale di Cinematografia (CSC) in Rome, gives a detailed overview of the political, cultural and artistic reasons for the prevalent presence of students from about 100 countries and six continents in all the specializations offered at the CSC in Rome (directing, photography, set design and acting), since its foundation in 1935. More specifically, Baldi explains why the CSC was popular in the 1930s and 1940s among students from the Axis nations in pre-war Europe, mentions the fascination of world artists with Italian neorealism, att
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Whitelaw, Mitchell, and Belinda Smaill. "Biodiversity data as public environmental media: Citizen science projects, national databases and data visualizations." Journal of Environmental Media 2, no. 1 (2021): 79–99. http://dx.doi.org/10.1386/jem_00041_1.

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Through a combination of scientific and community activity, our environment is increasingly registered and documented as data. Given the expanding breadth of this digital domain, it is crucial that scholars consider the problems it presents as well as its affirmative potential. This article, arising from collaboration between a practitioner and theorist in digital design and a film and screen scholar with expertise in documentary and environmental studies, critically examines biodiversity data through an ecocritical reading of public-facing databases, citizen science platforms and data visuali
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Braiko, Oleksandr. "Cinematographic coloring of open space in Volodymyr Drozd’s short prose from 1960s." Слово і Час, no. 3 (May 26, 2020): 28–47. http://dx.doi.org/10.33608/0236-1477.2020.03.28-47.

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The paper considers the style manner of V. Drozd’s prose from his early writing period with a focus on cinematographic aesthetics of color and possibilities of the screen design of plein air as the most free spatial environment for visual development of the image. The writer’s literary means have their analogues in the well-known contemporary films (“October”, “Poem about Sea”, “Red Desert”).
 
 The dynamic plein air compositions have certain screen potential. The images of open-space are related to freedom in dynamic and successive change of a scene, and alternation of verbal pictur
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Austin, Jonathan Luke, and Anna Leander. "Designing-With/In World Politics." Political Anthropological Research on International Social Sciences 2, no. 1 (2021): 83–154. http://dx.doi.org/10.1163/25903276-bja10020.

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Abstract Why is the praxis of the International Social Sciences (iss) so limited? Why are word counts and abstracts so much more integral to our quotidian workday than datasheets or color palettes? Why do we do little more than write texts and give lectures with – perhaps – the odd foray into photography or film-making? Why are we so reluctant to practically (and so not simply conceptually) engage with the full gamut of material, aesthetic, and technological making? This essay addresses these questions by advocating for the emergence of an International Political Design. It begins from the int
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Bao, Zheshi, and Taozhen Huang. "External supports in reward-based crowdfunding campaigns." Online Information Review 41, no. 5 (2017): 626–42. http://dx.doi.org/10.1108/oir-10-2016-0292.

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Purpose The purpose of this paper is to discuss some drivers which can promote reward-based crowdfunding campaigns and then compare their effects on two categories of cultural and creative projects. Design/methodology/approach The authors first distinguished the roles of “intrinsic qualities” and “external supports” in crowdfunding campaigns. Then based on the theories of reward-based crowdfunding, impression management and social capital, a research model was built to discuss the effects of external supports and a comparative study was conducted by using data collected from Kickstarter.com. F
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Rohmawati, Nur, and Retno Andriyani. "PERBEDAAN KADAR PM2,5 DI TEMPAT PEMBAKARAN BATU BATA DAN KEJADIAN SINDROMA MATA KERING." Indonesian Journal of Occupational Safety and Health 7, no. 1 (2018): 112. http://dx.doi.org/10.20473/ijosh.v7i1.2018.112-121.

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Brick cumbustion in Kaloran Village uses firewood and corncob as main fuel. Combustion using firewood and corncobs in burning bricks produce PM2.5 pollutants that can cause health problem including the eyes. Dry eye is a multifactorial disease of ocular surface in symptoms that include discomfort, visual disturbance and tear film instability with potential damage to the ocular surface. This study aims to describe PM2.5 levels in brick combustion and dry eye syndrome events in brick workers in Kaloran Village Ngronggot Nganjuk District in 2017. This research was an observational study with cros
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Senftinger, Bertholdand, and Helmut Liebl. "Performance Evaluation of a Novel Type of Low-Energy Electron Microscope." Proceedings, annual meeting, Electron Microscopy Society of America 48, no. 1 (1990): 354–55. http://dx.doi.org/10.1017/s0424820100180525.

