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Books on the topic 'Visual discourse'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Mathematical discourse: Language, symbolism and visual images. London: Continuum, 2005.

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2

O'Halloran, Kay L. Mathematical discourse: Language, symbolism and visual images. London: Continuum, 2008.

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3

Holšánová, Jana. Discourse, vision, and cognition. Amsterdam: John Benjamins Publishing, 2008.

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4

Discourse, vision, and cognition. Amsterdam: John Benjamins Publishing, 2008.

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5

Dehejia, Vidya. Discourse in early Buddhist art: Visual narratives of India. New Delhi: Munshiram Manoharlal Publishers, 1997.

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6

Dictionary of visual discourse: A dialectical lexicon of terms. Surrey, UK, England: Ashgate, 2009.

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7

Tonfoni, Graziella. Partitura, solfeggio, movimento: Note di esecuzione di scrittura. Paese, Treviso: Pagus, 1992.

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8

Exposures: Visual culture, discourse and performance in nineteenth-century America. Tübingen: Stauffenburg, 2009.

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9

Stockinger, Peter. Audiovisual archives: Digital text and discourse analysis. London, UK: ISTE Ltd, 2012.

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10

Rêve de logique: Essais critiques. Paris: Editions du Seuil, 1992.

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11

Wolfgang, Harms, and Deutsche Forschungsgemeinschaft, eds. Text und Bild, Bild und Text: DFG-Symposion 1988. Stuttgart: J.B. Metzler, 1990.

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12

Wörter, Bilder und Sachen: Grundlegung einer Bildersprachlehre. Heidelberg: C. Winter, 1985.

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13

Lindekens, René. Texte, image et société. Paris: Aux Amateurs de lives [i.e. livres], 1991.

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14

Fraenza, Fernando. Semejanza e imagen: La indexicalidad como factor de reconocimiento primario del texto icónico. Córdoba, Argentina: Dirección General de Publicaciones de la Universidad Nacional de Córdoba, 1995.

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15

Rallying voters: New Labour's verbal-visual strategies. Padova: CEDAM, 2001.

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16

Tonfoni, Graziella. La scrittura multimediale: Tecniche di progettazione e di design testuale. Paese, Treviso: Pagus, 1991.

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17

Immagini quotidiane: Sociosemiotica visuale. Bari: GLF editori Laterza, 2008.

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18

Vass, László. Poézis és piktúra: Tanulmányok. Szeged: JGYF Kiadó, 2005.

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19

Thurlow, Crispin, and Adam Jaworski. Semiotic landscapes: Language, image, space. London: Continuum, 2011.

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20

Zanetti, Maria Assunta. Parola e immagine. [Scandicci] (Firenze): La nuova Italia, 1999.

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21

Timón, Vicente Peña. La imagen narrativa y nuevas tecnologías. Málaga: Universidad de Málaga, 1998.

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22

Varga, A. Kibédi. Discours, récit, image. Liège: P. Mardaga, 1989.

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23

Semiotic landscapes: Language, image, space. London: Continuum International Publishing Group, 2010.

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24

Timón, Vicente Peña. El programa narrativo en el relato audiovisual. [Málaga]: Universidad de Málaga, 1998.

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25

1943-, Banks David, ed. Text and texture: Systemic functional viewpoints on the nature and structure of text. Paris: Harmattan, 2004.

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26

Werbewelt-Bilder im Wandel: Eine linguistische Untersuchung deutscher Werbeanzeigen in Zeitvergleich (1960-1990). Frankfurt am Main: P. Lang, 1999.

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27

Schnitzer, Johannes. Wort und Bild: Die Rezeption semiotisch komplexer Texte : dargestellt anhand einer Analyse politischer "pintadas". Wien: Braumüller, 1994.

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28

Yeoh, Jin Leng. Persoalan seni rupa sezaman?: Cetusan rasa seniman Malaysia = Contemporary visual arts discourse : vignettes by Malaysian artists. Ipoh, Perak Darul Ridzuan, Malaysia: Yayasan Kesenian Perak, 2003.

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29

Sohet, Philippe. Images du récit. Québec: Presses de l'Université du Québec, 2007.

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30

Wordplay and the discourse of video games: Analyzing words, design, and play. New York: Routledge, 2012.

