Relevant bibliographies by topics / Visual discourse

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Visual discourse'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Visual discourse"

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Ping, Kuang. "A Visual Grammar Analysis of Lesaffre’s Website." Advances in Language and Literary Studies 9, no. 6 (December 28, 2018): 38. http://dx.doi.org/10.7575/aiac.alls.v.9n.6p.38.

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The traditional discourse analysis focuses on the language analysis, but ignores the effect of non-language sources to the textual construction. At present, however, with the development of technology, pure discourses gradually decrease. There are other elements existing in the discourse more or less. The discourse analysis blending various communication semiotics is called multimodal discourse analysis. Kress and van Leeuwen (2001:2) hold that multimodality is one of the features of modern society. Multimodal Discourse Analysis is paid much attention in recent discourse analysis. The Visual Grammar founded by Kress and van Leeuwen can help to analyze the multimodal discourse. This text, based on the Visual Grammar to analyze the Lesaffre’s website, will find the charming of the combination of language and pictures, and finally give some points in designing our own websites. Through the study of Lesaffre’s website, when building the website of the company, first the arrangement of information should be paid much attention to. Except some essential conventional information, such as the introduction of the company, other new information, such as the latest news of the company, should be put in obvious place. Then website gives people intuitionistic feeling, so the collocation of the company’s information in the website should be reasonable.
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Zhou, Michelle X., and Steven K. Feiner. "Efficiently planning coherent visual discourse." Knowledge-Based Systems 10, no. 5 (March 1998): 275–86. http://dx.doi.org/10.1016/s0950-7051(97)00036-1.

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Aresu, Francesco Marco. "Visual Discourse in Petrarch's Sestinas." Mediaevalia 39, no. 1 (2018): 185–215. http://dx.doi.org/10.1353/mdi.2018.0006.

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Abousnnouga, Gill, and David Machin. "Visual discourses of the role of women in war commemoration." Journal of Language and Politics 10, no. 3 (October 31, 2011): 322–46. http://dx.doi.org/10.1075/jlp.10.3.02abo.

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Discourses of war are disseminated and legitimised not only through speeches and written texts, but through visual semiotic resources. One important vehicle for this has been the war monument. Evidence shows that from WW1 in Europe and the US monuments have been used systematically by authorities to recontextualise the realities of war and soldiery, suppressing much of what comprises war, avoiding any critical stance, while fostering celebratory discourses of nation, protection and noble sacrifice. The representation of women on the war monument has been particularly important in this recontexualisation. Using Multimodal Critical Discourse Analysis to examine the discourses realised by British war monuments, this paper shows that while much of the way women participate in and experience war has been suppressed on war monuments. Their representation has been a key part of the legitimation of one particular discourse of war, a representation that has helped to sideline other possible discourse in British society and which is still used in the commemoration of the death of ‘our boys’ — such as the young men killed in Afghanistan.
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Fellendorf, Ansgar. "Shifting surface." Novos Olhares 9, no. 1 (July 9, 2020): 98–113. http://dx.doi.org/10.11606/issn.2238-7714.no.2020.171993.

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This research explores how satellite images of Arctic sea ice contribute to climate change discourse. Different discourses require distinct responses. Policy measures are contingent upon representation, be it i.e. a threat or opportunity. The representations discussed are by the NSIDC and NASA, which hold a visual hegemony. First, the introduction discusses visual studies in policy research and identifies a simplified dichotomy of a threat discourse and environmental citizenship. Moreover, the methodology of visual discourse analysis based on poststructuralism is described. The delineated images portray a vertical, planar view allowing for spatial reference. Arctic sea ice is a visible climate change effect and the absence of boundaries, intervisuality with the Earthrise icon and focus on environmental effects support a discourse of citizenship.
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Poulsen, Søren Vigild. "CONSTRUCTING THE CORPORATE INSTAGRAM DISCOURSE – A CRITICAL VISUAL DISCOURSE APPROACH." Digital Age in Semiotics & Communication 1, no. 1 (November 28, 2018): 95–112. http://dx.doi.org/10.33919/dasc.18.1.7.