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During the last few years the investigation of clean and adsorbate-covered solid surfaces as well as thin-film growth and molecular dynamics have given rise to a constant demand for high-resolution imaging microscopy with reflected and diffracted low energy electrons as well as photo-electrons. A recent successful implementation of a UHV low-energy electron microscope by Bauer and Telieps encouraged us to construct such a low energy electron microscope (LEEM) for high-resolution imaging incorporating several novel design features, which is described more detailed elsewhere.The constraint of hi
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Jaén, María Moreno, and Carmen Pérez Basanta. "Developing conversational competence through language awareness and multimodality: the use of DVDs." ReCALL 21, no. 3 (2009): 283–301. http://dx.doi.org/10.1017/s0958344009990036.

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AbstractThe argument for a pedagogy of input oriented learning for the development of speaking competence (Sharwood-Smith, 1986; Bardovi-Harlig and Salsbury, 2004; Eslami-Rasekh, 2005) has been of increasing interest in Applied Linguistics circles. It has also been argued that multimedia applications, in particular DVDs, provide language learners with multimodal representations that may help them ‘to gain broad access to oral communication both visually and auditory’ (Tschirner, 2001: 305). Thus this paper focuses on an exploratory study of teaching oral interaction through input processing by
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Uzunboylu, Huseyin, and Cigdem Hursen. "Message From the Editors." Cypriot Journal of Educational Sciences 11, no. 4 (2016): 160. http://dx.doi.org/10.18844/cjes.v11i4.1288.

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Dear Colleagues
 It is an honour for us to welcome you as Editors of Cypriot Journal of Educational Sciences which has accepted publications indexed in qualified databases since 2006. Also our major aim is to increase the quality of the journal day by day. We are ready to publish the new studies of Cypriot Journal of Educational Sciences which has 6 full length articles written by authors from Spain, Turkey, Cyprus.
 The aim of this issue is to give the researchers an opportunity to share their academic studies. First of all, I would like to thank all who have contributed to this iss
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Holleran, Samuel. "Better in Pictures." M/C Journal 24, no. 4 (2021). http://dx.doi.org/10.5204/mcj.2810.

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While the term “visual literacy” has grown in popularity in the last 50 years, its meaning remains nebulous. It is described variously as: a vehicle for aesthetic appreciation, a means of defence against visual manipulation, a sorting mechanism for an increasingly data-saturated age, and a prerequisite to civic inclusion (Fransecky 23; Messaris 181; McTigue and Flowers 580). Scholars have written extensively about the first three subjects but there has been less research on how visual literacy frames civic life and how it might help the public as a tool to address disadvantage and assist in re
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Costello, Moya. "Reading the Senses: Writing about Food and Wine." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.651.

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"verbiage very thinly sliced and plated up real nice" (Barrett 1)IntroductionMany of us share in an obsessive collecting of cookbooks and recipes. Torn or cut from newspapers and magazines, recipes sit swelling scrapbooks with bloated, unfilled desire. They’re non-hybrid seeds, peas under the mattress, an endless cycle of reproduction. Desire and narrative are folded into each other in our drive, as humans, to create meaning. But what holds us to narrative is good writing. And what can also drive desire is image—literal as well as metaphorical—the visceral pleasure of the gaze, or looking and
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Murray, Simone. "Harry Potter, Inc." M/C Journal 5, no. 4 (2002). http://dx.doi.org/10.5204/mcj.1971.

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Engagement in any capacity with mainstream media since mid-2001 has meant immersion in the cross-platform, multimedia phenomenon of Harry Potter: Muggle outcast; boy wizard; corporate franchise. Consumers even casually perusing contemporary popular culture could be forgiven for suspecting they have entered a MÃbius loop in which Harry Potter-related media products and merchandise are ubiquitous: books; magazine cover stories; newspaper articles; websites; television specials; hastily assembled author biographies; advertisements on broadcast and pay television; children's merchandising; and the
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Jaakkola, Maarit. "Forms of culture (Culture Coverage)." DOCA - Database of Variables for Content Analysis, March 26, 2021. http://dx.doi.org/10.34778/2x.

