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Relevant bibliographies by topics / Visual narrative and textual narrative

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Academic literature on the topic 'Visual narrative and textual narrative'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Visual narrative and textual narrative"

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Lück, Julia, Hartmut Wessler, Antal Wozniak, and Diógenes Lycarião. "Counterbalancing global media frames with nationally colored narratives: A comparative study of news narratives and news framing in the climate change coverage of five countries." Journalism 19, no. 12 (2016): 1635–56. http://dx.doi.org/10.1177/1464884916680372.

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This study disentangles national and transnational influences on international journalism by distinguishing convergent issue framing from nationally specific narrative in news texts. In a comparative quantitative content analysis of the newspaper coverage in five democratic countries (Brazil, Germany, India, South Africa, and United States) during four United Nations climate change conferences from 2010 to 2013, both textual-visual framing and narrative features were studied simultaneously for the first time. The narrative dimension consisted of variables that gauge (1) the degree of narrativi

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Castelnuovo Biraben, Natalia. "Visualizing Development. A visual narrative in photo albums." Revista de Antropologia Visual 2, no. 29 (2021): 1–15. http://dx.doi.org/10.47725/rav.029.06.

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Development Projects and programs have frequently appeal to images and in particular to photography in diverse textual registers and virtual spaces: technical reports, illustrating NGOs websites, passbooks and report cover, brochures for donors, among other things. If in some of this registers images appear subsidized to a main text, in other they occupy a prominent place in development narrations. It was this aspect precisely that called my attention to examine a photographic corpus arranged in albums that register the implementation process of a development program intended for indigenous pe

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Đurić, Dubravka. "Breaking Bad and Narrative Complexity." AM Journal of Art and Media Studies, no. 17 (October 16, 2018): 49. http://dx.doi.org/10.25038/am.v0i17.269.

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In this paper I deal with the phenomenon of narrative complexity in TV serial production, and as an example I will discuss Breaking Bad. Pointing to this phenomenon as a creative revolution, characterized by a new visual style, I will discuss its self-reflexivity. This means that the mechanics of producing narrative are realized by making the audience follow not just the plot of the story, but also recognize formal aspects of the construction of the storyworld, its characters, and relations. I will illustrate the paradigm shift in television studies from a cultural approach to textual analysis

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Dickinson, Peter. "Textual Matters: Making Narrative and Kinesthetic Sense of Crystal Pite's Dance-Theater." Dance Research Journal 46, no. 1 (2014): 61–83. http://dx.doi.org/10.1017/s0149767714000047.

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In this article, I examine the work created by Canadian choreographer Crystal Pite for her company Kidd Pivot, placing it within a larger tradition of dance-theater that combines text and movement, and traffics openly in big emotions and even bigger narrative structures. I argue that Pite's use of text does not just offer a way into, or a representational gloss on, her otherwise abstract movement vocabulary, but also a means of affectively and even kinesthetically re-experiencing that movement post-performance. I focus on Pite's three most recent evening-length programs for Kidd Pivot, and on

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Castrillo, Pablo. "The post-9/11 American political thriller film: Hollywood’s dissident screenplays." Journal of Screenwriting 11, no. 2 (2020): 191–206. http://dx.doi.org/10.1386/josc_00025_1.

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The American political thriller, from its cinematic beginnings in the 1960s until its most recent period of popularity in the late 2000s and the early 2010s, has consistently displayed two salient characteristics: on an extra-textual level, it tends to keep a close relationship with the (geo)political environment at the time of production, with themes that resonate with the cultural moment, sometimes even referencing current events, and frequently challenging traditionally upheld American values with mistrustful attitudes towards the State, its institutions, the military and a suspect corporat

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Brykova, Aleksandra Andreevna. "The narrative strategies of the Soviet graphic stories for children (a comparative analysis of the graphic stories about Clever Masha with D. Kharms’s and N. Gernet’s texts)." Communication Studies 7, no. 2 (2020): 379–402. http://dx.doi.org/10.24147/2413-6182.2020.7(2).379-402.