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Since October 2010, the Instagram app has provided its users with means of visual communication that previously were reserved for professional photographers. Simultaneously, the Instagram Corporation’s official blog has offered suggestions on how the features of the app could be applied. In this manner, the corporation has established a norm of Instagram use. Norms of technology use, i.e., socially learned ways of behaving and communicating with technology, are well-researched in technology and science studies, but thus far these studies have only included social media, e.g., Instagram, to a minor degree. Furthermore, it remains largely unexplored how these social rules are represented multimodally in discourses about social media technology. Through a critical multimodal discourse analysis, this paper describes how the aforementioned corporate regulative norms on the usage of Instagram were established on the corporate blog from 2010 to 2014. The findings show that the discourse on the blog adjusts its focus. Initially, it dealt with correctional tools for the app, but it then progressed into presenting tools for experimental visual expression. At the same time, the blog confines the experimental uses of the application and, thereby, the possible perception of what entertaining imagery is. This way, the study demonstrates how the Instagram Corporation seeks to regulate the use of the app.
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Terskikh, Marina V. "Visual metaphorization models in PSA discourse." XLinguae 11, no. 2 (2018): 68–94. http://dx.doi.org/10.18355/xl.2018.11.02.07.

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Habrajska, Grażyna. "Interpreting Texts in Various Discourses." Acta Universitatis Lodziensis. Folia Litteraria Polonica 54, no. 3 (September 30, 2019): 187–208. http://dx.doi.org/10.18778/1505-9057.54.11.

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Within the communication-based approach, discourse is an area of meanings, which are formed through the interpretation of texts. Those meanings remain in our memory and are active as per communicational needs. The meanings forming a discourse constitute a particular basis for reference, i.e. its own logic. Therefore, one must learn how to participate in specific discourses. In considering the general purpose of communication and the special base of reference of meaning, we identified such discourses as: academic, official, journalistic, and artistic, which one could narrow down to more specific sub-discourses. The texts created within a discourse or sub-discourse may take both verbal and visual forms. Each discourse introduces different rules of interpretation, which a participant must learn. Discourses develop and exist within their own interpretative fields. Participation in a discourse both expands and improves its interpretative field. When a person does not participate in a discourse, they drop out of the discourse altogether. It is worth remembering that people possess various levels of the readiness to participate in specific discourses.
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Kachmar, Olga. "ECONOMIC DISCOURSE AS A TYPE OF INSTITUTIONAL DISCOURSE." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 11(79) (September 29, 2021): 80–84. http://dx.doi.org/10.25264/2519-2558-2021-11(79)-80-84.

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The research deals with the study of the English language economic discourse and its basic characteristics. The object of the article is discourse in general and the main approaches to its interpretation. The subject of the investigation is the English economic discourse as one of its institutional types. The aim of the research is to highlight the main linguistic characteristics of the English economic discourse. Economic discourse is defined as a type of discourse, in which the process of speech production based on certain economic ideas. Each of the texts of discourse creates a special field of discussion in relation to economy, and the texts within this discourse are aimed at the communication between the experts in the field which determines the institutionality of the communication. Thus, economic discourse is a complex communicative phenomenon implemented in the speech practice of subjects of economic activity. The characteristic features of the economic discourse are strict visual design, minimum usage of tropes and figures of speech, the use of persuasive devices, neologisms, idioms and numerous abbreviations used with the aim of compressing the transmitted knowledge. Neologisms, idioms and abbreviations that function in English economic discourse present special difficulties for translators. Therefore the perspective of the further research is seen in the study of translation techniques in reproducing various lexical, grammatical and syntactical features of the English economic discourse into the Ukrainian language.
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Sokolova, Natalia Vladimirovna. "Multimodal IT marketing discourse: An integrated approach investigation." Russian Journal of Linguistics 24, no. 2 (December 15, 2020): 366–85. http://dx.doi.org/10.22363/2687-0088-2020-24-2-366-385.

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Websites of software vendors feature verbal and nonverbal means providing for a number of parameters to be taken into account in order to gain more comprehensive insights into the range and interplay of the means in use. This paper investigates the multimodal website marketing discourse of Microsoft , Oracle, and SAP relying on an approach which makes use of multimodal critical discourse analysis, pragmatics, and text linguistics. The integrated framework allows for consideration of the discourse-generating intention of the locutionary source, the discourse function, verbal content categories and audio-visual techniques employed in the nonverbal discourse contributing to the global category of ideologeme consisting of key ideas and aimed at the locutionary target. The intention of such discourse is to persuade consumers to purchase IT solutions which is manifested in the persuasive function. The textual content has been investigated in terms of a set of categories such as: the theme, including IT terms; tonality, made explicit through positively charged words and imperative sentences; time and space, emphasizing time saving efforts to deal with challenges enterprise-wide. The findings are similar to those revealed in the verbal content of customer testimonial videos, with audio-visual techniques such as invigorating music, company settings, contrast colors, etc. being alike. It is of particular interest that the linguistic means in these three marketing discourses are different only when it comes to metaphorical expressions. The global ideologeme is made explicit by urging customers to optimize data and feel IT-powered performance benefits. It is conveyed through multiple antitheses such as data challenges vs. one solution, previously vs. now, old vs. new, and slowly vs. fast. The antitheses in the three marketing discourses are similar as are the typical manifestations of categories and audio-visual techniques which may encourage further research in terms of making the specific discourse of a company stand out to its customers.
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Dissertations / Theses on the topic "Visual discourse"