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This variable describes what kind of concept of culture underlies the cultural coverage at a certain point of time or across time. The variable dissects the concept of culture into cultural forms that are being journalistically covered. It presupposes that each article predominantly focuses on one cultural genre or discipline, such as literature, music, or film, which is the case in most articles in the cultural beat that are written according to cultural journalists’ areas of specialization. By identifying the cultural forms covered, the variable delivers an answer to the question of what kin
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"Isao Takahata : Inspiring Visual Styles of Japanese Film & Anime Aesthetics." International Journal of Innovative Technology and Exploring Engineering 8, no. 11S2 (2019): 198–209. http://dx.doi.org/10.35940/ijitee.k1032.09811s219.

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The Tale of Princess Kaguya is an adaptation from The Tale of the Bamboo Cutter, a classical Japanese folktale, directed by Isao Takahata in Studio Ghibli productions. Isao Takahata is a director who has long been overlook by his longtime colleague and Studio Ghibli co-founder Hayao Miyazaki. The purpose of research about cinematography techniques or style of Isao Takahata animated film in The Tale of Princess Kaguya. The Princess Kaguya animated film is like an old Japanese painting that is similar to traditional sumi-e. The focus of this research will look into several aspects such as impres
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Rees, Eleanor. "From the Cinema ‘Dekorator’ to the Cinema ‘Arkhitektor’: Set Design, Medium Specificity and Technology in Russian Cinema of the Silent Era." Journal of Design History, April 23, 2021. http://dx.doi.org/10.1093/jdh/epab015.

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Abstract This article traces how understandings about the role of the cinema set designer—referred to in Russian as the khudozhnik (artist)—evolved across the 1910s and the 1920s in relation to broader artistic debates of the period. Drawing on archival material and articles published in the contemporary Russian and Soviet cinema press, it examines the changes in the cinema khudozhnik’s professional title and what these shifts in terminology reveal about differing conceptions of the scope and nature of the set designer’s role. The debate about the cinema khudozhnik related not only to the divi
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Starrs, Bruno. "Publish and Graduate?: Earning a PhD by Published Papers in Australia." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.37.

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Refereed publications (also known as peer-reviewed) are the currency of academia, yet many PhD theses in Australia result in only one or two such papers. Typically, a doctoral thesis requires the candidate to present (and pass) a public Confirmation Seminar, around nine to twelve months into candidacy, in which a panel of the candidate’s supervisors and invited experts adjudicate upon whether the work is likely to continue and ultimately succeed in the goal of a coherent and original contribution to knowledge. A Final Seminar, also public and sometimes involving the traditional viva voce or or
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Jungblut, Marc. "Visual deductive conflict frame (War Coverage)." DOCA - Database of Variables for Content Analysis, March 26, 2021. http://dx.doi.org/10.34778/2n.

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This variable describes how a war is depicted in the photos published by a news organization. It thereby suggests what interpretation or perspective on a war is promoted through the visual layer of news discourse. Visual frame analyses of war coverage have largely relied on deductive analyses. As such, studies measure frames that have been derived from the existing literature or small pilot studies (cf. Jungblut & Zakareviciute, 2019). Some of these deductive frames have been applied in multiple studies that are focused on a variety of conflict cases (e.g. Schwalbe, 2013; Schwalbe & Do
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Piper, Melanie. "Blood on Boylston: Digital Memory and the Dramatisation of Recent History in Patriots Day." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1288.

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IntroductionWhen I saw Patriots Day (Berg 2016) at my local multiplex, a family entered the theatre and sat a few rows in front of me. They had a child with them, a boy who was perhaps nine or ten years old. Upon seeing the kid, I had a physical reaction. Not quite a knee-jerk, but more of an uneasy gut punch. ‘Don't you know what this movie is about?’ I wanted to ask his parents; ‘I’ve seen Jeff Bauman’s bones, and that is not something a child should see.’ I had lived through the 2013 Boston Marathon bombing and subsequent manhunt, and the memories were vivid in my mind as I waited for the m
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Hill, Wes. "Harmony Korine’s Trash Humpers: From Alternative to Hipster." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1192.

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IntroductionThe 2009 American film Trash Humpers, directed by Harmony Korine, was released at a time when the hipster had become a ubiquitous concept, entering into the common vernacular of numerous cultures throughout the world, and gaining significant press, social media and academic attention (see Žižek; Arsel and Thompson; Greif et al.; Stahl; Ouellette; Reeve; Schiermer; Maly and Varis). Trash Humpers emerged soon after the 2008 Global Financial Crisis triggered Occupy movements in numerous cities, aided by social media platforms, reported on by blogs such as Gawker, and stylized by multi
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