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The article discusses the narrative strategies of original graphic stories about Clever Masha (published in “Chizh” magazine in 1934-1937) and reprinted versions of these stories, which texts were written by N. Gernet (firstly published in 1965). Syntactic and pragmatic analyses help us to show, that both these strategies have common principles of textual coherence and chronological continuation. At the same time the narrative strategy of the original stories actualizes chronotope and dynamic elements of the plot and contains the subject vocabulary duplicating the

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Molden, Olivia C. "Short Take: Story-mapping Experiences." Field Methods 32, no. 2 (2019): 131–39. http://dx.doi.org/10.1177/1525822x19877381.

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This short take presents story-mapping as a research technique that incorporates multiple methods and data sources to build visual narratives of individual and collective experiences. The goals of story-mapping are the following: (1) iteratively synthesize the collection, analysis, and representation of spatial, visual, and textual information as a narrative; (2) enable meaningful participation of research participants; and (3) generate a visually compelling product that facilitates dissemination. This article details the motivation, methods, and procedures for story-mapping based on research

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McCoy, Beth A. "Race and the (Para)Textual Condition." PMLA/Publications of the Modern Language Association of America 121, no. 1 (2006): 156–69. http://dx.doi.org/10.1632/003081206x96168.

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When seen through the lens of the African American freedom struggle, the seemingly minor spaces and places federated by Gérard Genette under the term paratext take on a major role. Entangled throughout the margins and fringes of books and other kinds of texts (especially visual ones), the paratext (e.g., citations, prefaces, typeface) has served as a field through which white supremacy has been transacted indirectly: white-written prefaces to fugitive slave narratives are vivid examples. At the same time, the paratext has also served as a vector through which white power has been resisted. Exa

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Fadeeva, Tatiana E., and Aleksandra D. Staruseva-Persheeva. "Experimental Narrative Strategies in Comics." Observatory of Culture 16, no. 5 (2019): 476–87. http://dx.doi.org/10.25281/2072-3156-2019-16-5-476-487.

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The article is devoted to modern comics, which are considered as a kind of “laboratory” for experiments in the field of visual narratives, focusing on the construction and dynamics of their spatial-temporal continuum. The entire perceptual “space” of comics is significative (Fresnault-Derruelle); all elements of this space constitute the narrative. It is not only about the “space” of a book or a magazine; contemporary comics are intensely exploring new media, a key feature of which is interactivity. The article examines both the “classic” way of presenting visual material (comics in the form o

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Saito, Kumiko. "From Novels to Video Games: Romantic Love and Narrative Form in Japanese Visual Novels and Romance Adventure Games." Arts 10, no. 3 (2021): 42. http://dx.doi.org/10.3390/arts10030042.

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Video games are powerful narrative media that continue to evolve. Romance games in Japan, which began as text-based adventure games and are today known as bishōjo games and otome games, form a powerful textual corpus for literary and media studies. They adopt conventional literary narrative strategies and explore new narrative forms formulated by an interface with computer-generated texts and audiovisual fetishism, thereby challenging the assumptions about the modern textual values of storytelling. The article first examines differences between visual novels that feature female characters for

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Dissertations / Theses on the topic "Visual narrative and textual narrative"

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Piasecki, Kristen. "ANALYZING ORGANIZATIONAL MISSION STATEMENT EFFICACY COMPARING NARRATIVE AND NON-NARRATIVE AUDIO VISUAL AND TEXTUAL TRANSMISSION." Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1505817556324649.

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Alcobia, Marta Costa Pico Duarte. "Relação imagem e texto: um estudo no 1º ciclo do ensino básico." Master's thesis, Escola Superior dew Educação, Instituto Politécnico de Setúbal, 2014. http://hdl.handle.net/10400.26/6685.