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Major, Mary Elizabeth. "War's Visual Discourse| A Content Analysis of Iraq War Imagery." Thesis, Portland State University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1535957.

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This study reports the findings of a systematic visual content analysis of 356 randomly sampled images published about the Iraq War in Time, Newsweek, and U.S. News and World Report from 2003-2009. In comparison to a 1995 Gulf War study, published images in all three newsmagazines continued to be U.S.-centric, with the highest content frequencies reflected in the categories U.S. troops on combat patrol, Iraqi civilians, and U.S. political leaders respectively. These content categories do not resemble the results of the Gulf War study in which armaments garnered the largest share of the images with 23%.

This study concludes that embedding photojournalists, in addition to media economics, governance, and the media-organizational culture, restricted an accurate representation of the Iraq War and its consequences. Embedding allowed more access to both troops and civilians than the journalistic pool system of the Gulf War, which stationed the majority of journalists in Saudi Arabia and allowed only a few journalists into Iraq with the understanding they would share information. However, the perceived opportunity by journalists to more thoroughly cover the war through the policy of embedding was not realized to the extent they had hoped for. The embed protocols acted more as an indirect form of censorship.

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Goodman, Sharon. "Aesthetics and consensus : verbal and visual poetics in newspaper discourse." Thesis, University of East Anglia, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319548.

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Sauron, Victoria Elizabeth Turvey. "Paradoxical Bodies: Femininity, subjectivity and the visual discourse of ecstasy." Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.484907.

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The aim of this research is to explore the possibility of the articulation of an embodied feminine subjectivity within visual culture. Tracing the tropes and discourses ofvisuality operating around the female body in representation'via Warburg's notion of ' the pathos formula, I examine the extent to which specific 'images acquiesce or resist dominant narratives of femininity within patriarchal visuality. The search for an embodied subjectivity leads to encounters with paradoxical bodies whose apparent passivity and ecstatic submission mask potential articulations of subjecthood through networks of visual and bodily memory. When the female body is represented in extreme states, where it can be both subject and object, desiring and desired, it becomes engaged in discourses of concealment and revelation, veiling and penetration, interiority and exteriority, which are played out in terms of drapery, skin and the body's boundaries. These visual articulations of femininity are at the heart of Western visual cUlhIre, traversing the boundaries of context, period'and genre, yet bodily representation often remains problematically linked to phallic and fetishistic modes of viewing which perpetuate the alienation of a feminine subjectivity. Beginning with The Ecstasy ofSt. Teresa by Bernini, the first chapter presents the impasse met by traditional art history and begins to propose, around the figure of Mary Magdalene, the notion of the 'Caravaggesque' body. The second chapter traces the phallic structure of viewing through representations' of Venus and sculptural drapery, finishing by interrogating the engagements of Cindy Sherman and Orlan within these discourses. Chapter Three articulates potential areas within visual culture, from ' '. Caravaggio to Artemisia Gentileschi to Hildegard of Bingen, where depicted subjectivity begins to emerge beyond a dualist structure ofthe body and mind. Finally, a theorisation of the visuality of pregnancy leads to the possibility in Chapter Four of a feminist articulation of subjectivity based on a body marked by a pre- and post-maternal temporality.
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Economou, Dorothy. "Photos in the News: appraisal analysis of visual semiosis and verbal-visual intersemiosis." University of Sydney, 2009. http://hdl.handle.net/2123/5740.