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31

Strategien zur Rezeption von Vorlesungen: Eine Analyse der gesprochenen Vermittlungssprache und deren didaktische Konsequenzen für den audiovisuellen Fachsprachenunterricht Wirtschaft. Frankfurt am Main: P. Lang, 1995.

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32

Sonin, A. G. Komiks: Psikholingvisticheskiĭ analiz : monografii︠a︡. Barnaul: Izd-vo Altaĭskogo gosuniversiteta, 1999.

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33

Fenomenologii͡a teksta: Sootnoshenie soderzhatelʹnykh i formalʹnykh struktur pechatnogo izdanii͡a. Sankt-Peterburg: Izd-vo S.-Peterburgskogo universiteta, 2001.

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34

Tipologii︠a︡ diskursov aktivnogo vozdeĭstvii︠a︡: Poėticheskiĭ avangard, reklama i PR. 2nd ed. Moskva: Gnozis, 2014.

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35

Antonio, Cisneros César, and Universidad Autónoma Metropolitana. Unidad Iztapalapa. Cuerpo Académico: Estudios Socio Espaciales, eds. Análisis cualitativo asistido por computadora: Teoría e investigación. México, D.F: Universidad Autónoma Metropolitana, Unidad Iztapalapa, Departamento de Sociología, 2011.

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36

Das konfessionelle Flugblatt 1563-1580: Eine Studie zur historischen Semiotik und Textanalyse. Berlin: De Gruyter, 2012.

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37

Shevchenko, O. V. Sot︠s︡iokulʹturnoe soderzhanie inoi︠a︡zychnogo diskursa khudozhestvennykh videofilʹmov: Monografii︠a︡. Tambov: Tambovskiĭ gos. universitet, 2009.

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38

Shevchenko, O. V. Sot︠s︡iokulʹturnoe soderzhanie inoi︠a︡zychnogo diskursa khudozhestvennykh videofilʹmov: Monografii︠a︡. Tambov: Tambovskiĭ gos. universitet, 2009.

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39

Aline, Remael, ed. Audiovisual translation: Subtitling. Manchester, UK: St. Jerome Pub., 2007.

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40

Viallon, Virginie. Images et apprentissages: Le discours de l'image en didactique des langues. Paris: Harmattan, 2002.

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41

préf, Bouchard Robert, ed. Images et apprentissages: Le discours de l'image en didactique des langues. Paris: L'Harmattan, 2002.

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42

Viallon, Philippe. L' analyse du discours de la télévision. Paris: Presses universitaires de France, 1996.

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43

L' analyse du discours de la télévision. Paris: Presses universitaires de France, 1996.

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44

Lloyd, Karen C. Visual Data in Grounded Theory and Situational Analysis: Constructing HIV Prevention Discourses Through Analysis of Visual Imagery in HIV Prevention Materials. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications, Ltd., 2019. http://dx.doi.org/10.4135/9781526497734.

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45

Origins of pictures: Anthropological discourses in image science. Köln: Herbert von Halem, 2013.

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46

Grgic, Ana. Early Cinema, Modernity and Visual Culture. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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Abstract:

At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnational and cross-cultural perspective. This book investigates how the unique geopolitical positioning of the Balkan space and the multicultural identity of its communities influenced and shaped visual culture and the development of early cinema until World War I. It highlights how early moving images and foreign film productions contributed to the construction of Balkanist and semi-colonial discourses. Building on approaches such as ‘new cinema history’, ‘vernacular modernity’ and ‘polycentric multiculturalism’ to counter Eurocentric modernity paradigms and to reframe hierarchical relations between centres and peripheries, this monograph adopts an alternative methodology for interstitial spaces. Using the notion of the haptic, it examines the relationship between the new medium and regional visual culture. By doing so, it establishes new connections between moving image artefacts and print media, early film practitioners and intellectuals, the socio-cultural context and cultural responses to the new visual medium in the Balkan region.

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47

Mulvey, Laura. Visual and Other Pleasures (Language, Discourse, Society). Palgrave Macmillan, 2007.

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48

Melby, Joye E. Family album: A family discourse through visual representation. 1992.

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49

Dictionary of Visual Discourse: A Dialectical Lexicon of Terms. Taylor & Francis Group, 2017.

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50

Martin, Solly, Conoscenti Michelangelo, and Campagna Sandra, eds. Verbal/visual narrative texts in higher education. Bern: P. Lang, 2008.

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