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Mestrado em Educação Pré-Escolar e Ensino do 1º Ciclo do Ensino Básico<br>Este Projeto de investigação, intitulado Relação imagem e texto: um estudo no 1ºCiclo do Ensino Básico foi realizado em contexto sala de aula. Com o intuito de compreender as relações que se estabelecem entre as narrativas textuais e as narrativas visuais que os alunos elaboram, percebendo também, se narrativa visual contribuiu para uma maior concordância entre a imagem e o texto. Ao pensarmos em investigar determinado problema temos que decidir sobre uma metodologia de investigação, e no meu estudo optei pela abordagem

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Lenz, Henry. "NARRATIVE IN LIVE VISUAL PERFORMANCE." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3996.

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For purposes of this thesis, live visual performance is defined as the accompaniment of music using projected or televised visual stimuli to achieve a supplemental interpretation of the music to tell its 'story' in a visual way. In my research I have found that, while complex narrative in a song can be conveyed through various means, the attention span of those listening and watching in a club setting is not conducive for patrons to sit down and engage in watching the visuals for a protracted period of time. Most patrons are dancing and socializing and do not choose to watch the video to deriv

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Shipe, Rebecca L. "Creating productive ambiguity| A visual research narrative." Thesis, The University of Arizona, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3700162.

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<p> The purpose of this dissertation was to examine how I can facilitate experiences with art that promote "productive ambiguity," or the ability to transform tensions that disrupt our current understandings into opportunities for personal growth. Ambiguity becomes productive when our encounters with difference stimulate curiosity, imagination, and consideration of new possibilities and perspectives. While employing a multi-methods practitioner inquiry that combined elements of action research, autoethnography and arts based research, I addressed the following questions with a voluntary group

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Eklund, Christopher. "Time and narrative in depthless visual media." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0025004.

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Valdes, Marius I. "The Unwantables: An Exploration of Visual Narrative." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1378.

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The Unwantables is a creative project that has evolved from my lifelong interest in and relationship with visual stories. To me the most compelling aspect of visual storytelling is "imagination". The author possesses the ability to create new worlds, interesting characters, and situations that can have the potential to communicate about any topic. My project explores visual narrative as a communication tool to explain the role of imagination in my life.

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Rennie, Gillian Mary. "A textual analysis of Jonny Steinberg's 'The Number' : exploring narrative decisions." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/79987.

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Thesis (MPhil)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This study attempts to explore aspects of the textual representation of Magadien Wentzel, the main character of The Number, a work of literary journalism by Jonny Steinberg. It sets out to respond to the following two central research questions: Firstly, what narrative decisions does Jonny Steinberg make in the text of The Number to convey aspects of the reality he experienced in relation to his main character, Magadien Wentzel; and secondly, what effect do these decisions have on the reader? As literary journalism is a

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Reid, Stephen Samuel. "Textual carnival : a revaluation of narrative in Thomas Mann's 'Der zauberberg'." Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407053.

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Yeh, Te-Han. "Textual and narrative space in professional dramas in early modern England." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4081/.

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This thesis aims to examine the varied notions of space in early modern play-texts as well as to challenge the assumed text-space relationship that has been the foundation of various scholarly approaches towards early modern theatrical practice, including a Shakespeare-centred historiography and theatre reconstruction carried out by scholars such as Andrew Gurr and Richard Hosley and contemporary editorial practices that appear to reconstruct early modern performances scenographically through annotations and editorial interventions. In order to depart from such Shakespeare-centred and London-b

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Basfar, Rana Khalid. "The Nights’ Dreams: Shahrazad and Her Stories in Modern Human Rights Textual and Visual Narratives (1994-2014)." OpenSIUC, 2020. https://opensiuc.lib.siu.edu/dissertations/1781.

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This dissertation stands at the intersection between human rights, contemporary postcolonial literature, and medieval folkloric texts, specifically the One Thousand and One Nights, also known as the Nights, by an unknown author. The Nights was first translated to French by Antoine Galland, when it appeared as a series from 1704 to 1715. This was followed by subsequent English translations and other translations into many other languages. Today, the Nights continues to captivate the world’s literary imagination. The dissertation focuses on selected popular textual and visual human rights narrat

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Books on the topic "Visual narrative and textual narrative"

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·, Marvasti· Amir B. Being homeless: Textual and narrative constructions. Lexington Books·, 2003.