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Doctor of Philosophy (PhD)
This thesis concerns the intersection of social semiotic theory and critical discourse analysis (CDA), applying systemic-functional (SF) theory to verbal-visual news media texts. The aim of the thesis is to develop social semiotic descriptions of visual meaning in order to facilitate analyses of evaluative stance in visual-verbal text. The texts studied are ‘factual’ daily broadsheet news photos and prominent visual-verbal ‘displays’ that incorporate these photos alongside headlines and captions. Such displays introduce investigative stories on the front page of broadsheet weekly news reviews and are referred to in the thesis as ‘standout’ texts. They are significant because they may also be read as independent texts and play a critical role in positioning a wide readership on the issues investigated in the story. The SF system of verbal appraisal was used in this thesis to develop a corresponding system of visual appraisal. The process involved applying general appraisal options to a corpus of news photos and proceeding to further delicacy in a repeated cycle of analysis and system-building. Once refined in this way the system was applied alongside the verbal appraisal system to account for evaluation in verbal-visual standouts. In the thesis four Australian and four Greek standouts introducing stories on asylum seekers were analysed in order to explore the potential for variation and the impact of context on evaluative meaning choices. The thesis contributes insights into SF theory, media discourse and CDA. The visual systems developed allow appraisal analysis to be extended to images and to verbalvisual texts. Visual appraisal analysis in the thesis provides new evidence for the ideological and evaluative power of news photos. Verbal-visual appraisal analysis shows how each semiotic contributes to evaluative meaning, and to its accumulation and spread across a text. In respect to media discourse, the thesis also provides evidence for the ‘standout’ as an orbital verbal-visual news genre. The comparison of evaluative stance in two sets of standouts demonstrates consistent editorial choices in texts within each context and contrasts across the two sites. The Australian texts display more evaluative complexity, greater emphasis on entertainment and offer two different stances, aligning a diverse target audience. The Greek texts are more straightforward and construct a single stance, aligning a narrower audience. By identifying the semiotic choices involved in the evaluative positioning of readers by visual-verbal texts, the thesis can contribute to more informed and reflective practice. Thus, as well as making theoretical advances, the findings have relevance for journalism and education at a time when the impact of images is changing our conception of literacy.
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Jancsary, Dennis, Markus Höllerer, and Renate Meyer. "Critical analysis of visual and multimodal texts." SAGE, 2016. http://epub.wu.ac.at/6126/1/Dennis_etal_2016_SAGE%2Dcritical%2Danalysis.pdf.

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Lu, Rugang. "Chinese culture in globalization : a multimodal case study on visual discourse." Thesis, University of Southampton, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427703.

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Iacoban, Deliana, and Måns Mårtensson. "The Discourse Behind Textual and Visual Representations of Mindfulness on Twitter." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-24005.

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Our study is a collaborative dissertation paper that combines two differentdiscourse analyses, textual and visual, based on a common theoretical background.The introduction guides the reader through the content of the study, at the same timeoffering a brief context of research. The aim of the paper is to address a gap that weidentified in the study of mindfulness, namely a critical approach, from a media andcommunication perspective, of how this concept is represented in social media. Eventhough our research questions are developed separately in the analyses conductedindependently, they can be reduced to three core questions: ‘How is the meaning ofmindfulness constructed on Twitter?’, ‘Are there any power relations in theconstruction of discourse and if they exist, how do they shape the discourse?’, ‘Howdoes the reproduction and circulation of discourse shape its meaning throughintertextuality?’For answering these questions existing research from psychology,sociology and business has been reviewed, with the mention that no relevantmedia and/or communication studies on mindfulness have been found.Therefore, our attempt to open a discussion in the field required a theoreticalframe of analysis. For that we chose Michel Foucault’s discourse theory, addingobservations on relations of power, and Stuart Hall’s theories of representation.The methodologies used for the two analyses are Fairclough’s and Rose’sapproaches of applied discourse analysis. Critical Discourse Analysis (CDA) andVisual Discourse Analysis (VDA) are two detailed disseminations of qualitativedata, conducted separately. Results show that there is a mainstream discoursethat portrays mindfulness as a positive practice. This type of discourse might beinvested with power, however our conclusions in this sense are restrained by thelimitations of access to Twitter data. High intertextuality and low reliability onthe scientific discourse further suggested in our case that the understandings ofmindfulness are subject to change due to an advanced grade of interpretabilityamong Twitter users.
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Meyer, Renate, Markus Höllerer, Dennis Jancsary, and Leeuwen Theo van. "The visual dimension in organizing, organization, and organization research: Core ideas, current developments, and promising avenues." Taylor & Francis Group, 2013. http://dx.doi.org/10.1080/19416520.2013.781867.

