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1

Narrating the visual in Shakespeare. Aldershot, Hants, England: Ashgate, 2009.

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2

1950-, Martin J. R., and Unsworth Len, eds. Reading visual narratives: Image analysis of children's picture books. Sheffield, South Yorkshire: Equinox Pub., 2012.

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3

Sohet, Philippe. Images du récit. Québec: Presses de l'Université du Québec, 2007.

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4

Timón, Vicente Peña. La imagen narrativa y nuevas tecnologías. Málaga: Universidad de Málaga, 1998.

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5

Timón, Vicente Peña. El programa narrativo en el relato audiovisual. [Málaga]: Universidad de Málaga, 1998.

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6

Make believe in film and fiction: Visual vs. verbal storytelling. New York: Palgrave Macmillan, 2006.

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7

Varga, A. Kibédi. Discours, récit, image. Liège: P. Mardaga, 1989.

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8

Sipure badim: Naraṭiv u-mabaṭ be-tsiyur. Ramat Gan: Universiṭat Bar-Ilan, 2009.

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9

Moro, Walter. Lettura e didattica del racconto visivo: Dal fumetto allo spot pubblicitario. Scandicci (Firenze): Nuova Italia, 1991.

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10

Andres, Sophia. The pre-Raphaelite art of the Victorian novel: Narrative challenges to visual gendered boundaries. Columbus: Ohio State University Press, 2005.

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11

The magic lantern: Representations of the double in Dickens. New York: Routledge, 2007.

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12

Paganoni, Maria Cristina. The magic lantern: Representation of the double in Dickens. New York, NY: Routledge, 2008.

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13

Krasner, James. The entangled eye: Visual perception and the representation of nature in post-Darwinian narrative. New York: Oxford University Press, 1992.

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14

Vision and narrative in Achilles Tatius' Leucippe and Clitophon. New York: Cambridge University Press, 2004.

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15

Tufte, Edward R. Visual Explanations: Images and Quantities, Evidence and Narrative. 2nd ed. Cheshire, Conn: Graphics Press, 2000.

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16

Tufte, Edward R. Visual explanations: Images and quantities, evidence and narrative. 6th ed. Cheshire, Conn: Graphics Press, 2003.

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17

Tufte, Edward R. Visual explanations: Images and quantities, evidence and narrative. Cheshire, Conn: Graphics Press, 1997.

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18

Renaissance realism: Narrative images in literature and art. Oxford: Oxford University Press, 2003.

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19

Cinematically speaking: The orality-literacy paradigm for visual narrative. Cresskill, New Jersey: Hampton Press, Inc./SAGE Publications, 2014.

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20

Rountree, Charlotte. Seoul sketches: A visual narrative of Yi dynasty architecture. Elizabeth, N.J: Hollym International Corp., 1985.

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21

Reader, Paul. Visual Narrative Inquiry in Eco-Arts and Place Studies. 1 Oliver’s Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications, Ltd., 2017. http://dx.doi.org/10.4135/9781473999206.

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22

Claude: A narrative portrait of Claude Debs. Seattle: Bay Press, 1995.

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23

La memoria visual de la narrativa colombiana en el cine. Medellín, Colombia: Editorial Universidad de Antioquia, 2006.

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24

Lehrer, Warren. Charlie: A narrative portrait of Charles Lang. Seattle: Bay Press, 1995.

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25

The origins of Roman historical commemoration in visual arts. New York: Cambridge University Press, 2002.

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26

Eisner, Will. Graphic storytelling and visual narrative: Principles and practices from the legendary cartoonist. New York: W.W. Norton, 2008.

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27

Adele, Shtern, ed. Nicky D. from L.I.C.: A narrative portrait of Nicholas DeTommaso. Seattle: Bay Press, 1995.

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28

Jin, He. Narrative, visual model and dragon culture: A narrative analysis of value presentation in two movies preferred by Chinese adolescents. Helsinki: Dept. of Education, University of Helsinki, 1998.

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29

Lehrer, Warren. Brother Blue: A narrative portrait of Brother Blue a.k.a. Hugh Morgan Hill. Seattle: Bay Press, 1995.

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30

Kakskerta, Finland) Nordiska symposiet för ikonografiska studier (17th 2000. Bild och berättelse. Åbo [Finland]: Åbo Akademis tryckeri, 2003.

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31

Visual storytelling: An illustrated reader. Oxford University Press, 2016.

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32

Meek, Richard. Narrating the Visual in Shakespeare. Taylor & Francis Group, 2016.

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33

Storytelling and Ethics: Historical Imagination in Contemporary Literature and Visual Arts. Taylor & Francis Group, 2017.

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34

Visual storytelling: How to speak to your audience without saying a word. Michael Wiese Productions, 2018.

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35

Uncharted Space: The End of Narrative (Literature and the Visual Arts). Peter Lang Publishing, 2001.

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36

Disaster drawn: Visual witness, comics, and documentary form. 2016.

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37

Chute, Hillary L. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Harvard University Press, 2016.

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38

Inspiration in language arts: Analysis, persuasion, narration, expression. Inspiration Software, 2003.

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39

Gaze, Memory, and Gender in Narrative from Ancient to Modern. Lang Publishing, Incorporated, Peter, 2017.

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40

Rubble, Ruins, and Romanticism: Visual Style, Narration and Identity in German Post-War Cinema. Transcript Verlag, 2013.

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41

Schlapbach, Karin. The Mimesis of Dance between Eloquence and Visual Art. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807728.003.0003.

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This chapter shows that pantomime undermines the ostensible dichotomy of art and text by engaging in visual narration. It examines the perception of dance as a superior form of rhetoric, arguing that Lucian’s On Dancing cleverly deploys traditional ideals of rhetorical versatility (Proteus and the octopus) to show that the dancer embodies them more perfectly than the orator, because his skill is physical. The dancer’s body language is situated in the context of ancient theories of gesture and physiognomy as well as in the discourse on works of art (ekphrasis), from which the motif of silent speech and the use of notions such as ēthos and pathos are adopted. Finally, the chapter examines the possible role of Hellenistic sculptural groups emphasizing motion and narrative developments in preparing the path for pantomime’s empire-wide success.
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42

Tales of Royalty: Notions of Kingship in Visual and Textual Narration in the Ancient near East. De Gruyter, Inc., 2020.

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43

PRE RAPHAELITE ART OF VICTORIAN NOVEL: NARRATIVE CHALLENGES TO VISUAL GENDERED. Ohio State University Press, 2004.

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44

ANDRES, SOPHIA. PRE RAPHAELITE ART OF VICTORIAN NOVEL: NARRATIVE CHALLENGES TO VISUAL GENDERED. Ohio State University Press, 2004.

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45

PRE RAPHAELITE ART OF VICTORIAN NOVEL: NARRATIVE CHALLENGES TO VISUAL GENDERED. Ohio State University Press, 2004.

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46

More Words about Pictures: Current Research on Picturebooks and Visual/Verbal Texts for Young People. Taylor & Francis Group, 2017.

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47

New Visual Narrations. PubPub, 2020. http://dx.doi.org/10.21428/a124daa2.4e7291ac.

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48

Paganoni, Maria Cristina. The magic lantern: Representation of the double in Dickens. 2003.

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49

Paganoni, Maria Cristina. Magic Lantern: Representations of the Double in Dickens. Taylor & Francis Group, 2015.

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50

Visual Narrative Reader. Bloomsbury Publishing Plc, 2016.

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