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Ezquerro, Milagros. Manual de análisis textual. Institut d'Etudes Hispaniques et Hispano-Américaies, Université de Toulouse-Le Mirail, 1988.

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Rood, Tim. Thucydides: Narrative and explanation. Clarendon Press, 1998.

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Contemporary narrative: Textual production, multimodality and multiliteracies. Continuum, 2011.

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Doloughan, Fiona J. Contemporary Narrative: Textual production, multimodality and multiliteracies. Continuum International Pub. Group, 2011.

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Hughes, Terence. L'analyse textuelle en anglais =: Narrative theory, textual practice. Dunod, 1995.

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Narrative asides in Luke-Acts. JSOT Press, 1992.

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Tufte, Edward R. Visual Explanations: Images and Quantities, Evidence and Narrative. 2nd ed. Graphics Press, 2000.

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Tufte, Edward R. Visual explanations: Images and quantities, evidence and narrative. 6th ed. Graphics Press, 2003.

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Tufte, Edward R. Visual explanations: Images and quantities, evidence and narrative. Graphics Press, 1997.

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Book chapters on the topic "Visual narrative and textual narrative"

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Barton, Simon. "Textual Gestures: Iconic Text and Narrative." In Visual Devices in Contemporary Prose Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137467362_3.

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Ahmad, Imran Shafiq, Havish Kadiyala, and Boubakeur Boufama. "From a Textual Narrative to a Visual Story." In Pattern Recognition and Artificial Intelligence. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71804-6_11.

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O’Toole, Michael. "Narrative Structure and Living Texture." In The Hermeneutic Spiral and Interpretation in Literature and the Visual Arts. Routledge, 2018. http://dx.doi.org/10.4324/9781315145525-4.

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Goodnow, Trischa. "Narrative Theory." In Handbook of Visual Communication. Routledge, 2020. http://dx.doi.org/10.4324/9780429491115-24.

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Coderre, Emily. "Visual Narrative Comprehension." In Encyclopedia of Autism Spectrum Disorders. Springer New York, 2019. http://dx.doi.org/10.1007/978-1-4614-6435-8_102328-1.

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Coderre, Emily. "Visual Narrative Comprehension." In Encyclopedia of Autism Spectrum Disorders. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-91280-6_102328.

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Tamboukou, Maria. "Broken narratives, visual forces." In Beyond Narrative Coherence. John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/sin.11.05tam.

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Marsen, Sky. "Textual Dimensions and Narrator Roles." In Narrative Dimensions of Philosophy. Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230599345_3.

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Kiernan, Patrick. "Framing, Narrative and Textual Semiotic Resources." In Learner Narratives of Translingual Identities. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95438-7_6.

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Mulvey, Laura. "Visual Pleasure and Narrative Cinema." In Visual and Other Pleasures. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19798-9_3.

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Conference papers on the topic "Visual narrative and textual narrative"

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Geddes, Ilaria, and Nadia Charalambous. "Building a timeline, developing a narrative: visualising fringe belt formation alongside street network development." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6042.

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This project was developed as an attempt to assess the relationship between different morphogenetic processes, in particular, those of fringe belt formation as described by M.R.G. Conzen (1960) and Whitehand (2001), and of centrality and compactness as described by Hillier (1999; 2002). Different approaches’ focus on different elements of the city has made it difficult to establish exactly how these processes interact or whether they are simply different facets of development reflecting wider socio-economic factors. To address this issue, a visual, chronological timeline of Limassol’s developm

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Beccari, Enrico. "Relatos (secuenciales) en la red– el cómic autobiográfico y los nuevos contextos de producción y difusión." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4867.