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With the unprecedented rise in the use of visuals, and its undeniable omnipresence in organizational contexts, as well as in the individual's everyday life, organization and management science has recently started to pay closer attention to the to date under-theorized "visual mode" of discourse and meaning construction. Building primarily on insights from the phenomenological tradition in organization theory and from social semiotics, this article sets out to consolidate previous scholarly efforts and to sketch a fertile future research agenda. After briefly exploring the workings of visuals, we introduce the methodological and theoretical "roots" of visual studies in a number of disciplines that have a long-standing tradition of incorporating the visual. We then continue by extensively reviewing work in the field of organization and management studies: More specifically, we present five distinct approaches to feature visuals in research designs and to include the visual dimension in scholarly inquiry. Subsequently, we outline, in some detail, promising avenues for future research, and close with a reflection on the impact of visualization on scientific practice itself. (authors' abstract)
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Donald, Matthew G. "Revealing and Concealing Hitler's Visual Discourse: Considering "Forbidden" Images with Rhetorics of Display." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/134.

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Typically, when considering Adolf Hitler, we see him in one of two ways: A parodied figure or a monolithic figure of power. I argue that instead of only viewing images of Hitler he wanted us to see, we should expand our view and overall consideration of images he did not want his audiences to bear witness. By examining a collection of photographs that Hitler censored from his audiences, I question what remains hidden about Hitler’s image when we are constantly shown widely circulated images of Hitler. To satisfy this inquiry, I utilize rhetorics of display to argue that when we analyze and include these hidden images into the Hitlerian visual discourse, we further complicate and disrupt the Hitler Myth. This study aims to contribute to recent scholarship that aims to learn more about the “hidden” Hitler as well as to rhetorical studies of display.
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Catalano, Dominic. "The roles of the visual in picturebooks beyond the conventions of current discourse /." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1122923992.

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Thesis (Ph. D.)--Ohio State University, 2005.
Title from first page of PDF file. Document formatted into pages; contains x, 555 p. Includes bibliographical references (p. 512-555). Available online via OhioLINK's ETD Center.
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Books on the topic "Visual discourse"

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Mathematical discourse: Language, symbolism and visual images. London: Continuum, 2005.

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O'Halloran, Kay L. Mathematical discourse: Language, symbolism and visual images. London: Continuum, 2008.

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Holšánová, Jana. Discourse, vision, and cognition. Amsterdam: John Benjamins Publishing, 2008.

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Discourse, vision, and cognition. Amsterdam: John Benjamins Publishing, 2008.

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Dehejia, Vidya. Discourse in early Buddhist art: Visual narratives of India. New Delhi: Munshiram Manoharlal Publishers, 1997.

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Dictionary of visual discourse: A dialectical lexicon of terms. Surrey, UK, England: Ashgate, 2009.

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Tonfoni, Graziella. Partitura, solfeggio, movimento: Note di esecuzione di scrittura. Paese, Treviso: Pagus, 1992.

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Exposures: Visual culture, discourse and performance in nineteenth-century America. Tübingen: Stauffenburg, 2009.

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Stockinger, Peter. Audiovisual archives: Digital text and discourse analysis. London, UK: ISTE Ltd, 2012.

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Rêve de logique: Essais critiques. Paris: Editions du Seuil, 1992.

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Book chapters on the topic "Visual discourse"

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Bailey, Doug. "Releasing the visual archive." In After Discourse, 232–56. Abingdon, Oxon ; New York, NY : Routledge, 2021. |Includes bibliographical references and index.: Routledge, 2020. http://dx.doi.org/10.4324/9780429200014-17.

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Machin, David. "Visual discourses of war." In Discourse, War and Terrorism, 123–42. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/dapsac.24.10mac.

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Massari, Alice. "A Visual Approach." In IMISCOE Research Series, 51–70. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71143-6_3.

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AbstractIn the analysis of humanitarian discourse(s), I use ‘discourse’ in a Foucauldian sense as a system of representation of knowledge and meanings situated in a particular time and space (Foucault 1971, 1972, 1980). According to the philosopher, the concept of discourse is strictly interrelated with the production of truth and relations of power: “What I mean is this: in a society such as ours, but basically in any society, there are manifold relations of power which permeate, characterise and constitute the social body, and these relations of power cannot themselves be established, consolidated nor implemented without the production, accumulation, circulation and functioning of a discourse. There can be no possible exercise of power without a certain economy of discourses of truth which operates through and on the basis of this association. We are subjected to the production of truth through power and we cannot exercise power except through the production of truth (Foucault 1980, 93).
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Gross, Larry. "Life vs. Art: The Interpretation of Visual Narratives." In Literary Discourse, edited by László Halász, 215–31. Berlin, Boston: De Gruyter, 1987. http://dx.doi.org/10.1515/9783110864236-012.

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Kienreich, Wolfgang. "Visual Analysis of Public Discourse on Environmental Issues." In GeoSpatial Visual Analytics, 311–20. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2899-0_24.

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Fryer, Daniel Lees. "Visual Engagement in Medical Research Articles." In Engagement in Medical Research Discourse, 113–60. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003041146-6.

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Gillespie, Gerald. "Romantic Discourse on the Visual Arts." In Comparative History of Literatures in European Languages, 377–402. Amsterdam: John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/chlel.xviii.30gil.

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Mole, Tom. "The Visual Discourse of Byron’s Celebrity." In Byron's Romantic Celebrity, 78–97. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230288386_5.

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Heath, Stephen, Colin MacCabe, and Denise Riley. "Laura Mulvey, Visual and Other Pleasures (1969)." In The Language, Discourse, Society Reader, 224–43. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230213340_15.

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Anthonissen, Christine. "Interaction between Visual and Verbal Communication: Changing Patterns in the Printed Media." In Critical Discourse Analysis, 297–311. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230514560_14.

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Conference papers on the topic "Visual discourse"

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Lošonc, Alpar, Andrea Ivanišević, and Ivana Katić. "Economic discourse and visual configuration." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p53.

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Economic discourse has always used different visual modes of shaping perception. For example, characteristic classical image in economic discourse is the "invisible hand". In doing so, economic discourse reaches for, concerning of its metaphors, for resources in physics, but also in literature. If big part of the visual figures of economic discourse (equilibrium, e.g.) was borrowed from physics in the twentieth century, mathematics is a significant, even dominant source of the formation of visual perception, based on different schemes, graphs and geometric figures. In this paper, we show the configuration dynamics of visual perceptions in economic discourse, starting from the fact that visualization of economic discourse has the following functions: a) demonstration of certain knowledge, b) the realization of a performative visual effect, that is the creation of certain forms of visibility, c) persuasion of the public regarding the fact that economic discourse has cognitive authority.
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Zhou, Michelle X. "Automated visual discourse synthesis." In CHI98: ACM Conference on Human Factors and Computing Systems. New York, NY, USA: ACM, 1998. http://dx.doi.org/10.1145/286498.286537.

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Zhou, Michelle X., and Steven K. Feiner. "Visual task characterization for automated visual discourse synthesis." In the SIGCHI conference. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/274644.274698.

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Cai, Guoray. "Formalizing Analytical Discourse in Visual Analytics." In 2007 IEEE Symposium on Visual Analytics Science and Technology. IEEE, 2007. http://dx.doi.org/10.1109/vast.2007.4389025.

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Raspopova, Svetlana. "The Visual Aspect Of News Discourse." In X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.146.

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Zhou, Michelle X., and Steven K. Feiner. "Top-down hierarchical planning of coherent visual discourse." In the 2nd international conference. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/238218.238314.

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El-Assady, Mennatallah, Annette Hautli-Janisz, Valentin Gold, Miriam Butt, Katharina Holzinger, and Daniel Keim. "Interactive Visual Analysis of Transcribed Multi-Party Discourse." In Proceedings of ACL 2017, System Demonstrations. Stroudsburg, PA, USA: Association for Computational Linguistics, 2017. http://dx.doi.org/10.18653/v1/p17-4009.

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Li, Tianyi, and Sujian Li. "Incorporating Textual Evidence in Visual Storytelling." In Proceedings of the 1st Workshop on Discourse Structure in Neural NLG. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/w19-8102.

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Mahardika, Reka, Syihabuddin Syihabuddin, Dadang Anshori, and Vismaia Damaianti. "Critical Discourse Analysis on The 2019 Presidential Election Discourse Spread on Facebook." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294877.

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Vashunina, Irina, Liudmila Egorova, and Marina Ryabova. "VISUAL OFFLINE AND ONLINE COMMUNICATION: PERCEPTION IN CONTEMPORARY EDUCATIONAL DISCOURSE." In 13th International Technology, Education and Development Conference. IATED, 2019. http://dx.doi.org/10.21125/inted.2019.1046.

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Reports on the topic "Visual discourse"

1

Major, Mary. War's Visual Discourse: A Content Analysis of Iraq War Imagery. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.572.

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