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Como efecto de la globalización y de las nuevas tecnologías de comunicación y difusión de contenidos, aumenta el abanico de narrativas gráficas que aprovechan cambios concretos en las modalidades de distribución y comercio para elaborar distintas estrategias de autopublicación, llevadas a cabo a través de plataformas de distribución global, convertidas en mediadores privilegiados. Entre las distintas formas de narrativas autobiográficas, el cómic se diferencia por la necesidad de organizar una narrativa tanto visual como textual. Sin embargo, en la contemporaneidad, la delicada tarea del relat

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Panchenko, Svetlana. "Mental Map of Yekaterinburg in the Book 'The Drawn City' By A. Ryzhkov: Linguistic Analysis." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-42.

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The article contains a linguistic analysis of the book ‘The Drawn City’ by A. Ryzhkov; the book comprises reproductions of pictures and respective text in the context of a mental map of the city of Yekaterinburg. In approaching the mental map as spatial information in people’s minds, reflecting the image of the city, the goals of linguistic analysis are to show the vision of the metropolis and the linguistic ways of verbally expressing the thoughts and feelings of the landscape artist; to determine the value to society of the private perception of the city through artistic representation and t

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Akimoto, Taisuke, Junpei Ono, and Takashi Ogata. "Narrative Forest: An automatic narrative generation system with a visual narrative operation mechanism." In 2012 Joint 6th Intl. Conference on Soft Computing and Intelligent Systems (SCIS) and 13th Intl. Symposium on Advanced Intelligent Systems (ISIS). IEEE, 2012. http://dx.doi.org/10.1109/scis-isis.2012.6505319.

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Kaghazchi, Negar, Sachiko Kodama, and Masakatsu Kaneko. "Interactive visual narrative "cloudy lady"." In SA '18: SIGGRAPH Asia 2018. ACM, 2018. http://dx.doi.org/10.1145/3283289.3283294.

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Meneweger, Thomas, Daniela Wurhofer, Marianna Obrist, Elke Beck, and Manfred Tscheligi. "Characteristics of narrative textual data linked to user experiences." In CHI '14: CHI Conference on Human Factors in Computing Systems. ACM, 2014. http://dx.doi.org/10.1145/2559206.2581361.

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Xie, Tao, and Zhiyuan Long. "Research on Multimodal Visual Narrative of Digital Interactive Picture Books Interaction and Narrative." In 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccessh-17.2017.105.

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Wardrip-Fruin, Noah, Jorn Meyer, Ken Perlin, Ben Bederson, and Jim Hollan. "A zooming sketchpad, a multiscale narrative." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. ACM Press, 1997. http://dx.doi.org/10.1145/259081.259227.

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Bastiras, Jim, and Bruce H. Thomas. "Combining Virtual Reality and Narrative Visualisation to Persuade." In 2017 International Symposium on Big Data Visual Analytics (BDVA). IEEE, 2017. http://dx.doi.org/10.1109/bdva.2017.8114623.

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Geun, OH Weon, and KO Jong-Gook. "Visual Narrative Technology of Paintings Based on Image Objects." In 2019 International Conference on Information and Communication Technology Convergence (ICTC). IEEE, 2019. http://dx.doi.org/10.1109/ictc46691.2019.8939893.

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Reports on the topic "Visual narrative and textual narrative"

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Bonniksen, Derek. Judgments of Lethal Risk: A Comparison of Visual and Narrative Stimuli. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6593.

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Theory of change: Don’t Bet Your Life On It. Greo, 2021. http://dx.doi.org/10.33684/2021.005.

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Gambling-related harms are increasingly recognised as a significant public health issue in Great Britain. The vast majority of those experiencing gambling harms remain unidentified and without support. Don't Bet Your Life On It (DBYLOI) blends lived experience and clinical expertise to deliver practical safer gambling strategies virtually for players that can be accessed anytime and anywhere to prevent any life from being needlessly affected by gambling-related harm. It is designed to support players at any level of play by providing players with a “seat belt” to prevent harms from occurring,

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